Logo’s novel Selfie, Suicide, a coming of age satire of a failed artist
Instagram inspired parody art museums
New York’s Staircase to Nowhere
How technology impacts politics Wyndham Lewis
Andrew Yang
How the UBI could create a cultural renaissance
The Obama to Trump voters in the Rustbelt
Aesthetics as politics
Retro-futurist genres Steampunk, Dieselpunk, and Cyberpunk
Underground comics
There’s something to be said for those in whom the sign of the times less offers an omen and more flashes across their periphery like a neon sign at an amusement park.
In 2019, the assumed excesses of prefixing an ‘Alt’ to any political fringe is virtually guaranteed to incite misunderstanding, scrutiny and suspicion. In that sense, the Alt-Center is a shameless affair. However, it isn’t shameless merely because of its ideas – which are eclectic – but rather, because of its ultimately strategic knowledge of where it sits within the dissident sphere.
The impending antiquation of older ways of thinking about politics is not for them an indication that some inevitable new path will soon announce itself, for which they will conveniently be the vanguard. Rather, this antiquation is for them an occasion to consider the possibility of creating something wholly new whose expression may unfold in ways as varied as one could imagine.
Journalist, artist, novelist and host of Stark Truth Radio, Robert Stark, has built something of a salon for Alt-Center ideas on his show, where, as of late, one may hear talk of Starkianism – existing in its own corner of Alt-Centrism. Roughly put, Alt-Centrism is where ideas of the dissident right and dissident left meet, and is itself comprised of concepts such as Aesthetic Socialism, Aristocratic Radicalism and Alt-Urbanism.
Culture outside the normative values of society
The “Queer Establishment” vs “Dissident Queer”
Issue of posers and pre-packaged “Queer Identities”
The “Queer Resume”
The need for an artistic elite or Aristocratic Radicalism
Why art is more important than politics
Literary and artistic figures including the Beatniks
New political movements forming on aesthetic impulses
Right-wing outsiders who defend the normative values
Capitalism co-opting “Queer Culture”
The benefits of a basic income
The Cult of the Extrovert
Francis’ Lexicon
Robert Stark and Matthew Pegas discuss the origins of slave morality and secular slave morality’s role in society.
Topics:
Nietzsche’s concept of slave vs. master morality
Nietzsche’s view of Christianity as a slave morality
Morality as a mechanism for the elites to control the masses
Modern society as slave morality without the positive attributes of Christianity
Influences of Christianity on secular moral codes
How a moralistic outlook can stand in the way of analyzing human nature
The Prosperity Gospel and the view that everyone deserves their state in society
Moral capital and the legitimacy of hierarchies
In group vs. Out group morality
Political correctness as a secular religion
The concept of bourgeois morality
Secular sexual mores
Rise in nihilism as a wrecking ball to slave morality
Whether slave morality is an inevitable facet of society
The Mercado Sagrado Fair at Paramount Ranch in Malibu
The Horseshoe theory and contrast between the Bobo culture and dissident right scene
Jay Dyer’s book Esoteric Hollywood and past shows on Esoteric Hollywood and David Lynch
Conspiracy theories as an attempt to understand the mechanisms of power
Deciphering the realities of power
The root of paranoia in feeling powerless and not being in control of one’s destiny Edward Bernays’ use of psychology, advertisement, and media to subject the masses to the will of the elite Aldous Huxley and the Fabian Socialist
The oligarchy, traits selected by global capitalism, and whether a meritocracy can address those problems Aleister Crowley’s Aristocratic Radicalism, and how he is an icon to elites, counter-cultures, and dissidents who want to reinvent society
Robert Stark’s novel Journey to Vapor Island, esoteric occultist themes, and Roger Blackstone as a counter “illuminati”
Dyer’s view that social isolation is engineered vs. factors such as demographic change, suburban sprawl, and technology
Social isolation leading to a rise in radical non conformity, political dissidents, cultural innovation, and online communities and sub-cultures
Secretive central planning vs a lack of utopian vision Smart cities and Agenda 21 hysteria about smart growth
Ancient occultist aesthetics in 80’s Films, New Wave, Retro Futurism, and the Alt-sphere
Occultist Art Deco Archeo-Futuristic and 80’s Post Modernist Architecture in LA
Sci Fi Architecture: John C. Portman’s Hyatt Regency in San Francisco inspired by the 1935 science fiction film Things to Come.
The necessity of social cohesion for creating grande aesthetic visions
The concept of beauty throughout history has been a force for creation, inspiring mankind to reach the pinnacle of civilization. From men accomplishing great things to win over a lover, the beautiful female as a muse for the artist, religions building great temples and cathedrals to attract worshipers, kings and emperors building monuments to demonstrate their greatness, and businesses using aesthetics in architecture and advertisements to attract more consumers.
In today’s society aesthetics serves primarily as a force to manipulate people to keep them striving and conforming to the liberal capitalist system. Advertisements use aesthetics to create a vision of a product to consume; not just the product itself but an overall aesthetically pleasing scene involving beautiful women, luxurious furnishings, great architecture, natural scenery, and music to create the mood.
Robert Stark and Matthew Pegas discuss their new documentary (((Supply))). When Podcaster Robert Stark’s dreams of greatness don’t seem to be coming true in Santa Barbara, he heads down to LA to meet the one moral leader who has all the answers: Luke Ford. Produced by Stark Truth TV.
Topics:
The mocumentary theme and side story of Robert Stark’s quest for supply
The interviews with Luke Ford which focus primarily on psychological themes
Using creative output, politics, and online personas to achieve narcissistic supply
Narcissistic supply filling a void that is missing from healthy social bonds
Social status as a core human need
The feeling that you have unjustly been denied status and whether it is based in reality or a coping mechanism
Architecture in Beverly Hills and the contrast between aristocratic aesthetics and the faux liberal capitalist elites
How social status relates to politics
Maladaptive daydreaming and how it can be both destructive and a source for creative inspiration An Afternoon With Robert Stark in Santa Barbara
Erotic energy as a force for creative pursuits and the importance of sex to both status and forming bonds
Luke’s play Eroticized Rage
The cinematographic and production process Stark Truth TV as an offshoot of Apocalypse Culture exploring areas of “forbidden knowledge”
Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island
How Matthew discovered the Stark Truth via the interview with Jamie Stewart from Xiu Xiu
Matthew’s political transformation from a Leftist to a “Starkian” Alt-Centrist
The connection between politics, sexuality, and aesthetics Beyond Liberalism: A Political New Wave Neonationalism; nationalism and politics based on aesthetics
Creating an Archeo-Futuristic sub-culture that is so aesthetically pleasing that it can out-compete Liberal-Universalism and Global Capitalism
Architecture as a form of erotica The Alt-Of-Center Guide To Aesthetic Warfare
The phenomenon of progressive cultural interests gaining an identitarian consciousness
The scene as the inevitable result of urban, middle to upper class “SWPL’s” becoming “Red Pilled” The Idea of Homonationalism San Fernando Valley Photo Essay and Neon Signage on Ventura Blvd
Income inequality and the demographic transformation of The Valley and LA
