Category Archives: Culture

Robert Stark interviews Haarlem Venison

Alex von Goldstein, alienation, Alternative Right, American Culture, Aristocratic Individualism, Asia, Asian Culture, conformity, counterculture, Culture, Drugs, Gangster Bolshevism, Haarlem Venison, Homosexuality, humor, misanthropy, Philosophy, Poetry, Political Correctness, Politics, Psychology, Race Relations, Radical Center, Sexuality, Travel, Trolling

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Robert Stark and co-host Alex von Goldstein interview Dramatist, Vagabond, HBD Doomsayer, Globalist, Universalist, Evolutionary Humanist, Panpsychist, Black Aryan, and Poet-Warrior, Haarlem Venison. Haarlem blogs at AcidRight.INFO

Topics include:

Haarlem’s book of poetry LO! a racist exhile
Robert’s observation that the book uses racial slurs, but the overall theme of the poems are not about race, but rather alienation and being an exile from society
Moral Risk Associated with Dismantling Antiracism
Co-opt Kindness and Empathy
Why Haarlem calls himself THE FINAL NEGRO
The Origin of Haarlem’s Addiction to Sex with Refugee Men
Haarlems’s shtick is to elude categorization
Gangster Bolshevism
The role of the meek in society, and why Haarlem believes the meek will inherit the earth
Haarlem’s travels across Europe and Asia, and his observations of the cultures and countries he visited
Haarlem’s experience in Tibet, the Free Tibet movement, and ethnic self determination
The philosophy of the Acid Right, and the intellectual and spiritual value of psychedelic hallucinogenic drugs
How subversive political movements are more likely to come from counter-culture figures including hippies, rather than middle class conservatives
Haarlem’s new book DEATHTOTHEWORLD: an interracial racist love story
How the book is fiction, but the character is based on Haarlem, and inspired by his experiences traveling across America by Freight Rail
How the Alt Right serves a purpose as a wrecking ball to political correctness, but has it’s intellectual limitations
How Haarlem trolled Red Ice Radio by proposing the Nazi Virtual Reality Theory
Haarlem’s plan to attend the National Policy Conference, and organize a workshop(not officially affiliated with NPI) on non-violent direct action at West Potomac Park
His upcoming series of plays, “Four Speeches at the Gallows”
Harlem’s review of Beatnik Fascist by Brandon Adamson


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Robert Stark interviews Paul Bingham about Aleister Crowley

aesthetics, Aleister Crowley, Aristocratic Individualism, Art, capitalism, conformity, Consumerism, Culture, Distributism, Economics, England, Environment, Erotica, Futurism, hedonism, Homosexuality, Liberalism, Literature, Morality, Occultism, Paul Bingham, Religion, Sexuality, Wyndham Lewis

crowley

Robert Stark and co-host Alex von Goldstein talk to Paul Bingham about Aleister Crowley

Topics include:

Today Aleister Crowley exists either as an icon of occultism, used by subcultures, derided by others, but few are familiar with his political and philosophical ideas
Kerry Bolton’s series on Aleister Crowley as a Political Theorist, Part 1 and Part 2
Political Platform based on Crowley’s ideas
Julius Evola on Crowley
James J. O’Meara’s reivew of Richard B. Spence’s book Secret Agent 666
Crowley’s religion Thelema
Crowley’s fascination with power structures
Crowley transcended politics and did not fit into either traditionalism or the left
Crowley did not fit into the left for rejecting egalitarianism and mass democracy, and the right for rejecting free markets and traditional morality
Crowley’s Aristocratic individualism, and his belief in an Aristocracy of the creative class
Wyndham Lewis‘s book The Art of Being Ruled, which like Crowley advocated the rule of the creative class
Crowley viewed the masses as spiritualy inferior
Crowley saw capitalism as degrading genuine cultural elitism
Crowley rejecting Marxism, but supported a social safety net to free up the creative class
Crowley’s value of leisure
Crowley came to the same conclusions about economics as the Distributist and Social creditors, who were Traditional Catholics
Distributism and Social Credit are the economic systems most compatable with Aristocratic Individualism
Homo economicus
Crowley’s critique of democracy
Crowley’s environmentalism
Crowley’s interest in Mountaineering
Crowley tested the limits of human nature and practiced what he wrote about
The futurist philosophy is about testing what works
Crowley’s view of the future was that things will collapse and a new brighter future will emerge
Crowley’s erotic poetry series White Stains, and how he practiced the sexual acts he wrote about
Crowley used sexual experimentation to further his intellectual state, but did not advocate it for the masses
Why the individual must have freedom to exist within their own personal boundaries
Crowley’s advocacy of youth colonies, how the elites practice youth camps, and the importance of controlling youth
How male bonding and inter generational relationships are stigmatized for the masses
How Crowley often took the passive role in sexual acts with both men and women
Paul’s point that most people are either sexually dominant or submissive, but that being a switch is a uniquely Anglo trait
Crowley as the original Troll
Paul’s point that if Crowley were alive today he would be disinterested in western politics
Our upcoming show with Paul on Italian Futurism, and how Crowley, Wyndham Lewis, and the futurist had similar ideas, but were fiercely independent from one another

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Robert Stark, Rabbit, Alex von Goldstein & The Truth Will Live discuss Hipster Culture

Alex von Goldstein, Alternative Left, Alternative Right, American Culture, Class, conformity, Consumerism, counterculture, Culture, Donald Trump, Feminism, Gender, hedonism, Hipsters, Music, Pepe the Frog, Political Correctness, Pornography, Rabbit, Sexuality, Social Justice Warriors, social status, The Truth Will Live

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Topics include:

The origins of Hipster Culture
How in the late 90’s and early 2000’s there were Hipster, Douchebag, and Hip Hop Subcultures
How the original Hipsters were Arty and pretentious, but latter became part of mainstream pop culture, incorporating trashy elements of the latter two groups
Alex’s observation that Hipsters adopted other subcultures out of irony, but latter appropriated them(irony vs. post irony)
The Truth Will Live’s comment that Hipster Culture emerged as a reaction to 90’s Hip Hop Culture
How the original Hipsters were implicitly white, and into things such as environmentalism and anti-consumerism, similar to Rabbit’s Alternative Left
How SJW’s hijacked Hipster Culture
The Truth Will Live tells a story about when she was a feminist, and how she lost interest when she heard feminist apologizing for Third World cultures treatment of women
Intersectionality
90’s Zine Culture
Experimental Noise and Drone Techno Music
The Truth Will Live’s observation that the Punk Scene was often explicitly white
The Truth Will Live’s observation that the more women enter a subculture the more politically correct it becomes
90’s Brit Pop
How Right Wing figure such as Gavin McInnes came out of the Hipster scene, and many Hipsters are now joining the Alt Right
Taki Theodoracopulos, and how being wealthy enables one to express controversial opinions
How political correctness is an ideology of upper middle class strivers, who are trying to prove their status
How even within dissident subcultures there is still pressure to conform to the norms of those groups
Social Sexual Mores
Making the case for traditional mores from s secular scientific standpoint
The Truth Will Live’s Donald Trump story from work


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Robert Stark interviews James Howard Kunstler

aesthetics, Alex von Goldstein, American Culture, Architecture, Banking, Consumerism, Corporations, Culture, decentralization, Donald Trump, Dystopia, Economics, Environment, Futurism, Globalization, Historic Preservation, History, Immigration, James Howard Kunstler, Literature, localism, Mass Transit, Mid-Century Modern, New Urbanism, New York, overdevelopment, Overpopulation, Peak Oil, Rabbit, Skyscrapers, Suburbia, Urbanism, Wall Street, Water, Zoning

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Robert Stark, Rabbit, and Alex von Goldstein talk to writer and social critic, James Howard Kunstler

Topics include:

The history of suburbia
James’ theory of history that things happen because they seem like a good idea at the time
How our auto oriented petroleum based society is unsustainable
How bad urban planing has negative psychological and cultural implications
The role of zoning laws, and how zoning can both encourage and prevent suburban sprawl
The future of suburbia, how some will be retrofitted into walkalble communities, while others will be abandoned
The New Urbanist Movement
Mass immigration and overpopulation
Why James does not view skyscrapers and hyper density as viable alternatives to suburbia
Robert’s point that tall structures can have aesthetic value, and how James acknowledges that the early wave of skyscrapers(ex. Singer Building, Woolworth Building, Manhattan Municipal Building) were beautiful structures but historical flukes
How European cities provide the ideal model for urbanism
Examples of sustainable American cities include Portland, Oregon, Charleston, South Carolina, and Savannah, Georgia
Mass Transit, and why James favors investing in existing rail infrastrusture over new high speed rail
The Streetcar suburb, and how they provide a model for New Urbanism
James’ point that even with alternative energy and technological innovation, we still have to downsize and localize our society and economy
How peak oil will lead to economic and political decentralization
How Peak Oil will make Globalization unsustainable
The future of China and the Arab Gulf States
Pre-War Japan as the best example of an advanced civilization without industrialization
The scarcity of water in the future, and how the inland water system will regain it’s value
Historic Preservation, how the movement was started in the 1960’s in response to the demolition of Pennsylvania Station in NYC, and the debate about what should be preserved
Rabbit makes the case for mid century modern
Capital scarcities in the future, and how mass development is dependent upon the financial system
James’ four book series set in a post economic collapse America, the World Made by Hand


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Robert Stark interviews Ray Sawhill about Journalism

aesthetics, Alex von Goldstein, Architecture, Art, censorship, Cinema, Cities, Culture, Film, Internet, journalism, Millennials, Music, New York, Political Correctness, Ray Sawhill, Santa Barbara, Social Media, Travel

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Robert Stark and co-host Alex von Goldestein talk to Ray Sawhill. Ray is a retired journalist who lives in Santa Barbara, CA. He blogs at Uncouth Reflections as Paleo Retiree

Topics include:

Ray’s career as an Arts, Culture, and Film journalist at Newsweek
How Ray stumbled into journalism, and how that was not his original passion in life
How artist and writers often get into journalism to make a living
The era of the journalist as the gatekeeper
Censorship in journalism
How the internet is changing journalism
The effects of the internet on cultural innovation
How the internet both enables creative types and non conformist to get their views across, while enforcing conformity for the rest
The impacts of the internet and social media on millennials
The internet and the concept of infinite knowledge
Ray started online blogging at 2Blowhards, because he wanted a platform for people with interesting cultural views who did not embrace the political correctness of the culture scene
Arts & Letters Daily
Ray writings for Salon.com, how he interviewed Roger Scruton, and Thomas Sowell, and how Salon was much more open minded back than
The concept of good taste, and Ray’s observation that the wealthy and cultural elite form their taste in consensus
Ray’s point about people who travel is that they don’t come home and say why doesn’t their home town resemble the places they visit
Ray’s involvement the Punk Rock scene in New York in the 70’s and 80’s
How the Avant Garde was a product of technological limitations
The yippie movement in the 60’s as a precursor to the Alt Right troll culture
How the left counter-culture got absorbed into the establishment and the Alt Right is the new counter-culture
How the culture has stagnated and people are looking to the past for inspiration
Ray and his wife Polly Frost co-produced a webseries THE FOLD
Vaporwave & MACINTOSH PLUS
Sam Hyde’s new World Peace show on Adult Swim
How the 1970’s are considered to be the peak of American Cinema
Films including, Taxi Driver, Dirty Harry, and Falling Down
How art should transcend politics


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Robert Stark interviews Rabbit about Hillary Clinton’s Speech & the Alternative Left

aesthetics, Alternative Left, Alternative Right, Culture, Donald Trump, Futurism, Hillary Clinton, Rabbit, Vaporwave

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Topics include:

Hillary Clinton’s speech against the Alt Right
Donald Trump’s response to the speech, that there’s no alt–right or alt–left”  just “common sense.”
This comment led to a massive inquiry into the Alt Left and resulted in massive traffic for Rabbit’s AltLeft blog
AltLeft in the National News
How mainstream journalists often fail to do research on the topic they are covering
How mainstream conservatives are now saying Hillary Clinton is behind the Alt Left
Conservative trolls on Twitter accusing Rabbit of being part of Clinton’s campaign
Many people are also claiming the Alt Left is Bernie Sanders’ and Green Party candidate Jill Stein’s
How the Alt Left is a movement started by blogger Robert Lindsay for liberals who oppose political correctness
Rabbit’s Alt Left Manifesto
Third Positionist, Rabbit views them as potential allies but is also in conflict with them over their opposition to his interest in futurism, modern art, and his socially liberal views
Is there room for a chic, left wing, futurist variety of “soft fascism?”
How political labels such as left and right have become obsolete
Rabbit’s plans for his blog to focus more on culture instead of politics
The Vaporwave themed Neonopolis in Las Vegas
Conceptual ideas for self contained autonomous futurist societies


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Robert Stark, Rabbit, & Alex von Goldstein discuss Retro Futurism

80's music, aesthetics, Alex von Goldstein, Architecture, Art, Art Deco, Cities, Culture, Cyberpunk, Film, Futurism, John C. Portman Jr, Las Vegas, Malls, Neon, New Retro Wave, Rabbit, Retro Futurism, Vaporwave

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It-Fu

Vic-Fu

Topics include:

The concept of Retro Futurism as how the past envisioned the future
How in the 20th Century society was undergoing rapid change and technological progress
How people today are either pessimistic about the future, or view the present as the future(The Current Year)
Whether Retro Futurism is pure fantasy, an alternative universe, or a blueprint for the future
The Future portrayed in film from utopia to dystopia
The 1927 film Metropolis, which was the first major future film, and inspired by Italian Futurism
How Art Deco was the first major futurist movement in Architecture, and perfectly combines Futurism and Tradition
How Neon Lighting has symbolized the future from the Art Deco era to the 80’s Cyberbunk aesthetic
The Synthwave/New Retro Wave Genre in music that emerged in the mid 2000’s, inspired by  80’s New Wave(ex. FM Attack, Robots with Rayguns, Electric Youth, College, Kavinsky)
How 80’s music was much more future oriented than today’s music
Greg Johnson reviews New Order’s Music 
The Euro-centric and deconstructionist elements to Electronic Music
Rabbit’s involvement in the early 90’s rave scene, and how it started out as futuristic but fizzled out into trashy pop culture
The revival of the 60’s Brit pop sound in the 90’s
How culture has become stagnant and people are looking to the past for inspiration
Vaporwave, which is an aesthetic that emerged online, inspired by 80’s and early 90’s illustrations, video games, and elevator music
The Vaporwave Documentary
Donald Trump as an 80’s Retro-Futurist Vaporwave Icon
Cyberpunk, how it was inspired by 80’s Films such as Blade Runner, as well as Science Fiction writer Issac Asimov, it’s popularity with the Dark Enlightenment and Silicon Valley Techno-libertarians.
Steampunk, which a Futurist movement inspired by Victorian Aesthetics, Old Train Stations, and Science Fiction writers such as HG Wells and Jules Verne
Islamic Retro Futurism
The Mid Century Space age aesthetic
Soviet Retro Futurism
Las Vegas, the Retro-Futurist theme to the city, and hypothetical casino designs(Steampunk, Art Deco, Midcentury Space Age, Cyberpunk, Vaporwave)
Architect John C. Portman Jr. who built futuristic hotels with massive atrium in the 70’s and 80’s
The 80’s mall aesthetic, and how 80’s malls were a lot more futuristic and innovative than the ones being built today
Alex’s point that there is a transcendent element to the mall experience
How Retro-Futurism provides inspiration for architecture and urbanism
How Retro-Futurism offer a Third Alternative to the past and present course
How right wing publications tend to be mostly political, while left wing ones will focus on culture and insert politics
Whether Retro-Futurism is an aesthetic for a New Political Movement(ex.Radical Centrism)

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Robert Stark interviews Richard Wolstencroft

aesthetics, Alex von Goldstein, Alternative Right, Australia, Boyd Rice, capitalism, censorship, Cinema, Coen Brothers, Cultural Marxism, Culture, Donald Trump, Economics, Environment, Erotica, Fascism, Film, Futurism, Globalization, Homosexuality, horror, horror films, Immigration, Islam, Leftism, Marquis de Sade, Nationalism, Oligarchy, Overpopulation, Pearls Before Swine, Philosophy, Political Parties, Politics, Pornography, Psychology, Radical Center, Richard Wolstencroft, Sadism, sadomasochism, Salò, Science Fiction, Sexuality, Social Darwinism, Socialism, Sociopaths, Transgender, Wealth

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Robert stark and co-host Alex von Goldstein interview Richard Wolstencroft. Richard is a filmmaker, writer, events promoter, and founder and festival Director of the Melbourne Underground Film Festival. Check out his articles at Alternative Right

Topics include:

Richard’s film Pearls Before Swine(Watch here)
The actor and musician Boyd Rice who stars in Pearls Before Swine
The theme of fascism, power, and sadomasochism in the film
Influences on the film include A Clockwork Orange, American Psycho, and Salò, which also deals with the themes of fascism and sadomasochism, and was temporarily banned in Australia
Richard’s horror film Bloodlust
Censorship and Film in Australia
The BDSM Hellfire Club which Richard owned
The psychology and philosophy of sadomasochism, and how it relates to politics(Master–slave dialectic)
Social Darwinism
How culture is a more effective way to be subversive than through politics
Richards Theory of Transcendental Fascism
Richard’s political views, and his interest in the Alternative Right and Nationalism
Richard’s point that the left and right should unite against the globalist 1%(ex. the left should agree to be more anti-immigration, and the right more socialist)
The theory that psychopaths evolve through evolution to deal with overpopulation
The film HIGH-RISE based on the book by British writer J.G. Ballard
The film “HAIL, CAESAR!” BY THE COEN BROTHERS
Aesthetics in Film
Richard’s new film The Second Coming
Richard’s porn documentary THE LAST DAYS OF JOE BLOW

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Robert Stark, Rabbit, & Alex von Goldstein talk about Future Trends & Scenarios

"1984", aesthetics, Alex von Goldstein, American Culture, Basic Income, California, Cities, Class, Conservatives, Conspiracy Theories, Crime, Culture, Donald Trump, Dystopia, Economics, Environment, Eugenics, Film, Futurism, Hipsters, Immigration, income inequality, James Howard Kunstler, Negative Income Tax, New Urbanism, Oligarchy, overdevelopment, Overpopulation, Peak Oil, Police State, Politics, Prison, Rabbit, Radical Center, Science Fiction, Soft Totalitarianism, Suburbia, Traditionalism, Transhumanism, Urbanism, US Prison System, Utopia, Wealth, welfare state

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Topics include:

The conservative concept of self sufficiency( ex.working for a corporation, driving a car, and owning a home, in the suburbs) vs. the traditionalist one(ex.growing your own food), and the futurist one
The traditionalist Larpy goal of a society where everyone grows their own food, and how local agriculture should be encouraged, but it is unrealistic for everyone to be involved in it
The growth of the suburbs, from the original Railroad suburbs of the 19th Century, to the post war car oriented suburban sprawl
How small towns that have access to both urbanism and wilderness are the ideal place to live for those who can afford them(ex. Marin County, Palo Alto, and East Bay Hills in the SF Bay Area, and parts of  North Jersey)
New Urbanism, which seeks to re-create walkable communities out of car oriented suburbs
James Howard Kunstler‘s theory that Peak oil will lead to the death of suburbia and re-creation of localized communities
Future predictions that Peak Oil will lead to a Mad Max style collapse
Conspiracy Theories, the theory that the elites want chaos vs the frog in the boiling pan theory, and Alex’s comment that the elite’s have a short time frame
A Futurist Utopian model that’s ecologically sustainable, where robots do all the work, and that has a Basic income
How a basic income could create a utopia if implemented the right way, but could also be abused by the elites
How the key problem with society is that the elites control to much of the wealth, and the underclass control a large share of the population, and how to remedy that
Mike Judge’s Idiocracy
Transhumanism
The Nineteen Eighty-Four Police State Scenario
The US Prison System, and how inhumane condition only make people more dangerous
How we have open border combined with a surveillance state
How terrorism, “hate speech”, and the underage sex hysteria have been used to justify complete surveillance of the internet
How every political ideology is tied to a cultural aesthetic
Our upcoming show on Retrofuturism, and how Retrofuturism is the perfect aesthetic for Radical Centrism, because they are both based on fusionism


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Robert Stark interviews Mark Velard

 Mark Velard, aesthetics, Alternative Right, Art, censorship, comedy, Comic Books, Culture, Literature, Memes, Pepe the Frog, Political Correctness, Rabbit, Science Fiction, Social Justice Warriors, Space Travel

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Robert Stark and co-host Rabbit talk to Cartoonist Mark Velard. He publishes his work at Refractor Industries

Topics include:

How he got into drawing comics
His influences, including Daniel Clowes, Robert Crumb, Jack Kirby, and Jim Woodring
The 60s-80s influence in his comics
Why he prefers to work in Pen & Ink instead of digital graphics
Edgar Rice Burroughs’ John Carter of Mars and Mark’s parody “Pepe John Carter”
His short stories, including his recent one Cliff Wretched’s Escape, and the themes that drive them
How his stories tend to be tales of journeys and heroism
His upcoming graphic novel “Clowns of the Apocalypse,” about evil clowns who invade society and want to be seen as equals
His stand up comedy
His fascination with Space Travel and Escapism
John Carpenter’s Film In the Mouth of Madness
How he ended up associating with the AltRight
How his politics influences his work
His experiences with political correctness at Comic Cons
Whether his political views have interfered with his art career

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