Category Archives: Angelo Badalamenti

Robert Stark interviews Jack from The Perfume Nationalist

May 13, 2020 Angelo Badalamenti, 1980's, 1990's, 80's music, aesthetics, alienation, Alternative Left, American Culture, Architecture, Art, Bernie Sanders, Camille Paglia, capitalism, censorship, Cinema, Cities, Class, Consumerism, counterculture, Culture, David Lynch, Donald Trump, Fashion, Film, Freedom of Speech, History, Hollywood, Homosexuality, income inequality, Las Vegas, Madonna, Malls, Marquis de Sade, materialism, Matt Pegan, Matthew Pegas, Music, Nationalism, Neoliberalism, Neon, Philosophy, Political Correctness, Politics, Postmodernism, Sexuality, social status, Surrealism, Texas, TFW NO GF, The Perfume Nationalist, True Stories, Twin Peaks, Wealthrobertstark

Robert Stark and Matt Pegan talk to Jack from The Perfume Nationalist podcast. Check out Jack on Twitter.

Topics:

Nationalism as an aesthetic brand, selling perfume and soap opera visions to the right
Re-appropriating “queer culture”
Camille Paglia
Trump as a performance art aesthetic brand despite his standard neoliberal policies
Beauty equality vs. an upward value of aesthetic excellence
The aspirational quality of 80s aesthetics
How 2010s neoliberal minimalism conceals wealth and power while erasing history
The elite charade of fake bohemianism
How to time travel with perfume
Las Vegas as the last frontier of scented opulent public spaces
Jack’s affinity for 80s pop icon Madonna
Jack’s defense of the artistic integrity of Lena Dunham
David Lynch’s success at synthesizing surrealist art, perfume adds, and nighttime soap
Jack’s Perfume recommendations
TFW NO GF

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, and novel Journey to Vapor Island

The Starkian Lynch

August 19, 2018 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Alt Center, American Culture, Archeofuturism, Architecture, arcology, Aristocratic Individualism, Art, Art Deco, Blue Velvet, Californication, capitalism, Cinema, Cities, Class, Country Music, Culture, David Lynch, Depravity, Disneyland, Donald Trump, Dune, Economics, Erotized Rage, Fashion, Film, Film Noire, Hollywood, Homosexuality, humor, Jasun Horsley, Journey to Vapor Island, Kyle MacLachlan, Las Vegas, Leisure Suit Larry, Los Angeles, Madeline Zima, Marquis de Sade, Matthew Pegas, meditation, Mental illness, Mid-Century Modern, Morality, Mulholland Drive, Music, Mythology, Neon, Occultism, Philosophy, Politics, Psychology, Religion, Retro Futurism, Science Fiction, Sexuality, Steampunk, Suburbia, Surrealism, Synthwave, Twin Peaks, Urbanism, Utopia, Vaporwaverobertstark

Robert Stark and Matthew Pegas discuss the work of David Lynch and the parallels between the “Lynchian” and “Starkian.” Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party
Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island

Jamie Stewart from Xiu Xiu returns to talk about his album Forget & Twin Peaks

September 16, 2017 Angelo Badalamenti, 1980's, 80's music, Alt Center, Alternative Right, Animal Cruelty, animals, Art, Australia, capitalism, censorship, counterculture, Culture, David Lynch, David Thrussell, Depeche Mode, Donald Trump, Drugs, Environment, Erasure, Haarlem Venison, Homosexuality, Jamie Stewart, Los Angeles, Marquis de Sade, Martin Heidegger, Marxism, Music, Nihilism, Occultism, Pearls Before Swine, Peter Sotos, Philosophy, Pilleater, Radical Center, Richard Wolstencroft, Sexuality, Snog, Socialism, Twin Peaks, Xiu Xiurobertstark

Robert Stark, Pilleater, Haarlem Venison, and filmmaker Richard Wolstencroft talk to musician Jamie Stewart from Xiu Xiu.

Topics include:

Intro: Xiu Xiu – Queen of the Losers
Xiu Xiu’s album- FORGET
The new Twin Peaks and the show’s finale
Xiu Xiu – Plays The Music of Twin Peaks
Performing at a David Lynch exhibit in Australia
The soundtrack of the new Twin Peaks
Richard’s Xiu Xiu story
Influence from 80’s synth; Depeche Mode, Erasure and Jamie’s cover of Erasure
How music in the 21st Century has become stagnant
Music revenue in the internet era and the importance of live performances
Apocalypse Culture; Peter Sotos
The Gay Marriage vote in Australia
Jamie denounces the Alt-Right
Jamie’s hometown LA and how the city has changed
Animal Rights
Jamie as a pessimistic nihilistic hippie
After Jamie leaves Richard discusses his political and cultural views and his films including Pearls before Swine and his upcoming film The Second Coming Volume II
Richard’s Melbourne Underground Film Festival

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This show is brought to you by Robert Stark’s Paintings!

Robert Stark talks to Director Richard Wolstencroft about The New Twin Peaks: Part II

August 12, 2017 Angelo Badalamenti, aesthetics, Art, Australia, Bernie Sanders, Cinema, Conspiracy Theories, Crime, Culture, David Lynch, Donald Trump, Economics, Film, Healthcare, horror, humor, Immigration, Jay Dyer, Kyle MacLachlan, Mulholland Drive, Music, Pearls Before Swine, Police, Politics, Richard Wolstencroft, Sam Kevorkian, Sexuality, Surrealism, Twin Peaks, Vicerobertstark

Robert Stark and co-host Sam Kevorkian talk to filmmaker Richard Wolstencroft about the new Twin Peaks series. This is the sequel to our last show on The New Twin Peaks

Topics:

How we left off on the previous show predicting that the series will end in the White Lodge
Robert Stark and Jay Dyer’s prediction at the beginning of the series that the primary theme will be about the Deep State investigating the Black Lodge
The beginning of the “Blue Rose” investigation into the Black Lodge
The Black and White Surreal “Lynchian” Episode 8 set in New Mexico and the responses to it
Lynch’s fascination with evil and the cameos of the creature from Mulholland Drive
Whether Dougie Jones(Cooper) will regain his consciousness
Twin Peaks: How the Insurance Man explains everything, maybe
Phillip Jeffries and the secretive forces that wants Cooper dead
The transformation of the side characters, how some have risen in significance, while others have become a side note
The role of the deceased Major Briggs in the series
David Lynch’s character Agent Gordon Cole becoming the new Cooper
Ben Horne’s Grandson Richard Horne who is a fugitive involved in organize crime
Richard’s view that criminals serve a purpose in society
The transformation of Ben Horne and the recent return of Audrey Horne
Michael J. Anderson'(The Man From Another Place), his feud with David Lynch, and his political statements
The prediction that in the upcoming episodes there will be a showdown with Cooper’s Doppelgänger at Glastonbury Grove
How the recent episodes have become more involved with the town of Twin Peaks
The de-romanticism of the town of Twin Peaks in the New series
The music in the new series; Twin Peaks: The Return | Part 13 “Just You”
Whether David Lynch will leave the series open ended in his signature style
The influences of David Lynch in Richard’s films Pearls Before Swine and The Second Coming Vol I and II
Richard’s political views and thoughts on Trump; Australia’s immigration policies and healthcare system

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This show is brought to you by Robert Stark’s Paintings!

Robert Stark interviews Musician Andy Diamond of Diamond Field

June 28, 2017 Angelo Badalamenti, 1950's, 1980's, 80's music, aesthetics, Andy Diamond, animation, Art, Cinema, Culture, David Lynch, Diamond Field, Film, Kyle MacLachlan, Las Vegas, Los Angeles, Music, Neon, New Retro Wave, New Zealand, Pilleater, Rat Rios, Synthwave, Twin Peaks, Vaporwaverobertstark

Robert Stark and co-host Pilleater talk to musician Andy Diamond of Diamond Field. Check out his work on YouTube, Facebook, and Twitter.

Topics:

Intro: Diamond Field & Rat Rios ‘Closer’ by Luca Discs
The New Retro Wave Genre and Andy’s description of his music as “21st Century ’80s Music”
How Andy started making music in the 80’s and younger artist inspired by the 80’s sound
Collaborations with vocalist including Rat Rios and Nina Yasmineh
The maxi single ‘Closer’ for the Upcoming Album “Closer”
The music video Diamond Field feat. Nina Yasmineh ‘Neon Summer’ filmed in Santa Monica, CA
Andy’s animations and illustrations for Retro Promenad’s Twin Peaks Tribute(Vol I), Vol II, and Vol III
Andy’s songs for the Twin Peaks Tribute including Diamond Field and the Black Lodge Girls ‘Burning Blood’ and ‘The Nightingale’
The Soundtrack of the original Twin Peaks and music in the new series including the CHROMATICS
Twin Peaks invented vaporwave
The animated neon in Andy’s illustrations for the series, inspiration from 1950’s signs, and how the neon aesthetic became popular with New Retro Wave
Andy’s Kyle MacLachland story
The Rise of the Synths | A documentary of Synthwave and the film The Summoner
Outro: Diamond Field + Rat Rios ‘The Nightingale’ (Twin Peaks Cover)

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This show is brought to you by Robert Stark’s Paintings!

Robert Stark talks to Director Richard Wolstencroft about The New Twin Peaks

June 22, 2017 Angelo Badalamenti, 1950's, 1980's, aesthetics, Aleister Crowley, Blue Velvet, Canada, Cinema, Conspiracy Theories, Count Isidor Fosco, Crime, Culture, David Lynch, Film, Film Noire, Hollywood, horror, humor, J.G. Michael, Kyle MacLachlan, meditation, Mulholland Drive, Occultism, Philosophy, Pilleater, Psychology, Religion, Richard Wolstencroft, Sexuality, Surrealism, Twin Peaks, Vaporwaverobertstark

Robert Stark, co-host Pilleater, J.G. Michael, and Count Isidor Fosco are joined with filmmaker Richard Wolstencroft live from the Black Lodge to talk about the new Twin Peaks series and how it compares to the original.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
The Black Lodge and it’s theological and occult symbolism
The 80’s quality of the original Twin Peaks, the 50’s nostalgia theme, and David Lynch’s interest in fusing genres
Lynch’s emphasis on visual aesthetics in his films
How Twin Peaks was inspired by the Film Noire Laura (1944)
How the new series makes references to other Lynch films such as Blue Velvet
Contrasting the portrayal of the town Twin Peaks in the new series to the original; Richard’s visit to the town of North Bend, Washington where the show is filmed
Lynch’s portrayal of small towns; the idealism of small towns vs. the critique that there is a dark underbelly to small town America
Demonic possession vs. symbolism of the monster within
Cooper’s Doppelgänger, Agent Cooper becoming Dougie Jones who has lost his memory, and whether he will come back
The theme of powerful entities trying too tap into the Black Lodge and how that will become the main narrative
The theme of “Sex Magic”
The film Mulholland Drive and how it was originally intended to be a sequel to Twin Peaks about Audrey Horne
Lynch’s political views and his interest in Transcendental Meditation
How Twin Peaks touches on a variety of themes including culture, politics, the subconscious, sex, psychology, philosophy, mythology, and religion
Kyle MacLachlan and David Lynch as FBI Agents
The prediction that Cooper will return to Twin Peaks and end up in the White Lodge at the end
The role of the side characters in the new series such as Dr. Jacoby, Ben Horne, and Shelly