Robert Stark and Matt Pegas speak with filmmaker, Montgomery Markland, about his film Malibu Road, which he both directed and starred in. Malibu Road is available to watch for free on Tubi, and for purchase on Apple TV and Amazon. While the pandemic delayed Malibu Road’s theatrical release, Montgomery has further plans for multipicture deals.
“Fast living Los Angelenos are targeted by the Central Intelligence Agency during Operation Midnight Climax, part of MKUltra. The experience takes a turn for the deadly during New Year’s Eve 1960 and now a professor, a starlet and the workers at a hotel with a questionable reputation must rediscover reality or be trapped in an endless cycle of sex, drugs and murder in ‘paradise.'”
Montgomery Markland has an idiosyncratic resume. Originally from Dallas, Montgomery was a state and local reporter in Austin, worked in the Texas state legislature on policy, was then a producer, president, and CCO at a number of video game companies, before working in Hollywood. Follow Montgomery on Twitter.
Topics:
Applying videogame design principles to Cinema
The Meisner acting technique
MKUltra connections to university professors and Hollywood (eg. Irvin Keshner)
Timothy Leary’s prediction that video games had the potential to recreate psychedelic trips
The History of the Albatross Hotel in Malibu and connections to Old Hollywood
Cinemaphotographic techniques used to capture the psychedelic aesthetic
Distorting reality in stories as representations of dreams (eg. traumnovelle), and influences from David Lynch
Influence from soap operas, telenovelas, and 90s Cinemax
The set design, recreating the aesthetics of the 60s and 70s
Influences from Jungian archetypes, as well as Ancient Greek, Hindu, and Buddhist mythology (eg. Timothy Leary on the Tibetan Book of the Dead)
Hunter S. Thompson
Alfred Hitchcock’s Vertigo
Malibu Road’s filming locations, including Malibu State Park and Will Rogers State Historic Park
The politicization of entertainment, and why overtly political conservative media fails
Reasons to be optimistic about opportunities in entertainment via niche markets
The Banking crisis, Economic Death Spiral, and narratives of collapse
Brandon’s initial interest in penny stocks and bitcoin, and the crypto boom and bust cycles
Brandon’s artistic background, interest in mid-century modern to 70s aesthetics, modern art, and malls
Why Brandon shifted from painting to creating NFTs
The process of creating and minting NFTs
Why Brandon uses the blockchain, Proton
Virtual real estate in the metaverse and Decentraland
Brandon’s response to skeptics and his advice to focus on the project and not fret about the booms and busts
Brandon’s bullishness on long-term economic opportunities for artists to be at the forefront with VR
The importance of having a theme and why Brandon thinks Robert should create NFTs for his art and book, Vaporfornia
Political burnout and the rise in alternative cultural scenes
Robert Stark and Matt Pegas talk to Gio Pennacchietti about aesthetic, cultural, and social trends. Gio Pennacchietti is a social impressionist painter and writer from the “first post-national country” (Canada), Gonzo Philosopher, and failed academic. Check out his YouTube channel GiantArt Productions, Instagram, writings at Substack and WordPress, and Twitter.
Topics:
Gio’s review of Robert Stark’s Art: The Fauvist Vaporwave Interiors
20th Century aesthetic genres, retrofuturism, post-modernism, late 20th century pop art, trends in nostalgia, and the psychology of hauntology
Political symbolism in aesthetics: 2010s minimalism, Neoliberal Kitsch, Sanford Biggers’ statue in Rockefeller Plaza, the de-evolution of Trump’s aesthetics, and the lack of a cohesive aesthetic trend for the future
Robert’s article on Pan-Enclavism and how it relates to Canada as a post-national nation
A critique of the Intellectual Dark Web
The need for a new bohemian/creative movement comparable to the Vienna Secession
Gio’s interest in the after prison Youtubers
Gio’s artistic background, influences, and art as a spiritual endeavor
Robert Stark and Matt Pegan talk to Portland based blogger BLAUERGEIST! about architecture, interior design, art, and cinema. Check out BLAUERGEIST! on Twitter, his podcast Ellroy Boys, and new web magazine Apocalypse Confidential.
Album is of Amboy in California‘s Mojave Desert and of the nearby extinct volcano, Amboy Crater. Amboy became a rest stop along U.S. Route 66 in the 1920s and Roy’s Motel and Café was founded in 1938, is now mostly defunct, and was used as the film location for the horror film Southbound.
Inspiration from watching cartoons and growing up around the remnants of modernism
Mid-Century Modern design
Tim’s music
Tim’s background in animation working on the show Time Squad
How big bureaucratic systems destroy art
Style of “Baroque Modernism,” modernism without minimalism
Japanese Monster Toys
Influences including the artist RobertoMatta
Current project for an artist and residence space
Art book coming out in October
Advice for artists
