Category Archives: 1950’s

Robert Stark talks to Constantin von Hoffmeister about Esoteric Trumpism

1950's, aesthetics, Alain de Benoist, Alexander Dugin, Alternative Right, American Culture, Architecture, Art, Beatniks, Brandon Adamson, California, censorship, Cinema, Cities, Class, conformity, Conservatives, Constantin von Hoffmeister, Culture, Daniel Friberg, demographics, Diversity, Donald Trump, Edgar Alan Poe, Elections, Ernst Jünger, Ethno Nationalism, ethnopluralism, Europe, European Nationalism, Germany, Globalization, Guillaume Faye, H.P. Lovecraft, Hipsters, History, Hollywood, horror, Immigration, Jack Kerouac, Joe Biden, Las Vegas, Liberalism, Literature, Los Angeles, Mass Transit, Matthew Pegas, Media, Middle Class, Millennials, Nationalism, Nietzsche, Occultism, Oswald Spengler, Political Correctness, Politics, Postmodernism, Race Relations, Republican Party, Retro Futurism, Russia, Suburbia, Surrealism, the New Right, The Perfume Nationalist, Urbanism, William S. Burroughs, Zoomers

Robert Stark and Matt Pegas speak with Constantin von Hoffmeister about his book Esoteric Trumpism. This is a simulcast with Matt’s New Write podcast. Originally from Germany, Constantin von Hoffmeister studied English Literature and Political Science in New Orleans. Constantin has worked as an author, journalist, translator, editor, and business trainer in the United States, India, Uzbekistan, and Russia, and is the editor in chief of Arktos publishing. Follow Constantin on Twitter and subscribe to his Substack.

Topics:

Literary references, including William S. Burroughs, HP Lovecraft, and Edgar Alan Poe
Misconceptions about the Beatniks as leftwing (eg Jack Kerouac’s admiration of Oswald Spengler)
How the Beats’ disillusionment shows problems with fetishizing 1950s America
Philistinism on the Right and the rise of a new creative culture-focused Right
How America has an underappreciated rich cultural heritage
America as an extension of European civilization
Rightwing Postmodernism
Trump as the great revealer of hidden Lovecraftian horrors
Why Trump’s political significance is primarily symbolic
Addressing criticisms and disappointments with Trump
Meme magic
Why Constantin rejects accelerationism
Why Rightwing multiculturalism or ethnopluralism is the future 
Constantin’s recent meet up with Robert and Matt in LA, and observation that LA is a model for ethnopluralism
Why Constantin is more optimistic about America’s future than Europe’s
Upcoming Arktos projects, including a new translation of Dominque  Venner on Ernst Junger, a rightwing critique of Nietzsche, and an art history book

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Vaporfornia, and subscribe to his Substack.

Robert Stark talks to Brandon Adamson about his Mid-Century Modern inspired NFTs

1950's, 1960's, 1970's, 1980's, aesthetics, Art, Brandon Adamson, Cinema, Corporations, cryptocurrency, Culture, decentralization, Economics, Journey to Vapor Island, Libertarianism, Malls, Mid-Century Modern, NFTs, Politics, Silicon Valley, Social Media, technology, Vaporfornia, Virtual Reality, Wealth

Robert Stark talks to Brandon Adamson about his Mid-Century Modern inspired NFTs (Mid-Century Modern Inspired NFT Collection “Mod Commodities” Launches Exclusively on Proton ($XPR)). Brandon Adamson is a Phoenix-based artist and poet, and the former co-host of the Stark Truth (2015-2017). Check out Brandon’s NFT collection, “Mod Commodities,” at ArtworkDealer, his culture blog Rabbit’s Foot, and follow him on Twitter.

Topics:

Brandon’s initial interest in penny stocks and bitcoin, and the crypto boom and bust cycles
Brandon’s artistic background, interest in mid-century modern to 70s aesthetics, modern art, and malls
Why Brandon shifted from painting to creating NFTs
The process of creating and minting NFTs
Why Brandon uses the blockchain, Proton
Virtual real estate in the metaverse and Decentraland
Brandon’s response to skeptics and his advice to focus on the project and not fret about the booms and busts
Brandon’s bullishness on long-term economic opportunities for artists to be at the forefront with VR
The importance of having a theme and why Brandon thinks Robert should create NFTs for his art and book, Vaporfornia
Political burnout and the rise in alternative cultural scenes

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Vaporfornia, and subscribe to his Substack.

Robert Stark interviews BLAUERGEIST! about Aesthetics

1950's, 1960's, 1970's, 1980's, 1990's, aesthetics, Archeofuturism, Architecture, arcology, Art, Art Deco, Art Nouveau, Beverly Hills, BLAUERGEIST!, Blue Velvet, Brutalism, California, Californication, capitalism, Cinema, Cities, comedy, Culture, Curb Your Enthusiasm, David Lynch, Disneyland, Film, Film Noire, Hellraiser, Historic Preservation, History, Hollywood, horror, horror films, humor, Instagram, Jacob's Ladder, John C. Portman Jr, Larry David, Las Vegas, Los Angeles, Malls, Matt Pegan, Matthew Pegas, Mid-Century Modern, Mulholland Drive, Neoliberalism, Neon, New Retro Wave, New York, Oregon, Photography, Political Correctness, Portland, Retro Futurism, San Francisco, Science Fiction, South Africa, Southbound, Steampunk, Surrealism, technology, Traditionalism, Travel, Twin Peaks, Urbanism, Zoning

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matt Pegan talk to Portland based blogger BLAUERGEIST! about architecture, interior design, art, and cinema. Check out BLAUERGEIST! on Twitter, his podcast Ellroy Boys, and new web magazine Apocalypse Confidential.

Topics:

The #BathistGang: love of 80s bathroom aesthetics
20th Century interior design genres
80s malls, Robert and Matt’s LA N O S T A L G I A  Mall series, the Breezewood meme, The Canal Walk Mall in Cape Town, and value of Interior Urbanism
Retrofuturism, trends in nostalgia, and Theme Park Urbanism
Eco Brutalism and the Interior Garden Aesthetic
Artists Patrick Nagel, Jim Buckels, and Daniel Merriam, and various sci-fi illustrators
Political symbolism in aesthetics
Aesthetics in cinema: directors Dario Argento and Peter Greenaway, and 80s films Year of the Dragon and Scarface
Horror films 3615 code Père Noël, Child’s Play, The Serpent and the Rainbow, Jacob’s Ladder, Hellraiser: Inferno, Southbound, and Silent Hill: Revelation
The work of David Lynch and the Lynchian Aesthetic
Larry David’s Curb Your Enthusiasm

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Journey to Vapor Island, and in production documentary The Gospel of Gibson.

Robert Stark interviews Sven Kirsten about Tiki Culture

1950's, 1960's, 1970's, aesthetics, American Culture, Architecture, Art, Art Deco, California, Culture, Disneyland, Film, Historic Preservation, History, Hollywood, Los Angeles, Mid-Century Modern, Neon, Photography, San Francisco, Sven Kirsten, Tiki, Travel

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Sven Kirsten about Tiki Culture. Sven Kirsten is a Director of Photography, urban archaeologist and self-admitted “visual junkie.” Sven has spent over 20 years researching and documenting the world of  Tiki and Polynesian Pop. Sven’s four books on Tiki include The Book of Tiki, Tiki Pop, Tiki Modern and The Art of Tiki.

Topics:

Sven’s background as a cinematographer and his work on music videos for Madonna, Bill Joel, and The Cramps(IMDB Filmography)
The West’s fascination with Tiki, originating in Polynesia, from the explorer James Cook to the artist Paul Gauguin
Tiki’s popularity in Southern California in the Film Industry and in 50’s design
The Current Tiki revival
Sven’s favorite bar Tiki Ti
History of Trader Vic’s, the venue at the Hotel Bayerischer Hof in Munich, and Sven’s upcoming book
The handcrafted wood carvings of Tiki venues
Tiki Neon and the building as a sign
The difference between Tiki and Hawaiiana
Devolution of Tiki style to the “Fantasy Island”/Fern bar style in the 70’s
Historic preservation losses and victories
The Tonga Room in San Francisco, it’s preservation, and the Tiki lounge as an urban oasis
The Tiki Room and defunct Tahitian Terrace at Disneyland
Exhibition at the Musee de Quai Branley in Paris
Sven’s upcoming book “Aztec Hotel” about Art Deco Mayan and Aztec revival

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




The Starkian Lynch

 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Alt Center, American Culture, Archeofuturism, Architecture, arcology, Aristocratic Individualism, Art, Art Deco, Blue Velvet, Californication, capitalism, Cinema, Cities, Class, Country Music, Culture, David Lynch, Depravity, Disneyland, Donald Trump, Dune, Economics, Erotized Rage, Fashion, Film, Film Noire, Hollywood, Homosexuality, humor, Jasun Horsley, Journey to Vapor Island, Kyle MacLachlan, Las Vegas, Leisure Suit Larry, Los Angeles, Madeline Zima, Marquis de Sade, Matthew Pegas, meditation, Mental illness, Mid-Century Modern, Morality, Mulholland Drive, Music, Mythology, Neon, Occultism, Philosophy, Politics, Psychology, Religion, Retro Futurism, Science Fiction, Sexuality, Steampunk, Suburbia, Surrealism, Synthwave, Twin Peaks, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas discuss the work of David Lynch and the parallels between the “Lynchian” and “Starkian.” Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party
Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong  yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Alt-Urbanism: Building a Based Urban Middle Class SWPL Utopia

1950's, 1970's, 1980's, 1990's, aesthetics, Alt Center, American Culture, Architecture, Asia, Asian Culture, Baby Boomers, California, Cities, Class, Conservatives, Culture, demographics, Economics, Environment, Falling Down, gentrification, Giovanni Dannato, Immigration, income inequality, Korea, Le Corbusier, Los Angeles, Middle Class, New Urbanism, Silicon Valley, Singapore, Skyscrapers, Suburbia, SWPL, Urbanism, Utopia, Wealth, Zoning

 

 

 

 

 

 

 

 

 

 

 

By Robert Stark: Originally Published on Alt of Center

Prior to the 1950’s, the urban core of LA, centered around Downtown, was relatively small. It was also much more compact and vibrant, however, than it became in the second half of the 20th Century. In recent years, there has been renewed interest in urbanism and walkable communities, and LA’s downtown, historic core is now revitalized and booming with new highrise construction.

While LA is just in the early stages of creating an integrated metro system, the region once had a vibrant street car system connecting the urban core with extensions to street car suburbs such as Santa Monica and Pasadena.

According to Curbed LA : “in 1945, a sinister corporation called National City Lines took over the thriving Los Angeles Railway, which served most of the sprawling region. Then, over the course of the next two decades, LA’s extensive streetcar network was eliminated and the iconic Red Cars that Judge Doom mentions were replaced with shiny new buses.

Continue reading Alt-Urbanism: Building a Based Urban Middle Class SWPL Utopia →

Robert Stark interviews Al Barna and Randall Ann Homan about San Francisco Neon

1950's, aesthetics, Al Barna, Architecture, Art, Art Deco, California, Cities, Culture, gentrification, Historic Preservation, History, Las Vegas, Los Angeles, Mid-Century Modern, Neon, Oakland, Orinda CA, Photography, Randall Ann Homan, Reno, San Francisco, Santa Cruz, Urbanism

 

 

 

 

 

 

 

 

Robert Stark talks to Al Barna and Randall Ann Homan. They co-authored and provided the photographs for the book San Francisco Neon: Survivors and Lost Icons. Their website is San Francisco Neon Book.

Al Barna is a San Francisco photographer and artist whose work has been shown in exhibitions at the de Young Museum, the Legion of Honor Museum, the Rayko Gallery, the San Francisco Public Library, and the San Francisco Arts Commission Gallery. His photography has been published in CA Modern magazine, Society of Commercial Archeology Journal, The Sun magazine, and Shots magazine.  www.albarna.com

Randall Ann Homan began her interest in the art of signage as an apprentice sign painter in Flagstaff, Arizona. She lives in San Francisco and is an art director, photographer, and an award-winning graphic designer.  Someday she would like to design a neon sign.  www.giantorange.net

Topics:

The history of Neon in San Francisco
Neon Walking TOURS
Historic Preservation and how San Francisco has lost the least of it’s signage of any major city
Market Street, it’s history as a Neon hub, and the failed Mid-Market Sign District Proposal
The Starlight Room at The Sir Francis Drake Hotel in Union Square
Other signs near Union Square including Tad’s Steak House, Marquard’s Cigar Store, The Stratford Hotel, and the Herbert Hotel
Parking Garage Neon near Union Square
The Tenderloin
Chinatown which has the highest concentration of signs in the city though many are unlit
The Lady from Shanghai directed by Orson Welles
Broadway in North Beach
Columbus Street in North Beach
Fisherman’s Wharf; Alioto’s, Fisherman’s Grotto, The View Alcatraz Sign, The Cannery and Ghiradelli Square
Bar signs including the 500 Club Martini sign in the Mission District
The Coca-Cola Company Replaced the Landmark Outdoor Neon Sign with LED
Animated Signs
The Embarcadero Center’s LED bulb signs
The Port of San Francisco Sign at The Ferry Building
Oakland’s signs including the Paramount Theatre
The Orinda Theatre
Rheem Theatre closes it’s doors in Moraga
Santa Cruz, The Boardwalk, and The Del Mar Theatre
Jim Rizzo of Neon Works in Oakland who rescues and restores signs
Stookey’s Club Moderne which has a brand new Art Deco style sign
NEON SPEAKS: Symposium & Spotlight Forum
The Museum of Neon Art in Glendale, California
Will Durham’s Neon Museum in Reno 

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark interviews Peter Moruzzi about Mid-Century Modern

1950's, 1960's, 1970's, aesthetics, American Culture, Architecture, Art, Art Deco, Beverly Hills, California, Cartrell Payne, Cities, Cuba, Cuisine, Culture, Denmark, Florida, Gambling, Hawaii, Historic Preservation, History, Italy, Las Vegas, Los Angeles, Miami, Mid-Century Modern, Neon, New Orleans, New York, Oakland, Palm Springs, Peter Moruzzi, San Francisco, Skyscrapers, The Adventure Kid, Urbanism

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Cartrell Payne(The Adventure Kid) talk to Peter Moruzzi. Peter was born in Concord, Massachusetts and raised in Hawaii, he graduated from the University of California at Berkeley and later attended the American Film Institute in Los Angeles. In 1999, he founded the Palm Springs Modern Committee (PS ModCom) an architectural preservation group. He is the author of “Havana Before Castro: When Cuba Was a Tropical Playground,” “Palm Springs Holiday: A Vintage Tour From Palm Springs to the Salton Sea,” “Classic Dining:Discovering America’s Finest Mid-Century Restaurants,” “Palm Springs Paradise: Vintage Photographs from America’s Desert Playground,” and “Greetings from Los Angeles.”

Topics:

Classic Dining: Discovering America’s Finest Mid-Century Restaurants
Grand Central Oyster Bar
Historic Preservation
Notable Mid-Century architects including Richard Neutra and Joseph Eichler 
A Eulogy for the Four Seasons Restaurant in New York
Neon Signs
Dal Rae Replaces Historic Neon for Ugly Backlit Plastic
The Mob, the El Cortez, and the Flamingo
Tiki culture
The Tonga Room in San Francisco
Palm Springs Paradise
Melvyn’s Restaurant in Palm Springs
Greetings from Los Angeles
L.A.’s Backyard Oil Well Fever!
Norms Restaurants in LA
Googie, Space Age, and the International Style
Mid-Century Modern highrises including Eichler’s highrises in San Francisco and the Sierra Towers in LA
The Madonna Inn
70’s Mayan themed Architecture
Havana Before Castro: When Cuba Was a Tropical Playground
Mid-Century Modern Furniture including Danish Modern, Italian Murano Lamps, and Swiss Swiza Clock
Nationwide Map of Classic Restaurants Now on Google Maps

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Lynn Zook about Gambling on a Dream Volume 2

1950's, 1960's, 1970's, aesthetics, Architecture, Cities, Culture, Fashion, Gambling, Historic Preservation, History, Las Vegas, Lynn Zook, Mid-Century Modern, Neon, Skyscrapers, Vice

Robert Stark talks to Lynn Zook about her new book Gambling on a Dream Volume 2:. This second volume of a two-part multimedia book tells the fascinating story of the Las Vegas Strip hotels built during the turbulent years of cultural and societal change, 1956-1973. Nowadays, alongside traditional casinos, people can go online to sites such as togel singapore for easier access to their gambling/lottery needs. In the digital age in which we live today, online gambling has really taken over the world. This is indicated by the number of people using parhaat nettikasinot (the best online casinos) for entertainment or as preparation for a real casino setting. Competition is still fierce though. Online casinos have to offer bonuses and other initiatives to tempt gamers in. Want to learn How to receive the first deposit bonus? If so, doing some research on casino review websites is strongly recommended. Back to the book though, Lynn Zook also runs the website Classic Las Vegas, and has produced an hour-long, first person narrative documentary on the history of Las Vegas entitled “The Story of Classic Las Vegas. Check out Robert Stark’s first interview with Lynn Zook on Gambling on a Dream Volume 1.

Topics:

Lynn’s first book Gambling on a Dream: The Classic Las Vegas Strip 1930-1955
Lynn’s interest and personal connection to Vintage Las Vegas
Caesars Palace
The Hacienda
The Stardust
The Aladdin
The original MGM Grand which is now Bally’s
The International which is now the Westin
The English Tudor themed Tally Ho which was built by the creator of Yahtzee
How the Tropicana and Circus Circus are the last two remaining from this era
The Sin City Era
The Rat Pack and Frank Sinatra
The showrooms and variety show performers
The role of the Mob
Historic Preservation and the Neon Museum
Lynn’s upcoming book on Fremont Street and Downtown

Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician Andy Diamond of Diamond Field

 Angelo Badalamenti, 1950's, 1980's, 80's music, aesthetics, Andy Diamond, animation, Art, Cinema, Culture, David Lynch, Diamond Field, Film, Kyle MacLachlan, Las Vegas, Los Angeles, Music, Neon, New Retro Wave, New Zealand, Pilleater, Rat Rios, Synthwave, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to musician Andy Diamond of Diamond Field. Check out his work on YouTube, Facebook, and Twitter.

Topics:

Intro: Diamond Field & Rat Rios ‘Closer’ by Luca Discs
The New Retro Wave Genre and Andy’s description of his music as “21st Century ’80s Music”
How Andy started making music in the 80’s and younger artist inspired by the 80’s sound
Collaborations with vocalist including Rat Rios and Nina Yasmineh
The maxi single ‘Closer’ for the Upcoming Album “Closer”
The music video Diamond Field feat. Nina Yasmineh ‘Neon Summer’ filmed in Santa Monica, CA
Andy’s animations and illustrations for Retro Promenad’s Twin Peaks Tribute(Vol I), Vol II, and Vol III
Andy’s songs for the Twin Peaks Tribute including Diamond Field and the Black Lodge Girls ‘Burning Blood’ and ‘The Nightingale’ 
The Soundtrack of the original Twin Peaks and music in the new series including the CHROMATICS
Twin Peaks invented vaporwave
The animated neon in Andy’s illustrations for the series, inspiration from 1950’s signs, and how the neon aesthetic became popular with New Retro Wave
Andy’s Kyle MacLachland story
The Rise of the Synths | A documentary of Synthwave  and the film The Summoner
Outro: Diamond Field + Rat Rios ‘The Nightingale’ (Twin Peaks Cover)

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This show is brought to you by Robert Stark’s Paintings!