Category Archives: Alfred Hitchcock

Robert Stark talks to James O’Meara about Mysticism After Modernism

1960's, aesthetics, Alan Watts, Aldous Huxley, Aleister Crowley, Alfred Hitchcock, American Culture, Aristocratic Individualism, Art, automation, Basic Income, Bronze Age Pervert, Buddhism, California, capitalism, Carl Jung, Christianity, Cinema, Class, Colin Wilson, conformity, Conspiracy Theories, Consumerism, Corporations, counterculture, Culture, David Lynch, Donald Trump, dreams, Economics, England, Fascism, Franz Kafka, Gnosticism, Greg Johnson, H. P. Lovecraft, History, Hollywood, Homosexuality, Human Bio Diversity, Islam, James O'Meara, Jason Reza Jorjani, Jeffery Mishlove, Journey to Vapor Island, Judaism, Julius Evola, Liberalism, Literature, Managerialism, Marin County, Marquis de Sade, materialism, Media, meditation, Mitch Horowitz, Morality, Mythology, Neoplatonism, Neville Goddard, New Thought, Nietzsche, Occultism, Oscar Wilde, parapsychology, Philosophy, Political Correctness, Politics, Psychology, Religion, Rudolf Steiner, Science, Sexuality, Socialism, spirituality, Stanley Kubrick, Sufism, Surrealism, Third Way Economics, Traditionalism, Transcendentalism, Transhumanism, Utopia, Vaporfornia, William S. Burroughs

Robert Stark speaks with James O’Meara about his book, Mysticism After Modernism: Crowley, Evola, Neville, Watts, Colin Wilson, & Other Populist Gurus. Mysticism After Modernism is published by Manticore Press, where it is available for purchase. You can also find it at Counter-Currents and on Amazon.

“Our spirituality has gotten too tame today. James J. O’Meara has a solution [in Mysticism After Modernism]
–Mitch Horowitz, PEN Award-winning author of Occult America and The Miracle Club

-The intersection of mysticism with politics and culture, and how mysticism is available to any political persuasion
-Countering the Hippie-dippy liberal  stereotype about New Age gurus
-Critiquing the reactionary who passively accepts cycles of decay, and the need to embrace infinite possibilities
-A practical take on magic/mysticism, in regards to enacting real world change
-Aleister Crowley’s definition of magic as transforming the World in accordance with one’s will
-Examples of opinions and attributes of Alan Watts and William Burroughs that come across as anti-liberal
-Greg Johnson’s article, “The Spiritual Materialism of Alan Watts: A Review of Does It Matter?”
-Watts’ ties to quasi-fascist Serbian mystic, Dimitrije Mitrinović
–New Thought, and an explanation for how Neville Goddard’s Law of Assumption works
-New Thought as a vehicle for political change, by removing all mental constraints
-Why Theosophy is the theology best adapted to hereditarianism (eg. illiberal pluralism)
-William Burroughs’ obsession with rejecting control in a metaphysical sense
–The Greek Qabalah, hidden esoteric traditions in Abrahamic faiths
-Colin Wilson’s practical mysticism, focused on expanding consciousness
-Parapsychology and Spiritual Science
-The need for spiritual elitism and Aristocratic Radicalism
-Robert’s novel, Vaporfornia, which has themes relating to New Thought
-James’ book, Passing the Buck: Coleman Francis and Other Cinematic Metaphysicians

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Vaporfornia, and subscribe to his Substack.

Robert Stark interviews Montgomery Markland about his movie Malibu Road

1960's, 1970's, 1990's, acting, aesthetics, Aldous Huxley, Alfred Hitchcock, Alice in Wonderland, American Culture, Ancient Greece, Architecture, Art, Banking, Beatniks, Beverly Hills, Buddhism, California, capitalism, Carl Jung, censorship, Cinema, conformity, Conservatives, Conspiracy Theories, Consumerism, coronavirus, Corporations, counterculture, Culture, David Lynch, Despair, dreams, Drugs, Economics, Enter The Void, Film, Film Noire, Gaspar Noe, Hinduism, History, Hollywood, horror films, Hunter S. Thompson , Literature, Los Angeles, Malibu, Malibu Road, Matthew Pegas, Media, Mid-Century Modern, Montgomery Markland, Mulholland Drive, Mythology, Philip K. Dick, Philosophy, Photography, Political Correctness, Politics, Prostitution, Psychology, relationships, Religion, Sexuality, spirituality, Surrealism, Terence Mckenna, Texas, Tiki, Timothy Leary, Travel, Twin Peaks, Vice, Video Games, William S. Burroughs, Zoomers

Robert Stark and Matt Pegas speak with filmmaker, Montgomery Markland, about his film Malibu Road, which he both directed and starred in. Malibu Road is available to watch for free on Tubi, and for purchase on Apple TV and Amazon. While the pandemic delayed Malibu Road’s theatrical release, Montgomery has further plans for multipicture deals.

“Fast living Los Angelenos are targeted by the Central Intelligence Agency during Operation Midnight Climax, part of MKUltra. The experience takes a turn for the deadly during New Year’s Eve 1960 and now a professor, a starlet and the workers at a hotel with a questionable reputation must rediscover reality or be trapped in an endless cycle of sex, drugs and murder in ‘paradise.'”

–Malibu Road (2021) IMDb 

Montgomery Markland has an idiosyncratic resume. Originally from Dallas, Montgomery was a state and local reporter in Austin, worked in the Texas state legislature on policy, was  then a producer, president, and CCO at a number of video game companies, before working in Hollywood. Follow Montgomery on Twitter.

Topics:

Applying videogame design principles to Cinema
The Meisner acting technique
MKUltra connections to university professors and Hollywood (eg. Irvin Keshner)
Timothy Leary’s prediction that video games had the potential to recreate psychedelic trips
The History of the Albatross Hotel in Malibu and connections to Old Hollywood
Cinemaphotographic techniques used to capture the psychedelic aesthetic
Distorting reality in stories as representations of dreams (eg. traumnovelle), and influences from David Lynch
Influence from soap operas, telenovelas, and 90s Cinemax
The set design, recreating the aesthetics of the 60s and 70s
Influences from Jungian archetypes, as well as Ancient Greek, Hindu, and Buddhist mythology (eg. Timothy Leary on the Tibetan Book of the Dead)
Hunter S. Thompson
Alfred Hitchcock’s Vertigo
Malibu Road’s filming locations, including Malibu State Park and Will Rogers State Historic Park
The politicization of entertainment, and why overtly political conservative media fails
Reasons to be optimistic about opportunities in entertainment via niche markets
The Banking crisis, Economic Death Spiral, and narratives of collapse

Click Here to download!

Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Vaporfornia, and subscribe to his Substack.