Category Archives: Vaporwave

Robert Stark interviews Italian Musician and Artist Dino Olivieri

1980's, 1990's, 80's music, 90's music, aesthetics, Akira, Anime, Art, Art Nouveau, Asia, Asian Culture, Blade Runner, Comic Books, Culture, Cyberpunk, Daft Punk, Dino Olivieri, Europe, Film, Florian Renner, Futurism, Ghost in a Shell, Italo Disco, Italy, Japan, Japanese Culture, Leisure Suit Larry, Literature, Music, Neon, New Retro Wave, Photography, Pilleater, Retro Futurism, Science Fiction, Stanley Kubrick, Synthwave, Transhumanism, Vaporwave, Video Games, Wilderness

Robert Stark and co-host Pilleater spoke to Musician, Artist, and Web Designer Dino Olivieri from Turin, Italy.

Dino Olivieri has been known for producing some of the most technologically advanced websites. Her creativity is always on display when she’s at work, proving to her clients that she is the very best. These days, she tends to outsource this work and sends it over to an SEO Company Chester. But her music is at the very heart of what she does.

His website is Onyrix and you can check out his work on Facebook, Twitter, Flickr, SoundCloud, Bandcamp, Vimeo, and Youtube.

Uploading content to these social media platforms is a great way for Olivieri to get his music heard from people all over the world and with just a click of a button. His next step should be to consider uploading his songs to music streaming sites like Spotify, and he may want to have a look at getfans.io/buy-spotify-plays to see how he can get more people to listen to his music. The more people that are aware of his music, the more likely he will be at getting discovered, resulting in his career taking off.

Topics:

Intro: Beyond Human
Early artistic inspirations, figure drawing, and aesthetic interest ranging from Italian Renaissance Art to Anime, Vaporwave, and Cyberpunk
Interest in anime, especially the giant robots created by Go-Nagai and Matsumoto’s work such as Captain Harlock
Italian Design
Dino’s Photography of the Italian Alps on Flickr
Early musical influences; early 80’s New Wave and Italo Disco
Influences from and use of classical music in his work
Japanese Composers Joe Hisaishi, Kenji Kawai, Kento Masuda, and Sakamoto
The new Singularity Album which is for a theatrical show created by Director Raffaele Lamorte
Movie Soundtracks; Vangelis’s Soundtrack for Blade Runner
The Singularity album cover; posters for the films Neon Demon and Stanley Kubrick’s Clockwork Orange
Dino’s upcoming album which has influences from Synthwave, Retrowave, and 90’s Dance Music
Dino’s illustrated novel “Di Undici Foglie” and his upcoming novel “Legend of the Starlight”
Dino’s video game Over The Net from 1991; comparisons to Leisure Suit Larry
Outro: Sex Surrogates and Jealousy


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Jay Dyer about Esoteric Twin Peaks

1950's, aesthetics, Aleister Crowley, Blue Velvet, Conspiracy Theories, Crime, Culture, David Bowie, David Lynch, dreams, Film, Film Noire, Gender, Hollywood, horror, horror films, humor, Jay Dyer, Kyle MacLachlan, Music, Mythology, Occultism, Pilleater, Psychology, Religion, Salvador Dali, Serial Killers, Sexuality, Surrealism, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer about the Esoteric Symbolism behind David Lynch’s Twin Peaks and the new series on Showtime. Jay writes film reviews at Jay’s Analysis and is the author of Jay Dyer’s Esoteric Hollywood

Topics:

Intro Song: The Northern Lights – Falling (feat. Lucy Black)
‎Jay’s article An Esoteric Guide to Twin Peaks
The New Twin Peaks series and how it compares to the original
The prequel film Fire Walk With Me (1992) which reveals the murder mystery aspect of the plot
Twin Peaks’ transition from a Soap Opera parody to a Dark Comedy and then a Surreal Horror
David Lynch’s success in giving clues and keeping the audience in mystery and suspense
Film Noire, the 1950’s theme, and David Lynch’s interest in fusing eras and genres
Themes of dreams and the subconscious
Surrealist influences and David Lynch’s documentary Surrealist Cinema
The role of organized crime in the series
Themes of Conspiracy Theories and the Deep State
Co-creator Mark Frost’s book The Secret History of Twin Peaks
Themes of Occultism
References to Tibetan Buddhism and Native America Mythology
Super Natural Themes; The evil and benign spirits and Killer Bob’s possession of people’s bodies to commit murder
The Black Lodge, the White Lodge, and Glastonbury Grove which is the portal
The aesthetics and symbolism of the “Red Room” and whether it is the Black Lodge or a portal between the worlds
Cooper’s evil version(doppelgänger); Cooper’s escape from the Black Lodge in the new series
How the series is more about Agent Dale Cooper’s journey to the Black Loge then the murder mystery of Laura Palmer
Jay’s expectations for the new series


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Count Isidor Fosco about creating New Retro Futurist Sub Cultures

1980's, 80's music, aesthetics, Alicia Silverstone, Alphaville, animation, Anime, Architecture, arcology, Art, Art Deco, Asian Aryanism, Asian Culture, Batman, Blade Runner, Cinema, Cities, Comic Books, Count Isidor Fosco, counterculture, Culture, Cyberpunk, Depeche Mode, Duran Duran, Europe, Film, Film Noire, Futurism, Helen Slater, Homosexuality, Identitarianism, Israel, Italo Disco, Japanese Culture, Kaze to Ki no Uta, Memes, Mid-Century Modern, Milo, Mishima A Life in Four Chapters, Music, New Retro Wave, Peter Sotos, Pilleater, Postmodernism, Retro Futurism, Sarah Michelle Geller, Sexuality, Steampunk, SWPL, The Crush, The Legend of Zelda, Toronto, Trolling, Urbanism, Vaporwave, Video Games, Will McBride, Winona Ryder, Yukio Mishima

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to returning guest Count Isidor Fosco.

Topics:

Retro-Futurism and it’s sub-genres
Whether Retro-Futurism and fusing past genres can evolve organically or end up being a “cut and paste”
Merging an Aristocratic or Traditional Genre into a Futuristic one
How fusing genres is most effective when there is a distance in eras(ex. Art Deco and Cyberpunk, Baroque and 80’s Retro-Futurism)
How futurism overlaps with the archaic in architecture(ex.Arcology)
Steampunk; Victorian era Train Stations in London, the Galleria Vittorio Emanuele in Milan, and shopping centers inspired by European shopping arcades
The Toronto Eaton Centre in contrast with the Underground City in Montreal, which is more Retro-Futuristic
Why “Decopunk” Deserves to Be Bigger than Steampunk
The Art Deco revival during the New Wave Age
Batman: The Animated Series, Batman & Architecture, and Anton Furst’s visions for the Aesthetic Of Gotham City(1989)
Alicia Silverstone in Batman & Robin and playing piano in the film The Crush
The aesthetics of Mishima: a Life in Four Chapters and the manga Kaze to Ki no Uta
New Retro Wave, Italo Disco, Falco, and Alphaville’s Forever Young and Big In Japan
The “Vaporwave” Babylon Club from Scarface which was featured in Miami Nights 1984’s Early Summer
How we are in post-post modernism and must rebuild cultures from scratch
Subcultures based on ethnic and cultural identity; cultural and ethnic fusionism(ex.Asian Aryanism)
How the future will either be mass global homogenization or forming new cultures from scratch but there is no returning to the past
Asian and Israeli Aryanism as memes
Count Fosco’s hierarchy of fetishes

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Pilleater about Almond Eyes Baby Face

aesthetics, Almond Eyes Baby Face, Alternative Left, Alternative Right, Anime, Art, Asia, Asian Aryanism, China, counterculture, Culture, Cyberpunk, demographics, Despair, Diversity, Erotica, Ethno Nationalism, Gender, Identitarianism, Japan, Japanese Culture, Millennials, Multiculturalism, Music, Natalie Portman, Nationalism, Peter Sotos, Philadelphia, Philosophy, Pilleater, Poetry, Political Correctness, Pornography, Psychology, psychosocialism, Race Relations, Science Fiction, Sexuality, Trevor Brown, Trip, Utopia, Vaporwave, Yukio Mishima

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Pilleater about his new book Almond Eyes, Baby Face(available on Lulu) which is series of short stories. Pilleater blogs at Asian Aryanism and the Mineo Maya Fanclub

Topics:

The autobiographical nature of the first story
The theme of dealing with trauma from High school and College and struggling to fulfill the Psychosocial narrative
Nana’s Song inspired by Natalie Portman in Leon the Professional
The transcript of Pilleater’s Omegle chat where he pretended to be an Asian Girl
How Pilleater sees the book as his version of Yukio Mishima’s Confessions of a Mask
Pilleater’s essay he submitted to Radix “Why I’m an Identitarian”
Pilleater’s advocacy of Asian Aryanism
Pilleater’s Asian Aryanism in contrast with Asian colonization of the west and the growing rootless identity among Eurasians
The criticisms of Pilleater’s work from both the Alt-Right and SJW Left
The books cut up of the Right Stuff’s article 4 Reasons You Shouldn’t Date Asian Girls
The WMAFL phenomenon
Pilleater poem Easy Tiger dedicated to Porn Star Harriet Sugar Cookie
A hypothetical Asian Aryan ethnostate; it’s culture, politics, and aesthetics
Creating new Avant Garde sub-cultures
The Vaporwave science fiction story in the book
The cover art by Thai artist Piemboons inspired by Trevor Brown
The erotic science fiction story the “Rape of M’Khal” which was added to the new edition of Trip by Pilleater


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews New Retro Wave Artist Absolute Valentine

1980's, 1990's, 80's music, 90's music, Absolute Valentine, aesthetics, Akira, Andy Fox, Anime, Art, Cinema, Culture, Cyberpunk, Daft Punk, David Lynch, Depeche Mode, Film, France, Ghost in a Shell, horror, horror films, Italo Disco, John Carpenter, Kavinsky, Music, Neon, New Retro Wave, Pilleater, Synthwave, The Summoner, Vaporwave

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to French New Retro Wave Artist Absolute Valentine(Bandcamp Site). He is also a manager for Lazerdiscs Records. Check out his SoundCloud, YouTube, and Facebook Page.

Topics:

Intro Song: Bad News from the Police Heartbreaker album
Music background, learning piano as a kid, playing guitar in a metal band, and early electronic work
Influences ranging from Bach, Kavinsky, and Vangelis; similarities between Synthwave and Classical Music
The New Retro Wave genre
Producing music for Lazerdiscs Records and Drive Radio
The Darkwave genre
The Police Heartbreaker album
The Sunset Love album
The American Nightmare album inspired by Horror Films
The album cover designs, Cyperbunk influence, and the color pallet
Anime, Akira, and Ghost in a Shell
The Film Drive
John Carpenter’s Film Soundtracks
Daft Punk and 90’s French House Music
French 80’s music; Space Disco
The upcoming New Retro Wave horror film The Summoner which Absolute Valentine will do a track for
The Roland TR-7, other Synths, and the process of layering Synths
The importance of the intro and outro in Synth Music
The moniker Absolute Valentine
Upcoming Albums, Tracks, and live performances
Outro: She’s a Dancer from the Sunset Love Album


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Leisure Suit Larry Creator Al Lowe

1980's, 1990's, Alicia Silverstone, Art, Brandon Adamson, comedy, Culture, Donald Trump, Erotica, Family Guy, Gambling, humor, Las Vegas, Leisure Suit Larry, Loserdom, Mid-Century Modern, Music, Pilleater, Political Correctness, Pornography, Sexuality, The Manhole, Vaporwave, Vice, Video Games

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Brandon Adamson talk to Leisure Suit Larry Creator Al Lowe

Topics:

The music from the game
1981’s Soft Porn Adventure
How Al wanted to make a comedy game
The main character Larry Laffer
Larry as a loser and sleazy, but guys can relate to him probably more than they would want to admit
How young people today are able to identify with the character of Larry through their online dating adventures
The fan song feel like leisure suit larry
Al’s point that the game is not about the “sleaze” but a satire
The portrayal of women in the game who get the upper hand on Larry
How the early games had only text and no voice for Larry
The Adult Video Game genre and nudity in the game
How the old Larry games were difficult, and you could actually get stuck if you forgot to do something or ran out of money, and there were totally unpredictable ways of dying. In some cases clues were very minimal
The groundbreaking software innovations of Sierra Entertainment in the 80’s
The aesthetics of the game, Vaporwave and 80’s nostalgia, and Al’s point that he was just going with the style and limited color pallet of the time
Video Games as Art
Brandon’s point that the essence of the game is exploration rather than winning
Nontoonyt Island, the tropical setting in Leisure Suite Larry 2 which has been transformed into a resort
The Casino Aesthetic, City of Lost Wages, and “Ceasars Phallis”
How in Leisure Suit Larry 5 (1991) there’s a “Tramp International Casino” which is clearly a reference to Trump and now Trump is president
The Alicia Silverstone look a like in Leisure Suite Larry 6
The process of creating a character
“Save Early, Save Often”
Rumors that Glen Quagmire from Family Guy was based on Larry Laffer
The Planned Leisure Suite Lary TV show in the 80’s with Sony
The Leisure Suite Larry Calendar
The Leisure Suite Larry look a like contest
The Reloaded Edition
Sierra’s Game “Kings’s Quest”
The Game “The Manhole”
Al’s game Torin’s Passage
The effects of political correctness on video games
Al’s free daily jokes at his Humor Site

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician Dean Clarke of Brutalist Architecture in the Sun

1980's, 80's music, 90's music, aesthetics, Architecture, Brutalism, Brutalist Architecture in the Sun, Culture, Cyberpunk, Dean Clarke, Depeche Mode, Donald Trump, Economics, England, FM-84, Free Trade, income inequality, Industrial Music, John C. Portman Jr, London, Music, New Retro Wave, Pilleater, Retro Futurism, Synthwave, Vaporwave, Video Games

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to musician Dean Clarke. He does vocals and electronics for the band Brutalist Architecture in the Sun based in the UK. Check them out on Facebook and YouTube

Topics:

Intro Song: Love & Science (feat. Paul Humphries from the Concrete Pop Album
Dean’s background in music and his original band 3D the band
Influences from electronic music from the early 80’s including Gary Numan and Tangerine Dream
90’s influences including Front 242, Nine Inch Nails, and Skinny Puppy
The New Retro Wave genre; FM-84
Darkwave
Minimal Wave Records
The hybrid sound of 80’s Synthwave and 90’s Industrial Music, and the trend of fusionism
Performance at Zigfrid von Underbelly in London
Band of the month for Artefaktor Radio
Dean’s vocals, and Cye Thomas who also does vocals for the band
The use of the Korg MS-20 Synth
The aesthetics of the album covers Dean designs, fusing Brutalist and Industrial imagery with bright fluorescent colors
Brutalist architecture, Trellick Tower, The Underground, and Centre Point in London, John C. Portman Jr., and the revived interest in Brutalism
Cyberpunk, the London Trocadero, and 80’s arcades
Victorian era Railway Stations in London
Urban exploration and dead mall enthusiast
Economics and political themes in music
The de-industrialization of the UK
Depeche Mode’s Where’s the Revolution
The marketing and consumption of music on the internet
The band’s new album Post Democracy from live performances


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark, Pilleater, & Richard Wolstencroft discuss Ghost in a Shell

1980's, aesthetics, Akira, Alternative Right, animation, Anime, Architecture, Asia, Asian Aryanism, Asian Culture, Blade Runner, China, Cinema, Cities, Culture, Cyberpunk, Dystopia, Film, Futurism, Ghost in a Shell, Globalization, Hong Kong, Liberalism, Martin Heidegger, Mishima A Life in Four Chapters, Music, Nationalism, Paul Schrader, Philosophy, Pilleater, Political Correctness, Psychology, Retro Futurism, Richard Wolstencroft, Scarlet Johansson, Science, Science Fiction, Sexuality, Synthwave, technology, Transhumanism, Travel, Vaporwave, William Gibson, Yukio Mishima

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and director Richard Wolstencroft discuss the new film Ghost in a Shell based on the 1995 anime.

Topics:

How it compares to the original film
The plot and characters
The film’s aesthetics, 1980’s retro-futurism, holograms, and cyberpunk
The synth soundtrack
The Robot Geisha scene
The fictional  futuristic Asian city filmed in Hong Kong
Richard Wolstencroft’s experience in Hong Kong and observations on Asian culture
Comparisons to the films Akira and Blade Runner, and William Gibson’s Neuromancer
The Anime Right
The “white washing” controversy about a White actress playing an Asian role
Scarlet Johansson
Takeshi Kitano
Themes of Trans-humanism and Cybernetics
Ray Kurzweil’s Wildest Prediction: Nanobots Will Plug Our Brains Into the Web
The Philosophy of Mind, ‎Gilbert Ryle’s Ghost in the machine, and Arthur Koestler’s Ghost in the machine
Hubert Dreyfus’s views on artificial intelligence influenced by Martin Heidegger
Political messages in the film
“Ghost in a Shell” as a metaphor for the rootless atomized society where people lack any real identity
Richard’s upcoming film The Second Coming Volume II


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician Alex Romane

1990's, 80's music, 90's music, Alex Romane, Culture, democracy, Digital Hardcore, energy, England, Environment, Global Warming, Music, NATO, Philosophy, Pilleater, Politics, Religion, Synthwave, Syria, Vaporwave, War

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to musician Alex Romane. He is a electronic musician and operates Urban Sunrise records. He is known for coming out with the first drum and bass record ever, under the name Apache.

Topics:

Intro Song: Alex Romane – Warrior Princess
Alex’s early background in music, influences from his mother, and basics in classical music and folk music
Alex’s father who was a music producer and brought back tapes of Iraqi Artist during the embargo
Alex’s music career in the early 90’s
How Alex invented the drum bass
Delirious – the world’s first ever Drum and Bass album
80’s synthwave music; Gary Numan and Tubeway Army
Cross over in synth and classical; Techbeat
Writing stories with music
Digital Hardcore and Jungle Music
The Dubstep genre, and other trends in music
The animated visuals on Alex’s website
Alex’s Philosophy; Direct Democracy and the Nature of God
The UK Direct Democracy Party
Alex’s experience lawfully infiltrating the UK Government
Alex’s new album Demokratia, which uses music as a political vehicle, and is a hybrid of hip hop, trance, and techno
NATO and war
Global Warming and Alternative energy sources going back to Henry Ford’s use of Hemp and Tesla’s energy devices


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks about Clueless, The Babysitter, & The Meme Magic of Alicia Silverstone

1990's, Alicia Silverstone, American Beauty, Beverly Hills, Charles Lincoln, Cinema, Class, Clueless, Count Isidor Fosco, Craig Langley Jr, Culture, Film, Gender, Hollywood, Leisure Suit Larry, Los Angeles, Love, materialism, Memes, Pilleater, relationships, Sexuality, social status, The Babysitter, The Crush, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the Alicia Silverstone films Clueless and the The Babysitter.

Topics:

How the original film The Crush was edited
The Babysitter as the most realistic of the three Alicia Silverstone films
The Babysitter compared to American Beauty
Th peeping through the window scene, and the imagination of the guys who see Alicia Silverstone through the window
In reality it is all just in the male imagination in this movie
The awkward bathtub fantasy followed by her signature cheeky smile
Traits of men who prefer breasts, booty, or legs
The Alicia Silverstone film Vamps
The Clueless (TV series)
The setting of Clueless in Beverly Hills
San Mateo Teenager Goes Hollywood
Cher’s Character development and self realization
Whether she is anti-snob?
Social Cliques in High School
The makeover of her friend
Comparisons to Mean Girls
The fact that the girls are excited by the fact that the guy has a picture of the new girl in her locker, and how today that would be called “creepy”
She comes across as more conservative with her condemnation of dating druggies, and saving her virginity
The whole theme of matchmaking
The “Baldwin” reference and other cultural references, a kind of Hollywood being self-complimented
The Spartacus scene, pearls and oysters, subtle signaling in old movies
Her realization that she loves Josh despite the fact he is a “slug”
The normal guy get’s the girl in the end, not the “hot guy” who turns out to be Gay
The fact that all the girls are obsessed with marriage while in school which is dated
The Clueless scene where her father is happy that she knows how to negotiate over grades
Cher’s speech about refugees
Alicia Silverstone Would Rather Go Naked Than Wear Wool! | PETA
The pink blue color code in the ending sequence is kind of Vaporwave
The robbery scene in the Valley
LA Landmarks including the Sinister Neon Clown at Circus Liquor
Meme Magic and Alicia Silverstone as a meme
Leisure Suit Larry and the Alicia Silverstone look a like


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This show is brought to you by Robert Stark’s Paintings!