Category Archives: Count Isidor Fosco

Robert Stark talks to Count Fosco about Cruel Intentions, Sex, Class & Alt Politics

1990's, aesthetics, Alicia Silverstone, Alternative Left, Alternative Right, American Culture, Architecture, Californication, Canada, Cinema, Class, comedy, Count Isidor Fosco, Cruel Intentions, Culture, demographics, Depravity, Donald Trump, Erotica, Feminism, Film, Gender, Hollywood, humor, Immigration, Journey to Vapor Island, Kevin MacDonald, Luke Ford, relationships, Sarah Michelle Geller, Sexuality, South Africa, The Crush, Wealth

 

 

 

 

 

 

 

 

Topics:

The film Cruel Intentions
The Main theme in the movie is the corruption of innocence and purity
The movie has many versions, sequels, and is based on the French original, “Les Liaisons Dangereuses”
Entrapment scenes, gay entrapment, and broken families
Kathryn’s view of sex and her use of sex to manipulate
Sebastian is a little bit more flamboyant than the usual pick up artist; he is confident but in an in-artificial way
The character of Court Reynolds is almost a Spencerian evil “White” character described as a “Nazi”
The mixed-race relationship angle is played up as one of Karthyns violations
Kathryn’s Feminist speech in opposition to “Miss Mary Sunshine.”
Sex as an initiation into a Secret Society as a joke, mentioned by Kathryn
Upper class degeneration isn’t really seen as disgusting or stupid in movies as low class degeneracy
Anti-Semitic tropes in the film
The end of the film was incoherent as it left Sebastian with a redemptive change of heart with very little explanation for it
Old Westbury Gardens manor house where Sebastian’s aunt lives
The misconception that Hollywood is completely controlled and often exposes elite corruption
The recent Alt-Right drama and how the Alt Right is completely separated along class lines
Count’s ideology; Social Nationalism, Economic Populism, and Cultural Elitism
The 12 Steps Of Alt Right Anonymous and how Luke Ford is the most important comedian of the Alt-Right
The Nathan Cofnas critique of Kevin MacDonald and how Count basically agrees with most of it
Lauren Southern’s South Africa Documentary 

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Director Matthew David Wilder about his film Regarding the Case of Joan of Arc

Alternative Right, Cinema, Count Isidor Fosco, Culture, Donald Trump, Film, Joan of Arc, Journey to Vapor Island, Matthew David Wilder, Regarding the Case of Joan of Arc, terrorism, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Count Fosco talk to director Matthew David Wilder about his upcoming film Regarding the Case of Joan of Arc .

Topics:

A domestic terrorist who claims to hear the voice of God commanding her to attack federal buildings
Inspiration from Bresson’s The Trial of Joan of Arc 
Joan’s belief in the soil, the bloodline of the people, making America Christian again, and against the elites
Joan’s ideology as a miss mash of the Alt-Right, Cliven Bundy, and Christian Fundamentalist
The theme of having high ideals and coming to grips with one’s fragility
The question of whether Joan is a villain or sympathetic character
How the film does not give a moral judgement of Joan
The dialogue between Joan and the Judges
The office politics of the people judging her
The Guantanamo Bay like setting and theme of government tyranny
Characters who represent Deep State figures
The triad of judges arranged in a pyramid
The dream like surreal quality to the film
The minimalist aesthetic
The casting and discovering of the lead actress Nicole LaLiberte from the New Twin Peaks 
The production of the film
Writing  for the new film Looking Glass
Robert suggests Matthew make his novel Journey to Vapor Island into a film

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This show is brought to you by Robert Stark’s Paintings! and his novel Journey to Vapor Island




Robert Stark talks to Count Fosco about the film Eyes Wide Shut

acting, aesthetics, Alice in Wonderland, Architecture, Cinema, Communism, Conspiracy Theories, Count Isidor Fosco, Culture, David Lynch, Depravity, dreams, Erotica, Eyes Wide Shut, Film, Hollywood, humor, Hungary, Journey to Vapor Island, Leelee Sobieski, Literature, Music, New York, Occultism, Prostitution, Psychology, relationships, Religion, Salò, Sexuality, Stanley Kubrick, Surrealism

 

 

 

 

 

Robert Stark talks to Count Fosco about the film Eyes Wide Shut directed by Stanley Kubrick. Count Fosco has a background in the Canadian Film Industry.

Topics:

Secret Societies; the conspiracy theory outlook vs. elite social clubs
The book  CULT AND OCCULT (THE UNEXPLAINED FILE) by FRANCIS KING
The book Dream Story by Arthur Schnitzler which the film was based upon
Kubrick’s Kaleidoscope
How there is a lot of subtle camera work in Eyes Wide Shut, that most people may not have caught
The importance of symbolism in the film
Types of Venetian masks worn at the party
The use of clues throughout the film
The theme of what is real and what is fantasy
What if David Lynch directed Eyes Wide Shut?
The Mentmore Towers Palace in England where the orgy scene was filmed
the conflict over sexual desire and libido between the married couple played by Tom and Nicole
There is a slight suggestion that perhaps Alice Harford is part of the Cult but her husband is not, when she says “You have no idea.”
Everyone have a price, notice how Bill Harford solves all his problems with money, both with the taxi man and the clerk, hence his name “bill” as in dollar bill
The man who gives him the password is a failed medical doctor which might be suggestive of something
Is it possible Ziegler has himself been lied too, despite his story not entirely adding up, despite lying?
Kubrick deliberately tries to fan the flames of Mandy’s death even after his own death, via the journalist who works on his newspaper props
Ritual in a sexual theme, the use of incense used typically only for sacred things
Leon Vitali, Kubricks personal assistant played the red cloak
The Custom store scene doesn’t make a whole lot of sense; it doesn’t fit in with the whole orgie conspiracy
Leelee Sobieski as another sacrificing anti-career heroine Hollywood mother, who put her children above a career
Leelee’s small but interesting roles in “Never Been Kissed,” “Branded,” and “Deep Impact”
Robert’s novel Journey to Vapor Island and parallels with Eyes Wide Shut

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




‘A Vaporwave Literary Genre? from the mind of Robert Stark” BY “Count Fosco”

Count Isidor Fosco, Culture, Journey to Vapor Island, Literature, Oscar Wilde, Vaporwave

 

 

 

 

 

 

 

 

 

Count Fosco reviews Robert Stark’s novel  Journey to Vapor Island. Count Fosco has a background in the film industry in Canada.

The name of Robert Stark is a password in underground media in the English speaking world. Like “Fidelio” from Eyes Wide Shut or “Open Sesame” from the Arabian Knights: dissident, majoritarian and populist authors, activists, media personalities and artists have all be at virtual Robert Stark journalistic parties for over a decade now. While many of us quietly tuned into his show ever since our teens like Nick Caraway wondering what magnificent guests had to saw across the lawn, none predicted the storm coming. The inner book from this journalist has arrived drawing on the seemingly infinity lava flow that seems to have been spawned by the high priesthood of Kek ever since the election of Donald Trump.

Continue reading ‘A Vaporwave Literary Genre? from the mind of Robert Stark” BY “Count Fosco” →

Robert Stark talks to Count Fosco about the show Californication

California, Californication, comedy, Count Isidor Fosco, Culture, David Duchovny, Erotica, Feminism, Film, Gender, Harvey Weinstein, hedonism, Hollywood, humor, Los Angeles, Madeline Zima, Nihilism, Pornography, relationships, Sexuality, Twin Peaks

 

 

 

 

 

 

 

 

 

Topics:

Hank(David Duchovny) is an established author, kind of like every independent man’s dream, though he could easily get taken advantage of by every woman he sleeps with, starting with Mia(Madeline Zima)
How Hank never seems to learn anything, if anything in later seasons he becomes less intelligent…he even admits it…he is a “writer, non-practicing”
Hank is very well connected, demonstrating implicitly that his lifestyle can’t be forever or for everyone
There is something surreal about this show in that no man, not even the powerful get hit on this much by women
Hank ironically suffers from writers block but interestingly, always “writes about what he knows”
Hank’s nihilistic novel being turned into a cheesy romantic comedy
Mia stealing Hank’s novel based on his encounter with her which is latter turned into a film
Madeline Zima in the new Twin Peaks
Similarities between Hank and major sex positive male feminist who have been accused of sexual harassment
The ridiculous sex scenarios Hank gets into
How by the end of the first season it’s interesting how his unmarried “wife” still prefers him which logically doesn’t make much sense but does make sense when you think of his “I don’t give a damn” characteristics
Hank’s agent “Charlie Runkel” who is probably closer to what Hank would be like if he were a real life character
How on some level Hank is genuinely self-loathing
The relationship between Hank and his daughter
Charlie’s boss Sue Collini(Kathleen Turner) who is intimidating even for a cougar and has a very attractive histrionic personality
Sue Collini isn’t the romantic type, she only wants sex from her clients; “Sue Collini always get’s the weenie”
Mia having a preference for older men behind her father’s back while sending every possible signal that she was doing so anyway
How the show has almost every possible sexual fetish in it mentioned
How the show is based on repetition rather than an overall plot
How a lot of Far-Right people watch this show despite that they would all call it degenerate
How the show relates to the ongoing Hollywood sex scandals; the line “You’re no Brett Ratner”

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Count Fosco about the Mechanisms of the Arts

Adam Parfrey, aesthetics, Alicia Silverstone, animation, Architecture, Art, Brandon Adamson, Canada, capitalism, censorship, Cinema, Class, Comic Books, Count Isidor Fosco, counterculture, Culture, David Lynch, Economics, Erotica, Film, Italian Futurism, Joseph Dobrian, Larry Clark, Malcolm Gladwell, Philosophy, Pilleater, Political Correctness, Pornography, Postmodernism, Salvador Dali, Socialism, Surrealism, Trevor Brown, Vaporwave

 

 

 

 

 

 

 

 

 

 

Robert Stark and Pilleater talk to returning guest Count Fosco. Count Fosco has a background in the film industry in Canada.

Topics:

Count Fosco’s background in the Canadian Film Industry
The economic mechanisms for funding the arts
Conservative opposition to funding the arts
Robert Stark’s debate with Joseph Dobrian on funding the arts
The cultural left’s influence on grants favoring politically correct demographic groups
Where the free market falls short and the importance of having an economic safety net for artist
Being an artist as a luxury for the rich and the importance of having the right connections and patrons
The fallacy that the best artist are rewarded economically(ex. Van Gogh)
Preferred relative guidelines for artistic funding and support for relative artistic freedom
How grants work for the film industry in Canada
Malcolm Gladwell’s 10,000 Hour Rule’ and how it applies to the arts
Should art serve a purpose for society?
Censorship in the Art World
The debate about what is art and what is pornography and the concept of “degenerate art”
Creating new artistic sub-cultures
Low Brow Pop Surrealism
Surrealism from Dali to David Lynch
Robert Stark and Brandon Adamson’s Art
The animated series Braceface staring Alicia Silverstone

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Richard Wolstencroft about The New Twin Peaks

 Angelo Badalamenti, 1950's, 1980's, aesthetics, Aleister Crowley, Blue Velvet, Canada, Cinema, Conspiracy Theories, Count Isidor Fosco, Crime, Culture, David Lynch, Film, Film Noire, Hollywood, horror, humor, J.G. Michael, Kyle MacLachlan, meditation, Mulholland Drive, Occultism, Philosophy, Pilleater, Psychology, Religion, Richard Wolstencroft, Sexuality, Surrealism, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, J.G. Michael, and Count Isidor Fosco are joined with filmmaker Richard Wolstencroft live from the Black Lodge to talk about the new Twin Peaks series and how it compares to the original.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
The Black Lodge and it’s theological and occult symbolism
The 80’s quality of the original Twin Peaks, the 50’s nostalgia theme, and David Lynch’s interest in fusing genres
Lynch’s emphasis on visual aesthetics in his films
How Twin Peaks was inspired by the Film Noire Laura (1944)
How the new series makes references to other Lynch films such as Blue Velvet
Contrasting the portrayal of the town Twin Peaks in the new series to the original; Richard’s visit to the town of North Bend, Washington where the show is filmed
Lynch’s portrayal of small towns; the idealism of small towns vs. the critique that there is a dark underbelly to small town America
Demonic possession vs. symbolism of the monster within
Cooper’s Doppelgänger, Agent Cooper becoming Dougie Jones who has lost his memory, and whether he will come back
The theme of powerful entities trying too tap into the Black Lodge and how that will become the main narrative
The theme of “Sex Magic”
The film Mulholland Drive and how it was originally intended to be a sequel to Twin Peaks about Audrey Horne
Lynch’s political views and his interest in Transcendental Meditation
How Twin Peaks touches on a variety of themes including culture, politics, the subconscious, sex, psychology, philosophy, mythology, and religion
Kyle MacLachlan and David Lynch as FBI Agents
The prediction that Cooper will return to Twin Peaks and end up in the White Lodge at the end
The role of the side characters in the new series such as Dr. Jacoby, Ben Horne, and Shelly

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Robert Stark and Richard Wolstencroft discuss The Film Dark City

1990's, aesthetics, Akira, Alex Proyas, alienation, Architecture, Art, Art Deco, Australia, Cinema, Cities, Count Isidor Fosco, Culture, Dark City, David Lynch, Dystopia, Edward Hopper, Film, Film Noire, Ghost in a Shell, Hollywood, horror, horror films, Jennifer Connelly, Metropolis, Mid-Century Modern, Mythology, Nihilism, Philosophy, Pilleater, Plato, Psychology, Retro Futurism, Richard Wolstencroft, Science Fiction, Steampunk, Surrealism, The Matrix, Utopia

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Count Isidor Fosco, talk to filmmaker Richard Wolstencroft about the film Dark City(1998) directed by Alex Proyas.

Topics:

Australian director Alex Proyas, his background in Punk, and his style
Proyas’s films The Crow, Gods of Egypt, and Knowing
Proyas rebelling against the conformity of Hollywood Cinema
Comparisons to the Matrix which came out a year later and the theme of a meta reality
The setting of the City in a Space Ship disconnected from earth, the theme of parallel universes, and comparisons to the Truman Show
The role of “the Others” in the film; the metaphor for powerful people who manipulate reality from behind the scenes
How the others switch peoples memories and give them false memories; comparisons to Ghost in a Shell
The Gothic and Neo Noire Genres
The aesthetics of the film; Decopunk, Metropolis, Edward Hopper, and other influences
The irony of dystopian films is that they often succeed in creating utopian aesthetics
The films success in building upon the sense of mystery
The theme of man becoming a “God Like” figure restructuring society as a utopia
Plato’s allegory of the Cave and the Ship of Theseus
The symbolism of Shell Beach
The directors cut vs. the theatrical cut

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Count Isidor Fosco about creating New Retro Futurist Sub Cultures

1980's, 80's music, aesthetics, Alicia Silverstone, Alphaville, animation, Anime, Architecture, arcology, Art, Art Deco, Asian Aryanism, Asian Culture, Batman, Blade Runner, Cinema, Cities, Comic Books, Count Isidor Fosco, counterculture, Culture, Cyberpunk, Depeche Mode, Duran Duran, Europe, Film, Film Noire, Futurism, Helen Slater, Homosexuality, Identitarianism, Israel, Italo Disco, Japanese Culture, Kaze to Ki no Uta, Memes, Mid-Century Modern, Milo, Mishima A Life in Four Chapters, Music, New Retro Wave, Peter Sotos, Pilleater, Postmodernism, Retro Futurism, Sarah Michelle Geller, Sexuality, Steampunk, SWPL, The Crush, The Legend of Zelda, Toronto, Trolling, Urbanism, Vaporwave, Video Games, Will McBride, Winona Ryder, Yukio Mishima

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to returning guest Count Isidor Fosco.

Topics:

Retro-Futurism and it’s sub-genres
Whether Retro-Futurism and fusing past genres can evolve organically or end up being a “cut and paste”
Merging an Aristocratic or Traditional Genre into a Futuristic one
How fusing genres is most effective when there is a distance in eras(ex. Art Deco and Cyberpunk, Baroque and 80’s Retro-Futurism)
How futurism overlaps with the archaic in architecture(ex.Arcology)
Steampunk; Victorian era Train Stations in London, the Galleria Vittorio Emanuele in Milan, and shopping centers inspired by European shopping arcades
The Toronto Eaton Centre in contrast with the Underground City in Montreal, which is more Retro-Futuristic
Why “Decopunk” Deserves to Be Bigger than Steampunk
The Art Deco revival during the New Wave Age
Batman: The Animated Series, Batman & Architecture, and Anton Furst’s visions for the Aesthetic Of Gotham City(1989)
Alicia Silverstone in Batman & Robin and playing piano in the film The Crush
The aesthetics of Mishima: a Life in Four Chapters and the manga Kaze to Ki no Uta
New Retro Wave, Italo Disco, Falco, and Alphaville’s Forever Young and Big In Japan
The “Vaporwave” Babylon Club from Scarface which was featured in Miami Nights 1984’s Early Summer
How we are in post-post modernism and must rebuild cultures from scratch
Subcultures based on ethnic and cultural identity; cultural and ethnic fusionism(ex.Asian Aryanism)
How the future will either be mass global homogenization or forming new cultures from scratch but there is no returning to the past
Asian and Israeli Aryanism as memes
Count Fosco’s hierarchy of fetishes

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks about Clueless, The Babysitter, & The Meme Magic of Alicia Silverstone

1990's, Alicia Silverstone, American Beauty, Beverly Hills, Charles Lincoln, Cinema, Class, Clueless, Count Isidor Fosco, Craig Langley Jr, Culture, Film, Gender, Hollywood, Leisure Suit Larry, Los Angeles, Love, materialism, Memes, Pilleater, relationships, Sexuality, social status, The Babysitter, The Crush, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the Alicia Silverstone films Clueless and the The Babysitter.

Topics:

How the original film The Crush was edited
The Babysitter as the most realistic of the three Alicia Silverstone films
The Babysitter compared to American Beauty
Th peeping through the window scene, and the imagination of the guys who see Alicia Silverstone through the window
In reality it is all just in the male imagination in this movie
The awkward bathtub fantasy followed by her signature cheeky smile
Traits of men who prefer breasts, booty, or legs
The Alicia Silverstone film Vamps
The Clueless (TV series)
The setting of Clueless in Beverly Hills
San Mateo Teenager Goes Hollywood
Cher’s Character development and self realization
Whether she is anti-snob?
Social Cliques in High School
The makeover of her friend
Comparisons to Mean Girls
The fact that the girls are excited by the fact that the guy has a picture of the new girl in her locker, and how today that would be called “creepy”
She comes across as more conservative with her condemnation of dating druggies, and saving her virginity
The whole theme of matchmaking
The “Baldwin” reference and other cultural references, a kind of Hollywood being self-complimented
The Spartacus scene, pearls and oysters, subtle signaling in old movies
Her realization that she loves Josh despite the fact he is a “slug”
The normal guy get’s the girl in the end, not the “hot guy” who turns out to be Gay
The fact that all the girls are obsessed with marriage while in school which is dated
The Clueless scene where her father is happy that she knows how to negotiate over grades
Cher’s speech about refugees
Alicia Silverstone Would Rather Go Naked Than Wear Wool! | PETA
The pink blue color code in the ending sequence is kind of Vaporwave
The robbery scene in the Valley
LA Landmarks including the Sinister Neon Clown at Circus Liquor
Meme Magic and Alicia Silverstone as a meme
Leisure Suit Larry and the Alicia Silverstone look a like


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This show is brought to you by Robert Stark’s Paintings!