Category Archives: Leisure Suit Larry

The Starkian Lynch

 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Alt Center, American Culture, Archeofuturism, Architecture, arcology, Aristocratic Individualism, Art, Art Deco, Blue Velvet, Californication, capitalism, Cinema, Cities, Class, Country Music, Culture, David Lynch, Depravity, Disneyland, Donald Trump, Dune, Economics, Erotized Rage, Fashion, Film, Film Noire, Hollywood, Homosexuality, humor, Jasun Horsley, Journey to Vapor Island, Kyle MacLachlan, Las Vegas, Leisure Suit Larry, Los Angeles, Madeline Zima, Marquis de Sade, Matthew Pegas, meditation, Mental illness, Mid-Century Modern, Morality, Mulholland Drive, Music, Mythology, Neon, Occultism, Philosophy, Politics, Psychology, Religion, Retro Futurism, Science Fiction, Sexuality, Steampunk, Suburbia, Surrealism, Synthwave, Twin Peaks, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas discuss the work of David Lynch and the parallels between the “Lynchian” and “Starkian.” Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party
Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong  yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Brandon Adamson about Skytrain to Nowhere

1980's, aesthetics, arcology, Art, Brandon Adamson, Culture, Disneyland, Futurism, Las Vegas, Leisure Suit Larry, Literature, Mass Transit, Mid-Century Modern, Mythology, Philosophy, Phoenix, Photography, Poetry, Retro Futurism, Skytrain to Nowhere

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Brandon Adamson about his new photo essay and collection of poetry Skytrain to Nowhere. Purchase Skytrain to Nowhere in Paperback on Lulu, in eBook PDF, and on Amazon.

Brandon Adamson is a writer who currently resides in Phoenix, Arizona. He has been writing since 1995, and his work has appeared in many magazines, blogs and literary journals over the years. Brandon blogs at AltLeft.com.

Topics:

The book is made up of poems resulting from the author’s experiences riding the skytrain at Phoenix Sky Harbor Airport
How the book was loosely inspired by Keith Gunderson’s A Continual Interest in the Sun and Sea
Brandon’s style and method of writing poetry
How there is very little offensive material in the book compared to previous works
The photographs in the book
How the skytrain doesn’t really go anywhere but an imaginative person will envision potential destinations and explore the possible ways in which this kind of technology could be used
The skytrain as a vehicle for escapism
The airport as the blueprint for self contained cities
Disneyland as also a model for self contained cities
How the author’s fascination with skytrains and monorails originated with trips to Disneyland and Disney World in the 1980’s
The importance of always staying on the move in life and never getting too comfortable
The Retro-Futuristic themes in the book
The Retro-Futurist’s dilemma of wanting to embrace the future while being inspired by nostalgia and having to determine what’s worth holding on to
The poem Treadmill to Neonopolis named after the place in Las Vegas
Mythological references in the book (Atlantis, Icarus, etc)

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks about his new novel Journey to Vapor Island

 Mark Velard, 1980's, 80's music, aesthetics, Alicia Silverstone, alienation, Anime, Architecture, Art, Brandon Adamson, Class, Clueless, comedy, Consumerism, Culture, Depravity, Despair, Donald Trump, Ellliot Rodger, Erotica, Fast Times at Ridgemont High, Film, Francis Nally, Futurism, Gender, Harvey Weinstein, High School, Hollywood, Homosexuality, humor, Incels, Journey to Vapor Island, Leisure Suit Larry, Literature, Loserdom, Love, Memes, Patalliro!, Pepe the Frog, Psychology, relationships, Retro Futurism, Science Fiction, Serial Killers, Sexuality, Social Rejection, social status, Spree Shootings, Surrealism, The Crush, Utopia, Vaporwave, Video Games

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark is joined with Francis Nally and Brandon Adamson to discuss his new novel Journey to Vapor Island.

Topics:

Brandon’s review of Journey to Vapor Island(Contains Spoilers)
The cover art by Mark Velard
How listeners to the show will instantly recognize favorite topics when they make cameo appearances in the book or manifest themselves as part of the underlying themes
Internet memes in the book(ex. the men in the frog masks)
The fusion of genres including Fantasy, Young Adult Fiction, Science Fiction, and Dark Comedy
A disclaimer that this book is not for anyone that is squeamish about sex or easily shocked or offended
Brandon’s observation that the sexual scenes in the book are more akin to the “random battles” in old school Super Nintendo RPGs like Final Fantasy IV
The theme of how central sex is to people’s motivations, and the overall perception of status in society
The main character Noam Metzenbaum who is a socially inept yet intelligent student with illusions of grandeur
The Chads and the theme of the nerd getting revenge against bullies and the popular cliques
Noam’s crush Natalie Bloom and his lifelong obsession with her
The Retro-Futuristic surreal fantasy world in the book; an adult Never Ending Story
The Roger Blackstone character who could represent a Trump-like figure, but could just as easily be a Ross Perot or even Willy Wonka
The outrageous comic elements in the book
The theme of the commercialization of tragedies and the celebrity status of mass murderers
How the book is timely with the ongoing Hollywood sex scandals
The theme of living in ones fantasies and how that shapes the book’s narrative

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician Jody Coombes of Star Noir

1980's, 80's music, Absolute Valentine, aesthetics, Art, Asia, Asian Culture, automation, Basic Income, Blade Runner, California, Cinema, Cities, Comic Books, Culture, Cyberpunk, Depeche Mode, Dystopia, England, Film, Film Noire, Florian Renner, FM-84, Futurism, History, Hong Kong, horror, horror films, Industrial Music, J.G. Michael, Japan, Japanese Culture, Jody Coombes, John Carpenter, Las Vegas, Leisure Suit Larry, London, Music, Neon, New Retro Wave, Perturbator, Photography, Psychology, Retro Futurism, Sam Kevorkian, Science Fiction, Star Noir, Stranger Things, Synthwave, The Summoner, Transhumanism, Travel, Vaporwave, Video Games, Wilderness, William Gibson

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, Sam Kevorkian, and J.G. Michael talk to Illustrator, Photographer, Video Game Designer, and Musician Jody Coombes. Check out his music under the label Star Noir on Facebook and bandcamp, and his photography and illustrations on Flickr.

Topic:

Working on video games including Call of Duty and Need for Speed
Cyberpunk games such as Shadowrun and Beneath a Steel Sky
The New Retro Wave and Darkwave genres
The  Cyberpunk genre
How To Make Synthwave Retrowave with Timecop 1983 in FL Studio
The visual component in making Synth music
Jody’s first EP Psycho City
Jody’s first-ever gig in London at the Retro Future Fest
Jody’s illustrations and 80’s Retro-Futurist aesthetics
80’s Action and Horror films
80’s Video Game Arcades; London Trocadero
The new series Stranger Things and the film Drive
Jody’s photography of locations including the UK, New York, Tokyo, Hong Kong, and Nova Scotia
Sinofuturism
“Design is not art….. Design is an exercise in psychology”
Robert Stark’s Paintings which fuse Retro Futurist genres
Transhumanism, Automation, and the Basic Income
The Pilot project “Lost Future” about a man who lost his future
Upcoming projects and performances

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Italian Musician and Artist Dino Olivieri

1980's, 1990's, 80's music, 90's music, aesthetics, Akira, Anime, Art, Art Nouveau, Asia, Asian Culture, Blade Runner, Comic Books, Culture, Cyberpunk, Daft Punk, Dino Olivieri, Europe, Film, Florian Renner, Futurism, Ghost in a Shell, Italo Disco, Italy, Japan, Japanese Culture, Leisure Suit Larry, Literature, Music, Neon, New Retro Wave, Photography, Pilleater, Retro Futurism, Science Fiction, Stanley Kubrick, Synthwave, Transhumanism, Vaporwave, Video Games, Wilderness

Robert Stark and co-host Pilleater spoke to Musician, Artist, and Web Designer Dino Olivieri from Turin, Italy.

Dino Olivieri has been known for producing some of the most technologically advanced websites. Her creativity is always on display when she’s at work, proving to her clients that she is the very best. These days, she tends to outsource this work and sends it over to an SEO Company Chester. But her music is at the very heart of what she does.

His website is Onyrix and you can check out his work on Facebook, Twitter, Flickr, SoundCloud, Bandcamp, Vimeo, and Youtube.

Uploading content to these social media platforms is a great way for Olivieri to get his music heard from people all over the world and with just a click of a button. His next step should be to consider uploading his songs to music streaming sites like Spotify, and he may want to have a look at getfans.io/buy-spotify-plays to see how he can get more people to listen to his music. The more people that are aware of his music, the more likely he will be at getting discovered, resulting in his career taking off.

Topics:

Intro: Beyond Human
Early artistic inspirations, figure drawing, and aesthetic interest ranging from Italian Renaissance Art to Anime, Vaporwave, and Cyberpunk
Interest in anime, especially the giant robots created by Go-Nagai and Matsumoto’s work such as Captain Harlock
Italian Design
Dino’s Photography of the Italian Alps on Flickr
Early musical influences; early 80’s New Wave and Italo Disco
Influences from and use of classical music in his work
Japanese Composers Joe Hisaishi, Kenji Kawai, Kento Masuda, and Sakamoto
The new Singularity Album which is for a theatrical show created by Director Raffaele Lamorte
Movie Soundtracks; Vangelis’s Soundtrack for Blade Runner
The Singularity album cover; posters for the films Neon Demon and Stanley Kubrick’s Clockwork Orange
Dino’s upcoming album which has influences from Synthwave, Retrowave, and 90’s Dance Music
Dino’s illustrated novel “Di Undici Foglie” and his upcoming novel “Legend of the Starlight”
Dino’s video game Over The Net from 1991; comparisons to Leisure Suit Larry
Outro: Sex Surrogates and Jealousy


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Leisure Suit Larry Creator Al Lowe

1980's, 1990's, Alicia Silverstone, Art, Brandon Adamson, comedy, Culture, Donald Trump, Erotica, Family Guy, Gambling, humor, Las Vegas, Leisure Suit Larry, Loserdom, Mid-Century Modern, Music, Pilleater, Political Correctness, Pornography, Sexuality, The Manhole, Vaporwave, Vice, Video Games

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Brandon Adamson talk to Leisure Suit Larry Creator Al Lowe

Topics:

The music from the game
1981’s Soft Porn Adventure
How Al wanted to make a comedy game
The main character Larry Laffer
Larry as a loser and sleazy, but guys can relate to him probably more than they would want to admit
How young people today are able to identify with the character of Larry through their online dating adventures
The fan song feel like leisure suit larry
Al’s point that the game is not about the “sleaze” but a satire
The portrayal of women in the game who get the upper hand on Larry
How the early games had only text and no voice for Larry
The Adult Video Game genre and nudity in the game
How the old Larry games were difficult, and you could actually get stuck if you forgot to do something or ran out of money, and there were totally unpredictable ways of dying. In some cases clues were very minimal
The groundbreaking software innovations of Sierra Entertainment in the 80’s
The aesthetics of the game, Vaporwave and 80’s nostalgia, and Al’s point that he was just going with the style and limited color pallet of the time
Video Games as Art
Brandon’s point that the essence of the game is exploration rather than winning
Nontoonyt Island, the tropical setting in Leisure Suite Larry 2 which has been transformed into a resort
The Casino Aesthetic, City of Lost Wages, and “Ceasars Phallis”
How in Leisure Suit Larry 5 (1991) there’s a “Tramp International Casino” which is clearly a reference to Trump and now Trump is president
The Alicia Silverstone look a like in Leisure Suite Larry 6
The process of creating a character
“Save Early, Save Often”
Rumors that Glen Quagmire from Family Guy was based on Larry Laffer
The Planned Leisure Suite Lary TV show in the 80’s with Sony
The Leisure Suite Larry Calendar
The Leisure Suite Larry look a like contest
The Reloaded Edition
Sierra’s Game “Kings’s Quest”
The Game “The Manhole”
Al’s game Torin’s Passage
The effects of political correctness on video games
Al’s free daily jokes at his Humor Site

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks about Clueless, The Babysitter, & The Meme Magic of Alicia Silverstone

1990's, Alicia Silverstone, American Beauty, Beverly Hills, Charles Lincoln, Cinema, Class, Clueless, Count Isidor Fosco, Craig Langley Jr, Culture, Film, Gender, Hollywood, Leisure Suit Larry, Los Angeles, Love, materialism, Memes, Pilleater, relationships, Sexuality, social status, The Babysitter, The Crush, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the Alicia Silverstone films Clueless and the The Babysitter.

Topics:

How the original film The Crush was edited
The Babysitter as the most realistic of the three Alicia Silverstone films
The Babysitter compared to American Beauty
Th peeping through the window scene, and the imagination of the guys who see Alicia Silverstone through the window
In reality it is all just in the male imagination in this movie
The awkward bathtub fantasy followed by her signature cheeky smile
Traits of men who prefer breasts, booty, or legs
The Alicia Silverstone film Vamps
The Clueless (TV series)
The setting of Clueless in Beverly Hills
San Mateo Teenager Goes Hollywood
Cher’s Character development and self realization
Whether she is anti-snob?
Social Cliques in High School
The makeover of her friend
Comparisons to Mean Girls
The fact that the girls are excited by the fact that the guy has a picture of the new girl in her locker, and how today that would be called “creepy”
She comes across as more conservative with her condemnation of dating druggies, and saving her virginity
The whole theme of matchmaking
The “Baldwin” reference and other cultural references, a kind of Hollywood being self-complimented
The Spartacus scene, pearls and oysters, subtle signaling in old movies
Her realization that she loves Josh despite the fact he is a “slug”
The normal guy get’s the girl in the end, not the “hot guy” who turns out to be Gay
The fact that all the girls are obsessed with marriage while in school which is dated
The Clueless scene where her father is happy that she knows how to negotiate over grades
Cher’s speech about refugees
Alicia Silverstone Would Rather Go Naked Than Wear Wool! | PETA
The pink blue color code in the ending sequence is kind of Vaporwave
The robbery scene in the Valley
LA Landmarks including the Sinister Neon Clown at Circus Liquor
Meme Magic and Alicia Silverstone as a meme
Leisure Suit Larry and the Alicia Silverstone look a like


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This show is brought to you by Robert Stark’s Paintings!