Category Archives: Disneyland

Robert Stark interviews BLAUERGEIST! about Aesthetics

1950's, 1960's, 1970's, 1980's, 1990's, aesthetics, Archeofuturism, Architecture, arcology, Art, Art Deco, Art Nouveau, Beverly Hills, BLAUERGEIST!, Blue Velvet, Brutalism, California, Californication, capitalism, Cinema, Cities, comedy, Culture, Curb Your Enthusiasm, David Lynch, Disneyland, Film, Film Noire, Hellraiser, Historic Preservation, History, Hollywood, horror, horror films, humor, Instagram, Jacob's Ladder, John C. Portman Jr, Larry David, Las Vegas, Los Angeles, Malls, Matt Pegan, Matthew Pegas, Mid-Century Modern, Mulholland Drive, Neoliberalism, Neon, New Retro Wave, New York, Oregon, Photography, Political Correctness, Portland, Retro Futurism, San Francisco, Science Fiction, South Africa, Southbound, Steampunk, Surrealism, technology, Traditionalism, Travel, Twin Peaks, Urbanism, Zoning

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matt Pegan talk to Portland based blogger BLAUERGEIST! about architecture, interior design, art, and cinema. Check out BLAUERGEIST! on Twitter, his podcast Ellroy Boys, and new web magazine Apocalypse Confidential.

Topics:

The #BathistGang: love of 80s bathroom aesthetics
20th Century interior design genres
80s malls, Robert and Matt’s LA N O S T A L G I A  Mall series, the Breezewood meme, The Canal Walk Mall in Cape Town, and value of Interior Urbanism
Retrofuturism, trends in nostalgia, and Theme Park Urbanism
Eco Brutalism and the Interior Garden Aesthetic
Artists Patrick Nagel, Jim Buckels, and Daniel Merriam, and various sci-fi illustrators
Political symbolism in aesthetics
Aesthetics in cinema: directors Dario Argento and Peter Greenaway, and 80s films Year of the Dragon and Scarface
Horror films 3615 code Père Noël, Child’s Play, The Serpent and the Rainbow, Jacob’s Ladder, Hellraiser: Inferno, Southbound, and Silent Hill: Revelation
The work of David Lynch and the Lynchian Aesthetic
Larry David’s Curb Your Enthusiasm

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Journey to Vapor Island, and in production documentary The Gospel of Gibson.

Robert Stark talks to Logo Daedalus about America’s Promethean Aesthetics

1980's, aesthetics, American Culture, Archeofuturism, Architecture, arcology, Art, Art Deco, capitalism, Christianity, Cities, Class, Communism, Conservatives, Culture, Dallas, David Lynch, demographics, Disneyland, Donald Trump, Economics, Elon Musk, Europe, Futurism, Globalization, Hipsters, Historic Preservation, History, Jean Baudrillard, Kanye West, Las Vegas, Logo Daedalus, Malls, Matt Pegan, Matthew Pegas, Media, Mid-Century Modern, Mormonism, Neoliberalism, Neon, New Urbanism, New York, Oligarchy, Philosophy, Politics, Postmodernism, Religion, Retro Futurism, Science Fiction, Silicon Valley, Skyscrapers, Sweden, technology, The Perfume Nationalist, Traditionalism, Travel, Twin Peaks, Urbanism, Utah, Utopia, Wealth

 

 

 

 

 

 

 

 

 

Robert Stark and Matt Pegan talk to Logo Daedalus to analyze the Promethean themes throughout American history in regards to culture and aesthetics. Logo is the author of Selfie, Suicide: or Cairey Turnbull’s Blue Skiddoo and you can follow him on Twitter.

Topics:

Online Trad subculture as a search for authenticity within the Simulation
Embracing America as a theme park
Archeofuturism: progress fused with nostalgia
How cultural elitism can contradict economic elitism and vice versa
Popularity of Neoclassical architecture in 19th Century America, The Soviet’s later adoption of Neoclassical architecture, and Art Deco as the pinnacle of archeofuturism in early 20th Century America
The Minimalist architectural trend of the 2010s, focus on functionality, Puritanical origins, and popularity in the Silicon Valley
Logo’s experience living in New York, notable architectural sites, and it’s state of decay
Neo-Trad architectural fad
What Internet Memes Get Wrong About Breezewood, Pennsylvania
Finding political symbolism in architecture
Celebrity Futurism
The ironies of Trump’s aesthetics
Mormonism as a manifest of America’s Promethean Spirit
How modern America started at the Chicago World’s Fair
The early Electric Park and Freedomland U.S.A. Theme Parks
Utopian Societies in 19th Century America and Utopianism through accessing the capital to build rather than politics


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Checkout Robert Stark’s Facebook page, Twitter,  Instagram, Stark Truth TV, and novel Journey to Vapor Island


Robert Stark interviews Mark Mollineaux about Georgism & Urbanism

aesthetics, Architecture, Class, Disneyland, Economics, Georgism, income inequality, Mark Mollineaux, Mass Transit, Middle Class, San Francisco, Silicon Valley, Singapore, Suburbia, Taxation, Urbanism, Wealth, Zoning

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Mark Mollineaux about Georgist economic theory and its implications on urbanism. Mark is the host of The Henry George Program hosted by Stanford University’s Radio. Follow the show on Twitter.

Topics:

Ideological roots of Georgist thought
Georgist view on property ownership
How to better incentivize efficient land usage
How Georgism can facilitate better urbanism and prevent sprawl
The difference between a land value tax and general property tax
How a land value tax relates to zoning regulation
Concerns for land foreclosures
The issue of the middle class being forced to invest all their income into real estate
The Singapore Land Authority
The concept of having a local currency tied to the cost of living
Bay Area Housing Crisis
Disneyland as an urban model

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, and novel Journey to Vapor Island




Urbanist Lessons from Trip to the Southwest

aesthetics, American Culture, Architecture, arcology, Art Deco, California, capitalism, Cities, Class, Consumerism, Corporations, Culture, demographics, Disneyland, Donald Trump, Economics, Futurism, Grand Canyon, Hipsters, Historic Preservation, History, Las Vegas, Matthew Pegas, Mid-Century Modern, Middle Class, Mormonism, Neoliberalism, Neon, Photography, Politics, Postmodernism, Retro Futurism, Skyscrapers, social capital, social trust, Suburbia, Travel, Urbanism, Utah, Utopia, Wilderness, Zion National Park, Zoning

Robert Stark and Matthew Pegas discuss their trip last fall to Las Vegas(Vegas Strip and Downtown), The Grand Canyon, and Zion.

Topics:

Las Vegas as the quintessential Post Modernist City
Creating an other wordy aura that does not exist in mundane consumerism
Creating something noble or grandiose out of consumerism
Las Vegas as an economic rather than geographic concept
Nothing permanent because architecture only survives if profitable
Vintage Vegas and Neon Signage
Irony of historic preservationist dismissing architecture of value because it is a product of capitalism
The pros and cons of private zoning
Casino Resorts functioning as an arcology or self contained city
Theme parks as models for urbanism
The potential for an urban alternative to over priced West Coast Cities
St. George Utah, sprawl layout, and high trust homogeneous middle class demographic
Alt-Urbanist solutions that seek to recreate those attributes in an urban setting
Southern Utah and Northern Arizona as one of the most scenic and geologically diverse regions in the world

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Robert Stark talks about Aesthetic Socialism

Aesthetic Socialism, aesthetics, Alt Center, American Culture, Architecture, Art, Art Deco, capitalism, Cities, conformity, Consumerism, Corporations, Culture, David Lynch, demographics, Disneyland, Economics, Eugenics, Europe, Film, Futurism, Giovanni Dannato, Globalization, History, Hollywood, Immigration, income inequality, John C. Portman Jr, Journey to Vapor Island, Las Vegas, Liberalism, Los Angeles, Marxism, materialism, Matthew Pegas, Philosophy, Politics, Psychology, Retro Futurism, Sexuality, social status, social trust, Socialism, Urbanism, Wealth

 

 

 

 

 

 

 

 

 

 

Robert Stark discusses his essay Aristocratic Aesthetic Socialism with Matthew Pegas and Giovanni Dannato.

Topics:

A political ideology based on aesthetic principles
The role that aesthetics plays in shaping social and economic hierarchies
The role that capitalism plays in aesthetic innovation
The problem of markets catering to the lowest common denominator
How poor urban planning models lead to a lack of social cohesion
How architectural innovation in theme parks and resorts create a sense of escapism
How Smart Socialism can address these issues
The need to subsidize artistic endeavors that are not profitable in the short term but pay off long term
The impact that making aesthetics more accessible would have on economics and class
Creating a new aesthetic elite
How these issues relate to demographic trends
Roger Blackstone: The Politics of Aesthetics
Neonationalism

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Robert Stark interviews Sven Kirsten about Tiki Culture

1950's, 1960's, 1970's, aesthetics, American Culture, Architecture, Art, Art Deco, California, Culture, Disneyland, Film, Historic Preservation, History, Hollywood, Los Angeles, Mid-Century Modern, Neon, Photography, San Francisco, Sven Kirsten, Tiki, Travel

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Sven Kirsten about Tiki Culture. Sven Kirsten is a Director of Photography, urban archaeologist and self-admitted “visual junkie.” Sven has spent over 20 years researching and documenting the world of  Tiki and Polynesian Pop. Sven’s four books on Tiki include The Book of Tiki, Tiki Pop, Tiki Modern and The Art of Tiki.

Topics:

Sven’s background as a cinematographer and his work on music videos for Madonna, Bill Joel, and The Cramps(IMDB Filmography)
The West’s fascination with Tiki, originating in Polynesia, from the explorer James Cook to the artist Paul Gauguin
Tiki’s popularity in Southern California in the Film Industry and in 50’s design
The Current Tiki revival
Sven’s favorite bar Tiki Ti
History of Trader Vic’s, the venue at the Hotel Bayerischer Hof in Munich, and Sven’s upcoming book
The handcrafted wood carvings of Tiki venues
Tiki Neon and the building as a sign
The difference between Tiki and Hawaiiana
Devolution of Tiki style to the “Fantasy Island”/Fern bar style in the 70’s
Historic preservation losses and victories
The Tonga Room in San Francisco, it’s preservation, and the Tiki lounge as an urban oasis
The Tiki Room and defunct Tahitian Terrace at Disneyland
Exhibition at the Musee de Quai Branley in Paris
Sven’s upcoming book “Aztec Hotel” about Art Deco Mayan and Aztec revival

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Aristocratic Aesthetic Socialism

Aesthetic Socialism, aesthetics, Aleister Crowley, Alt Center, American Culture, Archeofuturism, Architecture, Aristocratic Individualism, Art, Art Deco, California, capitalism, Cinema, Cities, Class, Communism, conformity, Consumerism, Corporations, Culture, David Lynch, demographics, Disneyland, Eugenics, Europe, Film, Germany, Giovanni Dannato, History, Immigration, income inequality, John C. Portman Jr, Journey to Vapor Island, Las Vegas, Los Angeles, Malls, Marxism, materialism, Matthew Pegas, Michel Houellebecq, Mid-Century Modern, Neoliberalism, Nudism, Philosophy, Psychology, Ray Sawhill, Religion, Retro Futurism, Roman Empire, San Francisco, Sexuality, Skyscrapers, social status, social trust, Socialism, Urbanism, Utopia, Wealth

By Robert Stark: Originally Published on Alt of Center

The concept of beauty throughout history has been a force for creation, inspiring mankind to reach the pinnacle of civilization. From men accomplishing great things to win over a lover, the beautiful female as a muse for the artist, religions building great temples and cathedrals to attract worshipers, kings and emperors building monuments to demonstrate their greatness, and businesses using aesthetics in architecture and advertisements to attract more consumers.

In today’s society aesthetics serves primarily as a force to manipulate people to keep them striving and conforming to the liberal capitalist system. Advertisements use aesthetics to create a vision of a product to consume; not just the product itself but an overall aesthetically pleasing scene involving beautiful women, luxurious furnishings, great architecture, natural scenery, and music to create the mood.

Continue reading Aristocratic Aesthetic Socialism →

The Starkian Lynch

 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Alt Center, American Culture, Archeofuturism, Architecture, arcology, Aristocratic Individualism, Art, Art Deco, Blue Velvet, Californication, capitalism, Cinema, Cities, Class, Country Music, Culture, David Lynch, Depravity, Disneyland, Donald Trump, Dune, Economics, Erotized Rage, Fashion, Film, Film Noire, Hollywood, Homosexuality, humor, Jasun Horsley, Journey to Vapor Island, Kyle MacLachlan, Las Vegas, Leisure Suit Larry, Los Angeles, Madeline Zima, Marquis de Sade, Matthew Pegas, meditation, Mental illness, Mid-Century Modern, Morality, Mulholland Drive, Music, Mythology, Neon, Occultism, Philosophy, Politics, Psychology, Religion, Retro Futurism, Science Fiction, Sexuality, Steampunk, Suburbia, Surrealism, Synthwave, Twin Peaks, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas discuss the work of David Lynch and the parallels between the “Lynchian” and “Starkian.” Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party
Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong  yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks about his Podcasting History

Adam Parfrey, aesthetics, Alex von Goldstein, alienation, Alt Center, Alternative Right, Architecture, Art, Beverly Hills, Brandon Adamson, California, Class, conformity, Conservatives, Conspiracy Theories, Corporations, counterculture, Culture, demographics, Disneyland, Economics, Emotions, Francis Nally, Futurism, George Bush, Greg Johnson, income inequality, Internet, journalism, Journey to Vapor Island, Las Vegas, Liberalism, Libertarianism, Literature, Los Angeles, Media, Politics, Retro Futurism, Sexuality, social status, Urbanism

 

 

 

 

 

 

 

 

Francis Nally and Brandon Adamson join Robert Stark to discuss his podcasting history, political and cultural evolution, and where he is at now.

Topics:

The new book The Stark Truth With Robert Stark: A Legacy 2009-2018
How for a long time Robert was known as the guy who randomly interviews people
How The Stark Truth doesn’t get the credit it deserves
The lack of substance of firebrand alt-podcasters and Youtube political celebrities
How Robert has now established his own unique “Starkian” ideology and cultural vision
New “Starkian” blog Alt of Center | Life. Liberty. And the Pursuit of Beauty
How Robert’s novel Journey to Vapor Island helped brand the Starkian Identity
Robert’s adolescent traumas which provided inspiration for Journey to Vapor Island
How Robert’s experience growing up in LA and observations on society as a teen shaped his basic cultural and political outlook
How Robert always had many of the same core principles but felt the need to belong and conform to a political tribe
Robert’s political phases including Libertarianism, Paleoconservatism, and Third Positionism
How ironically both Robert and Brandon started out on the right economically and moved closer to the left
How Robert is now at a point where he is entirely independent both politically and culturally
Robert’s podcasting history starting at Voice of Reason Radio, Counter-Currents Radio, and establishing his own podcast
Robert’s past interviews with political dissidents
Robert’s decision to focus the show on culture rather than politics
Brandon’s reference in the book to his trip to Las Vegas with Robert and the inspiration for Vapor Island
Is the future of the dissident sphere a Starkian, Alt-Center, Retro-Futurism?

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Brandon Adamson about Skytrain to Nowhere

1980's, aesthetics, arcology, Art, Brandon Adamson, Culture, Disneyland, Futurism, Las Vegas, Leisure Suit Larry, Literature, Mass Transit, Mid-Century Modern, Mythology, Philosophy, Phoenix, Photography, Poetry, Retro Futurism, Skytrain to Nowhere

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Brandon Adamson about his new photo essay and collection of poetry Skytrain to Nowhere. Purchase Skytrain to Nowhere in Paperback on Lulu, in eBook PDF, and on Amazon.

Brandon Adamson is a writer who currently resides in Phoenix, Arizona. He has been writing since 1995, and his work has appeared in many magazines, blogs and literary journals over the years. Brandon blogs at AltLeft.com.

Topics:

The book is made up of poems resulting from the author’s experiences riding the skytrain at Phoenix Sky Harbor Airport
How the book was loosely inspired by Keith Gunderson’s A Continual Interest in the Sun and Sea
Brandon’s style and method of writing poetry
How there is very little offensive material in the book compared to previous works
The photographs in the book
How the skytrain doesn’t really go anywhere but an imaginative person will envision potential destinations and explore the possible ways in which this kind of technology could be used
The skytrain as a vehicle for escapism
The airport as the blueprint for self contained cities
Disneyland as also a model for self contained cities
How the author’s fascination with skytrains and monorails originated with trips to Disneyland and Disney World in the 1980’s
The importance of always staying on the move in life and never getting too comfortable
The Retro-Futuristic themes in the book
The Retro-Futurist’s dilemma of wanting to embrace the future while being inspired by nostalgia and having to determine what’s worth holding on to
The poem Treadmill to Neonopolis named after the place in Las Vegas
Mythological references in the book (Atlantis, Icarus, etc)

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island