Category Archives: Gaspar Noe

Robert Stark interviews Montgomery Markland about his movie Malibu Road

1960's, 1970's, 1990's, acting, aesthetics, Aldous Huxley, Alfred Hitchcock, Alice in Wonderland, American Culture, Ancient Greece, Architecture, Art, Banking, Beatniks, Beverly Hills, Buddhism, California, capitalism, Carl Jung, censorship, Cinema, conformity, Conservatives, Conspiracy Theories, Consumerism, coronavirus, Corporations, counterculture, Culture, David Lynch, Despair, dreams, Drugs, Economics, Enter The Void, Film, Film Noire, Gaspar Noe, Hinduism, History, Hollywood, horror films, Hunter S. Thompson , Literature, Los Angeles, Malibu, Malibu Road, Matthew Pegas, Media, Mid-Century Modern, Montgomery Markland, Mulholland Drive, Mythology, Philip K. Dick, Philosophy, Photography, Political Correctness, Politics, Prostitution, Psychology, relationships, Religion, Sexuality, spirituality, Surrealism, Terence Mckenna, Texas, Tiki, Timothy Leary, Travel, Twin Peaks, Vice, Video Games, William S. Burroughs, Zoomers

Robert Stark and Matt Pegas speak with filmmaker, Montgomery Markland, about his film Malibu Road, which he both directed and starred in. Malibu Road is available to watch for free on Tubi, and for purchase on Apple TV and Amazon. While the pandemic delayed Malibu Road’s theatrical release, Montgomery has further plans for multipicture deals.

“Fast living Los Angelenos are targeted by the Central Intelligence Agency during Operation Midnight Climax, part of MKUltra. The experience takes a turn for the deadly during New Year’s Eve 1960 and now a professor, a starlet and the workers at a hotel with a questionable reputation must rediscover reality or be trapped in an endless cycle of sex, drugs and murder in ‘paradise.'”

–Malibu Road (2021) IMDb 

Montgomery Markland has an idiosyncratic resume. Originally from Dallas, Montgomery was a state and local reporter in Austin, worked in the Texas state legislature on policy, was  then a producer, president, and CCO at a number of video game companies, before working in Hollywood. Follow Montgomery on Twitter.

Topics:

Applying videogame design principles to Cinema
The Meisner acting technique
MKUltra connections to university professors and Hollywood (eg. Irvin Keshner)
Timothy Leary’s prediction that video games had the potential to recreate psychedelic trips
The History of the Albatross Hotel in Malibu and connections to Old Hollywood
Cinemaphotographic techniques used to capture the psychedelic aesthetic
Distorting reality in stories as representations of dreams (eg. traumnovelle), and influences from David Lynch
Influence from soap operas, telenovelas, and 90s Cinemax
The set design, recreating the aesthetics of the 60s and 70s
Influences from Jungian archetypes, as well as Ancient Greek, Hindu, and Buddhist mythology (eg. Timothy Leary on the Tibetan Book of the Dead)
Hunter S. Thompson
Alfred Hitchcock’s Vertigo
Malibu Road’s filming locations, including Malibu State Park and Will Rogers State Historic Park
The politicization of entertainment, and why overtly political conservative media fails
Reasons to be optimistic about opportunities in entertainment via niche markets
The Banking crisis, Economic Death Spiral, and narratives of collapse

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Robert Stark interviews Danish Filmmaker Julius Telmer

1970's, American Culture, censorship, Cinema, Culture, David Lynch, Denmark, documentary, Emotions, Enter The Void, Europe, Extroversion, Film, Gaspar Noe, Gender, Hollywood, Julius Telmer, Los Angeles, Personality Types, Philosophy, Photography, Political Correctness, Psychology, relationships, Sam Kevorkian, Sexuality, Stanley Kubrick, Suburbia

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Sam Kevorkian talk to Danish filmmaker Julius Telmer. He has a BA in Film and Media Sciences from University of Copenhagen and lived and worked as a director for two years in Australia. He is currently working in Los Angeles where he teaches at the LA Film School. Check out his work on Vimeo and Cargo Collective.

Topics:

Living in LA, the image of LA from cinema, and the sense of loneliness of life in LA
How it is difficult to film in LA; the filming location of Oscar in the LA suburb of Santa Clarita
Cinematic influences including Gaspar Noe, Roman Polanski, and Stanley Kubrick
Film as an experience as opposed to just a narrative motive
Ending a film with a sense of mystery
The Cinematic language without using words
Themes of masculinity, lack of communication, and suppressing animalistic desires
Tragedies
Censorship in film
Julius’s observation that the 70’s was the peak of cinema
European cinema and how the lack of massive budgets leads to a focus on the existential
Julius’s film Oscar
How Oscar is planned for a feature length film
Julius’s film Dead End
Julius’s documentary The Man Who Couldn’t Die

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