Category Archives: Californication

Robert Stark interviews BLAUERGEIST! about Aesthetics

1950's, 1960's, 1970's, 1980's, 1990's, aesthetics, Archeofuturism, Architecture, arcology, Art, Art Deco, Art Nouveau, Beverly Hills, BLAUERGEIST!, Blue Velvet, Brutalism, California, Californication, capitalism, Cinema, Cities, comedy, Culture, Curb Your Enthusiasm, David Lynch, Disneyland, Film, Film Noire, Hellraiser, Historic Preservation, History, Hollywood, horror, horror films, humor, Instagram, Jacob's Ladder, John C. Portman Jr, Larry David, Las Vegas, Los Angeles, Malls, Matt Pegan, Matthew Pegas, Mid-Century Modern, Mulholland Drive, Neoliberalism, Neon, New Retro Wave, New York, Oregon, Photography, Political Correctness, Portland, Retro Futurism, San Francisco, Science Fiction, South Africa, Southbound, Steampunk, Surrealism, technology, Traditionalism, Travel, Twin Peaks, Urbanism, Zoning

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matt Pegan talk to Portland based blogger BLAUERGEIST! about architecture, interior design, art, and cinema. Check out BLAUERGEIST! on Twitter, his podcast Ellroy Boys, and new web magazine Apocalypse Confidential.

Topics:

The #BathistGang: love of 80s bathroom aesthetics
20th Century interior design genres
80s malls, Robert and Matt’s LA N O S T A L G I A  Mall series, the Breezewood meme, The Canal Walk Mall in Cape Town, and value of Interior Urbanism
Retrofuturism, trends in nostalgia, and Theme Park Urbanism
Eco Brutalism and the Interior Garden Aesthetic
Artists Patrick Nagel, Jim Buckels, and Daniel Merriam, and various sci-fi illustrators
Political symbolism in aesthetics
Aesthetics in cinema: directors Dario Argento and Peter Greenaway, and 80s films Year of the Dragon and Scarface
Horror films 3615 code Père Noël, Child’s Play, The Serpent and the Rainbow, Jacob’s Ladder, Hellraiser: Inferno, Southbound, and Silent Hill: Revelation
The work of David Lynch and the Lynchian Aesthetic
Larry David’s Curb Your Enthusiasm

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Journey to Vapor Island, and in production documentary The Gospel of Gibson.

The Starkian Lynch

 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Alt Center, American Culture, Archeofuturism, Architecture, arcology, Aristocratic Individualism, Art, Art Deco, Blue Velvet, Californication, capitalism, Cinema, Cities, Class, Country Music, Culture, David Lynch, Depravity, Disneyland, Donald Trump, Dune, Economics, Erotized Rage, Fashion, Film, Film Noire, Hollywood, Homosexuality, humor, Jasun Horsley, Journey to Vapor Island, Kyle MacLachlan, Las Vegas, Leisure Suit Larry, Los Angeles, Madeline Zima, Marquis de Sade, Matthew Pegas, meditation, Mental illness, Mid-Century Modern, Morality, Mulholland Drive, Music, Mythology, Neon, Occultism, Philosophy, Politics, Psychology, Religion, Retro Futurism, Science Fiction, Sexuality, Steampunk, Suburbia, Surrealism, Synthwave, Twin Peaks, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas discuss the work of David Lynch and the parallels between the “Lynchian” and “Starkian.” Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party
Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong  yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Count Fosco about Cruel Intentions, Sex, Class & Alt Politics

1990's, aesthetics, Alicia Silverstone, Alternative Left, Alternative Right, American Culture, Architecture, Californication, Canada, Cinema, Class, comedy, Count Isidor Fosco, Cruel Intentions, Culture, demographics, Depravity, Donald Trump, Erotica, Feminism, Film, Gender, Hollywood, humor, Immigration, Journey to Vapor Island, Kevin MacDonald, Luke Ford, relationships, Sarah Michelle Geller, Sexuality, South Africa, The Crush, Wealth

 

 

 

 

 

 

 

 

Topics:

The film Cruel Intentions
The Main theme in the movie is the corruption of innocence and purity
The movie has many versions, sequels, and is based on the French original, “Les Liaisons Dangereuses”
Entrapment scenes, gay entrapment, and broken families
Kathryn’s view of sex and her use of sex to manipulate
Sebastian is a little bit more flamboyant than the usual pick up artist; he is confident but in an in-artificial way
The character of Court Reynolds is almost a Spencerian evil “White” character described as a “Nazi”
The mixed-race relationship angle is played up as one of Karthyns violations
Kathryn’s Feminist speech in opposition to “Miss Mary Sunshine.”
Sex as an initiation into a Secret Society as a joke, mentioned by Kathryn
Upper class degeneration isn’t really seen as disgusting or stupid in movies as low class degeneracy
Anti-Semitic tropes in the film
The end of the film was incoherent as it left Sebastian with a redemptive change of heart with very little explanation for it
Old Westbury Gardens manor house where Sebastian’s aunt lives
The misconception that Hollywood is completely controlled and often exposes elite corruption
The recent Alt-Right drama and how the Alt Right is completely separated along class lines
Count’s ideology; Social Nationalism, Economic Populism, and Cultural Elitism
The 12 Steps Of Alt Right Anonymous and how Luke Ford is the most important comedian of the Alt-Right
The Nathan Cofnas critique of Kevin MacDonald and how Count basically agrees with most of it
Lauren Southern’s South Africa Documentary 

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Count Fosco about the show Californication

California, Californication, comedy, Count Isidor Fosco, Culture, David Duchovny, Erotica, Feminism, Film, Gender, Harvey Weinstein, hedonism, Hollywood, humor, Los Angeles, Madeline Zima, Nihilism, Pornography, relationships, Sexuality, Twin Peaks

 

 

 

 

 

 

 

 

 

Topics:

Hank(David Duchovny) is an established author, kind of like every independent man’s dream, though he could easily get taken advantage of by every woman he sleeps with, starting with Mia(Madeline Zima)
How Hank never seems to learn anything, if anything in later seasons he becomes less intelligent…he even admits it…he is a “writer, non-practicing”
Hank is very well connected, demonstrating implicitly that his lifestyle can’t be forever or for everyone
There is something surreal about this show in that no man, not even the powerful get hit on this much by women
Hank ironically suffers from writers block but interestingly, always “writes about what he knows”
Hank’s nihilistic novel being turned into a cheesy romantic comedy
Mia stealing Hank’s novel based on his encounter with her which is latter turned into a film
Madeline Zima in the new Twin Peaks
Similarities between Hank and major sex positive male feminist who have been accused of sexual harassment
The ridiculous sex scenarios Hank gets into
How by the end of the first season it’s interesting how his unmarried “wife” still prefers him which logically doesn’t make much sense but does make sense when you think of his “I don’t give a damn” characteristics
Hank’s agent “Charlie Runkel” who is probably closer to what Hank would be like if he were a real life character
How on some level Hank is genuinely self-loathing
The relationship between Hank and his daughter
Charlie’s boss Sue Collini(Kathleen Turner) who is intimidating even for a cougar and has a very attractive histrionic personality
Sue Collini isn’t the romantic type, she only wants sex from her clients; “Sue Collini always get’s the weenie”
Mia having a preference for older men behind her father’s back while sending every possible signal that she was doing so anyway
How the show has almost every possible sexual fetish in it mentioned
How the show is based on repetition rather than an overall plot
How a lot of Far-Right people watch this show despite that they would all call it degenerate
How the show relates to the ongoing Hollywood sex scandals; the line “You’re no Brett Ratner”

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This show is brought to you by Robert Stark’s Paintings!