Robert Stark and co-host Sam Kevorkian talk to Danish filmmaker Julius Telmer. He has a BA in Film and Media Sciences from University of Copenhagen and lived and worked as a director for two years in Australia. He is currently working in Los Angeles where he teaches at the LA Film School. Check out his work on Vimeo and Cargo Collective.
Topics:
Living in LA, the image of LA from cinema, and the sense of loneliness of life in LA
How it is difficult to film in LA; the filming location of Oscar in the LA suburb of Santa Clarita
Cinematic influences including Gaspar Noe, Roman Polanski, and Stanley Kubrick
Film as an experience as opposed to just a narrative motive
Ending a film with a sense of mystery
The Cinematic language without using words
Themes of masculinity, lack of communication, and suppressing animalistic desires
Tragedies
Censorship in film
Julius’s observation that the 70’s was the peak of cinema
European cinema and how the lack of massive budgets leads to a focus on the existential
Julius’s film Oscar
How Oscar is planned for a feature length film
Julius’s film Dead End
Julius’s documentary The Man Who Couldn’t Die
Intro Song: B Magic
The background story of The Partridge Family Temple
The Partridge Family Show and it’s inspiration for the Temple
Troll culture; Boyd Rice wearing a rape shirt in front of a giant troll poster for Answer Me! in the 90’s
Shaun’s article “Rape is Love” for Answer Me!’s “Rape Edition,” Boyd Rice’s piece “Revolt against Penis Envy,” and Peter Sotos’s article and books
Shaun’s music for BOYD RICE’S HATESVILLE
Adam Parfrey’s Apocalypse Culture and the Temple’s work for Adam’s art show “Occult Rapture” Vice’s review of Shaun’s work; The unpop sound
Monty Python’s The Rutles
The power of dreams and Carl Jung as an artist
Shaun’s comedic dreams, including a Seinfeld episode, and Pilleater’s dream sequence in his Novella “Trip” Surreal humour; Tim and Eric and Sam Hyde’s Million Dollar Extreme
Occult Mysticism in the Wizard of Oz, Alice and Wonderland, Better Call Saul, and Mad Men Josh Simmons introduces The White Rhinoceros
The power of Psychedelic drugs; out of body and other worldly experiences
Pop Art inspired by Corporate logos by Whale Song Partridge
The Temple Doctrine; “Fun is the Law”
David Cassidy’s reaction to the Partridge Family Temple
Robert Stark and co-host Pilleater talk to author and filmmaker Pablo D’Stair. He is the author of sixty books of fiction, twenty-four plays/screenplays, five collections of poetry, and numerous essays and dialogues. A former contributor of cinema critique/commentary for the UK film site BRWC: Battle Royale With Cheese and of fiction, interview, and essay for the Montage: Cultural Paradigm (Sri Lanka), he is also the writer/director of six (very underground) films and the co-founder of the art-house press KUBOA . More information can be found at pdstair.wordpress.com and pdstairfilms.wordpress.com. Check out his films on Vimeo.
Topics:
Pablo’s work as an associate producer on the film The Canyons directed by Paul Schrader and written by Bret Easton Ellis
Early influences including Robert Bresson who was also an influence on Schrader
Pablo’s first film A Public Ransom about an author who stumbles across a crayon-scribbled missing child poster with a scrawled telephone number
Pablo’s film Mississippy Missippi Tu-Polo which is about a young indie author who is no longer young and “indie”
The band Left By Snakes who have done music for Pablo’s films, and he has also worked on their music videos
Pablo’s film Science Fiction about Five unknown, unread, and well-past-their-prime science fiction authors grappling with obscurity, infinity, and obsolescence
Pablo’s recent film Mr Pickpocket about two young boys drawing a comic about their dad being a Pickpocket
Pablo’s cinematography style; long shots and techniques to make films look grittier and older
Pablo’s films are about implications and invoking feelings rather then plot driven
Comparing being a writer to being a filmmaker
The Alt-Lit Genre
The Art for the book covers which are designed by both Pablo and his friend artist Goodloe Byron KUBOA Press and Pablo’s criteria for selecting writers
Pablo’s writing process and style, linear writing and writing from the perspective of one person’s perspective
Pablo’s latest novel LUCY JINX which is an intimate epic, spanning eight years in the life (and innermost mind) of the titular poet as she navigates cities, jobs, ambitions, and friendships
Pablo’s book Dustjacket Flowers about a man loitering in the public library and the theme of perceiving reality
Pablo’s book Regard; the theme of life rendered in minute by minute physical description with only as much as psychological insight
Pablo’s set of novellas The Unburied Man and The People Who Use Room Five; Life Cycle Horror
Pablo’s Noire novel man standing behind which is being adapted into a film
