Category Archives: The Crush

Robert Stark talks to David Cole about Political Incorrectness in The Porn Industry

Adam Parfrey, Alicia Silverstone, Alternative Right, censorship, Cinema, comedy, Conservatives, Culture, David Cole, Depravity, Erotica, Erotized Rage, Feminism, Film, Gender, Hollywood, Homosexuality, humor, Matthew Pegas, pedophilia, Political Correctness, Pornography, Sexuality, The Crush, The Porn Industry

Robert Stark and co-host Matthew Pegas talk to David Cole about the political incorrectness of the Porn Industry. David Cole writes for Takimag and is the author of Republican Party Animal. The thing is you can find most of these topics being exhibited by many porn sites but that doesn’t mean the industry is hurting from the incorrectness surrounding it.

Topics:

Lessons From My Porn Girl: David’s friendship with Porn Star Kirsten Lee
How porn is the last arm of the entertainment industry that has survived politically correct censorship
How porn is unique in entertainment in that it caters primarily to its consumers’ desires
Racial themes in porn
The racial pay scale in the Porn Industry
The theme of humiliation and degradation in porn
David’s article about James Gunn: Shouting “Pedo” in a Crowded Twitter
The scalp for a scalp mentality and why David thinks that it is counter productive
The increase in censorship and political correctness in comedy
Creating new alternative entertainment networks and a new Apocalypse Culture
Adam Parfrey Saved My Life

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Left of The Alt-Right Round Table Discussion Part I

1970's, 1980's, 80's music, aesthetics, Alicia Silverstone, Alt Center, Alternative Left, Alternative Right, American Culture, Archeofuturism, Architecture, Art, Ashley Messinger, Beatniks, Bernie Sanders, Brandon Adamson, capitalism, Catholicism, Christianity, Classical Liberalism, Conspiracy Theories, Constantin von Hoffmeister, counterculture, Culture, David Hamilton, democracy, demographics, Depravity, Donald Trump, Economics, England, Environment, Erotica, Europe, Feminism, Futurism, Gender, Germany, hedonism, Homosexuality, Immigration, income inequality, Leftism, Liberal Race Realism, Liberalism, Marquis de Sade, Mass Democracy, Morality, Music, Nationalism, New Retro Wave, Nudism, Oligarchy, Philosophy, Political Correctness, Politics, Pornography, Prince of Queens, Religion, Retro Futurism, Robert Lindsay, Ryan Englund, Salò, Sexuality, Social Justice Warriors, Steampunk, SWPL, Synthwave, The Crush, The Enlightenment, Traditionalism, Transhumanism

 

 

 

 

 

 

 

Robert Stark, Brandon Adamson, Ashley Messinger, and Constantin von Hoffmeister discuss the political scene known as the Alt Left, Left Wing of the Alt Right, or Alt-Center.

Topics:

Robert Lindsay as the founder of the Alt-Left, his past project Liberal Race Realism, and his decision to focus on Left Wing Economics rather than demographics
How the Alt-Left that emerged from Robert Lindsay became an economically Leftist parallel to the Alt-Lite
Brandon’s Left Wing of the Alt-Right and his manifesto A Clockwork Greenshirt 
The collapse of the Alt-Right and how the election of Trump caused friction between those two factions
The Left Wing of the Alt Right as Social Nationalism without the Radical Traditionalism and Social Conservatism
The implicit Whiteness of Progressive causes such Environmentalism, New Urbanism, and Transhumanism
The Elites promotion of mass immigration
The failure of Mass Democracy
The close minded cultural mentality of the Right Wing
Retro Futurism; Steampunk, Deco Punk, and 70’s and 80’s Retro Futurism
Creating a movement of artist
Positive vs. Negative Degeneracy
Constantin’s Degenerate Poetry inspired by the Beatniks
America and the Anglo-sphere’s puritanical hangups(ex. opposition to nudity, SJW’s, and sexual harassment hysteria)

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Count Fosco about Cruel Intentions, Sex, Class & Alt Politics

1990's, aesthetics, Alicia Silverstone, Alternative Left, Alternative Right, American Culture, Architecture, Californication, Canada, Cinema, Class, comedy, Count Isidor Fosco, Cruel Intentions, Culture, demographics, Depravity, Donald Trump, Erotica, Feminism, Film, Gender, Hollywood, humor, Immigration, Journey to Vapor Island, Kevin MacDonald, Luke Ford, relationships, Sarah Michelle Geller, Sexuality, South Africa, The Crush, Wealth

 

 

 

 

 

 

 

 

Topics:

The film Cruel Intentions
The Main theme in the movie is the corruption of innocence and purity
The movie has many versions, sequels, and is based on the French original, “Les Liaisons Dangereuses”
Entrapment scenes, gay entrapment, and broken families
Kathryn’s view of sex and her use of sex to manipulate
Sebastian is a little bit more flamboyant than the usual pick up artist; he is confident but in an in-artificial way
The character of Court Reynolds is almost a Spencerian evil “White” character described as a “Nazi”
The mixed-race relationship angle is played up as one of Karthyns violations
Kathryn’s Feminist speech in opposition to “Miss Mary Sunshine.”
Sex as an initiation into a Secret Society as a joke, mentioned by Kathryn
Upper class degeneration isn’t really seen as disgusting or stupid in movies as low class degeneracy
Anti-Semitic tropes in the film
The end of the film was incoherent as it left Sebastian with a redemptive change of heart with very little explanation for it
Old Westbury Gardens manor house where Sebastian’s aunt lives
The misconception that Hollywood is completely controlled and often exposes elite corruption
The recent Alt-Right drama and how the Alt Right is completely separated along class lines
Count’s ideology; Social Nationalism, Economic Populism, and Cultural Elitism
The 12 Steps Of Alt Right Anonymous and how Luke Ford is the most important comedian of the Alt-Right
The Nathan Cofnas critique of Kevin MacDonald and how Count basically agrees with most of it
Lauren Southern’s South Africa Documentary 

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks about his new novel Journey to Vapor Island

 Mark Velard, 1980's, 80's music, aesthetics, Alicia Silverstone, alienation, Anime, Architecture, Art, Brandon Adamson, Class, Clueless, comedy, Consumerism, Culture, Depravity, Despair, Donald Trump, Ellliot Rodger, Erotica, Fast Times at Ridgemont High, Film, Francis Nally, Futurism, Gender, Harvey Weinstein, High School, Hollywood, Homosexuality, humor, Incels, Journey to Vapor Island, Leisure Suit Larry, Literature, Loserdom, Love, Memes, Patalliro!, Pepe the Frog, Psychology, relationships, Retro Futurism, Science Fiction, Serial Killers, Sexuality, Social Rejection, social status, Spree Shootings, Surrealism, The Crush, Utopia, Vaporwave, Video Games

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark is joined with Francis Nally and Brandon Adamson to discuss his new novel Journey to Vapor Island.

Topics:

Brandon’s review of Journey to Vapor Island(Contains Spoilers)
The cover art by Mark Velard
How listeners to the show will instantly recognize favorite topics when they make cameo appearances in the book or manifest themselves as part of the underlying themes
Internet memes in the book(ex. the men in the frog masks)
The fusion of genres including Fantasy, Young Adult Fiction, Science Fiction, and Dark Comedy
A disclaimer that this book is not for anyone that is squeamish about sex or easily shocked or offended
Brandon’s observation that the sexual scenes in the book are more akin to the “random battles” in old school Super Nintendo RPGs like Final Fantasy IV
The theme of how central sex is to people’s motivations, and the overall perception of status in society
The main character Noam Metzenbaum who is a socially inept yet intelligent student with illusions of grandeur
The Chads and the theme of the nerd getting revenge against bullies and the popular cliques
Noam’s crush Natalie Bloom and his lifelong obsession with her
The Retro-Futuristic surreal fantasy world in the book; an adult Never Ending Story
The Roger Blackstone character who could represent a Trump-like figure, but could just as easily be a Ross Perot or even Willy Wonka
The outrageous comic elements in the book
The theme of the commercialization of tragedies and the celebrity status of mass murderers
How the book is timely with the ongoing Hollywood sex scandals
The theme of living in ones fantasies and how that shapes the book’s narrative

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Count Fosco about the Film Blast From The Past

1950's, 1960's, 1990's, aesthetics, Alicia Silverstone, Alien Covenant, Blast From The Past, Brendan Fraser, Christopher Walken, Cinema, Clueless, comedy, Culture, Dystopia, Environment, Fashion, Film, Gender, humor, Los Angeles, Mid-Century Modern, Pilleater, Psychology, psychosocialism, relationships, Sexuality, Tess Haubrich, The Babysitter, The Crush

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Count Isidor Fosco about the Film Blast From The Past(1999) starring Brendan Fraser and Alicia Silverstone.

Topics:

The plot summery; Adam Webber(Brendan Fraser) comes out from a nuclear fallout shelter after 35 years
The culture shock when Adam emerges in the 90’s and thinks he is in a zombie overrun dystopia
Adam’s father scientist Dr. Calvin Webber(Christopher Walken) who builds the fallout shelter
The stereotype of a 1950’s father vs. Calvin as a Utopian and idealist
The beginning of the film during the Cuban Missile Crisis, the Cold War Theme, and the cultural “nuclear war”
The “education” of Adam; his homeschooling makes him appear “aristocratic” to women
The bunker as an analogy for isolating one self from society and the pros and cons of doing so
How Adam manages to win the Psychosocial narrative by playing by his own rules
The concept of “Eternal Return” as it is shown at the end of the film
The trend of having nostalgia for past eras and the mid century aesthetic
Political agendas in film and conservatives uncreative critiques of Hollywood
The formulaic narrative of romantic comedies and how it works for the film
The comic element in the miscommunications and what makes good comedy
Brendan Fraser as a 90’s icon, his comic style, and his other films
The allure of Alicia Silverstone and how her character compares to her roles in films such as The Crush, Clueless, and The Babysitter
The Transformation of Alicia Silverstone’s character Eve
LA depicted in the film, the San Fernando Valley, and Pasadena
Pilleater on Tess Haubrich as Rosenthal in the new film Alien Covenant


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Count Isidor Fosco about creating New Retro Futurist Sub Cultures

1980's, 80's music, aesthetics, Alicia Silverstone, Alphaville, animation, Anime, Architecture, arcology, Art, Art Deco, Asian Aryanism, Asian Culture, Batman, Blade Runner, Cinema, Cities, Comic Books, Count Isidor Fosco, counterculture, Culture, Cyberpunk, Depeche Mode, Duran Duran, Europe, Film, Film Noire, Futurism, Helen Slater, Homosexuality, Identitarianism, Israel, Italo Disco, Japanese Culture, Kaze to Ki no Uta, Memes, Mid-Century Modern, Milo, Mishima A Life in Four Chapters, Music, New Retro Wave, Peter Sotos, Pilleater, Postmodernism, Retro Futurism, Sarah Michelle Geller, Sexuality, Steampunk, SWPL, The Crush, The Legend of Zelda, Toronto, Trolling, Urbanism, Vaporwave, Video Games, Will McBride, Winona Ryder, Yukio Mishima

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to returning guest Count Isidor Fosco.

Topics:

Retro-Futurism and it’s sub-genres
Whether Retro-Futurism and fusing past genres can evolve organically or end up being a “cut and paste”
Merging an Aristocratic or Traditional Genre into a Futuristic one
How fusing genres is most effective when there is a distance in eras(ex. Art Deco and Cyberpunk, Baroque and 80’s Retro-Futurism)
How futurism overlaps with the archaic in architecture(ex.Arcology)
Steampunk; Victorian era Train Stations in London, the Galleria Vittorio Emanuele in Milan, and shopping centers inspired by European shopping arcades
The Toronto Eaton Centre in contrast with the Underground City in Montreal, which is more Retro-Futuristic
Why “Decopunk” Deserves to Be Bigger than Steampunk
The Art Deco revival during the New Wave Age
Batman: The Animated Series, Batman & Architecture, and Anton Furst’s visions for the Aesthetic Of Gotham City(1989)
Alicia Silverstone in Batman & Robin and playing piano in the film The Crush
The aesthetics of Mishima: a Life in Four Chapters and the manga Kaze to Ki no Uta
New Retro Wave, Italo Disco, Falco, and Alphaville’s Forever Young and Big In Japan
The “Vaporwave” Babylon Club from Scarface which was featured in Miami Nights 1984’s Early Summer
How we are in post-post modernism and must rebuild cultures from scratch
Subcultures based on ethnic and cultural identity; cultural and ethnic fusionism(ex.Asian Aryanism)
How the future will either be mass global homogenization or forming new cultures from scratch but there is no returning to the past
Asian and Israeli Aryanism as memes
Count Fosco’s hierarchy of fetishes

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks about Clueless, The Babysitter, & The Meme Magic of Alicia Silverstone

1990's, Alicia Silverstone, American Beauty, Beverly Hills, Charles Lincoln, Cinema, Class, Clueless, Count Isidor Fosco, Craig Langley Jr, Culture, Film, Gender, Hollywood, Leisure Suit Larry, Los Angeles, Love, materialism, Memes, Pilleater, relationships, Sexuality, social status, The Babysitter, The Crush, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the Alicia Silverstone films Clueless and the The Babysitter.

Topics:

How the original film The Crush was edited
The Babysitter as the most realistic of the three Alicia Silverstone films
The Babysitter compared to American Beauty
Th peeping through the window scene, and the imagination of the guys who see Alicia Silverstone through the window
In reality it is all just in the male imagination in this movie
The awkward bathtub fantasy followed by her signature cheeky smile
Traits of men who prefer breasts, booty, or legs
The Alicia Silverstone film Vamps
The Clueless (TV series)
The setting of Clueless in Beverly Hills
San Mateo Teenager Goes Hollywood
Cher’s Character development and self realization
Whether she is anti-snob?
Social Cliques in High School
The makeover of her friend
Comparisons to Mean Girls
The fact that the girls are excited by the fact that the guy has a picture of the new girl in her locker, and how today that would be called “creepy”
She comes across as more conservative with her condemnation of dating druggies, and saving her virginity
The whole theme of matchmaking
The “Baldwin” reference and other cultural references, a kind of Hollywood being self-complimented
The Spartacus scene, pearls and oysters, subtle signaling in old movies
Her realization that she loves Josh despite the fact he is a “slug”
The normal guy get’s the girl in the end, not the “hot guy” who turns out to be Gay
The fact that all the girls are obsessed with marriage while in school which is dated
The Clueless scene where her father is happy that she knows how to negotiate over grades
Cher’s speech about refugees
Alicia Silverstone Would Rather Go Naked Than Wear Wool! | PETA
The pink blue color code in the ending sequence is kind of Vaporwave
The robbery scene in the Valley
LA Landmarks including the Sinister Neon Clown at Circus Liquor
Meme Magic and Alicia Silverstone as a meme
Leisure Suit Larry and the Alicia Silverstone look a like


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This show is brought to you by Robert Stark’s Paintings!




 

Robert Stark talks about the Film The Crush Starring Alicia Silverstone

1980's, 1990's, aesthetics, Alicia Silverstone, Basic Instinct, Charles Lincoln, Cinema, Count Isidor Fosco, Craig Langley Jr, Crime, Culture, David Hamilton, demographics, Erotica, Fatal Attraction, Feminism, Fifty Shades of Grey, Film, Gender, Literature, Lolita, Love, Media, Music, Psychology, rape, relationships, Sarah Michelle Geller, Seattle, Sexuality, The Crush, Vaporwave

 

 

 

 

 

 

Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the film The Crush.

Topics:

The plot of the Film; Journalist Nick Elliot rents a guest house from a wealthy family, where their daughter, Adrian(Alicia Silverstone), becomes obsessed with him
Whether Adrian is in love with Nick or just playing a psychotic game with him
How despite her psychosis, Adrian has a sweet feminine charm that is lacking in many female roles today
The films portrayal of a dark side of female sexuality
The Films Fatal Attraction, Basic Instinct, Gone Girl, and Ex Machina
How the film portrays an old school WASP culture that is non existent today
Nick’s restrained Anglo-Saxon persona
The father Cliff Forrester threatening Nick
The most chilling scenes in the film
The erotic thriller genre, and how that genre peaked in the 90’s,
Entrapment and False Rape Accusations
The Crush as a tragic love  story
The Crush as a reverse Lolita
Nudity in film; the use of a body double in the Crush; Fatal Attraction, Last Tango in Paris, Brooke Shields in Pretty Baby, The Wolf of Wall Street, Alexis Dziena in Broken Flowers
The early 90’s Grunge aesthetic of the film, and 80′ influences; Vaporwave
The setting of the film in Seattle, filmed in Vancouver, Canada
Amber Benson as Adrian’s friend Cheyenne
Alicia Silverstone as the ideal of beauty; Sarah Michelle Geller in Cruel Intentions, Mena Suvari, Taylor Swift, Halston Sage, and Kazakh Volleyball player Sabina Altynbekova
Alicia Silverstone’s Interview on John Stewart’s Show in 1994
How Alicia Silverstone’s character is the inspiration for the romantic interest in Robert’s upcoming novel
Fifty Shades of Grey, and Charles’ personal connection
Our upcoming show on Clueless

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