Intro: Throw Your Love Birthday Boy 22nd Anniversary Edition re-released on Captain Crook Records
Inspiration from an isolated lifestyle and lack of personal relationships
Writing songs about characters on TV shows such as Melrose Place
Brandon’s obsession with the E! Channel in the 90s
Musical influences from 70s light rock to 90s Indie
Infamous rejection letters from major record labels
Aspiring to be an indie version of a Seventeen Magazine popstar
Squandered opportunities and big breaks
How for years Brandon was embarrassed by old recordings but eventually came to embrace them
Robert Stark, Sam Kevorkian, and J.G Michael talk to Swedish Synthwave Artist Damokles. Check out his work on SoundCloud, Facebook, and Future 80’s Records which produces his music.
Topics:
Intro: Into the Future from the new Time Machine album
Damokles’ new 14 track album Time Machine
The Time Travel Theme; Back to the Future
Creating synth music since the 70’s
Influences including Kraftwerk
Favorite songs including Yazoo’s Don’t Go and Don’t You Want Me? by the Human League
Experimentation with synthesizers in the 80’s
Being a DJ in the 80’s and how DJ culture has evolved
Working as a piano bar entertainer
The New Retrowave genre and how it is different from original 80’s synth music
Industrial music
The future of electronic music, the mainstreaming of synthwave, and the need for an alternative to mainstream pop
The pros and cons of producing music online without large corporations
Cinematic influences; sci-fi and horror
The illustrations for the albums
80’s Retrofuturism
Visions of the future and how humans are becoming cyborgs
Robert Stark and co-host Pilleater spoke to Musician, Artist, and Web Designer Dino Olivieri from Turin, Italy.
Dino Olivieri has been known for producing some of the most technologically advanced websites. Her creativity is always on display when she’s at work, proving to her clients that she is the very best. These days, she tends to outsource this work and sends it over to an SEO Company Chester. But her music is at the very heart of what she does.
Uploading content to these social media platforms is a great way for Olivieri to get his music heard from people all over the world and with just a click of a button. His next step should be to consider uploading his songs to music streaming sites like Spotify, and he may want to have a look at getfans.io/buy-spotify-plays to see how he can get more people to listen to his music. The more people that are aware of his music, the more likely he will be at getting discovered, resulting in his career taking off.
Topics:
Intro: Beyond Human
Early artistic inspirations, figure drawing, and aesthetic interest ranging from Italian Renaissance Art to Anime, Vaporwave, and Cyberpunk
Interest in anime, especially the giant robots created by Go-Nagai and Matsumoto’s work such as Captain Harlock
Italian Design
Dino’s Photography of the Italian Alps on Flickr
Early musical influences; early 80’s New Wave and Italo Disco
Influences from and use of classical music in his work
Japanese Composers Joe Hisaishi, Kenji Kawai, Kento Masuda, and Sakamoto
The new Singularity Album which is for a theatrical show created by Director Raffaele Lamorte
Movie Soundtracks; Vangelis’s Soundtrack for Blade Runner
The Singularity album cover; posters for the films Neon Demon and Stanley Kubrick’s Clockwork Orange
Dino’s upcoming album which has influences from Synthwave, Retrowave, and 90’s Dance Music
Dino’s illustrated novel “Di Undici Foglie” and his upcoming novel “Legend of the Starlight”
Dino’s video game Over The Net from 1991; comparisons to Leisure Suit Larry
Outro: Sex Surrogates and Jealousy
Intro: Compare and Contrast
How Brandon got into making music in the mid 90s (weird early releases like Birthday Boy)
The meaning of songs on the EP, “Compare and Contrast”
How some lyrics were taken from poems in Beatnik Fascism
The song For a Sunny Day inspired by The Sunrays – I Live For The Sun
90’s Indy music and how the artsy indie music scene seems dead
Influences of 60’s mod bands and 90’s mod revival bands like Majestic
How Brandon never liked or could relate to the Beatles or Rolling Stones but mostly only obscure and forgotten bands from the 60’s
Minimalism in music
Brandon’s interest in the 60’s mod style in music and design
Brandon’s album cover designs and inspiration from 70’s advertisements
Majestic’s Live It Up! album cover design
Songs inspired by 80’s cartoons and commercials
80’s Mall culture, DeadMalls, The demolition of the Metro Center Mall in Phoenix, and Brandon’s interest in the Logan’s Run aesthetic Beatnik Fascism by Brandon Adamson (review by Pilleater)
Outro: Something Fun a Trampoline
Intro Song: Bad News from the Police Heartbreaker album
Music background, learning piano as a kid, playing guitar in a metal band, and early electronic work
Influences ranging from Bach, Kavinsky, and Vangelis; similarities between Synthwave and Classical Music
The New Retro Wave genre
Producing music for Lazerdiscs Records and Drive Radio
The Darkwave genre
The Police Heartbreaker album
The Sunset Love album
The American Nightmare album inspired by Horror Films
The album cover designs, Cyperbunk influence, and the color pallet
Anime, Akira, and Ghost in a Shell
The Film Drive
John Carpenter’s Film Soundtracks
Daft Punk and 90’s French House Music
French 80’s music; Space Disco
The upcoming New Retro Wave horror film The Summoner which Absolute Valentine will do a track for
The Roland TR-7, other Synths, and the process of layering Synths
The importance of the intro and outro in Synth Music
The moniker Absolute Valentine
Upcoming Albums, Tracks, and live performances
Outro: She’s a Dancer from the Sunset Love Album
Intro Song: Love & Science (feat. Paul Humphries from the Concrete Pop Album
Dean’s background in music and his original band 3D the band
Influences from electronic music from the early 80’s including Gary Numan and Tangerine Dream
90’s influences including Front 242, Nine Inch Nails, and Skinny Puppy
The New Retro Wave genre; FM-84
Darkwave Minimal Wave Records
The hybrid sound of 80’s Synthwave and 90’s Industrial Music, and the trend of fusionism
Performance at Zigfrid von Underbelly in London
Band of the month for Artefaktor Radio
Dean’s vocals, and Cye Thomas who also does vocals for the band
The use of the Korg MS-20 Synth
The aesthetics of the album covers Dean designs, fusing Brutalist and Industrial imagery with bright fluorescent colors Brutalist architecture, Trellick Tower, The Underground, and Centre Point in London, John C. Portman Jr., and the revived interest in Brutalism
Cyberpunk, the London Trocadero, and 80’s arcades
Victorian era Railway Stations in London
Urban exploration and dead mall enthusiast
Economics and political themes in music
The de-industrialization of the UK Depeche Mode’s Where’s the Revolution
The marketing and consumption of music on the internet
The band’s new album Post Democracy from live performances
Robert Stark and co-host Pilleater talk to musician Alex Romane. He is a electronic musician and operates Urban Sunrise records. He is known for coming out with the first drum and bass record ever, under the name Apache.
Topics:
Intro Song: Alex Romane – Warrior Princess
Alex’s early background in music, influences from his mother, and basics in classical music and folk music
Alex’s father who was a music producer and brought back tapes of Iraqi Artist during the embargo
Alex’s music career in the early 90’s
How Alex invented the drum bass Delirious – the world’s first ever Drum and Bass album
80’s synthwave music; Gary Numan and Tubeway Army
Cross over in synth and classical; Techbeat
Writing stories with music
Digital Hardcore and Jungle Music
The Dubstep genre, and other trends in music
The animated visuals on Alex’s website
Alex’s Philosophy; Direct Democracy and the Nature of God
The UK Direct Democracy Party
Alex’s experience lawfully infiltrating the UK Government
Alex’s new album Demokratia, which uses music as a political vehicle, and is a hybrid of hip hop, trance, and techno
NATO and war
Global Warming and Alternative energy sources going back to Henry Ford’s use of Hemp and Tesla’s energy devices
Robert Stark, co-host Pilleater, and John Curley discuss the new Depeche Mode album, Spirit.
Topics:
Depeche Mode’s Spirit album
Pilleater’s article The Meaning Behind “Spirit
Where’s The Revolution?
The Meaning behind “Spirit”
Fail
Pilleater’s opinion that Exciter, Sounds of the Universe, and Delta Machine are their worse albums
When Alan Wilder left the band
Pilleater’s opinion that Violator, Songs of Faith, and Devotion are their best Pilleater’s review of Get The Balance Right! Erik Erikson’s Psychosocial Stages
Depeche Mode compared to KMFDM
Depeche Mode being normie music
Richard Spencer’s claim that Depeche Mode is “the band of the Alt-Right,” and Depeche Mode’s denunciation
Depeche Mode’s Enjoy the Silence 9/11 Performance
Robert Stark’s outing to see Fire Tiger at the Viper Room
Intro Song: Aileron – Stratosphere
The release of Robert Parker’s Lazerdiscs album Awakening
Darren’s background in the music industry, and how he got involved with Drive Radio
The New Retro Wave Genre, it’s unique sounds, and audience
The Film Drive, featuring College, Electric Youth, and Kavinsky, and how the film exposed the genre to the masses
The Artists produced by Lazerdiscs Records and Drive Radio
Darren’s nostalgia growing up in the 80’s, and the original New Wave Genre
90’s Euro House Music
80’s Aesthetics, Video Game Arcades, The London Trocadero
80’s visions of the future, and New Retro Wave illustrations Brutalist Architecture in the Sun Darren’s book New Heights, the Surreal Aspect of the book, and the illustration by artist William Holder
Themes including the meaning of life, love, despair, and death
Video Synthesis
Darren’s next book which is a science fiction novel murder mystery that deals with themes of social inequality
Vaporwave
