Category Archives: Toronto

Robert Stark interviews artist Gio Pennacchietti

1960's, 1970's, 1980's, 1990's, aesthetics, Alternative Right, American Culture, Architecture, Art, Art Deco, Art Nouveau, Baby Boomers, Bimbo Ubermensch, BLAUERGEIST!, Canada, capitalism, Catholicism, Christianity, Cities, Class, Classical Liberalism, Coach Black Pill, Communism, Consumerism, counterculture, Crime, Culture, Diversity, Donald Trump, Economics, England, ethnopluralism, France, Francis Nally, Futurism, Gio Pennacchietti, Globalization, Gnosticism, History, Immigration, Incels, income inequality, Italian Futurism, Jason Reza Jorjani, Journey to Vapor Island, Las Vegas, Leftism, Liberalism, Literature, Malls, materialism, Matthew Pegas, Media, Mid-Century Modern, Middle Class, Millennials, Morality, Multiculturalism, Nationalism, NEETs, neo-tribalism, Neoliberalism, Neon, New York, Nietzsche, Philosophy, Pilleater, Police, Police Brutality, Police State, Political Correctness, Politics, Postmodernism, Prison, Prison Industrial Complex, Prison Rape, Psychology, Religion, Retro Futurism, Silicon Valley, Socialism, South Africa, Soviet Union, Surrealism, Synthwave, technology, Toronto, Traditionalism, Vaporwave

Robert Stark and Matt Pegas talk to Gio Pennacchietti about aesthetic, cultural, and social trends. Gio Pennacchietti is a social impressionist painter and writer from the “first post-national country” (Canada), Gonzo Philosopher, and failed academic. Check out his YouTube channel GiantArt Productions, Instagram, writings at Substack and WordPress, and Twitter.

Topics:

Gio’s review of Robert Stark’s Art: The Fauvist Vaporwave Interiors
20th Century aesthetic genres, retrofuturism, post-modernism, late 20th century pop art, trends in nostalgia, and the psychology of hauntology
Political symbolism in aesthetics: 2010s minimalism, Neoliberal Kitsch, Sanford Biggers’ statue in Rockefeller Plaza, the de-evolution of Trump’s aesthetics, and the lack of a cohesive aesthetic trend for the future
Robert’s article on Pan-Enclavism and how it relates to Canada as a post-national nation
A critique of the Intellectual Dark Web
The need for a new bohemian/creative movement comparable to the Vienna Secession
Gio’s interest in the after prison Youtubers
Gio’s artistic background, influences, and art as a spiritual endeavor

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Journey to Vapor Island, and in production documentary The Gospel of Gibson, and subscribe to his Substack.

Robert Stark interviews Rich Houck

1980's, aesthetics, American Culture, Animal Cruelty, animals, Archeofuturism, Architecture, arcology, Art, Cities, Class, Communism, coronavirus, Crime, Culture, demographics, Diversity, Economics, education, Environment, Fascism, Futurism, gentrification, Historic Preservation, Immigration, income inequality, Japanese Culture, Journey to Vapor Island, Los Angeles, Malls, Mental illness, Nationalism, Neoliberalism, Neon, New Urbanism, New York, Philadelphia, Photography, Political Correctness, Politics, Psychology, Retro Futurism, Rich Houck, Robert Putnam, San Francisco, Skyscrapers, social capital, Social Isolation, social trust, Toronto, Traditionalism, Urbanism, Zoning

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Rich Houck about urbanism, aesthetics, and the need for social capital. Rich is a recent law school grad and you can check out his blog on Patreon and his Twitter account.

Topics:

Rich’s interest in photography
Rich’s patronage of independent artists
Interest in both traditional and Retro-Futurist aesthetics
Neon nationalism: reclaiming the future we should have had
80s nostalgia: the 80s as a going away party
The Last Mall Rat OR The Decline and Transformation of The American Mall
The importance of communal spaces, whether it’s Interior Urbanism or a traditional village space
How urban planning models and density relate to social cohesion
Does Diversity Create Distrust?
Crime prevention through environmental design and A New Way of Understanding ‘Eyes on the Street‘ 
Impression of San Francisco, how it could have been an American Paris with a uniquely American European aesthetic
The spring COVID-19 took from me
How the pandemic is exposing a wide range of problems from open borders to factory farming
Robert’s novel Journey to Vapor Island’s lesson about taking the best from all sides
Symbolism of the Neon-Raccoon

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, and novel Journey to Vapor Island




Robert Stark talks to Count Isidor Fosco about creating New Retro Futurist Sub Cultures

1980's, 80's music, aesthetics, Alicia Silverstone, Alphaville, animation, Anime, Architecture, arcology, Art, Art Deco, Asian Aryanism, Asian Culture, Batman, Blade Runner, Cinema, Cities, Comic Books, Count Isidor Fosco, counterculture, Culture, Cyberpunk, Depeche Mode, Duran Duran, Europe, Film, Film Noire, Futurism, Helen Slater, Homosexuality, Identitarianism, Israel, Italo Disco, Japanese Culture, Kaze to Ki no Uta, Memes, Mid-Century Modern, Milo, Mishima A Life in Four Chapters, Music, New Retro Wave, Peter Sotos, Pilleater, Postmodernism, Retro Futurism, Sarah Michelle Geller, Sexuality, Steampunk, SWPL, The Crush, The Legend of Zelda, Toronto, Trolling, Urbanism, Vaporwave, Video Games, Will McBride, Winona Ryder, Yukio Mishima

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to returning guest Count Isidor Fosco.

Topics:

Retro-Futurism and it’s sub-genres
Whether Retro-Futurism and fusing past genres can evolve organically or end up being a “cut and paste”
Merging an Aristocratic or Traditional Genre into a Futuristic one
How fusing genres is most effective when there is a distance in eras(ex. Art Deco and Cyberpunk, Baroque and 80’s Retro-Futurism)
How futurism overlaps with the archaic in architecture(ex.Arcology)
Steampunk; Victorian era Train Stations in London, the Galleria Vittorio Emanuele in Milan, and shopping centers inspired by European shopping arcades
The Toronto Eaton Centre in contrast with the Underground City in Montreal, which is more Retro-Futuristic
Why “Decopunk” Deserves to Be Bigger than Steampunk
The Art Deco revival during the New Wave Age
Batman: The Animated Series, Batman & Architecture, and Anton Furst’s visions for the Aesthetic Of Gotham City(1989)
Alicia Silverstone in Batman & Robin and playing piano in the film The Crush
The aesthetics of Mishima: a Life in Four Chapters and the manga Kaze to Ki no Uta
New Retro Wave, Italo Disco, Falco, and Alphaville’s Forever Young and Big In Japan
The “Vaporwave” Babylon Club from Scarface which was featured in Miami Nights 1984’s Early Summer
How we are in post-post modernism and must rebuild cultures from scratch
Subcultures based on ethnic and cultural identity; cultural and ethnic fusionism(ex.Asian Aryanism)
How the future will either be mass global homogenization or forming new cultures from scratch but there is no returning to the past
Asian and Israeli Aryanism as memes
Count Fosco’s hierarchy of fetishes

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Count Isidor Fosco

Academia, aesthetics, Alternative Left, Alternative Right, Argentina, Aristocratic Individualism, Asia, Asian Aryanism, Asian Culture, Basic Income, Canada, capitalism, Catholicism, Class, Conservatives, Count Isidor Fosco, counterculture, Culture, demographics, Diversity, Donald Trump, Economics, education, England, Film, Globalization, Immigration, Imperialism, income inequality, Jonathan Bowden, Juan Peron, Leftism, Marxism, Multiculturalism, Nationalism, Neoliberalism, Oligarchy, Philosophy, Pilleater, Quebec, Rabbit, Religion, Retro Futurism, Secessionism, Sir Oswald Mosley, social status, Socialism, Third Position, Third Way Economics, Toronto

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Count Isidor Fosco. He is an actor based in Toronto, Canada.

Topics:

Count Fosco’s background in the Film Industry in Toronto
Count Fosco’s background in Philosophy
Count Fosco’s Catholic upbringing and Catholic Social Teachings
Toronto as the Neo-Liberal, Multi-Cultural capital of North America
The Eurasian scene in Toronto, The Mixed in the Six club, and Pilleater’s Asian Aryanism
The Secessionist movement in Quebec, Native American Secessionist movements, and Calexit
CPAC organizer denounces ‘alt-right’ as ‘left-wing fascist group’
Neo-Liberal Feudalism and how the mainstream Left has abandoned class issues
Third Positionism, Social Nationalism, and historic figures including Juan Perón, and Sir Oswald Mosley
Why Mosley was an admirable misunderstood figure, and a true Anti-Globalist who would have made a more logical “third power” to America
The need for an Aristocratic form of Socialism, and why socialism isn’t contrary to hierarchy
Karl Marx’s hierarchy of labor
Social Credit and the Basic Income, and how it should be implemented
Affordable Family Formation
What an aristocrat is in today’s capitalist society
The idealistic definition of a True Aristocrat as a revolutionary figure
Georges Palante and Aristocratic Radicalism
Jonathan Bowden and the Angry Young Men
Working and middle class people who view the Trump family as Aristocrats
Trump’s “Aristocratic Futurist” aesthetic and Rockefeller Center in New York City

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Check out Robert Stark’s Paintings!