Category Archives: Enter The Void

Robert Stark interviews Montgomery Markland about his movie Malibu Road

1960's, 1970's, 1990's, acting, aesthetics, Aldous Huxley, Alfred Hitchcock, Alice in Wonderland, American Culture, Ancient Greece, Architecture, Art, Banking, Beatniks, Beverly Hills, Buddhism, California, capitalism, Carl Jung, censorship, Cinema, conformity, Conservatives, Conspiracy Theories, Consumerism, coronavirus, Corporations, counterculture, Culture, David Lynch, Despair, dreams, Drugs, Economics, Enter The Void, Film, Film Noire, Gaspar Noe, Hinduism, History, Hollywood, horror films, Hunter S. Thompson , Literature, Los Angeles, Malibu, Malibu Road, Matthew Pegas, Media, Mid-Century Modern, Montgomery Markland, Mulholland Drive, Mythology, Philip K. Dick, Philosophy, Photography, Political Correctness, Politics, Prostitution, Psychology, relationships, Religion, Sexuality, spirituality, Surrealism, Terence Mckenna, Texas, Tiki, Timothy Leary, Travel, Twin Peaks, Vice, Video Games, William S. Burroughs, Zoomers

Robert Stark and Matt Pegas speak with filmmaker, Montgomery Markland, about his film Malibu Road, which he both directed and starred in. Malibu Road is available to watch for free on Tubi, and for purchase on Apple TV and Amazon. While the pandemic delayed Malibu Road’s theatrical release, Montgomery has further plans for multipicture deals.

“Fast living Los Angelenos are targeted by the Central Intelligence Agency during Operation Midnight Climax, part of MKUltra. The experience takes a turn for the deadly during New Year’s Eve 1960 and now a professor, a starlet and the workers at a hotel with a questionable reputation must rediscover reality or be trapped in an endless cycle of sex, drugs and murder in ‘paradise.'”

–Malibu Road (2021) IMDb 

Montgomery Markland has an idiosyncratic resume. Originally from Dallas, Montgomery was a state and local reporter in Austin, worked in the Texas state legislature on policy, was  then a producer, president, and CCO at a number of video game companies, before working in Hollywood. Follow Montgomery on Twitter.

Topics:

Applying videogame design principles to Cinema
The Meisner acting technique
MKUltra connections to university professors and Hollywood (eg. Irvin Keshner)
Timothy Leary’s prediction that video games had the potential to recreate psychedelic trips
The History of the Albatross Hotel in Malibu and connections to Old Hollywood
Cinemaphotographic techniques used to capture the psychedelic aesthetic
Distorting reality in stories as representations of dreams (eg. traumnovelle), and influences from David Lynch
Influence from soap operas, telenovelas, and 90s Cinemax
The set design, recreating the aesthetics of the 60s and 70s
Influences from Jungian archetypes, as well as Ancient Greek, Hindu, and Buddhist mythology (eg. Timothy Leary on the Tibetan Book of the Dead)
Hunter S. Thompson
Alfred Hitchcock’s Vertigo
Malibu Road’s filming locations, including Malibu State Park and Will Rogers State Historic Park
The politicization of entertainment, and why overtly political conservative media fails
Reasons to be optimistic about opportunities in entertainment via niche markets
The Banking crisis, Economic Death Spiral, and narratives of collapse

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Robert Stark interviews Danish Filmmaker Julius Telmer

1970's, American Culture, censorship, Cinema, Culture, David Lynch, Denmark, documentary, Emotions, Enter The Void, Europe, Extroversion, Film, Gaspar Noe, Gender, Hollywood, Julius Telmer, Los Angeles, Personality Types, Philosophy, Photography, Political Correctness, Psychology, relationships, Sam Kevorkian, Sexuality, Stanley Kubrick, Suburbia

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Sam Kevorkian talk to Danish filmmaker Julius Telmer. He has a BA in Film and Media Sciences from University of Copenhagen and lived and worked as a director for two years in Australia. He is currently working in Los Angeles where he teaches at the LA Film School. Check out his work on Vimeo and Cargo Collective.

Topics:

Living in LA, the image of LA from cinema, and the sense of loneliness of life in LA
How it is difficult to film in LA; the filming location of Oscar in the LA suburb of Santa Clarita
Cinematic influences including Gaspar Noe, Roman Polanski, and Stanley Kubrick
Film as an experience as opposed to just a narrative motive
Ending a film with a sense of mystery
The Cinematic language without using words
Themes of masculinity, lack of communication, and suppressing animalistic desires
Tragedies
Censorship in film
Julius’s observation that the 70’s was the peak of cinema
European cinema and how the lack of massive budgets leads to a focus on the existential
Julius’s film Oscar
How Oscar is planned for a feature length film
Julius’s film Dead End
Julius’s documentary The Man Who Couldn’t Die

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Robert Stark interviews Shaun Partridge

1960's, 1970's, 1990's, Adam Parfrey, aesthetics, Aleister Crowley, Alice in Wonderland, Anne Frank, Art, Boyd Rice, Carl Jung, comedy, Comic Books, counterculture, Culture, dreams, Enter The Void, humor, Japanese Culture, Jim Goad, John Lenon, Literature, Madmen, Music, Occultism, Peter Sotos, Philosophy, Pilleater, Political Correctness, rape, Religion, Science Fiction, Serial Killers, Shaun Partridge, Surrealism, The Partridge Family, The Partridge Family Temple, The Wizard of Oz, Trip, Trolling

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Shaun Partridge. He is a musician and co-founder of The Partridge Family Temple. He blogs at shaunpartridge.com and runs Shaun TV on Youtube.

Topics:

Intro Song: B Magic
The background story of The Partridge Family Temple
The Partridge Family Show and it’s inspiration for the Temple
Troll culture; Boyd Rice wearing a rape shirt in front of a giant troll poster for Answer Me! in the 90’s
Shaun’s article “Rape is Love” for Answer Me!’s “Rape Edition,” Boyd Rice’s piece “Revolt against Penis Envy,” and Peter Sotos’s article and books
Shaun’s music for BOYD RICE’S HATESVILLE
Adam Parfrey’s Apocalypse Culture and the Temple’s work for Adam’s art show “Occult Rapture”
Vice’s review of Shaun’s work; The unpop sound
Monty Python’s The Rutles
The power of dreams and Carl Jung as an artist
Shaun’s comedic dreams, including a Seinfeld episode, and Pilleater’s dream sequence in his Novella “Trip”
Surreal humour; Tim and Eric and Sam Hyde’s Million Dollar Extreme
Occult Mysticism in the Wizard of Oz, Alice and Wonderland, Better Call Saul, and Mad Men
Josh Simmons introduces The White Rhinoceros
The power of Psychedelic drugs; out of body and other worldly experiences
Pop Art inspired by Corporate logos by Whale Song Partridge
The Temple Doctrine; “Fun is the Law”
David Cassidy’s reaction to the Partridge Family Temple


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Robert Stark interviews Filmmaker and Author Pablo D’Stair

aesthetics, Bret Easton Ellis, Cinema, Comic Books, Culture, Enter The Void, Film, Film Noire, horror, Literature, Pablo D'Stair, Paul Schrader, Pilleater, Poetry, Psychology, Robert Bresson, Science Fiction, Scott Laudati, Surrealism, Taxi Driver, The Canyons

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to author and filmmaker Pablo D’Stair. He is the author of sixty books of fiction, twenty-four plays/screenplays, five collections of poetry, and numerous essays and dialogues. A former contributor of cinema critique/commentary for the UK film site BRWC: Battle Royale With Cheese and of fiction, interview, and essay for the Montage: Cultural Paradigm (Sri Lanka), he is also the writer/director of six (very underground) films and the co-founder of the art-house press KUBOA . More information can be found at pdstair.wordpress.com and pdstairfilms.wordpress.com. Check out his films on Vimeo.

Topics:

Pablo’s work as an associate producer on the film The Canyons directed by Paul Schrader and written by Bret Easton Ellis
Early influences including Robert Bresson who was also an influence on Schrader
Pablo’s first film A Public Ransom about an author who stumbles across a crayon-scribbled missing child poster with a scrawled telephone number
Pablo’s film Mississippy Missippi Tu-Polo which is about a young indie author who is no longer young and “indie”
The band Left By Snakes who have done music for Pablo’s films, and he has also worked on their music videos
Pablo’s film Science Fiction about Five unknown, unread, and well-past-their-prime science fiction authors grappling with obscurity, infinity, and obsolescence
Pablo’s recent film Mr Pickpocket about two young boys drawing a comic about their dad being a Pickpocket
Pablo’s cinematography style; long shots and techniques to make films look grittier and older
Pablo’s films are about implications and invoking feelings rather then plot driven
Comparing being a writer to being a filmmaker
The Alt-Lit Genre
The Art for the book covers which are designed by both Pablo and his friend artist Goodloe Byron
KUBOA Press and Pablo’s criteria for selecting writers
Pablo’s writing process and style, linear writing and writing from the perspective of one person’s perspective
Pablo’s latest novel LUCY JINX  which is an intimate epic, spanning eight years in the life (and innermost mind) of the titular poet as she navigates cities, jobs, ambitions, and friendships
Pablo’s book Dustjacket Flowers about a man loitering in the public library and the theme of perceiving reality
Pablo’s book Regard; the theme of life rendered in minute by minute physical description with only as much as psychological insight
Pablo’s set of novellas The Unburied Man and The People Who Use Room Five; Life Cycle Horror
Pablo’s Noire novel man standing behind which is being adapted into a film


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jay Dyer about Esoteric Hollywood

1980's, aesthetics, Aleister Crowley, Alicia Silverstone, Blade Runner, Carl Jung, Cinema, Conspiracy Theories, Culture, Dark City, David Bowie, David Lynch, Drugs, Dune, Enter The Void, Esoteric Hollywood, Eyes Wide Shut, Film, Film Noire, Hellraiser, Hollywood, horror, horror films, Jay Dyer, John Carpenter, Labyrinth, Literature, Media, Metropolis, Mythology, Natalie Portman, Occultism, Pilleater, Psychology, Religion, Surrealism, The Dark Crystal, They Live, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer. He reviews films at his blog Jay’s Analysis and is the author of Esoteric Hollywood.

Topics:

The entertainment complex and deciphering propaganda
The power of cinematography and aesthetics in film
How computer generated special effects have impacted the quality of cinema
The concept of the Hollywood establishment and speculations about which filmmakers and films are anti-establishment
Why Jay focuses on the symbolism of the films rather then trying to analyse the director’s motive
Stanley Kubrick’s Eyes Wide Shut
David Lynch’s Dune, Eraserhead, Inland Empire, and Lost Highway
Surrealism, Neo-noir, and the David Lynch aesthetic
Jay’s review of David Lynch’s Twin Peaks and Mark Frost’s book The Secret History of Twin Peaks
The Ancient Greek concept of time  being a never ending repeat
The Folk Horror Genre; The Devil Rides Out
Blade Runner
Dark City
Enter the Void
The Dark Crystal
The film Labyrinth, the Jungian achetype of the Labyrinth as the subconscious, and the Labyrinth in Ancient Mythology
The Labyrinth theme in The Shining and Hellbound: Hellraiser II
The symbolism of basements as the subconscious in the films House II and The Hole
The Esoteric Meaning of Time Bandits and the significance of the abyss
Robert Stark’s show about Alicia Silverstone and The Film The Babysitter
Natalie Portman in Léon: The Professional
John Carpenter’s They Live! and Big Trouble in Little China
Jay’s upcoming TV Show with Jay Weidner, which will be aired online at www.Gaia.com


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This show is brought to you by Robert Stark’s Paintings!