Category Archives: Country Music

The Starkian Lynch

 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Alt Center, American Culture, Archeofuturism, Architecture, arcology, Aristocratic Individualism, Art, Art Deco, Blue Velvet, Californication, capitalism, Cinema, Cities, Class, Country Music, Culture, David Lynch, Depravity, Disneyland, Donald Trump, Dune, Economics, Erotized Rage, Fashion, Film, Film Noire, Hollywood, Homosexuality, humor, Jasun Horsley, Journey to Vapor Island, Kyle MacLachlan, Las Vegas, Leisure Suit Larry, Los Angeles, Madeline Zima, Marquis de Sade, Matthew Pegas, meditation, Mental illness, Mid-Century Modern, Morality, Mulholland Drive, Music, Mythology, Neon, Occultism, Philosophy, Politics, Psychology, Religion, Retro Futurism, Science Fiction, Sexuality, Steampunk, Suburbia, Surrealism, Synthwave, Twin Peaks, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas discuss the work of David Lynch and the parallels between the “Lynchian” and “Starkian.” Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party
Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong  yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island

Click Here to download!

This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Richard Wolstencroft about his new film The Second Coming Volume II

Adam Parfrey, aesthetics, Aleister Crowley, Asia, Australia, Boyd Rice, Charles Manson, Christianity, Cinema, Country Music, Culture, David Thrussell, Film, horror, horror films, Jim Goad, Music, Occultism, Pearls Before Swine, Poetry, Religion, Richard Wolstencroft, Salò, The Second Coming, Travel, Twin Peaks, William Butler Yeats

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to director Richard Wolstencroft about his new film The Second Coming Volume II. Volume I is free to view on Vimeo.

Topics:

Intro: Johnny Tyler – God’s Gonna Turn Us To Dust
The film’s inspiration from the poem The Second Coming by William Butler Yeats and the film’s segments based on passages from the poem
“A low budget epic”
The film’s influences including Kenneth Anger, Andy Warhol, Lars Von Trier’s Dogma, Godard’s My Life To Live, and Terrence Malick
The film’s aesthetic
The film’s theme of man trying to usher in the Apocalypse
The conflict between the black magicians and the white magicians
Aleister Crowley and Occultism
“Charles Manson put a curse on Western Civilization”
Cameos by Jim Goad, Boyd Rice, and Adam Parfrey
Music by David Thrussell and old Country Western Music
Filming locales including Thailand, Australia, LA, Switzerland, Barcelona, and London

Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Music Composer Dana Countryman

 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Art, Cartrell Payne, comedy, Country Music, Culture, Dana Countryman, Disneyland, Hawaii, humor, Jean-Jacques Perrey, Music, Pilleater, South Park, Synthwave, The Adventure Kid

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Cartrell Payne(The Adventure Kid)talk to music composer Dana Countryman.

Topics:

Intro: How Do You Know When You Fall IN LOVE? from the album Girlville!
Dana’s latest album Girlville! inspired by early 60’s music
Dana’s rediscovery of early 60’s girl groups such as The Ronettes, The Crystals, and The Shangri-Las
The Retro Pop genre
Dana’s album – Moog-Tastic and the Moog Synthesizer
Dana’s collaboration with French musician Jean-Jacques Perrey who was the founder of the electronic genre in the 1950’s
Dana’s biography about Perrey Passport To The Future: The Amazing Life and Music of Electronic Pop Music Pioneer Jean-Jacques Perrey
Dana’s interview for the book with Twin Peaks composer Angelo Badalamenti who produced Perrey’s albums in the 60’s
Perrey co-writing the music for Disneyland’s Main Street Electrical Parade
Dana’s Cool and Strange Music Magazine
Chicken On The Rocks by Jean Jacques-Perrey & Dana Countryman which was feature on South Park
Dana’s comedy vocal group in the 80’s The Amazing Pink Things
“Jealous Heart” by Dana Countryman inspired by Fountain of Wayne
“Baby, I’ll Be Your Star” by Dana Countryman, a parody of Reality TV
Exotica Music

Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Jim Goad about the New Church Ladies and Re Release of Answer Me!

Adam Parfrey, Alternative Right, Black Culture, Cartrell Payne, censorship, Class, Country Music, Culture, Economics, Gender, Globalization, humor, Immigration, Jim Goad, journalism, Literature, Midnight Cowboy, Morality, Music, New York, Peter Sotos, Philadelphia, Pilleater, Police, Political Correctness, Portland, Prison, Punk Rock, Race Relations, rape, Sexuality, Slavery, Social Justice Warriors, Taxi Driver, The Adventure Kid, The American South

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Cartrell Payne(The Adventure Kid) talk to JIM GOAD about his new book The New Church Ladies and re release of ANSWER Me! by Nine-Banded Books.

Topics:

Jim’s new book The New Church Ladies: The Extremely Uptight World of “Social Justice”
Social Justice as a new secular religion and their moral absolutist nature
Social Justice Warriors totalitarian tactics and dehumanization of those they disagree with
Jim’s early experience with political correctness in the Punk Scene in the early 80’s; Rock Against Racism
Jim’s experiences with anti-racist skinheads in Portland
Experiences with censorship in 1994 for the publication of Answer Me!’s “Rape Issue”
The Redneck Manifesto and the white privilege fallacy
Michael Hoffman’s They Were White and They Were Slaves
The liberal establishment abandoning economic issues and political correctness as a tool to disarm working class opposition to globalization
Individualism vs Identitarianism; “If you can’t beat them join them”
“Why Are White Death Rates Rising?”
The re release of ANSWER Me! All Four Issues
Peter Sotos’s “Quality Time” article for the “Rape Issue” which lead to threats of prosecution for obscenity
Jim & Debbie Goad on Hot Seat with Wally George
Music interest; 80’s rap music,  70’s British Glam including Garry Glitter, Rockabilly, and ‘Psycho’: The darkly insane country music classic
Philadelphia, Temple University where both Pilleater and Jim attended, and the city’s reputation

Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician David Thrussell

Alternative Left, Alternative Right, American Culture, Australia, Bernie Sanders, Boyd Rice, capitalism, censorship, Cinema, Conspiracy Theories, Consumerism, Corporations, Country Music, Culture, David Thrussell, Depeche Mode, Environment, Film, Globalization, History, Immigration, Industrial Music, Islam, Julian Assange, Middle East, Milo, Music, Oligarchy, Pearls Before Swine, Pilleater, Police State, Political Correctness, Politics, Richard Wolstencroft, Snog, Socialism, technology, Ted Kaczynski, Trans-Pacific Partnership, War

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Director Richard Wolstencroft talk to musician David Thrussell from the Band Snog.

Topics:

Intro Song: Snog – Cheerful Hypocrisy
Snog’s song Corporate slave
Industrial and Electronic Music
Depeche Mode‘s song Where’s the Revolution from their new album Spirit
Themes of Consumerism and Corporate Control in David’s music
Why David’s Music is Copyright Free
Richard and David’s take on Trump
David’s observations about American Politics from his last Cross Country Tour
Richard’s connection to the Alt-Right and David’s association with the far left
An Alliance Between the New Right and Old Left against the Globalist 1%
Environmentalists’ potential allies on the populist right
The importance of seeking the truth over political labels
Immigration, War, and Globalization
The Deep State
Julian Assange and Wikileaks
Milo and Censorship
Ted Kaczynski, Feral House’s publishing the Unabomber’s manifesto, and technological enslavement
David’s point that music plays an anthropological role in documenting history
David’s interest in Hillbilly Country Music
Freedom Is A Hammer: Conservative Folk Music
David’s Black Lung label
David’s new act Crisis Actor
How Richard met David as a DJ at Richard’s Hellfire Club, and collaborated on each other films and music videos
David’s music for the film The Hard Word starring Guy Pearce


Click Here to download!
Check out Robert Stark’s Paintings!




Robert Stark interviews Thom Young

aesthetics, alienation, Architecture, Art, Charles Bukowski, Cinema, Conspiracy Theories, Country Music, Culture, Dallas, David Lynch, Film, Film Noire, History, Jack Kerouac, Literature, Mid-Century Modern, Music, Pilleater, Poetry, Scott Laudati, Texas, Thom Young, Travel, Wilderness

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater interview writer Thom Young. He is from Texas and sees outlaw country as an influence. You can buy his books at Amazon.

Topics:
-Young’s background in Texas, the culture, and the environment.
-Young’s books: Westworld, Noir, Patsy, Grindhouse, Dead Flowers, Champ
-Outlaw Country, Jim Goad, Louis L’amour, Feral House, Nine Banded-Books
-The influence of Texas within Young’s writing
-Dark themes in Young’s work, alienation
-Hunter S. Thompson, Jack Kerouac, Charles Bukowski, Hubert Selby Jr.
-Young’s work in Poetry Quarterly and other magazines
-Purple Onion
-The cover art on Young’s books
-Thom’s brother Jeb, who designs many of his covers and runs Tumbleweed TexStyles
-The Brutalist Marina City Towers on the cover of Dead Flower,  Film Noire, and Mid Century Road Signage
-Young’s Instagram and his she poems
-Wilco’s Yankee Hotel Foxtrot compared to Dead Flowers
-Grindhouse films
-David Lynch Films
-Typewriters, The Astrohaus Freewrite
-Jonathan Bowden, KMFDM, Wyndham Lewis, …single word titles.
-Anthony Burgess, Conspiracy Theorist Jim Marrs
-Traveling, Road Trips, San Juan Mountains, Colorado
-Interest in History,  the Old West, Civil War, WWII novel Voices of the Pacific
-How Young had a new sense of creativity after his Stroke when he was 13
-Young’s upcoming project Instapoet


Click Here to download!
Check out Robert Stark’s Paintings!




 

Robert Stark interviews Jim Goad

Al Goldstein, Alex von Goldstein, Boyd Rice, censorship, Country Music, Crime, Culture, Jim Goad, journalism, Morality, Music, Nietzsche, Police State, Political Correctness, Pornography, Prison, Prison Rape, Rabbit, Race Relations, rape, Serial Killers, Sexuality, Social Justice Warriors, Suicide

jim-goad

 

 

 

 

 

 

 

 

 

Robert Stark, Rabbit, and Alex von Goldstein talk to JIM GOAD

Topics include:

Jim’s upcoming book “The New Church Ladies” 
Jim’s early exposure to politically correct censorship, including his magazine ANSWER Me!’s obscenity case, and his purging from Vice
The corporate collusion with political correctness, and Jim’s observation that Vice became more liberal as it became more corporate
How political correctness functions as a hyper moralistic religious structure
The corruption and tabloid nature of modern journalism
Jim ponders the questions “Am I A Racist? Depends On What You Mean By “Racist”
Why Jim rejects moralistic arguments
The Nietzschean concept of slave morality
Jim’s article Mr. Trump’s Economic Nationalism
Jim’s book The Redneck Manifesto
Jim’s appearance on Bill Maher’s Politically Incorrect
Jim’s zine magazine ANSWER Me!
Answer ME!”s Suicide Issue, an interview with Jack Kevorkian, Kurt Cobain’s reading of the series before his suicide, a story of a girl who corresponded with Jim, and how the media shamelessly exploited her suicide
Answer ME!’s Rape issue, including interviews with serial killer Richard Ramirez, and prison rape survivor Donnie the Punk
Jim’s interview with pornographer Al Goldstein, and Al Goldstein’s interview with David Allan Coe


Click Here to download!
Check out Robert Stark’s Paintings!




Robert Stark interviews Charles Lincoln about True Stories

1980's, 80's music, American Culture, capitalism, Charles Lincoln, Christianity, Cinema, Class, Consumerism, Country Music, Culture, Dallas, Diversity, Economics, Emile Durkheim, Film, Immigration, John Goodman, Music, relationships, Religion, Republican Party, Robert Lindsay, Ronald Reagan, social capital, Suburbia, Talking Heads, Texas, True Stories, Wealth

CEL-TS

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark interviews Charles Lincoln about True Stories which is a 1986 American film that spans the genres of musical, art, and comedy, directed by and starring David Byrne of the band Talking Heads. It co-stars John Goodman, Swoosie Kurtz, and Spalding Gray. Byrne has described the film as, “A project with songs based on true stories from tabloid newspapers. It’s like 60 Minutes on acid.” Robert Lindsay also joins in on the conversation

Topics include:

The setting of the film, a small fictional town on the outskirts of Dallas, Texas that is undergoing change
How the town in the film is celebrating the 150th anniversary of Texan independence
Charles Lincoln’s personal connection to Dallas
How the film shows both the old America and the New and how that is symbolic of America in the 1980’s
The depiction of diversity in the film
The Conspiracy Theorist Preacher in the film
The depiction of crass materialism and how the culture of the 80’s was more upfront than today’s  hybrid of materialism and social justice
The marginalization of highbrow culture(ex. scene in the film depicting a janitor singing opera
Emile Durkheim’s theory on anomie,  which is the breakdown of social bonds between an individual and the community
The music in the film by the Talking Heads
Ronald Reagan and how Charles Lincoln opposes Reagan from a traditionalist standpoint and Robert Lindsay from an Alternative Left standpoint
How Reagan’s credit policy encouraged suburban sprawl, which is depicted in the film

 


Click Here to download!

Robert Stark interviews Paul Bingham about Black House Rocked & Cultural Trends

1980's, 80's music, Alternative Right, American Culture, Black House Rocked, Cicero, Country Music, Culture, death, Despair, Film, Homosexuality, humor, income inequality, Islam, James O'Meara, Literature, Middle East, Millennials, misanthropy, Music, Nihilism, Paul Bingham, pedophilia, Saddam Hussein, Suburbia, The American South, The Poet & The Cat, Winter's Bone, Yukio Mishima

blackhouse

 

 

 

 

 

 

 

 

 

 

Topics include:

Paul’s Novel Black House Rocked which Robert interviewed Paul’s co-author Emril Krestle about
How almost everything in the story was based on real life events
How the protagonist’s story was inspired by a friend of Paul’s who was falsely convicted of Child Molestation
Why Paul picked a character who was at the bottom of society
How Paul see’s his characters as willing to pay the price for their qualities
The cultural and political topics covered in the book
The setting the book, an economically decimated community in the Ozarks
The Fabian concept of a commuter town which led to modern lifeless bedroom communities
Why the culture of Flyover country should not be fetishized
How despite regional differences the media sets the culture and values in America
Paul’s view that the Alternative Right tends fosters a critique of society without producing any goals or culture
The Poet & The Cat, how Paul gives Robert credit for it’s inception, and production, and how he wrote the script when he was drunk, broken down, in the middle of the night
James O’meara Reviews The Poet & The Cat
The writer Taylor Caldwell
How the theme of theme of nihilism and viewing society as empty is nothing new(ex. Dostoevsky)
Cicero
The concept of dying with honor
How the bloodshed and violence of the middle east has produced great poetry and literature
Saddam Hussein’s literary work and why Paul want’s to see it translated into English and made widespread
Black humor and finding humor in the worst situations
Paul’s theory of generations; Millennials versus the younger generation who are still in their teens
How the 1980’s was the last decade of cultural innovation in music
How Rap has always been about selling out since it left the streets
The genre of angry rock in the 90’s that died off after the Columbine Massacre
James O’Meara view of acceptable versus unacceptable homosexuality
Paul’s view of the German band Rammstein as an example of unacceptable homosexuality
John Houston’s critique of Tennessee William’s play The Night of the Iguana from his memiors
The “Wiggerfication” of Country Music and Rednecks
How the lack of real life experiences leads to the sterility of the culture
The film  Winter’s Bone which is set in the Ozarks like Paul’s book
How Paul views Robert Stark as one of the few truly independent journalist


Click Here to download!

This show is brought to you by Robert Stark’s Artwork