Category Archives: Psychology

Robert Stark talks to Jay Dyer about Esoteric Twin Peaks

1950's, aesthetics, Aleister Crowley, Blue Velvet, Conspiracy Theories, Crime, Culture, David Bowie, David Lynch, dreams, Film, Film Noire, Gender, Hollywood, horror, horror films, humor, Jay Dyer, Kyle MacLachlan, Music, Mythology, Occultism, Pilleater, Psychology, Religion, Salvador Dali, Serial Killers, Sexuality, Surrealism, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer about the Esoteric Symbolism behind David Lynch’s Twin Peaks and the new series on Showtime. Jay writes film reviews at Jay’s Analysis and is the author of Jay Dyer’s Esoteric Hollywood

Topics:

Intro Song: The Northern Lights – Falling (feat. Lucy Black)
‎Jay’s article An Esoteric Guide to Twin Peaks
The New Twin Peaks series and how it compares to the original
The prequel film Fire Walk With Me (1992) which reveals the murder mystery aspect of the plot
Twin Peaks’ transition from a Soap Opera parody to a Dark Comedy and then a Surreal Horror
David Lynch’s success in giving clues and keeping the audience in mystery and suspense
Film Noire, the 1950’s theme, and David Lynch’s interest in fusing eras and genres
Themes of dreams and the subconscious
Surrealist influences and David Lynch’s documentary Surrealist Cinema
The role of organized crime in the series
Themes of Conspiracy Theories and the Deep State
Co-creator Mark Frost’s book The Secret History of Twin Peaks
Themes of Occultism
References to Tibetan Buddhism and Native America Mythology
Super Natural Themes; The evil and benign spirits and Killer Bob’s possession of people’s bodies to commit murder
The Black Lodge, the White Lodge, and Glastonbury Grove which is the portal
The aesthetics and symbolism of the “Red Room” and whether it is the Black Lodge or a portal between the worlds
Cooper’s evil version(doppelgänger); Cooper’s escape from the Black Lodge in the new series
How the series is more about Agent Dale Cooper’s journey to the Black Loge then the murder mystery of Laura Palmer
Jay’s expectations for the new series


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Robert Stark talks to Count Fosco about the Film Blast From The Past

1950's, 1960's, 1990's, aesthetics, Alicia Silverstone, Alien Covenant, Blast From The Past, Brendan Fraser, Christopher Walken, Cinema, Clueless, comedy, Culture, Dystopia, Environment, Fashion, Film, Gender, humor, Los Angeles, Mid-Century Modern, Pilleater, Psychology, psychosocialism, relationships, Sexuality, Tess Haubrich, The Babysitter, The Crush

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Count Isidor Fosco about the Film Blast From The Past(1999) starring Brendan Fraser and Alicia Silverstone.

Topics:

The plot summery; Adam Webber(Brendan Fraser) comes out from a nuclear fallout shelter after 35 years
The culture shock when Adam emerges in the 90’s and thinks he is in a zombie overrun dystopia
Adam’s father scientist Dr. Calvin Webber(Christopher Walken) who builds the fallout shelter
The stereotype of a 1950’s father vs. Calvin as a Utopian and idealist
The beginning of the film during the Cuban Missile Crisis, the Cold War Theme, and the cultural “nuclear war”
The “education” of Adam; his homeschooling makes him appear “aristocratic” to women
The bunker as an analogy for isolating one self from society and the pros and cons of doing so
How Adam manages to win the Psychosocial narrative by playing by his own rules
The concept of “Eternal Return” as it is shown at the end of the film
The trend of having nostalgia for past eras and the mid century aesthetic
Political agendas in film and conservatives uncreative critiques of Hollywood
The formulaic narrative of romantic comedies and how it works for the film
The comic element in the miscommunications and what makes good comedy
Brendan Fraser as a 90’s icon, his comic style, and his other films
The allure of Alicia Silverstone and how her character compares to her roles in films such as The Crush, Clueless, and The Babysitter
The Transformation of Alicia Silverstone’s character Eve
LA depicted in the film, the San Fernando Valley, and Pasadena
Pilleater on Tess Haubrich as Rosenthal in the new film Alien Covenant


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Robert Stark interviews Publisher Josh Dale

aesthetics, Culture, horror, Josh Dale, Literature, Philadelphia, Philosophy, Pilleater, Poetry, Psychology, Samuel Delany, Science Fiction, Scott Laudati, Stephen King, Thom Young, Transcendentalism

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to publisher Josh Dale. Josh Dale runs Thirty West Publishing House and has a BA in English from Temple University.

Topics:

Josh’s background including being an associate editor and contributor to Temple’s Hyphen Literary Magazine and experience with a vanity publisher on Instagram
Temple University in Philadelphia; Science Fiction writer Samuel R. Delany
The process of setting up Thirty West Publishing
The overall themes and criteria of Thirty West
Josh’s interest in work that is introspective and inspired by the inner workings of the mind
The designs of Thirty West’s books
Authors published including Thom Young
Josh’s collection of poetry Duality Lies Beneath
The themes of the poems ranging from random imagination, observations, critiques of society, and personal idiosyncrasies
The book cover from a train station in Philadelphia
Josh’s influence from the Transcendentalist writers including Ralph Waldo Emerson
Josh’s near death experience from a car crash and how that impacted his outlook on life
Involvement in spoken word poetry readings


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark and Richard Wolstencroft discuss The Film Dark City

1990's, aesthetics, Akira, Alex Proyas, alienation, Architecture, Art, Art Deco, Australia, Cinema, Cities, Count Isidor Fosco, Culture, Dark City, David Lynch, Dystopia, Edward Hopper, Film, Film Noire, Ghost in a Shell, Hollywood, horror, horror films, Jennifer Connelly, Metropolis, Mid-Century Modern, Mythology, Nihilism, Philosophy, Pilleater, Plato, Psychology, Retro Futurism, Richard Wolstencroft, Science Fiction, Steampunk, Surrealism, The Matrix, Utopia

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Count Isidor Fosco, talk to filmmaker Richard Wolstencroft about the film Dark City(1998) directed by Alex Proyas.

Topics:

Australian director Alex Proyas, his background in Punk, and his style
Proyas’s films The Crow, Gods of Egypt, and Knowing
Proyas rebelling against the conformity of Hollywood Cinema
Comparisons to the Matrix which came out a year later and the theme of a meta reality
The setting of the City in a Space Ship disconnected from earth, the theme of parallel universes, and comparisons to the Truman Show
The role of “the Others” in the film; the metaphor for powerful people who manipulate reality from behind the scenes
How the others switch peoples memories and give them false memories; comparisons to Ghost in a Shell
The Gothic and Neo Noire Genres
The aesthetics of the film; Decopunk, Metropolis, Edward Hopper, and other influences
The irony of dystopian films is that they often succeed in creating utopian aesthetics
The films success in building upon the sense of mystery
The theme of man becoming a “God Like” figure restructuring society as a utopia
Plato’s allegory of the Cave and the Ship of Theseus
The symbolism of Shell Beach
The directors cut vs. the theatrical cut

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Pilleater about Almond Eyes Baby Face

aesthetics, Almond Eyes Baby Face, Alternative Left, Alternative Right, Anime, Art, Asia, Asian Aryanism, China, counterculture, Culture, Cyberpunk, demographics, Despair, Diversity, Erotica, Ethno Nationalism, Gender, Identitarianism, Japan, Japanese Culture, Millennials, Multiculturalism, Music, Natalie Portman, Nationalism, Peter Sotos, Philadelphia, Philosophy, Pilleater, Poetry, Political Correctness, Pornography, Psychology, psychosocialism, Race Relations, Science Fiction, Sexuality, Trevor Brown, Trip, Utopia, Vaporwave, Yukio Mishima

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Pilleater about his new book Almond Eyes, Baby Face(available on Lulu) which is series of short stories. Pilleater blogs at Asian Aryanism and the Mineo Maya Fanclub

Topics:

The autobiographical nature of the first story
The theme of dealing with trauma from High school and College and struggling to fulfill the Psychosocial narrative
Nana’s Song inspired by Natalie Portman in Leon the Professional
The transcript of Pilleater’s Omegle chat where he pretended to be an Asian Girl
How Pilleater sees the book as his version of Yukio Mishima’s Confessions of a Mask
Pilleater’s essay he submitted to Radix “Why I’m an Identitarian”
Pilleater’s advocacy of Asian Aryanism
Pilleater’s Asian Aryanism in contrast with Asian colonization of the west and the growing rootless identity among Eurasians
The criticisms of Pilleater’s work from both the Alt-Right and SJW Left
The books cut up of the Right Stuff’s article 4 Reasons You Shouldn’t Date Asian Girls
The WMAFL phenomenon
Pilleater poem Easy Tiger dedicated to Porn Star Harriet Sugar Cookie
A hypothetical Asian Aryan ethnostate; it’s culture, politics, and aesthetics
Creating new Avant Garde sub-cultures
The Vaporwave science fiction story in the book
The cover art by Thai artist Piemboons inspired by Trevor Brown
The erotic science fiction story the “Rape of M’Khal” which was added to the new edition of Trip by Pilleater


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark and Pilleater discuss Psychosocialism

Alain de Botton, Andy Nowicki, Asian Aryanism, Basic Income, Class, College, Confessions of a Would-Be Wanker, conformity, Culture, Economics, education, Erik Erikson, Gender, IQ, Loserdom, Martin Heidegger, Mental illness, Millennials, Nihilism, Normies, Paul Fussell, Philosophy, Pilleater, Psychology, psychosocialism, relationships, Roger Devlin, Sexuality, social capital, Social Darwinism, Social Isolation, social status, social trust, Socialism

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater discuss Erik Erikson’s Psychosocial Stages

Topics:

Psychologist Erik Erikson’s life and philosophy
The Psychosocial Stages of development
Pilleater’s article Erik Eriksons Psychosocialism an introduction
Martin Heidegger; Who and What is Dasein?
Cultural expectations that one must achieve certain goals by stages in life
Maslow’s Hierarchy of Needs
Situational losers vs. genuine losers; “I deserve better?”
Arrested Psychological Development
How Psycho Socialism shapes our political, economic, and cultural system
How won must adapt or win at Psycho Socialism
Psycho Socialism as a political doctrine
How to restructure society to solve these problems; Smart Socialism
Does a High IQ Nearly Guarantee Riches?
Paul Fussell’s A Guide Through the American Status System
Alain de Botton: Status Anxiety
LARPing as a “ Psycho Social” coping mechanism
The Bobo doll experiment
Roger Devlin’s Sexual Utopia In Power
Andy Nowicki’s Memoir Confessions of a Would-Be Wanker


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Filmmaker and Author Pablo D’Stair

aesthetics, Bret Easton Ellis, Cinema, Comic Books, Culture, Enter The Void, Film, Film Noire, horror, Literature, Pablo D'Stair, Paul Schrader, Pilleater, Poetry, Psychology, Robert Bresson, Science Fiction, Scott Laudati, Surrealism, Taxi Driver, The Canyons

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to author and filmmaker Pablo D’Stair. He is the author of sixty books of fiction, twenty-four plays/screenplays, five collections of poetry, and numerous essays and dialogues. A former contributor of cinema critique/commentary for the UK film site BRWC: Battle Royale With Cheese and of fiction, interview, and essay for the Montage: Cultural Paradigm (Sri Lanka), he is also the writer/director of six (very underground) films and the co-founder of the art-house press KUBOA . More information can be found at pdstair.wordpress.com and pdstairfilms.wordpress.com. Check out his films on Vimeo.

Topics:

Pablo’s work as an associate producer on the film The Canyons directed by Paul Schrader and written by Bret Easton Ellis
Early influences including Robert Bresson who was also an influence on Schrader
Pablo’s first film A Public Ransom about an author who stumbles across a crayon-scribbled missing child poster with a scrawled telephone number
Pablo’s film Mississippy Missippi Tu-Polo which is about a young indie author who is no longer young and “indie”
The band Left By Snakes who have done music for Pablo’s films, and he has also worked on their music videos
Pablo’s film Science Fiction about Five unknown, unread, and well-past-their-prime science fiction authors grappling with obscurity, infinity, and obsolescence
Pablo’s recent film Mr Pickpocket about two young boys drawing a comic about their dad being a Pickpocket
Pablo’s cinematography style; long shots and techniques to make films look grittier and older
Pablo’s films are about implications and invoking feelings rather then plot driven
Comparing being a writer to being a filmmaker
The Alt-Lit Genre
The Art for the book covers which are designed by both Pablo and his friend artist Goodloe Byron
KUBOA Press and Pablo’s criteria for selecting writers
Pablo’s writing process and style, linear writing and writing from the perspective of one person’s perspective
Pablo’s latest novel LUCY JINX  which is an intimate epic, spanning eight years in the life (and innermost mind) of the titular poet as she navigates cities, jobs, ambitions, and friendships
Pablo’s book Dustjacket Flowers about a man loitering in the public library and the theme of perceiving reality
Pablo’s book Regard; the theme of life rendered in minute by minute physical description with only as much as psychological insight
Pablo’s set of novellas The Unburied Man and The People Who Use Room Five; Life Cycle Horror
Pablo’s Noire novel man standing behind which is being adapted into a film


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jay Dyer about Esoteric Hollywood

1980's, aesthetics, Aleister Crowley, Alicia Silverstone, Blade Runner, Carl Jung, Cinema, Conspiracy Theories, Culture, Dark City, David Bowie, David Lynch, Drugs, Dune, Enter The Void, Esoteric Hollywood, Eyes Wide Shut, Film, Film Noire, Hellraiser, Hollywood, horror, horror films, Jay Dyer, John Carpenter, Labyrinth, Literature, Media, Metropolis, Mythology, Natalie Portman, Occultism, Pilleater, Psychology, Religion, Surrealism, The Dark Crystal, They Live, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer. He reviews films at his blog Jay’s Analysis and is the author of Esoteric Hollywood.

Topics:

The entertainment complex and deciphering propaganda
The power of cinematography and aesthetics in film
How computer generated special effects have impacted the quality of cinema
The concept of the Hollywood establishment and speculations about which filmmakers and films are anti-establishment
Why Jay focuses on the symbolism of the films rather then trying to analyse the director’s motive
Stanley Kubrick’s Eyes Wide Shut
David Lynch’s Dune, Eraserhead, Inland Empire, and Lost Highway
Surrealism, Neo-noir, and the David Lynch aesthetic
Jay’s review of David Lynch’s Twin Peaks and Mark Frost’s book The Secret History of Twin Peaks
The Ancient Greek concept of time  being a never ending repeat
The Folk Horror Genre; The Devil Rides Out
Blade Runner
Dark City
Enter the Void
The Dark Crystal
The film Labyrinth, the Jungian achetype of the Labyrinth as the subconscious, and the Labyrinth in Ancient Mythology
The Labyrinth theme in The Shining and Hellbound: Hellraiser II
The symbolism of basements as the subconscious in the films House II and The Hole
The Esoteric Meaning of Time Bandits and the significance of the abyss
Robert Stark’s show about Alicia Silverstone and The Film The Babysitter
Natalie Portman in Léon: The Professional
John Carpenter’s They Live! and Big Trouble in Little China
Jay’s upcoming TV Show with Jay Weidner, which will be aired online at www.Gaia.com


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark, Pilleater, & Richard Wolstencroft discuss Ghost in a Shell

1980's, aesthetics, Akira, Alternative Right, animation, Anime, Architecture, Asia, Asian Aryanism, Asian Culture, Blade Runner, China, Cinema, Cities, Culture, Cyberpunk, Dystopia, Film, Futurism, Ghost in a Shell, Globalization, Hong Kong, Liberalism, Martin Heidegger, Mishima A Life in Four Chapters, Music, Nationalism, Paul Schrader, Philosophy, Pilleater, Political Correctness, Psychology, Retro Futurism, Richard Wolstencroft, Scarlet Johansson, Science, Science Fiction, Sexuality, Synthwave, technology, Transhumanism, Travel, Vaporwave, William Gibson, Yukio Mishima

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and director Richard Wolstencroft discuss the new film Ghost in a Shell based on the 1995 anime.

Topics:

How it compares to the original film
The plot and characters
The film’s aesthetics, 1980’s retro-futurism, holograms, and cyberpunk
The synth soundtrack
The Robot Geisha scene
The fictional  futuristic Asian city filmed in Hong Kong
Richard Wolstencroft’s experience in Hong Kong and observations on Asian culture
Comparisons to the films Akira and Blade Runner, and William Gibson’s Neuromancer
The Anime Right
The “white washing” controversy about a White actress playing an Asian role
Scarlet Johansson
Takeshi Kitano
Themes of Trans-humanism and Cybernetics
Ray Kurzweil’s Wildest Prediction: Nanobots Will Plug Our Brains Into the Web
The Philosophy of Mind, ‎Gilbert Ryle’s Ghost in the machine, and Arthur Koestler’s Ghost in the machine
Hubert Dreyfus’s views on artificial intelligence influenced by Martin Heidegger
Political messages in the film
“Ghost in a Shell” as a metaphor for the rootless atomized society where people lack any real identity
Richard’s upcoming film The Second Coming Volume II


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Pilleater about his Novella “Trip”

aesthetics, Almond Eyes Baby Face, Alternative Left, Alternative Right, American Culture, Art, Asia, Asian Aryanism, Asian Culture, Brandon Adamson, California, Cause & Effect, China, Class, comedy, Cosmic Encounter, counterculture, Culture, Despair, Drugs, Ellliot Rodger, Erotica, Feminism, Film, Gender, Homosexuality, humor, Information Society, Jack Kerouac, Japan, Japanese Culture, Las Vegas, Literature, Music, Philadelphia, Philip K. Dick, Philosophy, Photography, Pilleater, Political Correctness, Pornography, Psychology, Race Relations, relationships, Santa Barbara, Science Fiction, Sexuality, Social Justice Warriors, Surrealism, SWPL, Travel, Trip, Xiu Xiu

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Pilleater about his new novella Trip. Pilleater blogs at Asian Aryanism | Making Animate Real!

Topics:

The creation of Trip and Pilleater’s other new book Almond Eyes, Baby Face
Cause & Effect’s Trip album
The main characters Tom Delunge and Daisy Liang
Information Society –Pure Energy
Tom Delunge as an alter ego of Pilleater, Robert Stark as Howard Festler, and Rabbit as Turtle
Sex and Race-Play in the book
Tom’s stand-up comedy as a way to deal with his past trauma
Asian-Aryanism as a new sub-culture
Porn Actress Harriet Sugarcookie, Franny Choi, and avant-garde Asian culture(Amped Asia Magazine, Alt-Porn)
Asian-Aryanism as the new street or “queer theory” culture, synergizing the Alt-Right/Left, Adam Parfrey’s Apocalypse Culture, and Asian studies
The setting of Santa Barbara, West Coast America
Chinese vs Japanese culture
Tom’s dreams; the subconscious dream becomeing a reality; Phillip K. Dick’s VALIS, and the film Monkeybone
SJW culture and the “Yellow Feminist”
Jack Kerouac’s On the Road and the cliche of road trip stories in film
Socioeconomics, snob culture, and the fetish of youth culture


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This show is brought to you by Robert Stark’s Paintings!