Topics:
–Colin Wilson’s study of consciousness
-Robert’s art, Substack writings, and novels
-Mark Fisher’s Capitalist Realism
–Robert’s case for Theosophy
-Robert’s mystical experience at June Lake
-contrasting Neoplatonism and Gnosticism, in their approach to theurgy, aesthetics and the natural world
-can ugly things be beautiful or divine?
-channeling the fire of youth
-revisiting Robert’s first podcast with Matt from 2018
-rediscovering the song, 9pm (Till I Come)
-occultist, genetic, political, and social dynamics to oral acts
-A critique of the moral authoritarianism and lack of pluralism of Abrahamic faiths
-how we should approach occultism
-prediction that America will have another religious revival
–California’s pan-enclavism
-thoughts on neo-reactionary critiques of democracy, the case for proportional inequality, and how to select elites
-the Art Fascist vs the Warrior Fascist
Robert Stark speaks with James O’Meara about his book, Mysticism After Modernism: Crowley, Evola, Neville, Watts, Colin Wilson, & Other Populist Gurus. Mysticism After Modernism is published by Manticore Press, where it is available for purchase. You can also find it at Counter-Currents and on Amazon.
“Our spirituality has gotten too tame today. James J. O’Meara has a solution [in Mysticism After Modernism]
–Mitch Horowitz, PEN Award-winning author of Occult America and The Miracle Club
-The intersection of mysticism with politics and culture, and how mysticism is available to any political persuasion
-Countering the Hippie-dippy liberal stereotype about New Age gurus
-Critiquing the reactionary who passively accepts cycles of decay, and the need to embrace infinite possibilities
-A practical take on magic/mysticism, in regards to enacting real world change
-Aleister Crowley’s definition of magic as transforming the World in accordance with one’s will
-Examples of opinions and attributes of Alan Watts and William Burroughs that come across as anti-liberal
-Greg Johnson’s article, “The Spiritual Materialism of Alan Watts: A Review of Does It Matter?”
-Watts’ ties to quasi-fascist Serbian mystic, Dimitrije Mitrinović
–New Thought, and an explanation for how Neville Goddard’s Law of Assumption works
-New Thought as a vehicle for political change, by removing all mental constraints
-Why Theosophy is the theology best adapted to hereditarianism (eg. illiberal pluralism)
-William Burroughs’ obsession with rejecting control in a metaphysical sense
–The Greek Qabalah, hidden esoteric traditions in Abrahamic faiths
-Colin Wilson’s practical mysticism, focused on expanding consciousness
-Parapsychology and Spiritual Science
-The need for spiritual elitism and Aristocratic Radicalism
-Robert’s novel, Vaporfornia, which has themes relating to New Thought
-James’ book, Passing the Buck: Coleman Francis and Other Cinematic Metaphysicians
The crisis of modernity as anomie, uprootedness from place, identity, tradition, and social bonds, and its impact on the human psyche
Parallels between the modern existential crisis and that of Steiner’s era
Traditional religion being replaced by new secular religions (eg. social justice, scientism, secular heresies)
Steiner’s belief that spirituality and science are interconnected
Parapsychology, including studies of near death experiences
Comparisons to Carl Jung and Christian mystics, Emanuel Swedenborg and William James
Anti-vaxxers’ fascination with Steiner’s warnings of genetically re-engineering people’s spirituality
Steiner’s views on spiritual races and the Steiner schools becoming a target of cancel culture, though Steiner was staunchly anti-fascist
The limitations of materialism and rationalism, and Steiner’s influence from Romanticism
Steiner’s philosophical relation to other thinkers, including Julius Evola, Nietzsche, Aleister Crowley, and Martin Buber
How the essence of Steiner’s political philosophy was reconciling the differences between individualism and rootedness, liberal egalitarianism and tradition, and occultism and ethics
How Steiner favored an economic system like distributism, over capitalism or Marxism, and decentralized local autonomy and identities, over nationalism
Robert Stark and Matt Pegas speak with filmmaker, Montgomery Markland, about his film Malibu Road, which he both directed and starred in. Malibu Road is available to watch for free on Tubi, and for purchase on Apple TV and Amazon. While the pandemic delayed Malibu Road’s theatrical release, Montgomery has further plans for multipicture deals.
“Fast living Los Angelenos are targeted by the Central Intelligence Agency during Operation Midnight Climax, part of MKUltra. The experience takes a turn for the deadly during New Year’s Eve 1960 and now a professor, a starlet and the workers at a hotel with a questionable reputation must rediscover reality or be trapped in an endless cycle of sex, drugs and murder in ‘paradise.'”
Montgomery Markland has an idiosyncratic resume. Originally from Dallas, Montgomery was a state and local reporter in Austin, worked in the Texas state legislature on policy, was then a producer, president, and CCO at a number of video game companies, before working in Hollywood. Follow Montgomery on Twitter.
Topics:
Applying videogame design principles to Cinema
The Meisner acting technique
MKUltra connections to university professors and Hollywood (eg. Irvin Keshner)
Timothy Leary’s prediction that video games had the potential to recreate psychedelic trips
The History of the Albatross Hotel in Malibu and connections to Old Hollywood
Cinemaphotographic techniques used to capture the psychedelic aesthetic
Distorting reality in stories as representations of dreams (eg. traumnovelle), and influences from David Lynch
Influence from soap operas, telenovelas, and 90s Cinemax
The set design, recreating the aesthetics of the 60s and 70s
Influences from Jungian archetypes, as well as Ancient Greek, Hindu, and Buddhist mythology (eg. Timothy Leary on the Tibetan Book of the Dead)
Hunter S. Thompson
Alfred Hitchcock’s Vertigo
Malibu Road’s filming locations, including Malibu State Park and Will Rogers State Historic Park
The politicization of entertainment, and why overtly political conservative media fails
Reasons to be optimistic about opportunities in entertainment via niche markets
The Banking crisis, Economic Death Spiral, and narratives of collapse
Revisiting Andy’s earlier work and the genre of the alienated loner
References to incel culture in Muze
Other themes in Muze, including pharmaceuticals, transhumanism, blackmail, and mind control
Writing about depravity from a socially conservative/Catholic perspective
The revival in 00’s conspiracy theories
David Lynch and open ended narratives
Robert’s novel Vaporfornia and its similar themes to Muze
Allegories for degradation
Revisiting Robert’s mocumentary Supply
Matt Pegas’ Dragon Day
The growing dissident literary scene
Andy’s trip to South Africa in 2011
The politics of crisis: acceleration vs. gradual decay
Robert Stark is joined with Matt Pegas and Dan Baltic to discuss his new novel, Vaporfornia. Vaporfornia is a surreal dark comedy, a coming of age story set in California, and is the sequel to Robert’s first novel, Journey to Vapor Island. This show is a simulcast with Matt and Dan’s dissident, counter-culture, literary podcast, New Write. Vaporfornia is available for purchase on Lulu publishing. Also check out Matt’s review of Vaporfornia.
Topics:
Contrasting Vaporfornia with Journey to Vapor Island, and how both novels capture the zeitgeists of their respective eras
The niche genre of the satirical moving adventure story
Literary comparisons to a Confederacy of Dunces, William S. Burroughs’ Naked Lunch, Lucky Jim, Voltaire’s Candide, and Gulliver’s Travels
The situational humor and dramatic irony
Vaporfornia as a satire of the themes in Robert’s Substack that delve into California’s social, political, class, and demographic dynamics
Vaporfornia as a travelogue for California
Allegories and symbolism in the book Saudade, a longing for what could have been or nostalgia for lost futures Gio Pennacchietti’s video about how Robert’s literary fiction and visual art complement each other
The protagonist’s personal and political journey
The politics of the “Chad Centrist” presidential candidate Roger Blackstone
Whether Robert Stark will run for California Governor or have a Vaporfornia tour some day
Robert Stark talks to Icelandic film director Guðmundur Arnar Guðmundsson about his film Heartstone(Hjartasteinn). Check out the Facebook page for Heartstone.
Topics:
Guðmundur’s long term dream of making the film inspired by a personal story
The importance for the film to be light and funny as well as dramatic
A difficult ending that still has hope
The theme of adolescence
Casting the actors
Heartstone’s screening at the 2016 Toronto International Film Festival and winning the Queer Lion at the 73rd Venice Film Festival
Inspiration from Paul Thomas Anderson’sMagnolia and The Master, and Rob Reiner’sStand by Me
Film locations in remote parts of Iceland
Safety guards from Game of Thrones who helped with the cliff climbing scene
Guðmundur’s film Ártún
The Icelandic Film Industry
Upcoming film project about misfit youth