Robert Stark and co-host Sam Kevorkian talk to Brandon Adamson. Brandon blogs at AltLeft.com, is the author of Beatnik Fascism, and has a Youtube channel Self Checkout.
Topics:
Brandon’s Official Response to Trump’s Remarks on the AltLeft
The context of Trump using the term “Alt-Left” to describe the antfa as opposed to the original Alt Left
The media’s references to Brandon’s Alt Left site and how the only semi accurate one was The Week’s Article
Confusing political hacks with esoteric outlandish cultural references
The “Orange Pill”
How the less aggro elements of the Left and the Alt-Right should combine forces for single payer health care, student debt relief, and the dismantling the College Football Industrial Complex
How massive online censorship forces people to build alternative tech universes
Corporations enforcing a uniform culture of consensus among workers
Companies policing employees behavior outside of work
Why a 6 hour work day would be more efficient People Don’t Think Universal Basic Income Be Like It Is but It Do New Suburbanism
Robert Stark, Sam Kevorkian, and Joshua Zeidner talk to manga artist “Tentacle Master” Toshio Maeda(前田俊夫)
Topics:
How Toshio learned how to draw manga and his inspiration from American cartoons and comic strips
How Toshio pioneered the tentacle erotic manga genre in the 1980’s
Tentacle manga as a reaction to censorship
Toshio’s groundbreaking manga series “Urotsuki Doji”
Traditional Shunga erotic art and “The Dream of the Fisherman’s Wife” which depicts an Octopus
How Japan’s culture became more socially conservative during the Meiji period
The origins of manga in Japan; rental manga in the 1960’s
Adult themed manga as a way to express political and cultural themes
Why Toshio is opposed to pedophile themed manga
How Toshio has done a wide variety of work including educational manga and ladies manga
Horror themed Manga and how horror reveals ones truths
How Toshio learned English from American TV Otaku which is a person obsessed with a particular topic and the Hikikomori /NEET Phenomenon
Upcoming appearances at SacAnime in Sacramento and Anime Weekend Atlanta and special gifts for Stark Truth listeners
Intro: Nefarious from the Album EgoWhore by HoodooEngine which Jamie co-produces and does bass and rhythm guitar for
The main thrust of Narrative Machines is the way in which myths function in our lives
How the conflict with our longing to connect with the sacred leads to seeking re-connection in the form of reified ideology in the current “Meme Wars”
Jean Baudrillard’s book Simulacra and Simulation
The concept of hyper reality and how social interactions are mediated by social media
Post Modernism and Deconstructionism; skepticism towards all ultimate truths Hobbes vs. Rousseau: the debate over human nature
Jamie’s illustrations in Narrative Machines
The Artist David Mack
Aesthetic theory and how artist can affect the world politically Interrogation Machine – Laibach and NSK
Aleksander Dugin, Nick Land, and Neo-Reaction
The relation between myth, retro-aesthetic creative movements like vaporwave, and the current cultural climate
The 80’s Retro themed show Stranger Things
The aesthetics of Horror and horror writer Thomas Ligotti
Surrealism and connecting to the sacred or primal force
Jamie’s book Join My Cult!, occultism, and Aleister Crowley David Bowie Inspires Jamie’s Upcoming Book, “Masks”
Yukio Mishima’s Confessions of a Mask
Jamie’s involvement in the goth industrial music scene of the 90’s and 00’s
The ways in which virtual reality, myth, and “the real world” have collided
Alternate Reality Games, the film The Game, and playing with peoples perception of reality through media
Robert Stark, new Co-host Sam Kevorkian, and retiring co-host Pilleater talk to Brandon Adamson about the Film Cherry 2000(1987). Brandon blogs at AltLeft.com, is the author of Beatnik Fascism, and has a new youtube channel Self Checkout
Topics:
Brandon’s review Cherry 2015 – If Loving A Fembot Is Artificial, I Don’t Want To Be Genuine
The main character Sam Treadwell who is a romantic guy who still longs for a traditional loving relationship and finds courtship with a female android
The depiction of sexual encounters and relationships with real women as complicated legal transactions requiring lawyers, reduced to merely emotionless business arrangements
Contrasting the film with the “Stepford Wives” where the men kill their loving yet sassy wives in exchange for robot sex slaves
How the issue of sex robots has becomerelevant again and it’s implications for the future
The ending of the film where Sam falls for the tracker, “Edith”(Melanie Griffith) whom he hires to help locate the robot
The theme of a journey and the popularity of road trip films in the 80’s and 90’s(ex. Chevy Chase in “Vegas Vacation”)
Pamela Gidley as Cherry 2000 and her role in the Twin Peaks prequel “Fire Walk With Me”
The 80’s aesthetic of the film
The dystopian theme where cities are deserted and overrun with criminals; comparisons to “Mad Max”
Locales depicted in the film including Las Vegas, the Hoover Dam, and the Citadel Outlet Mall Self Checkout – Becoming a New Suburbanist
Robert Stark, co-host Pilleater, J.G. Michael, and Count Isidor Fosco are joined with filmmaker Richard Wolstencroft live from the Black Lodge to talk about the new Twin Peaks series and how it compares to the original.
Topics:
Intro: The Northern Lights – Falling (feat. Lucy Black)
The Black Lodge and it’s theological and occult symbolism
The 80’s quality of the original Twin Peaks, the 50’s nostalgia theme, and David Lynch’s interest in fusing genres
Lynch’s emphasis on visual aesthetics in his films
How Twin Peaks was inspired by the Film Noire Laura (1944)
How the new series makes references to other Lynch films such as Blue Velvet
Contrasting the portrayal of the town Twin Peaks in the new series to the original; Richard’s visit to the town of North Bend, Washington where the show is filmed
Lynch’s portrayal of small towns; the idealism of small towns vs. the critique that there is a dark underbelly to small town America
Demonic possession vs. symbolism of the monster within
Cooper’s Doppelgänger, Agent Cooper becoming Dougie Jones who has lost his memory, and whether he will come back
The theme of powerful entities trying too tap into the Black Lodge and how that will become the main narrative
The theme of “Sex Magic”
The film Mulholland Drive and how it was originally intended to be a sequel to Twin Peaks about Audrey Horne
Lynch’s political views and his interest in Transcendental Meditation
How Twin Peaks touches on a variety of themes including culture, politics, the subconscious, sex, psychology, philosophy, mythology, and religion
Kyle MacLachlan and David Lynch as FBI Agents
The prediction that Cooper will return to Twin Peaks and end up in the White Lodge at the end
The role of the side characters in the new series such as Dr. Jacoby, Ben Horne, and Shelly
Robert Stark and co-host Pilleater spoke to Musician, Artist, and Web Designer Dino Olivieri from Turin, Italy.
Dino Olivieri has been known for producing some of the most technologically advanced websites. Her creativity is always on display when she’s at work, proving to her clients that she is the very best. These days, she tends to outsource this work and sends it over to an SEO Company Chester. But her music is at the very heart of what she does.
Uploading content to these social media platforms is a great way for Olivieri to get his music heard from people all over the world and with just a click of a button. His next step should be to consider uploading his songs to music streaming sites like Spotify, and he may want to have a look at getfans.io/buy-spotify-plays to see how he can get more people to listen to his music. The more people that are aware of his music, the more likely he will be at getting discovered, resulting in his career taking off.
Topics:
Intro: Beyond Human
Early artistic inspirations, figure drawing, and aesthetic interest ranging from Italian Renaissance Art to Anime, Vaporwave, and Cyberpunk
Interest in anime, especially the giant robots created by Go-Nagai and Matsumoto’s work such as Captain Harlock
Italian Design
Dino’s Photography of the Italian Alps on Flickr
Early musical influences; early 80’s New Wave and Italo Disco
Influences from and use of classical music in his work
Japanese Composers Joe Hisaishi, Kenji Kawai, Kento Masuda, and Sakamoto
The new Singularity Album which is for a theatrical show created by Director Raffaele Lamorte
Movie Soundtracks; Vangelis’s Soundtrack for Blade Runner
The Singularity album cover; posters for the films Neon Demon and Stanley Kubrick’s Clockwork Orange
Dino’s upcoming album which has influences from Synthwave, Retrowave, and 90’s Dance Music
Dino’s illustrated novel “Di Undici Foglie” and his upcoming novel “Legend of the Starlight”
Dino’s video game Over The Net from 1991; comparisons to Leisure Suit Larry
Outro: Sex Surrogates and Jealousy
Intro: Compare and Contrast
How Brandon got into making music in the mid 90s (weird early releases like Birthday Boy)
The meaning of songs on the EP, “Compare and Contrast”
How some lyrics were taken from poems in Beatnik Fascism
The song For a Sunny Day inspired by The Sunrays – I Live For The Sun
90’s Indy music and how the artsy indie music scene seems dead
Influences of 60’s mod bands and 90’s mod revival bands like Majestic
How Brandon never liked or could relate to the Beatles or Rolling Stones but mostly only obscure and forgotten bands from the 60’s
Minimalism in music
Brandon’s interest in the 60’s mod style in music and design
Brandon’s album cover designs and inspiration from 70’s advertisements
Majestic’s Live It Up! album cover design
Songs inspired by 80’s cartoons and commercials
80’s Mall culture, DeadMalls, The demolition of the Metro Center Mall in Phoenix, and Brandon’s interest in the Logan’s Run aesthetic Beatnik Fascism by Brandon Adamson (review by Pilleater)
Outro: Something Fun a Trampoline
