Category Archives: hedonism

Robert Stark interviews Kitemporal

aesthetics, Alpha Males, Alt Center, Alternative Right, American Culture, Ancient Problemz, Anime, Asian Aryanism, Bronze Age Pervert, caste, Class, conformity, Conservatives, Culture, Deconstruction, Donald Trump, Economics, Erotica, Eugenics, Feminism, Francis Nally, Gender, Gnosticism, hedonism, Homosexuality, Human Bio Diversity, Incels, Kitemporal, Leftism, Managerialism, materialism, Middle Class, Nihilism, Personality Types, Philosophy, Pilleater, Political Correctness, Politics, Psychology, relationships, Religion, Sexuality, social status, Texas, The American South, Wealth, Zoomers

Robert Stark and Francis Nally (aka Pilleater) talk to Kitemporal about philosophy, class, eugenics, sexuality, and gender roles. Kitemporal describes himself as a Radical Leftist, individualist, and eugenicist. Subscribe to his Substack and follow him on Twitter/X.

Topics include:

-Why Kitemporal calls himself a leftist, even though the left and right are arbitrary terms
-How managerial liberalism stifles human potential and is dysgenic
–The backrooms as a metaphor for managerialism
-Why deconstruction is a valuable tool and can have anti-liberal results
-Why the Right has more respect for Bolsheviks than liberals
-How eugenics can be used for egalitarian aims (eg. breeding out toxic masculinity)
-Why Kitemporal calls himself a natalist nihilist
-The pros and cons of eugenics based on class
-Fertility trends by class
-Do libertarians, nerds, and artists have the lowest fertility?
-Beauty dysgenics
-Eurasians as a distinctly upper middle class ethnogenesis
-Why Kitemporal disagrees with the Ancient Problemz show that guys getting oral is upper class coded but rather macho coded
-How the normalization of fetishes makes them less transgressive
-The Ahegao face meme
-Whether low status men going down on high status women can ease the incel issue and  perhaps class warfare
-How anything can be normalized as high status to NPCs
-The latent bisexual undercurrents in rightwing politics
-Kitemporal’s new money redneck background
-Kitemporal’s esoteric proposals for gender roles
-How granting women the option of taking on full male gender roles discredits feminism
-Kitemporal’s religion of Dynostiscism

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Left of The Alt-Right Round Table Discussion Part I

1970's, 1980's, 80's music, aesthetics, Alicia Silverstone, Alt Center, Alternative Left, Alternative Right, American Culture, Archeofuturism, Architecture, Art, Ashley Messinger, Beatniks, Bernie Sanders, Brandon Adamson, capitalism, Catholicism, Christianity, Classical Liberalism, Conspiracy Theories, Constantin von Hoffmeister, counterculture, Culture, David Hamilton, democracy, demographics, Depravity, Donald Trump, Economics, England, Environment, Erotica, Europe, Feminism, Futurism, Gender, Germany, hedonism, Homosexuality, Immigration, income inequality, Leftism, Liberal Race Realism, Liberalism, Marquis de Sade, Mass Democracy, Morality, Music, Nationalism, New Retro Wave, Nudism, Oligarchy, Philosophy, Political Correctness, Politics, Pornography, Prince of Queens, Religion, Retro Futurism, Robert Lindsay, Ryan Englund, Salò, Sexuality, Social Justice Warriors, Steampunk, SWPL, Synthwave, The Crush, The Enlightenment, Traditionalism, Transhumanism

 

 

 

 

 

 

 

Robert Stark, Brandon Adamson, Ashley Messinger, and Constantin von Hoffmeister discuss the political scene known as the Alt Left, Left Wing of the Alt Right, or Alt-Center.

Topics:

Robert Lindsay as the founder of the Alt-Left, his past project Liberal Race Realism, and his decision to focus on Left Wing Economics rather than demographics
How the Alt-Left that emerged from Robert Lindsay became an economically Leftist parallel to the Alt-Lite
Brandon’s Left Wing of the Alt-Right and his manifesto A Clockwork Greenshirt 
The collapse of the Alt-Right and how the election of Trump caused friction between those two factions
The Left Wing of the Alt Right as Social Nationalism without the Radical Traditionalism and Social Conservatism
The implicit Whiteness of Progressive causes such Environmentalism, New Urbanism, and Transhumanism
The Elites promotion of mass immigration
The failure of Mass Democracy
The close minded cultural mentality of the Right Wing
Retro Futurism; Steampunk, Deco Punk, and 70’s and 80’s Retro Futurism
Creating a movement of artist
Positive vs. Negative Degeneracy
Constantin’s Degenerate Poetry inspired by the Beatniks
America and the Anglo-sphere’s puritanical hangups(ex. opposition to nudity, SJW’s, and sexual harassment hysteria)

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Ashley Messinger about Roger Blackstone & The Politics of AESTHETICS

1980's, aesthetics, Aleister Crowley, Alicia Silverstone, Alternative Right, Architecture, Aristocratic Individualism, Ashley Messinger, Asian Culture, automation, Basic Income, Brandon Adamson, capitalism, Cities, Culture, Cyberpunk, democracy, Disneyland, Distributism, Donald Trump, Drugs, Economics, Elections, Environment, Eugenics, Fascism, Futurism, hedonism, Japan, Japanese Culture, Journey to Vapor Island, Las Vegas, Literature, Nationalism, New Urbanism, New York, Nietzsche, Occultism, Pepe the Frog, Philosophy, Politics, Post-scarcity economy, Retro Futurism, Roman Empire, Sexuality, Skyscrapers, Socialism, Third Way Economics, Transhumanism, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

 

Roger Blackstone is a fictional presidential candidate in Robert Stark’s novel Journey to Vapor Island.

Topics:

Ashley’s article Roger Blackstone: The Politics of Aesthetics
Roger Blackstone’s ideology as a psychedelic futurist form of social nationalism
Roger Blackstone utilizing capitalism as a real estate mogul to rise to power
Roger Blackstone’s Utopian visions in contrast with Trump who has been a major disappointment
Roger Blackstone’s campaign commercial
“Advancing civilization and furthering human progress” implies a rejection of the NRx reading of history (inverted Whig view) and assumes that some forms of progress are actually meaningful
Basing political ideology on aesthetic values
New Urbanism and the necessity of creating aesthetically pleasant living spaces
The idea that simple libertarianism is just not enough and we need to create intentional communities for every possible group
The 1980’s Retro Futuristic theme; “Neon Nationalism”
Roger Blackstone’s idea of making humans, rather than just art and architecture, the subject of aesthetic concern
Roger’s Blackstone’s economic views and support for a basic income
The power to completely re-engineer the human genome to enhance human potential(Transhumanism)
The book The Chemical Muse about the prevalence of drugs(especially entheogens) in pre-modern societies, and the importance of drug use to a lot of artists and anti-conformists
Roger Blackstone’s father Alistair and his manifesto “Why The True Aristocrat Must Rule”
The notion of a natural aristocracy(ex. Ralph Waldo Emerson and HL Mencken)
The term “Aristocratic Radicalism” pops up, which has been used to describe Friedrich Nietzsche’s philosophy
Similarities to Alistair Crowley’s concept of “Aristocratic Communism,” where society is geared towards empowering those who are naturally non-conformists, artists, and intellectuals
There is some evidence that Alistair is sympathetic to distributive economic philosophies, because capitalism has this stifling effect on the creative class
The mock presidential debate scene where Noam has to represent Roger Blackstone against the Democrat, Republican, and Libertarian
The growing trend of political fusionism
The importance of using fiction to influence political discourse

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Count Fosco about the show Californication

California, Californication, comedy, Count Isidor Fosco, Culture, David Duchovny, Erotica, Feminism, Film, Gender, Harvey Weinstein, hedonism, Hollywood, humor, Los Angeles, Madeline Zima, Nihilism, Pornography, relationships, Sexuality, Twin Peaks

 

 

 

 

 

 

 

 

 

Topics:

Hank(David Duchovny) is an established author, kind of like every independent man’s dream, though he could easily get taken advantage of by every woman he sleeps with, starting with Mia(Madeline Zima)
How Hank never seems to learn anything, if anything in later seasons he becomes less intelligent…he even admits it…he is a “writer, non-practicing”
Hank is very well connected, demonstrating implicitly that his lifestyle can’t be forever or for everyone
There is something surreal about this show in that no man, not even the powerful get hit on this much by women
Hank ironically suffers from writers block but interestingly, always “writes about what he knows”
Hank’s nihilistic novel being turned into a cheesy romantic comedy
Mia stealing Hank’s novel based on his encounter with her which is latter turned into a film
Madeline Zima in the new Twin Peaks
Similarities between Hank and major sex positive male feminist who have been accused of sexual harassment
The ridiculous sex scenarios Hank gets into
How by the end of the first season it’s interesting how his unmarried “wife” still prefers him which logically doesn’t make much sense but does make sense when you think of his “I don’t give a damn” characteristics
Hank’s agent “Charlie Runkel” who is probably closer to what Hank would be like if he were a real life character
How on some level Hank is genuinely self-loathing
The relationship between Hank and his daughter
Charlie’s boss Sue Collini(Kathleen Turner) who is intimidating even for a cougar and has a very attractive histrionic personality
Sue Collini isn’t the romantic type, she only wants sex from her clients; “Sue Collini always get’s the weenie”
Mia having a preference for older men behind her father’s back while sending every possible signal that she was doing so anyway
How the show has almost every possible sexual fetish in it mentioned
How the show is based on repetition rather than an overall plot
How a lot of Far-Right people watch this show despite that they would all call it degenerate
How the show relates to the ongoing Hollywood sex scandals; the line “You’re no Brett Ratner”

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Paul Bingham about Aleister Crowley

aesthetics, Aleister Crowley, Aristocratic Individualism, Art, capitalism, conformity, Consumerism, Culture, Distributism, Economics, England, Environment, Erotica, Futurism, hedonism, Homosexuality, Liberalism, Literature, Morality, Occultism, Paul Bingham, Religion, Sexuality, Wyndham Lewis

crowley

Robert Stark and co-host Alex von Goldstein talk to Paul Bingham about Aleister Crowley

Topics include:

Today Aleister Crowley exists either as an icon of occultism, used by subcultures, derided by others, but few are familiar with his political and philosophical ideas
Kerry Bolton’s series on Aleister Crowley as a Political Theorist, Part 1 and Part 2
Political Platform based on Crowley’s ideas
Julius Evola on Crowley
James J. O’Meara’s reivew of Richard B. Spence’s book Secret Agent 666
Crowley’s religion Thelema
Crowley’s fascination with power structures
Crowley transcended politics and did not fit into either traditionalism or the left
Crowley did not fit into the left for rejecting egalitarianism and mass democracy, and the right for rejecting free markets and traditional morality
Crowley’s Aristocratic individualism, and his belief in an Aristocracy of the creative class
Wyndham Lewis‘s book The Art of Being Ruled, which like Crowley advocated the rule of the creative class
Crowley viewed the masses as spiritualy inferior
Crowley saw capitalism as degrading genuine cultural elitism
Crowley rejecting Marxism, but supported a social safety net to free up the creative class
Crowley’s value of leisure
Crowley came to the same conclusions about economics as the Distributist and Social creditors, who were Traditional Catholics
Distributism and Social Credit are the economic systems most compatable with Aristocratic Individualism
Homo economicus
Crowley’s critique of democracy
Crowley’s environmentalism
Crowley’s interest in Mountaineering
Crowley tested the limits of human nature and practiced what he wrote about
The futurist philosophy is about testing what works
Crowley’s view of the future was that things will collapse and a new brighter future will emerge
Crowley’s erotic poetry series White Stains, and how he practiced the sexual acts he wrote about
Crowley used sexual experimentation to further his intellectual state, but did not advocate it for the masses
Why the individual must have freedom to exist within their own personal boundaries
Crowley’s advocacy of youth colonies, how the elites practice youth camps, and the importance of controlling youth
How male bonding and inter generational relationships are stigmatized for the masses
How Crowley often took the passive role in sexual acts with both men and women
Paul’s point that most people are either sexually dominant or submissive, but that being a switch is a uniquely Anglo trait
Crowley as the original Troll
Paul’s point that if Crowley were alive today he would be disinterested in western politics
Our upcoming show with Paul on Italian Futurism, and how Crowley, Wyndham Lewis, and the futurist had similar ideas, but were fiercely independent from one another

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Check out Robert Stark’s Artwork




Robert Stark, Rabbit, Alex von Goldstein & The Truth Will Live discuss Hipster Culture

Alex von Goldstein, Alternative Left, Alternative Right, American Culture, Class, conformity, Consumerism, counterculture, Culture, Donald Trump, Feminism, Gender, hedonism, Hipsters, Music, Pepe the Frog, Political Correctness, Pornography, Rabbit, Sexuality, Social Justice Warriors, social status, The Truth Will Live

the-truth-will-live-on-hipsters

 

 

 

 

 

 

 

 

 

 

 

 

Topics include:

The origins of Hipster Culture
How in the late 90’s and early 2000’s there were Hipster, Douchebag, and Hip Hop Subcultures
How the original Hipsters were Arty and pretentious, but latter became part of mainstream pop culture, incorporating trashy elements of the latter two groups
Alex’s observation that Hipsters adopted other subcultures out of irony, but latter appropriated them(irony vs. post irony)
The Truth Will Live’s comment that Hipster Culture emerged as a reaction to 90’s Hip Hop Culture
How the original Hipsters were implicitly white, and into things such as environmentalism and anti-consumerism, similar to Rabbit’s Alternative Left
How SJW’s hijacked Hipster Culture
The Truth Will Live tells a story about when she was a feminist, and how she lost interest when she heard feminist apologizing for Third World cultures treatment of women
Intersectionality
90’s Zine Culture
Experimental Noise and Drone Techno Music
The Truth Will Live’s observation that the Punk Scene was often explicitly white
The Truth Will Live’s observation that the more women enter a subculture the more politically correct it becomes
90’s Brit Pop
How Right Wing figure such as Gavin McInnes came out of the Hipster scene, and many Hipsters are now joining the Alt Right
Taki Theodoracopulos, and how being wealthy enables one to express controversial opinions
How political correctness is an ideology of upper middle class strivers, who are trying to prove their status
How even within dissident subcultures there is still pressure to conform to the norms of those groups
Social Sexual Mores
Making the case for traditional mores from s secular scientific standpoint
The Truth Will Live’s Donald Trump story from work


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Check out Robert Stark’s Artwork




Robert Stark interviews Tila Tequila

addiction, Alex von Goldstein, Alternative Right, Asian Culture, censorship, conformity, Conspiracy Theories, Depravity, Diversity, Donald Trump, Gender, hedonism, Hollywood, Media, meditation, Memes, Morality, Pornography, Race Relations, relationships, Religion, Sexuality, Social Media, Tila Tequila

Tila Tequilla

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Alex von Goldstein talk to Tila Tequila

Topics include:

How Tila was the first person to catapult social media into what it is today
How Tila became disillusioned with the degeneracy and emptiness of Hollywood
Tila’s response to people who say she is a hypocrite for speaking out against degeneracy
Blackmail, character assassinations, and censorship in Hollywood
Drug Addiction
Meditation and Spirituality
Conspiracy Theories & The Green Pill
How Tila was the first celebrity to openly endorse Donald Trump
The Japanese Vaporwave Donald Trump Commercial
How Tila’s views have evolved and her interest in the Alt-Right
How Tila’s original fans have reacted to her views and her new fans on the Alt-Right
How becoming a mother has changed her outlook on life
How Tila’s Normie friends have reacted to her views
Trolling and Meme Culture
Tila’s upcoming appearance at the National Policy Institute in D.C

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Check out Robert Stark’s Artwork




Robert Stark and Rabbit talk about their trip to Las Vegas

aesthetics, American Culture, Architecture, capitalism, Cities, Class, Consumerism, Corporations, Culture, Economics, Futurism, Gambling, hedonism, Hipsters, Historic Preservation, Las Vegas, Neon, Photography, Police State, Rabbit, Travel, Vice

Polaroid 100%

Las Vegas-California Casino

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Rabbit blogs at AltLeft.com

Topics include:

Robert and Rabbit’s recent trip to Las Vegas
How Las Vegas epitomizes capitalism and commercialism at it’s fullest
How Las Vegas demonstrates how capitalism is both a force for creation and destruction
How Las Vegas lacks any historic preservation
How despite it’s flaws Las Vegas offers an otherworldly fantasy experience
The Resort Fees
The ethics of Gambling
The political and demographic landscape of Las Vegas and Nevada
How Las Vegas lacks any significant SWPL presence
How Las Vegas attracts the trashiest of pop culture
Douche Bag culture, it’s different subsets, and how it’s absorbing hipster culture
The Aesthetics of Las Vegas Casinos, Robert and Rabbit’s favorites, and conceptual casino designs
The different era’s of Las Vegas, including Vintage Las Vegas, the themed resorts of the 90’s, and the newer casinos
The Las Vegas monorail
Whether Las Vegas resorts are a model for urban living

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Check out Robert Stark’s Artwork

More Photos from Trip:

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Robert Stark interviews Ray Sawhill

1980's, aesthetics, Anarchism, Architecture, Art, Art Deco, Bill Kaufman, Bioregionalism, censorship, Cities, comedy, Conservatives, Cuisine, Culture, decentralization, Environment, Erotica, Exposed, Film, hedonism, Hipsters, Historic Preservation, Homosexuality, humor, Immigration, James Howard Kunstler, Jock Sturges, journalism, Literature, localism, New Urbanism, New York, Overpopulation, Photography, Political Correctness, Politics, Polly Frost, Pornography, Ray Sawhill, Roger Scruton, Santa Barbara, Sex and the City, Sexuality, Skyscrapers, Suburbia, Taxi Driver, Theatre, Travel

Ray Sawhill

 

 

 

 

 

 

 

Ray Sawhill worked as an arts and culture reporter for Newsweek. He has also written for Salon.com and blogs at Uncouth Reflections as Paleo Retiree. He splits his time between New York and Santa Barbara.

Topics include:

How Robert and Ray both have personal connections to Santa Barbara and how the city is almost too idyllic
Crime Fiction Novelist Ross Macdonald who’s work captures Santa Barbara
Santa Barbara as a place with strict zoning laws that was modeled after Andalusia in Spain
The contrast between life in Santa Barbara and New York City
How New York City has changed in Ray’s time there in the 70’s, 80’s and 90’s
How Cuisine is the one area that has seen increased innovation in New York
Ray’s cameo in the film Exposed set in New York in 1983 staring Nastassja Kinski
How films such as Exposed and Taxi Driver are documentaries for New York in that era
The new peculiarly shaped skyscrapers going up in New York today
“See through buildings” where wealthy Foreigners are buying up real estate in New York and leaving them empty
How Ray is drawn to architecture because it is art you can experience and changes the world in a way that regular art doesn’t
How most of the general public has little input and interest in architecture
How places without zoning laws tend to lack any aesthetic value
How the main rule in urbanism is not to do anything that harms the city
Art Deco and how it succeeds in bringing tradition and modernity into one
Architectual Revivalism which seeks to recreate older forms of architecture
Robert Stark’s Artwork
Ray’s work at Newsweek as a reporters covering art, culture, literature, film, and theatre
How Ray’s most significant interviews were with Writers Philip, Roth, and John Updike, filmmakers Francis Coppola, and Robert Altman and Architect Christopher Alexander
How conservatives tend to avoid culture and leave that domain to the left
English Philosopher Roger Scruton as a model for a cultured conservative
Front Porch Anarchist Bill Kauffman
New Urbanism
The The Retro Cocktail and Locavore movements
James Howard Kunstler
Ray’s involvement with Environmentalism and Bioregional Anarchism
How the environmental movement abandoned the overpopulation issue due to political correctness and mass immigration
The Alternative Right
How the real political divide is between globalism and decentralization
Cultural trends and how Ray views himself as a cultural radar
The trend towards a focus on muscles for young men and men are more self-conscious about their bodies
The value of pleasure and leisure
Erotica and the debate about what’s art and what’s pornography
Controversial nude photographer Jock Sturges, who Ray interviewed
How society is a taking contradictory paths towards lewdness and prudishness
Students Still Sweat, They Just Don’t Shower
How having taste and style has become equated with homosexuality
Young women moving to New York City because of Sex and the City
“Sex Scenes” which is a raunchy, satirical audio entertainment that Ray created with his wife playwright Polly Frost. Check it out.

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This show is brought to you by Robert Stark’s Artwork

Robert Stark talks to Charles Lincoln & Robert Lindsay about LA, the 1980’s, & Blade Runner

1980's, 80's music, aesthetics, American Culture, Beverly Hills, Beverly Hills High, Blade Runner, California, capitalism, Charles Lincoln, Cinema, Cities, Consumerism, Culture, Diversity, Dystopia, Economics, Fast Times at Ridgemont High, Film, Futurism, Gambling, hedonism, Immigration, Los Angeles, Malls, materialism, Mexico, Music, Neon, overdevelopment, Overpopulation, Pornography, Robert Lindsay, Ronald Reagan, Science Fiction, Sexuality, Suburbia, The Hunger Games, The Porn Industry

FTRH
BR

 

 

 

 

 

 

 

 

 

 

This is a continuation of the discussion on True Stories

Topics include:

The demographic transformation of Southern California
Robert Lindsay’s experience as a substitute teacher
Beverly Hills
The Film Fast Times at Ridgemont High set in the San Fernando Valley in the early 80’s
The depiction of adolescent sexuality in the film
How in the 70’s and early 80’s hedonism existed with less materialism and higher social trust than today
How the rise in hyper materialism coincided with the popularity of Reagan
How Robert Lindsay was involved with the Punk scene in the 80’s
The Film Earth Girls Must be Easy
The Porn Industry in the San Fernando Valley
Southern California Mall Culture
How the decline of traditional Mall Culture symbolizes how all of society is becoming one giant mall
How strip malls in LA are being replaced by higher density development
The debate about density and Urbanism
Mexican Culture vs. Mexican American Culture in California
The Film Blade Runner which is set in LA in 2019
Whether Blade Runner is an accurate depiction of the future
The genre of Dystopian Future Films(ex.Hunger Games, V for Vendetta, Mad Max)
NEON SIGNS OF BLADE RUNNER
The Film “Her” which depicts the future of LA as an eco friendly SWPL utopia
The decline in the quality of products

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