Category Archives: Music

Robert Stark interviews Scott Laudati

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater interview Scott Laudati. Laudati is a writer and musician. His latest novel is Play the Devil and has written a book of poetry, Hawaiian Shirts in the Electric Chair.

Topics:

Scott’s book, Play The Devil
His poetry book, Hawaiian Shirts In The Electric Chair
New Jersey, College Education, and Politics
Jack Kerouac, Hunter S. Thompson, Sam Pink
Doldrum suburbs,mundane existence, and nihilistic working
Millennial economic despair
Scott’s poem about being 30, “My 30th Birthday,” and the Quarter-life crisis
New York vs. LA, Youth Culture, expensive living
Trump, Hillary, Alt-left positions
Scott’s music, American INC.
Scott’s music videos, “Stony Hill,” “A Garden East Of Eden.”
Animals and pets, Dogs
Waiting In Line for the NOFX Book Signing.”
Super Mario Brothers, Reptilian Rape and the Hollow Earth Theory.”
Tim and Eric – Film School (Lobsters on film)
Punk bands
Staring into the Sun, Sungazing, cover art
Postcard art
The publishing industry and self publishing on Lulu

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Robert Stark interviews Ronnie Martin

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater interview Ronnie Martin. Martin is a pastor, writer, and musician. His bands include Joy Electric, Said Fantasy, The Foxglove Hunt, and Dancehouse Children.

Topics:

Martin’s interest in electronic music and Christianity
Substance Church and New Order’s Substance album
The origins of Joy Electric
I Dream of Wires, Plastiq Musiq, New Order vs. Depeche Mode
Electroclash, Electric Youth, Coldwave, Burgundy Years. Birds of North America
C.S Lewis, G.K. Chesterton, Wes Anderson
My Grandfather The Cubist, The Otherly Opus, The Ministry of Archers, Hello Mannequin, Dwarf Mountain Alphabet
Positive philosophy, Album art, Joy Electric aesthetics
Finding God in the Dark, Stop Your Complaining, The Bridezilla of Christrst
Finding faith, patience in God, Romance and religion
Martin’s romance novel
Moog vs. Roland Synthesizers, Said Fantasy’s new album, “Two Lads period”
Martin’s sermon podcast, Church life, Martin’s celebrity status
Christianity in pop music, Romance advice for young people


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Robert Stark interviews filmmaker Christopher Moonlight

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Robert Stark and co-host Pilleater interview Christopher Moonlight. Moonlight is a film director and artist. He latest film is The Quantum Terror. Check out his WebsiteArt Magazine, and YouTube

Topics:

Moonlight’s interest in the horror and sci-fi film genres
The Quantum Terror, crazy monsters, H.P Lovecraft
Puppets in movies, unique story plots, avant-garde films
The film Labyrinth
Movie settings, horror in film, movie monsters
Character’s in Moonlight’s movies
Horror films set in Labyrinth’s including, I Have No Mouth But I Must Scream, Kingdom Come, and The Cutting Room
Moonlight’s theory of the Science-fiction genre
Found footage, Clive Barker, Hellraiser, Alejandro Jodorowsky
H.R Giger, The foundation of Art
Girl in the Window
Emily Bloom
Grindhouse films
Chris’s inspiration from Ray Bradbury, and his work on the documentary Live Forever: The Ray Bradbury Odyssey
Moonlight Art Magazine, Goth culture, comics
Technology, art theory, film innovation, creativity
Hollywood’s demands for films
Moonlight’s cultural influences ranging from Salvador Dali to Tangerine Dream
VHS Tapes, film aesthetics, Folk-Horror


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Robert Stark interviews Filmmaker Jim Van Bebber

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Robert Stark and co-host Pilleater talk to movie director, Jim Van Bebber. His films include the cult-classics,Deadbeat at Dawn and The Manson Family.

Topics:

Jim’s background on film, Evil Dead
Jim’s advocacy for Donald Trump
The film setting in Ohio
Comedy in Deadbeat at Dawn
The Cine Masochist review
Philosophy in Deadbeat at Dawn, “the first punk action film.”
Donald F. Glut
The Manson Family
Is the film pornographic?
Skinny Puppy and “Spasmolytic.”
Is it fine art?
Gator Green
Veterans
Jim: “America is entering a new phase of nationalism.”
Wes Anderson films
Gregg Araki
Art-house culture, ideology, the marketplace
Jim’s influences
American Guinea Pig: Bouquet of Guts and Gore
Diary of a Deadbeat, Jim’s fans


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Robert Stark interviews Jamie Stewart from the band Xiu Xiu

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Robert Stark and Pilleater talk to musician Jamie Stewart from the band Xiu Xiu

Topics include:

Intro song: Xiu Xiu – “Into The Night”
Jamie’s background growing up in the San Fernando Valley, and how he was exposed to music early on from his dad in the music industry
Jamie’s early musical influences including Bauhaus
Jamie’s interest in Asian Culture
How Xiu Xiu combines traditional Asian influences with electronica, and Pilleater’s point that he views Xiu Xiu as Asian Neofolk
The visual aesthetics to Xiu Xiu’s work, and Jamie’s artistic influences including, Kara WalkerAgnes Martin, and Antoine D’Agata
Xiu Xiu – Dear God, I Hate Myself, which depicts real vomiting, and deals with themes of being in distress with ones body
Xiu Xiu Plays the Music of Twin Peaks
The director David Lynch, his Twin Peaks series, and the film Dune
Yukio Mishima
Peter Sotos
After Jamie leaves Robert and Pilleater continue the conversation discussing the musician Mitski, the manga Patalliro!, the Alt Left, the aesthetics of the film Mishima: A Life in Four Chapters, the Pavilion for Japanese Art, architect John C. Portman Jr.Le Cassette’s music video Tokyo Blues, the Japanese artist Takehiko Inoue, and the Kinokuniya Bookstore in New York


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Robert Stark and Pilleater talk about the Film Salò

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Robert Stark and Pilleater talk about the film Salò, or the 120 Days of Sodom, directed by Pier Paolo Pasolini

Topics include:

The film was based on the book 120 Days of Sodom, written in 1785 by the Marquis de Sade, and was even more extreme than the film
De Sade’s nihilistic anarchic philosophy towards sex, in contrast with today’s society, which has replaced traditional morality with new moral codes rather than De Sade’s libertinism
How each generation tries to shock their elders, and how de Sade,’s work is shocking even by today’s standards
The book Sade by Jonathan Bowden
Kerry Bolton’s book The Psychotic Left
Ian Brady’s The Gates of Janus: Serial Killing and Its Analysis
Censorship, Sade’s imprisonment for his writings, and the banning of the film in Australia
Author Peter Sotos, who has been compared to de Sade, and also prosecuted for obscenities
Photographer Will McBride, who Sotos has written about, the censorship of his Sex Ed book Show Me!, his art book Coming of Age, and Lasse Nielsen’s films
The theme of adolescent sexuality, innocence, and the desecration innocence
Avant Garde filmmakers Harmony KorineLarry ClarkKenneth Anger, and Nagisa Oshima
Larry Clark’s film Kids
Brooke Shields in the film Pretty Baby
The portrayal and theme of Fascism in the film, and the line “the fascist are the true anarchist.”
Pasolini’s political and cultural views, and his Catholic Paganism
Pasolini’s homosexuality, his love affair with teenage Ninetto Davoli, who was in Salò, and depictions of homo eroticism in the film
Race play in sex, the Nazi S&M Film The Night Porter, and sado-masochist themes in films dealing with political and racial taboos
The film Hard Candy, which is Salò in reverse, but fits within the politically correct narrative
The dominant submissive paradigm in human sexuality
Eli Roth’s torture porn Hostel series
How we have become detached from violence and death in real life, and seek it out in film
The theme of sex as power
The other worldly transcendental aspect to sex

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Robert Stark interviews Pilleater about Music & Manga

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Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudios, pso119, and kingtrode.

Topics include:

The intro song, pissedoffindianman by Pilleater , which features clips of Jared Taylor
Jared Taylor’s Shadows of the Rising Sun: A Critical View of the Japanese Miracle(1983)
How Pilleater was exposed to electronic music at a young age, and became a Chiptune musician at age 16 as DJ Qudo
Latter on Pilleater got into Noise music, such as Whitehouse, and Digital hardcore bands, such as Atari Teenage Riot, and KMFDM, who are controversial due to the Columbine Shooters
Oneohtrix Point Never, who was the forerunner to Vaporwave
Japanese Pornography similar to what you might see at websites such as teeni, and Pilleater’s point that it has a nationalist communal nature
The Ganguro culture in Japan, where girls tan their skin and bleach their hair, and is common in porn
Pilleater’s favorite music genre Eurobeat from the 90’s, it’s popularity in Japan, his favorite artist Bratt Sinclaire, Sinclaire’s song Running in the 90’s, and it’s origins from Italo disco from the 80’s
Generic Euro Dance(ex. Aqua and Dj Sammy)
The Italo disco song Shadilay, which came out in the 80’s by a band P.E.P.E with a frog on it’s album cover, and it’s esoteric Lyrics
Examples of Italo Disco include the global sensation Baltimora’s Tarzan Boy, and Pilleaters favorites, BRIAN ICE – Talking to the night, Eddy Huntington – Up And Down, and Lama – Love on the rocks
The New Retro Wave Genre of music that emerged in the mid 2000’s, inspired by 80’s New Wave and Italo Disco(ex. FM Attack, Lifelike – So Electric, Electric Youth, College, Kavinsky)
The French House band Daft Punk and their use of anime
Chicago house music
Vaporwave, and it’s nostalgia for William Gibson’s Neuromancer’s Japan
William Gibson’s Idoru
The anime film Akira(1988), set in a post apocalyptic Japan, and how it’s influenced Vaporwave, Cyberpunk, and New Retro Wave
The manga Patalliro!, about a ten year old cross dressing king, it’s colorful Art Nouveau aesthetic, it’s influence from
H. P. Lovecraft, and it’s taboo themes
Asian Aryianism and whites living vicariously through Japanese culture
Themes of Asian Aryanism in The Legend of Zelda, which combines Japanese and Medieval European Aesthetics
Asian Aryan themes in Vaporwave with Roman busts and Japanese aesthetics
The minimalist Japanese vs. Chinese aesthetics
How each music genre has it’s own unique aesthetic
The Seapunk electronic genre, which uses Sega Genesis imagery(ex.UNICORN KID)
Dark wave, which is apocalyptic electronic music from Germany(ex. Project Pitchfork, and Dunkerwerk)
Betsy & Chris, the white Hawaiian folk music duo, who sang in fluent Japanese
Stereolab, which reminds Pilleater of Rabbit’s AltLeft
Why Alex thinks Michael Jackson is an Alt Left Icon
Sam Hyde and Tim & Eric on Adult Swim
Pilleater’s upcoming book, “Almond Eyes, Baby Face,” a collection of short stories on Asian Aryanism

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Robert Stark interviews Richard Wolstencroft about Aristocractic Radicalism

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Robert Stark and Alex von Goldstein talk to filmmaker Richard Wolstencroft

Topics include:

Aristocratic Radicalism is the notion that Society and Civilization exists to enable and empower great individuals and minds
The Nietzschean origins of Aristocratic Radicalism
Hugo Duchon’s book Nietzsche’s Great Politics
Besides Nietzsche, Richard’s philosophical influences include Ernst Junger, Carl Schmitt, Martin Heidigger, Ezra Pound, TS Elliot, and the Italian Futurist
Nietzsche’s justification of Slavery and other forms of oppression of the masses
In contrast to hereditary aristocracies, great minds and spirits can emerge from the slave class, and must still be enabled
Why a social safety net is necessary to enable great thinkers and creative types to arise
Aleister Crowley, his belief in an Aristocracy of the creative class, and how he saw capitalism as degrading genuine cultural elitism
Richard’s exposure to occultism through filmmaker Kenneth Anger, who was a student of Crowley
Richard’s concept of Transcendental Fascism, which is a new and more peaceful form of fascism, that is based on implementing Aristocratic Radicalism
Transcendental Fascism is an attempt to create a fascism that reinvents itself along dialectical lines toward the absolute, but also hopes to transcend some of the negative sides and effects of past fascism
Richard’s debate with Jim Goad about capping wealth
How it’s necessary to cap income on billionaires, because their excess wealth is used to corrupt the political system, and put into savings rather than invested in the economy
How despite Richard’s support for some degree of socialism, there must still be economic incentives for innovation and success
The Genealogy and Genesis of the Alt-Right, and Richard’s point that Boyd Rice, Jim Goad, Adam Parfrey of Feral House Books, Michael Moyniham, and Douglas P were the godfathers of the Alt-Right
Boyd Rice’s song People, which deals with themes of misanthophy, nihilism, and fascism
Richard’s article Why The Globalist Elite Should Drop Hillary And Support Trump
Richard is sympathetic to the Alt Left
Richard Spencer 2011 NPI Conference speech, where he showed stock footage from the UK in the 1970’s, of hippies protesting against mass immigration
Richard’s friend musician David Thrussell, who is a leftist but agrees with Richard most of the time
Richard’s documentary Heart of Lightness about the war in Uganda
David Lynch, his interested in transcendental meditation, dark themes in his films, and his politics
Paul Schrader
Richard’s upcoming film the Debt Collector, which is a revenge genre film with political themes

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Robert Stark interviews Pilleater

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Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudiospso119, and kingtrode.

Topics include:

Pilleater’s moniker Pilleater which is a reference to Dr. Mario and the film Akira, but can also be used to describe the pill memes
Pilleater’s interest in the social media site YTMND, and how he created the meme OH YEAH I’M MR KRABS
The the golden age of trolling and his trolling antics
Pilleater was a longtime fan of the Stark Truth show since he was in High school, and his point that it has become the “Alt Left Show”
Why Pilleater identifies with the Alt-Left, his three main principles are friends, family, and freedom, but rejects egalitarianism, and the new left
Pilleater’s essay The need for a revolution against nepotism, where he proposes an Alt-Left
Stuff White People Like
The book Evasion by CrimethInc
Pilleater’s Radix essay submission, which is a strange alter-ego story, and how the character represents all taboos
Peter Sotos
Pilleater’s concept of Asian Aryanism, and his interest in Asian culture and Asian girls
Pilleater’s point that Asian-Ayranism is radical because the WN’s, White Feminist, and the hapa Reddit scene hate it, and would be considered an Alt-Left position
Yukio Mishima


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Robert Stark interviews Alt Left Blogger Ryan Englund

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Robert Stark, Alex von Goldstein, Rabbit and Alt Left founder Robert Lindsay, talk to Ryan Englund. Ryan is from Alberta Canada, blogs at Samizdat Chronicles, runs the  Samizdat Broadcasts YouTube Channel, and has an Alternative Left Facebook group

Topics include:

Ryan’s political journey, and his early experiences with censorship from both the right and left
The political situation in Canada
How Ryan’s interest has always been in labor and economic issues rather than identity politics
Ryan discovered the Alt-Left through Rabbit’s Alt Left Manifesto and Robert Lindsay‘s blog
Ryan’s manifesto The Alternative Left – What it is
Sub Types on the Alternative Left
The Left Wing of the Alt Right, who are most open to race realism, and opposed to mass immigration, but are also inclined towards some kind of economic socialism or social democracy
The Red Enlightenment which includes Transhumanist, Fututirst, and an outlook based on science and reason
The brocialistRyan’s article on on Warren Farrell‘s book The Myth of Male Power, and how it relates to Marxist theory
The Gammergate left including The Amazing Atheist and Sargon of Akkad
The new Alt Left entriest who are trying to impose political correctness and purge some of the original members
Life of Brian – The People’s Front of Judea
The Regressive Left and how SJWs are the new fascists
The effects of mass immigration on workers, and how the labor movement was historically for immigration restriction
How Corporations have no loyalty to their nations
Ryan points out a Quote from the Communist Manifesto


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