Category Archives: Emile Durkheim

Robert Stark talks to Keith Preston about Rudolf Steiner

Academia, Aleister Crowley, American Culture, Anarchism, Aristocratic Individualism, Art, Austria, capitalism, Carl Jung, Christianity, Consumerism, Culture, decentralization, Despair, Distributism, dreams, Drugs, Economics, Emile Durkheim, Enlightenment, ethnopluralism, Eugenics, Fascism, Germany, Gnosticism, Hinduism, History, Human Bio Diversity, Jeffery Mishlove, Julius Evola, Keith Preston, localism, Managerialism, Marxism, materialism, Matthew Pegas, Morality, Nationalism, neo-tribalism, Neoliberalism, Nietzsche, Occultism, parapsychology, Philosophy, Political Correctness, Politics, Psychology, Rationalism, Religion, Robert Putnam, Rudolf Steiner, Science, social capital, Social Isolation, Social Media, social trust, Socialism, spirituality, Surrealism, technology, Thinkers Against Modernity, Third Position, Third Way Economics, Timothy Leary, Traditionalism, Transhumanism

Robert Stark and Matt Pegas talk to Keith Preston about the life and philosophy of Austrian occultist and Renaissance Man, Rudolf Steiner, and what we can learn about Steiner’s ideas to address contemporary problems. Check out Keith Preston’s article, Scientific Spirituality and Ethical Individualism: The Legacy of Rudolf Steiner, and Troy Southgate’s new book, THE SPIRIT UNBOUND: RUDOLF STEINER’S PHILOSOPHY OF FREEDOM. Keith Preston is a historian, social scientist, political analyst, author, lecturer, trends researcher, and the editor of Attack the System. Follow Keith on Twitter.

Topics:

The crisis of modernity as anomie, uprootedness from place, identity, tradition, and social bonds, and its impact on the human psyche
Parallels between the modern existential crisis and that of Steiner’s era
Traditional religion being replaced by new secular religions (eg. social justice, scientism, secular heresies)
Steiner’s belief that spirituality and science are interconnected
Parapsychology, including studies of near death experiences
Comparisons to Carl Jung and Christian mystics, Emanuel Swedenborg and William James
Anti-vaxxers’ fascination with Steiner’s warnings of genetically re-engineering people’s spirituality
Steiner’s views on spiritual races and the Steiner schools becoming a target of cancel culture, though Steiner was staunchly anti-fascist
The limitations of materialism and rationalism, and Steiner’s influence from Romanticism 
Steiner’s philosophical relation to other thinkers, including Julius Evola, Nietzsche, Aleister Crowley, and Martin Buber
How the essence of Steiner’s political philosophy was reconciling the differences  between individualism and rootedness, liberal egalitarianism and tradition, and occultism and ethics
How Steiner favored an economic system like distributism, over capitalism or Marxism, and decentralized local autonomy and identities, over nationalism

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Robert Stark interviews Charles Lincoln about True Stories

1980's, 80's music, American Culture, capitalism, Charles Lincoln, Christianity, Cinema, Class, Consumerism, Country Music, Culture, Dallas, Diversity, Economics, Emile Durkheim, Film, Immigration, John Goodman, Music, relationships, Religion, Republican Party, Robert Lindsay, Ronald Reagan, social capital, Suburbia, Talking Heads, Texas, True Stories, Wealth

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Robert Stark interviews Charles Lincoln about True Stories which is a 1986 American film that spans the genres of musical, art, and comedy, directed by and starring David Byrne of the band Talking Heads. It co-stars John Goodman, Swoosie Kurtz, and Spalding Gray. Byrne has described the film as, “A project with songs based on true stories from tabloid newspapers. It’s like 60 Minutes on acid.” Robert Lindsay also joins in on the conversation

Topics include:

The setting of the film, a small fictional town on the outskirts of Dallas, Texas that is undergoing change
How the town in the film is celebrating the 150th anniversary of Texan independence
Charles Lincoln’s personal connection to Dallas
How the film shows both the old America and the New and how that is symbolic of America in the 1980’s
The depiction of diversity in the film
The Conspiracy Theorist Preacher in the film
The depiction of crass materialism and how the culture of the 80’s was more upfront than today’s  hybrid of materialism and social justice
The marginalization of highbrow culture(ex. scene in the film depicting a janitor singing opera
Emile Durkheim’s theory on anomie,  which is the breakdown of social bonds between an individual and the community
The music in the film by the Talking Heads
Ronald Reagan and how Charles Lincoln opposes Reagan from a traditionalist standpoint and Robert Lindsay from an Alternative Left standpoint
How Reagan’s credit policy encouraged suburban sprawl, which is depicted in the film

 


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