Category Archives: Industrial Music

Robert Stark interviews Shane Bugbee about Transgressive Art

Adam Parfrey, Aleister Crowley, alienation, Art, Boyd Rice, censorship, Chicago, Christianity, Chuck Palahniuk, Comic Books, conformity, counterculture, Crime, Culture, David Bowie, Dennis Cooper, Donald Trump, En Esch, Feral House Books, Francis Nally, Freedom of Speech, Hollywood, Incels, Industrial Music, Internet, Jeffrey Dahmer, Jim Goad, journalism, Media, Morality, Music, Occultism, Pat Buchanan, Peter Sotos, Pilleater, Political Correctness, Politics, Pornography, Race Relations, Religion, Satanism, Serial Killers, Sexuality, Shane Bugbee, Spree Shootings, Suicide, Theosophy

Robert Stark and Francis Nally (aka Pilleater) talk with Shane Bugbee about Satanism, transgressive art, serial killers, and cancel culture. Shane Bugbee is from Chicago, and is an artist, publisher (Michael Hunt Publishing), filmmaker, true crime journalist, friend of Anton LaVey, and was the last priest of the old guard, Church of Satan. Shane has a new book out on the founding of the Satanic Temple. Follow Shane on Twitter/X.

Topics:
Shane’s media coverage, including from Spin Magazine and E! True Hollywood Story regarding Dana Plato
Different interpretations of Satanism
Why Shane considers Satanism an artform but not ideological/political
Hollywood adopting Satanic icons for shock value
Avant Garde Hate and the Angry White Male Tour
Aleister Crowley’s occultism and Helena Blavatsky’s Theosophy
Transgressive art as the chaos magic of today
Correspondence with serial killers in prison, including Dorothea Puente, John Wayne Gacy and Richard Ramirez
Collecting and selling serial killer and true crime memorabilia
Netflix’s Dahmer,  and the Dahmer/The Silence of the Lambs connection
The role of sexual repression with serial killers and mass shooters
Jim Goad, Adam Parfrey, Boyd Rice, and Peter Sotos
The Mike Diana Obscenity Trial and pre-internet cancel culture
The pre-internet vs current counter-culture

Click Here to download!

Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, novel Vaporfornia, and subscribe to his Substack.

Robert Stark interviews Musician Marcel P of the Band Miel Noir

aesthetics, Art, censorship, Culture, Emotions, Germany, Industrial Music, Love, Marcel P, Miel Noir, Music, Mythology, Neofolk, Nietzsche, Normies, Political Correctness, Social Justice Warriors, Synthwave

 

 

 

 

 

 

 

 

 

 

 

 

Marcel P is a musician based in Germany and manages Miel Noir, Fahl and Dungeon Studio, Rhenania. Check out Miel Noir’s music on bandcamp.

Topics:

Intro: Honey-Apocalypse
How Miel Noir started out as the solo-project of Dimo Dimov
Miel Noir’s latest album Honey Beat released by Caustic Records in December of 2016
The live performance of Honey Beat at a festival in the Netherlands
The genres of the tracks including Dark Electro/Darkwave, EBM, Neoclassical, Melodic Darkwave, and Gothic Rock
The vocals for Honey Beat
Marcel’s Dark Folk band Werra
The band Allerseelen
Musical inspiration from dark times in life
The theme of lost love
The imagery of the album and how the aesthetics relate to the music
Bees in Mythology
Miel Noir’s Song Anymore in a German Song Contest
Antifas harassing Neofolk concerts in Europe
Honey Beat’s anti SJW song Triggerwarning
The upcoming project “Dark Europa,” which is a compilation of collaborated tracks for the label Panicmachine

Click Here to download!

This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark interviews Synthwave Artist Damokles

1970's, 1980's, 1990's, 80's music, 90's music, aesthetics, Cinema, Culture, Damokles, Film, Futurism, horror, horror films, Industrial Music, Internet, J.G. Michael, Kraftwerk, Music, New Retro Wave, Rammstein, Retro Futurism, Sam Kevorkian, Science Fiction, Space Travel, Sweden, Synthwave, technology, Time Travel, Transhumanism

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, Sam Kevorkian, and J.G Michael talk to Swedish Synthwave Artist Damokles. Check out his work on SoundCloud, Facebook, and Future 80’s Records which produces his music.

Topics:

Intro: Into the Future from the new Time Machine album
Damokles’ new 14 track album Time Machine
The Time Travel Theme; Back to the Future
Creating synth music since the 70’s
Influences including Kraftwerk
Favorite songs including Yazoo’s Don’t Go and Don’t You Want Me? by the Human League
Experimentation with synthesizers in the 80’s
Being a DJ in the 80’s and how DJ culture has evolved
Working as a piano bar entertainer
The New Retrowave genre and how it is different from original 80’s synth music
Industrial music
The future of electronic music, the mainstreaming of synthwave, and the need for an alternative to mainstream pop
The pros and cons of producing music online without large corporations
Cinematic influences; sci-fi and horror
The illustrations for the albums
80’s Retrofuturism
Visions of the future and how humans are becoming cyborgs

Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician Jody Coombes of Star Noir

1980's, 80's music, Absolute Valentine, aesthetics, Art, Asia, Asian Culture, automation, Basic Income, Blade Runner, California, Cinema, Cities, Comic Books, Culture, Cyberpunk, Depeche Mode, Dystopia, England, Film, Film Noire, Florian Renner, FM-84, Futurism, History, Hong Kong, horror, horror films, Industrial Music, J.G. Michael, Japan, Japanese Culture, Jody Coombes, John Carpenter, Las Vegas, Leisure Suit Larry, London, Music, Neon, New Retro Wave, Perturbator, Photography, Psychology, Retro Futurism, Sam Kevorkian, Science Fiction, Star Noir, Stranger Things, Synthwave, The Summoner, Transhumanism, Travel, Vaporwave, Video Games, Wilderness, William Gibson

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, Sam Kevorkian, and J.G. Michael talk to Illustrator, Photographer, Video Game Designer, and Musician Jody Coombes. Check out his music under the label Star Noir on Facebook and bandcamp, and his photography and illustrations on Flickr.

Topic:

Working on video games including Call of Duty and Need for Speed
Cyberpunk games such as Shadowrun and Beneath a Steel Sky
The New Retro Wave and Darkwave genres
The  Cyberpunk genre
How To Make Synthwave Retrowave with Timecop 1983 in FL Studio
The visual component in making Synth music
Jody’s first EP Psycho City
Jody’s first-ever gig in London at the Retro Future Fest
Jody’s illustrations and 80’s Retro-Futurist aesthetics
80’s Action and Horror films
80’s Video Game Arcades; London Trocadero
The new series Stranger Things and the film Drive
Jody’s photography of locations including the UK, New York, Tokyo, Hong Kong, and Nova Scotia
Sinofuturism
“Design is not art….. Design is an exercise in psychology”
Robert Stark’s Paintings which fuse Retro Futurist genres
Transhumanism, Automation, and the Basic Income
The Pilot project “Lost Future” about a man who lost his future
Upcoming projects and performances

Click Here to download!

This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Jamie Curcio about Narrative Machines

1980's, aesthetics, Aleister Crowley, Alexander Dugin, Alternative Right, Anarchism, Aristocratic Individualism, Art, Beatniks, counterculture, Culture, Cyberpunk, David Bowie, David Lynch, dreams, Fascism, Film, horror, Industrial Music, J.G. Michael, Jamie Curcio, Jean Baudrillard, Laibach, Literature, Media, Memes, Milo, Mishima A Life in Four Chapters, Morality, Mulholland Drive, Music, Narrative Machines, Nietzsche, Occultism, Philosophy, Politics, Postmodernism, Psychology, Retro Futurism, Sam Kevorkian, Social Isolation, Social Media, Stranger Things, Surrealism, They Live, Thomas Ligotti, Vaporwave, Yukio Mishima

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Sam Kevorkian, and J.G. Michael talk to Jamie Curcio about his new book Narrative Machines: Modern Myth, Revolution, & Propaganda. Jamie is an Artist, Writer, and Musician, and blogs at Modern Mythology.

Topics:

Intro: Nefarious from the Album EgoWhore by HoodooEngine which Jamie co-produces and does bass and rhythm guitar for
The main thrust of Narrative Machines is the way in which myths function in our lives
How the conflict with our longing to connect with the sacred leads to seeking re-connection in the form of reified ideology in the current “Meme Wars”
Jean Baudrillard’s book Simulacra and Simulation
The concept of hyper reality and how social interactions are mediated by social media
Post Modernism and Deconstructionism; skepticism towards all ultimate truths
Hobbes vs. Rousseau: the debate over human nature
Jamie’s illustrations in Narrative Machines
The Artist David Mack
Aesthetic theory and how artist can affect the world politically
Interrogation Machine – Laibach and NSK
Aleksander Dugin, Nick Land, and Neo-Reaction
The relation between myth, retro-aesthetic creative movements like vaporwave, and the current cultural climate
The 80’s Retro themed show Stranger Things
The aesthetics of Horror and horror writer Thomas Ligotti
Surrealism and connecting to the sacred or primal force
Jamie’s book Join My Cult!, occultism, and Aleister Crowley
David Bowie Inspires Jamie’s Upcoming Book, “Masks”
Yukio Mishima’s Confessions of a Mask
Jamie’s involvement in the goth industrial music scene of the 90’s and 00’s
The ways in which virtual reality, myth, and “the real world” have collided
Alternate Reality Games, the film The Game, and playing with peoples perception of reality through media

Click Here to download!

This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician Dean Clarke of Brutalist Architecture in the Sun

1980's, 80's music, 90's music, aesthetics, Architecture, Brutalism, Brutalist Architecture in the Sun, Culture, Cyberpunk, Dean Clarke, Depeche Mode, Donald Trump, Economics, England, FM-84, Free Trade, income inequality, Industrial Music, John C. Portman Jr, London, Music, New Retro Wave, Pilleater, Retro Futurism, Synthwave, Vaporwave, Video Games

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to musician Dean Clarke. He does vocals and electronics for the band Brutalist Architecture in the Sun based in the UK. Check them out on Facebook and YouTube

Topics:

Intro Song: Love & Science (feat. Paul Humphries from the Concrete Pop Album
Dean’s background in music and his original band 3D the band
Influences from electronic music from the early 80’s including Gary Numan and Tangerine Dream
90’s influences including Front 242, Nine Inch Nails, and Skinny Puppy
The New Retro Wave genre; FM-84
Darkwave
Minimal Wave Records
The hybrid sound of 80’s Synthwave and 90’s Industrial Music, and the trend of fusionism
Performance at Zigfrid von Underbelly in London
Band of the month for Artefaktor Radio
Dean’s vocals, and Cye Thomas who also does vocals for the band
The use of the Korg MS-20 Synth
The aesthetics of the album covers Dean designs, fusing Brutalist and Industrial imagery with bright fluorescent colors
Brutalist architecture, Trellick Tower, The Underground, and Centre Point in London, John C. Portman Jr., and the revived interest in Brutalism
Cyberpunk, the London Trocadero, and 80’s arcades
Victorian era Railway Stations in London
Urban exploration and dead mall enthusiast
Economics and political themes in music
The de-industrialization of the UK
Depeche Mode’s Where’s the Revolution
The marketing and consumption of music on the internet
The band’s new album Post Democracy from live performances


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician David Thrussell

Alternative Left, Alternative Right, American Culture, Australia, Bernie Sanders, Boyd Rice, capitalism, censorship, Cinema, Conspiracy Theories, Consumerism, Corporations, Country Music, Culture, David Thrussell, Depeche Mode, Environment, Film, Globalization, History, Immigration, Industrial Music, Islam, Julian Assange, Middle East, Milo, Music, Oligarchy, Pearls Before Swine, Pilleater, Police State, Political Correctness, Politics, Richard Wolstencroft, Snog, Socialism, technology, Ted Kaczynski, Trans-Pacific Partnership, War

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Director Richard Wolstencroft talk to musician David Thrussell from the Band Snog.

Topics:

Intro Song: Snog – Cheerful Hypocrisy
Snog’s song Corporate slave
Industrial and Electronic Music
Depeche Mode‘s song Where’s the Revolution from their new album Spirit
Themes of Consumerism and Corporate Control in David’s music
Why David’s Music is Copyright Free
Richard and David’s take on Trump
David’s observations about American Politics from his last Cross Country Tour
Richard’s connection to the Alt-Right and David’s association with the far left
An Alliance Between the New Right and Old Left against the Globalist 1%
Environmentalists’ potential allies on the populist right
The importance of seeking the truth over political labels
Immigration, War, and Globalization
The Deep State
Julian Assange and Wikileaks
Milo and Censorship
Ted Kaczynski, Feral House’s publishing the Unabomber’s manifesto, and technological enslavement
David’s point that music plays an anthropological role in documenting history
David’s interest in Hillbilly Country Music
Freedom Is A Hammer: Conservative Folk Music
David’s Black Lung label
David’s new act Crisis Actor
How Richard met David as a DJ at Richard’s Hellfire Club, and collaborated on each other films and music videos
David’s music for the film The Hard Word starring Guy Pearce


Click Here to download!
Check out Robert Stark’s Paintings!




Robert Stark interviews Musician En Esch

90's music, aesthetics, alienation, Animal Cruelty, animals, Culture, En Esch, Germany, Hellraiser, horror, horror films, humor, Industrial Music, Introversion, J.G. Michael, KMFDM, Laibach, Music, Pilleater, Rammstein, Spree Shootings

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, Pilleater and J.G Michaels interview EN ESCH. En Esch was an original member of the pioneering industrial band, KMFDM. He is also in his own band, Slick Idiot, and toured with Pigface. En Esch’s recently released a new album, Trash Chic.

Topics:

En Esch’s interest in music and beginnings in KMFDM, Slick Idiot
En Esch’s early influences, Goth and Queer culture, Deutsch Amerikanische Freundschaft
The politics of East and West Germany
“Xcess” in True Love, and “Ooh La La” in Hellraiser 3
The politically imagery used in KMFDM (the art of Aidan Hughes), Laibach, Dunkelwerk, Hanzel und Gretyl
Atari Teenage Riot, left-wing vs. right-wing imagery and sound, May Day
The Columbine Massacre, the controversy behind KMFDM’s song, “Waste,” YouTube comments about KMFDM’s association with school shootings
En Esch’s new album, Trash Chic
KMFDM’s influence over Rammstein
Modern Industrial musics vs. old style Industrial (Die Krupps)
How En Esch makes music, Nightcore vs. Vaporwave
Five letter codes, Covers, the funky infulence in En Esch’s music
En Esch’s advocation for animal rights, his vegetarian lifestyle
The origin behind Slick Idiot
The music market, downloading and streaming
The Raymond Watts / En Esch / Günter Schulz / Mona Mur KMFDM
Peter Murphy, Humor behind En Esch’s music
Introversion/Social Anxiety, and music as an outlet to express one’s self
Backing singers
En Esch’s future activities


Click Here to download!
Check out Robert Stark’s Paintings!