Category Archives: Richard Wolstencroft

Robert Stark & Richard Wolstencroft discuss the Film High-Rise

1970's, aesthetics, Architecture, arcology, Art, Australia, Bernie Sanders, Brutalism, capitalism, Cinema, Cities, Class, Conspiracy Theories, Culture, demographics, Donald Trump, Dystopia, Economics, England, Environment, Film, Futurism, Global Warming, Globalization, High-Rise(Film), income inequality, Managerialism, Nationalism, Neoliberalism, Oligarchy, Personality Types, Politics, Psychology, Retro Futurism, Richard Wolstencroft, Science Fiction, Skyscrapers, Social Isolation, social trust, Socialism, Suburbia, Suicide, technology, Urbanism, Utopia

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Melbourne based director Richard Wolstencroft discuss the film High-Rise (film), a 2015 film by British director Ben Wheatley, based on the novel by J. G. Ballard.

Topics:

The Bush Fires in Australia, climate change narrative, and other factors
Deep ecology and right wing environmentalism
The Science Fiction of J. G. Ballard including the timely The Drowned World , and how Richard would like to adapt his work into a film
The 70s Retro-Futuristic aesthetic
Brutalist architecture in High-Rise, and the genre in Clockwork Orange and Richard’s upcoming film The Debt Collector
Ironies of the film’s dystopian nature and how it compares to other dystopian films such as Joker
A self-contained city, an Arcology with all amenities within the same structure
Class conflict in a society where all classes live within the same structure
Metaphor for the breakdown of civilization
The unsustainable of the neoliberal system
How technology exacerbates inequality
Archetypes of the characters, including filmmaker Richard Wilder, an apocalyptic anarchic figure
The theme of attempting dialogue with gate keepers and elites who refuse to listen
The architect, a Nietzschean figure, an aesthetic and technological visionary in contrast with our managerial elites
Conspiracy theories vs. the view of elites as a managerial class who extract resources with no vision for the future

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, and novel Journey to Vapor Island




Robert Stark talks to Richard Wolstencroft about MUFF 20 & Elite Replacement Theory

(((Supply))), Alternative Right, Andrew Yang, Art, Australia, Basic Income, Bernie Sanders, capitalism, censorship, Cinema, Culture, documentary, Donald Trump, Economics, Film, Globalization, Homosexuality, horror, horror films, Immigration, Jeffrey Epstein, Joker, Matthew Pegas, Nationalism, Oligarchy, Philosophy, Political Correctness, Politics, Richard Wolstencroft, Socialism

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas talk with director Richard Wolstencroft about the upcoming 20th Melbourne Underground Film Festival (Muff  20), current events, and his essay Elite Replacement Theory: Toward A Benevolent Nationalist International.

Topics:
Based on the 250 word essay written by Matthew Pegas a good decision was made for involved students.
Recap of last year’s festival: Robert and Matthew’s Supply, Steve Bannon’s “Trump @ War”, and Lauren Southern’s Farmlands
Dealing with cancel culture
How past controversies have simmered down and in fact led to a mass increase in film entries
Keeping the theme lite on politics to celebrate the achievements of the festival
Horror films The Faceless Man and No Such Thing As Monsters
Terry McMahon’s documentary The Prizefighter
Richard’s upcoming film The Debt Collector
Richard’s podcast on “JOKER” – A RORSCHACH TEST FOR A SICK SOCIETY?
Richard gives his spiel for Trump and also mentions his affinity for Bernie Sanders
The artists wage, Yang’s UBI, and need for a mild version of socialism
The ongoing struggle between globalism and national sovereignty
Elite Replacement Theory: anti-elite elitism

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, and novel Journey to Vapor Island




Robert Stark and Richard Wolstencroft talk about Current Events & Recap Muff

(((Supply))), Alt Center, Alternative Right, Australia, automation, Basic Income, Bernie Sanders, Brazil, California, capitalism, Cinema, Class, Conservatives, Culture, demographics, Donald Trump, Economics, Elections, Environment, Europe, Film, Freedom of Speech, Globalization, Healthcare, humor, Immigration, income inequality, Islam, Islamization, Jim Goad, Leftism, Liberalism, Libertarianism, Luke Ford, Malibu, Matthew Pegas, Nationalism, Neoliberalism, Oligarchy, Political Correctness, Politics, Republican Party, Richard Wolstencroft, Social Justice Warriors, Socialism, South Africa

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas recap the 19th Melbourne Underground Film Festival (Muff 19) with director Richard Wolstencroft.

Topics:

California Fires
Robert and Matthew get their Supply: Best Guerilla Film Award
Former winner of the award James Wan who directed horror film Saw, The Conjuring, and Aquaman
Reception of Supply and the personas of Robert Stark and Luke Ford
Theme of diversity of opinion and Left Wing Filmmakers Bruce LaBruce and Terry McMahon
Steve Bannon’s “Trump @ War” and his work with populist movements in Europe
Lauren Southern’s Farmlands
Peter Dutton looks to help persecuted White South African farmers
Recent Melbourne terror attack
GOP’s failure in the mid terms due to embracing a plutocratic rather than populist agenda
Benefits of free healthcare and taxing ultra elite globalists
Smart Socialism which distributes wealth to the most productive and empowers artists and innovators
Jair Bolsonaro’s election in Brazil and how to fix nations with extreme inequality
Bolsonaro’s stance against protecting the rainforest and why the right must embrace environmentalism

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Robert Stark talks to Richard Wolstencroft about Muff 19 & the debut of Supply

(((Supply))), Adam Parfrey, Alex Proyas, Alt Center, Alternative Right, Australia, Boyd Rice, Bret Easton Ellis, censorship, Cinema, counterculture, Culture, Donald Trump, Film, Freedom of Speech, Hollywood, Luke Ford, Matthew Pegas, Pearls Before Swine, Political Correctness, Richard Wolstencroft

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas talk to director Richard Wolstencroft about the upcoming 19th Melbourne Underground Film Festival (Muff 19).

Topics:

Richard’s founding of MUFF in 2000
The opening film Mark Savage’s Purgatory Road
The discovery of Saw creator James Wan and Wolf Creek creator Greg McLean
The importance of exposure for underground filmmakers
Past guests including Alex Proyas, Jim Van Bebber and Bret Easton Ellis
The debut of Robert and Matthew’s film (((Supply))) about Luke Ford
Steve Bannon’s “Trump @ War” and Lauren Southern’s Farmlands
LGBT filmmaker Bruce LaBruce’s Ulrike’s Brain
The MUFF censorship controversy and David Cole’s article Gays Against MUFF
The festival’s theme of radical free speech
Richard’s contrarian nature and opposition to elite forced consensus
Importance of political diversity and the ideas of the New Right, Old Left, Alt Center, and Social Libertarianism
Richard’s article LIBERTARIANISM IS PLUTOCRATIC COLLECTIVISM
Boyd Rice, Adam Parfrey, and Apocalypse Culture

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Robert Stark talks to Richard Wolstencroft about his new film The Second Coming Volume II

Adam Parfrey, aesthetics, Aleister Crowley, Asia, Australia, Boyd Rice, Charles Manson, Christianity, Cinema, Country Music, Culture, David Thrussell, Film, horror, horror films, Jim Goad, Music, Occultism, Pearls Before Swine, Poetry, Religion, Richard Wolstencroft, Salò, The Second Coming, Travel, Twin Peaks, William Butler Yeats

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to director Richard Wolstencroft about his new film The Second Coming Volume II. Volume I is free to view on Vimeo.

Topics:

Intro: Johnny Tyler – God’s Gonna Turn Us To Dust
The film’s inspiration from the poem The Second Coming by William Butler Yeats and the film’s segments based on passages from the poem
“A low budget epic”
The film’s influences including Kenneth Anger, Andy Warhol, Lars Von Trier’s Dogma, Godard’s My Life To Live, and Terrence Malick
The film’s aesthetic
The film’s theme of man trying to usher in the Apocalypse
The conflict between the black magicians and the white magicians
Aleister Crowley and Occultism
“Charles Manson put a curse on Western Civilization”
Cameos by Jim Goad, Boyd Rice, and Adam Parfrey
Music by David Thrussell and old Country Western Music
Filming locales including Thailand, Australia, LA, Switzerland, Barcelona, and London

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This show is brought to you by Robert Stark’s Paintings!




Jamie Stewart from Xiu Xiu returns to talk about his album Forget & Twin Peaks

 Angelo Badalamenti, 1980's, 80's music, Alt Center, Alternative Right, Animal Cruelty, animals, Art, Australia, capitalism, censorship, counterculture, Culture, David Lynch, David Thrussell, Depeche Mode, Donald Trump, Drugs, Environment, Erasure, Haarlem Venison, Homosexuality, Jamie Stewart, Los Angeles, Marquis de Sade, Martin Heidegger, Marxism, Music, Nihilism, Occultism, Pearls Before Swine, Peter Sotos, Philosophy, Pilleater, Radical Center, Richard Wolstencroft, Sexuality, Snog, Socialism, Twin Peaks, Xiu Xiu

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, Pilleater, Haarlem Venison, and  filmmaker Richard Wolstencroft talk to musician Jamie Stewart from Xiu Xiu.

Topics include:

Intro: Xiu Xiu – Queen of the Losers 
Xiu Xiu’s album-  FORGET 
The new Twin Peaks and the show’s finale
Xiu Xiu – Plays The Music of Twin Peaks
Performing at a David Lynch exhibit in Australia
The soundtrack of the new Twin Peaks
Richard’s Xiu Xiu story
Influence from 80’s synth; Depeche Mode, Erasure and Jamie’s cover of Erasure
How music in the 21st Century has become stagnant
Music revenue in the internet era and the importance of live performances
Apocalypse Culture; Peter Sotos
The Gay Marriage vote in Australia
Jamie denounces the Alt-Right
Jamie’s hometown LA and how the city has changed
Animal Rights
Jamie as a pessimistic nihilistic hippie
After Jamie leaves Richard discusses his political and cultural views and his films including Pearls before Swine and his upcoming film The Second Coming Volume II
Richard’s Melbourne Underground Film Festival

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This show is brought to you by Robert Stark’s Paintings!




 

Robert Stark talks to Richard Wolstencroft about the Twin Peaks Finale

aesthetics, Cinema, Culture, David Lynch, dreams, Film, Kyle MacLachlan, meditation, Mulholland Drive, Occultism, Philosophy, Pilleater, Psychology, Richard Wolstencroft, Surrealism, Time Travel, Twin Peaks

 

 

 

 

 

 

 

 

Robert Stark and Pilleater talk to filmmaker Richard Wolstencroft about the finale of Twin Peaks. Check out our previous shows on The New Twin Peaks Part I and Part II.

Topics:

The disappointment with the ending of Twin Peaks
Whether the ending is a final statement from David Lynch
David Lynch “The Emperor”
Whether it is an open ended ending for a future season
David Lynch’s signature style of ending with a sense of mystery; when it is successful and when it is not
The multiple coordinates and how many are meaningless
Philip Jeffries role
Sarah Palmer’s role
The mysterious nude eyeless Asian girl and the scene in the Jail
“Judy”
Cooper being able to travel in and out of the Black Lodge
The Black Lodge’s aesthetic and multiple levels similar to Dante’s Inferno
The showdown at the Twin Peaks Sheriffs Department
Similarities to Inland Empire and references to Lost Highway
The theme of time travel; Cooper going back in time to save Laura Palmer
Cooper coming out of his coma at the very end of the series
Dougie Jones as a metaphor for living ones life like one is sleep walking
“We all live in a dream but who is the dreamer?”
David Lynch’s interest in Transcendental Meditation and how it influences his work
Richard Wolstencroft’s new film The Second Coming: Volume 2 and The Second Coming: Volume 1

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Pilleater about the case for a New Alt-Left

aesthetics, Alt Center, Alternative Left, Alternative Right, American Culture, Anarchism, Anime, Art, Asia, Asian Aryanism, Asian Culture, Beatniks, Brandon Adamson, censorship, Class, College, comedy, counterculture, Culture, Donald Trump, Gender, Hipsters, Homosexuality, humor, Identitarianism, Immigration, J.G. Michael, Jim Goad, Millennials, Morality, Nationalism, Philosophy, Pilleater, Political Correctness, Politics, Postmodernism, Psychology, psychosocialism, Richard Wolstencroft, Sam Hyde, Sam Kevorkian, Sexuality, Social Justice Warriors, social status, SWPL, Traditionalism, Trevor Brown

 

 

 

 

 

 

 

 

 

Robert Stark, Sam Kevorkian, and J.G Michael talk Pilleater. Pilleater blogs at Asian Aryanism and has a Youtube Channel .

Topics:

Pilleater’s article Introducing The Alt-Left
The core basic principles of the Alt Left; Friends, Family, and Freedom
The Alt-Left as starting over again at year zero and replacing everything know as “Left-Wing” such as the Frankfurt School and Postmodernism
If an “Alt-Left” scene is to grow then it can’t fall under the same corrupted and immoral nature of the current “Left-Wing” we have today
Is there room for Identitarianism in the Alt-Left in a future after the postmodern world?
Pilleater denounces the Alt-Right after the failure of the Unite The Right rally in Charlottesville
The Alt-Right as a clusterfuck of misguided LARPy teenagers and intersectional “Identitarians”
Why the Alt-Left will not be hostile against the right wing but will be critical of the trad-fetishization and the close-minded conservative issues they radically uphold
The Alt-Left is about ending the spiritual war between “Left vs. Right” and plans to create a movement that is against dictionary definitions
Brandon Adamson’s AltLeft which started as the Left Wing faction of the Alt-Right
Avant Garde Culture such as Jim Goad’s Answer Me!, Adam Parfrey, Boyd Rice, Death in June, Xiu Xiu, Trevor Brown, and Peter Sotos
Brandon’s Adamson’s 60’s Mod Aesthetic and Pilleater’s “Asian Aryan” Anime Aesthetic
STEM Supremacy and Kitty Bobo
Comedian Sam Hyde

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Richard Wolstencroft about The New Twin Peaks: Part II

 Angelo Badalamenti, aesthetics, Art, Australia, Bernie Sanders, Cinema, Conspiracy Theories, Crime, Culture, David Lynch, Donald Trump, Economics, Film, Healthcare, horror, humor, Immigration, Jay Dyer, Kyle MacLachlan, Mulholland Drive, Music, Pearls Before Swine, Police, Politics, Richard Wolstencroft, Sam Kevorkian, Sexuality, Surrealism, Twin Peaks, Vice

 

 

 

 

 

 

 

 

Robert Stark and co-host Sam Kevorkian talk to filmmaker Richard Wolstencroft about the new Twin Peaks series. This is the sequel to our last show on The New Twin Peaks

Topics:

How we left off on the previous show predicting that the series will end in the White Lodge
Robert Stark and Jay Dyer’s prediction at the beginning of the series that the primary theme will be about the Deep State investigating the Black Lodge
The beginning of the “Blue Rose” investigation into the Black Lodge
The Black and White Surreal “Lynchian” Episode 8 set in New Mexico and the responses to it
Lynch’s fascination with evil and the cameos of the creature from Mulholland Drive
Whether Dougie Jones(Cooper) will regain his consciousness
Twin Peaks: How the Insurance Man explains everything, maybe
Phillip Jeffries and the secretive forces that wants Cooper dead
The transformation of the side characters, how some have risen in significance, while others have become a side note
The role of the deceased Major Briggs in the series
David Lynch’s character Agent Gordon Cole becoming the new Cooper
Ben Horne’s Grandson Richard Horne who is a fugitive involved in organize crime
Richard’s view that criminals serve a purpose in society
The transformation of Ben Horne and the recent return of Audrey Horne
Michael J. Anderson'(The Man From Another Place), his feud with David Lynch, and his political statements
The prediction that in the upcoming episodes there will be a showdown with Cooper’s Doppelgänger at Glastonbury Grove
How the recent episodes have become more involved with the town of Twin Peaks
The de-romanticism of the town of Twin Peaks in the New series
The music in the new series; Twin Peaks: The Return | Part 13 “Just You”
Whether David Lynch will leave the series open ended in his signature style
The influences of David Lynch in Richard’s films Pearls Before Swine and The Second Coming Vol I and II
Richard’s political views and thoughts on Trump; Australia’s immigration policies and healthcare system

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Richard Wolstencroft about The New Twin Peaks

 Angelo Badalamenti, 1950's, 1980's, aesthetics, Aleister Crowley, Blue Velvet, Canada, Cinema, Conspiracy Theories, Count Isidor Fosco, Crime, Culture, David Lynch, Film, Film Noire, Hollywood, horror, humor, J.G. Michael, Kyle MacLachlan, meditation, Mulholland Drive, Occultism, Philosophy, Pilleater, Psychology, Religion, Richard Wolstencroft, Sexuality, Surrealism, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, J.G. Michael, and Count Isidor Fosco are joined with filmmaker Richard Wolstencroft live from the Black Lodge to talk about the new Twin Peaks series and how it compares to the original.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
The Black Lodge and it’s theological and occult symbolism
The 80’s quality of the original Twin Peaks, the 50’s nostalgia theme, and David Lynch’s interest in fusing genres
Lynch’s emphasis on visual aesthetics in his films
How Twin Peaks was inspired by the Film Noire Laura (1944)
How the new series makes references to other Lynch films such as Blue Velvet
Contrasting the portrayal of the town Twin Peaks in the new series to the original; Richard’s visit to the town of North Bend, Washington where the show is filmed
Lynch’s portrayal of small towns; the idealism of small towns vs. the critique that there is a dark underbelly to small town America
Demonic possession vs. symbolism of the monster within
Cooper’s Doppelgänger, Agent Cooper becoming Dougie Jones who has lost his memory, and whether he will come back
The theme of powerful entities trying too tap into the Black Lodge and how that will become the main narrative
The theme of “Sex Magic”
The film Mulholland Drive and how it was originally intended to be a sequel to Twin Peaks about Audrey Horne
Lynch’s political views and his interest in Transcendental Meditation
How Twin Peaks touches on a variety of themes including culture, politics, the subconscious, sex, psychology, philosophy, mythology, and religion
Kyle MacLachlan and David Lynch as FBI Agents
The prediction that Cooper will return to Twin Peaks and end up in the White Lodge at the end
The role of the side characters in the new series such as Dr. Jacoby, Ben Horne, and Shelly

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Check Out Robert Stark’s Paintings!