Intro Song: B Magic
The background story of The Partridge Family Temple
The Partridge Family Show and it’s inspiration for the Temple
Troll culture; Boyd Rice wearing a rape shirt in front of a giant troll poster for Answer Me! in the 90’s
Shaun’s article “Rape is Love” for Answer Me!’s “Rape Edition,” Boyd Rice’s piece “Revolt against Penis Envy,” and Peter Sotos’s article and books
Shaun’s music for BOYD RICE’S HATESVILLE
Adam Parfrey’s Apocalypse Culture and the Temple’s work for Adam’s art show “Occult Rapture” Vice’s review of Shaun’s work; The unpop sound
Monty Python’s The Rutles
The power of dreams and Carl Jung as an artist
Shaun’s comedic dreams, including a Seinfeld episode, and Pilleater’s dream sequence in his Novella “Trip” Surreal humour; Tim and Eric and Sam Hyde’s Million Dollar Extreme
Occult Mysticism in the Wizard of Oz, Alice and Wonderland, Better Call Saul, and Mad Men Josh Simmons introduces The White Rhinoceros
The power of Psychedelic drugs; out of body and other worldly experiences
Pop Art inspired by Corporate logos by Whale Song Partridge
The Temple Doctrine; “Fun is the Law”
David Cassidy’s reaction to the Partridge Family Temple
Jim’s new book The New Church Ladies: The Extremely Uptight World of “Social Justice”
Social Justice as a new secular religion and their moral absolutist nature
Social Justice Warriors totalitarian tactics and dehumanization of those they disagree with
Jim’s early experience with political correctness in the Punk Scene in the early 80’s; Rock Against Racism
Jim’s experiences with anti-racist skinheads in Portland
Experiences with censorship in 1994 for the publication of Answer Me!’s “Rape Issue” The Redneck Manifesto and the white privilege fallacy
Michael Hoffman’s They Were White and They Were Slaves
The liberal establishment abandoning economic issues and political correctness as a tool to disarm working class opposition to globalization
Individualism vs Identitarianism; “If you can’t beat them join them” “Why Are White Death Rates Rising?”
The re release of ANSWER Me! All Four Issues
Peter Sotos’s “Quality Time” article for the “Rape Issue” which lead to threats of prosecution for obscenity Jim & Debbie Goad on Hot Seat with Wally George
Music interest; 80’s rap music, 70’s British Glam including Garry Glitter, Rockabilly, and ‘Psycho’: The darkly insane country music classic
Philadelphia, Temple University where both Pilleater and Jim attended, and the city’s reputation
Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the film The Crush.
Topics:
The plot of the Film; Journalist Nick Elliot rents a guest house from a wealthy family, where their daughter, Adrian(Alicia Silverstone), becomes obsessed with him
Whether Adrian is in love with Nick or just playing a psychotic game with him
How despite her psychosis, Adrian has a sweet feminine charm that is lacking in many female roles today
The films portrayal of a dark side of female sexuality
The Films Fatal Attraction, Basic Instinct, Gone Girl, and Ex Machina
How the film portrays an old school WASP culture that is non existent today
Nick’s restrained Anglo-Saxon persona
The father Cliff Forrester threatening Nick
The most chilling scenes in the film
The erotic thriller genre, and how that genre peaked in the 90’s,
Entrapment and False Rape Accusations
The Crush as a tragic love story
The Crush as a reverse Lolita
Nudity in film; the use of a body double in the Crush; Fatal Attraction, Last Tango in Paris, Brooke Shields in Pretty Baby, The Wolf of Wall Street, Alexis Dziena in Broken Flowers
The early 90’s Grunge aesthetic of the film, and 80′ influences; Vaporwave
The setting of the film in Seattle, filmed in Vancouver, Canada Amber Benson as Adrian’s friend Cheyenne
Alicia Silverstone as the ideal of beauty; Sarah Michelle Geller in Cruel Intentions, Mena Suvari, Taylor Swift, Halston Sage, and Kazakh Volleyball player Sabina Altynbekova Alicia Silverstone’s Interview on John Stewart’s Show in 1994
How Alicia Silverstone’s character is the inspiration for the romantic interest in Robert’s upcoming novel Fifty Shades of Grey, and Charles’ personal connection
Our upcoming show on Clueless
The film was based on the book 120 Days of Sodom, written in 1785 by the Marquis de Sade, and was even more extreme than the film
De Sade’s nihilistic anarchic philosophy towards sex, in contrast with today’s society, which has replaced traditional morality with new moral codes rather than De Sade’s libertinism
How each generation tries to shock their elders, and how de Sade,’s work is shocking even by today’s standards
The book Sade by Jonathan Bowden
Kerry Bolton’s book The Psychotic Left
Ian Brady’s The Gates of Janus: Serial Killing and Its Analysis
Censorship, Sade’s imprisonment for his writings, and the banning of the film in Australia
Author Peter Sotos, who has been compared to de Sade, and also prosecuted for obscenities
Photographer Will McBride, who Sotos has written about, the censorship of his Sex Ed book Show Me!, his art book Coming of Age, and Lasse Nielsen’s films
The theme of adolescent sexuality, innocence, and the desecration innocence
Avant Garde filmmakers Harmony Korine, Larry Clark, Kenneth Anger, and Nagisa Oshima
Larry Clark’s film Kids Brooke Shields in the film Pretty Baby
The portrayal and theme of Fascism in the film, and the line “the fascist are the true anarchist.”
Pasolini’s political and cultural views, and his Catholic Paganism
Pasolini’s homosexuality, his love affair with teenage Ninetto Davoli, who was in Salò, and depictions of homo eroticism in the film
Race play in sex, the Nazi S&M Film The Night Porter, and sado-masochist themes in films dealing with political and racial taboos
The film Hard Candy, which is Salò in reverse, but fits within the politically correct narrative
The dominant submissive paradigm in human sexuality
Eli Roth’s torture porn Hostel series
How we have become detached from violence and death in real life, and seek it out in film
The theme of sex as power
The other worldly transcendental aspect to sex
Robert Stark, Rabbit, and Alex von Goldstein talk to JIM GOAD
Topics include:
Jim’s upcoming book “The New Church Ladies”
Jim’s early exposure to politically correct censorship, including his magazine ANSWER Me!’s obscenity case, and his purging from Vice
The corporate collusion with political correctness, and Jim’s observation that Vice became more liberal as it became more corporate
How political correctness functions as a hyper moralistic religious structure
The corruption and tabloid nature of modern journalism
Jim ponders the questions “Am I A Racist? Depends On What You Mean By “Racist”
Why Jim rejects moralistic arguments
The Nietzschean concept of slave morality
Jim’s article Mr. Trump’s Economic Nationalism
Jim’s book The Redneck Manifesto Jim’s appearance on Bill Maher’s Politically Incorrect
Jim’s zine magazine ANSWER Me!
Answer ME!”s Suicide Issue, an interview with Jack Kevorkian, Kurt Cobain’s reading of the series before his suicide, a story of a girl who corresponded with Jim, and how the media shamelessly exploited her suicide
Answer ME!’s Rape issue, including interviews with serial killer Richard Ramirez, and prison rape survivor Donnie the Punk
Jim’s interview with pornographer Al Goldstein, and Al Goldstein’s interview with David Allan Coe
