Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the Alicia Silverstone films Clueless and the The Babysitter.
Topics:
How the original film The Crush was edited
The Babysitter as the most realistic of the three Alicia Silverstone films
The Babysitter compared to American Beauty
Th peeping through the window scene, and the imagination of the guys who see Alicia Silverstone through the window
In reality it is all just in the male imagination in this movie
The awkward bathtub fantasy followed by her signature cheeky smile Traits of men who prefer breasts, booty, or legs
The Alicia Silverstone film Vamps
The Clueless (TV series)
The setting of Clueless in Beverly Hills San Mateo Teenager Goes Hollywood
Cher’s Character development and self realization
Whether she is anti-snob?
Social Cliques in High School
The makeover of her friend
Comparisons to Mean Girls
The fact that the girls are excited by the fact that the guy has a picture of the new girl in her locker, and how today that would be called “creepy”
She comes across as more conservative with her condemnation of dating druggies, and saving her virginity
The whole theme of matchmaking
The “Baldwin” reference and other cultural references, a kind of Hollywood being self-complimented
The Spartacus scene, pearls and oysters, subtle signaling in old movies
Her realization that she loves Josh despite the fact he is a “slug”
The normal guy get’s the girl in the end, not the “hot guy” who turns out to be Gay
The fact that all the girls are obsessed with marriage while in school which is dated
The Clueless scene where her father is happy that she knows how to negotiate over grades Cher’s speech about refugees Alicia Silverstone Would Rather Go Naked Than Wear Wool! | PETA
The pink blue color code in the ending sequence is kind of Vaporwave
The robbery scene in the Valley
LA Landmarks including the Sinister Neon Clown at Circus Liquor
Meme Magic and Alicia Silverstone as a meme Leisure Suit Larry and the Alicia Silverstone look a like
Robert Stark and co-host Pilleater talk to Count Isidor Fosco. He is an actor based in Toronto, Canada.
Topics:
Count Fosco’s background in the Film Industry in Toronto
Count Fosco’s background in Philosophy
Count Fosco’s Catholic upbringing and Catholic Social Teachings
Toronto as the Neo-Liberal, Multi-Cultural capital of North America
The Eurasian scene in Toronto, The Mixed in the Six club, and Pilleater’s Asian Aryanism
The Secessionist movement in Quebec, Native American Secessionist movements, and Calexit CPAC organizer denounces ‘alt-right’ as ‘left-wing fascist group’
Neo-Liberal Feudalism and how the mainstream Left has abandoned class issues Third Positionism, Social Nationalism, and historic figures including Juan Perón, and Sir Oswald Mosley
Why Mosley was an admirable misunderstood figure, and a true Anti-Globalist who would have made a more logical “third power” to America
The need for an Aristocratic form of Socialism, and why socialism isn’t contrary to hierarchy
Karl Marx’s hierarchy of labor
Social Credit and the Basic Income, and how it should be implemented
Affordable Family Formation
What an aristocrat is in today’s capitalist society
The idealistic definition of a True Aristocrat as a revolutionary figure Georges Palante and Aristocratic Radicalism Jonathan Bowden and the Angry Young Men
Working and middle class people who view the Trump family as Aristocrats
Trump’s “Aristocratic Futurist” aesthetic and Rockefeller Center in New York City
John’s background growing up in Santa Monica in the 70’s and 80’s, and how Southern California has changed since then
John’s background in Punk music and his band the patriots
John’s Grab ’em by the Pu**y Song
John’s running of the Brooklyn Tea Party, protest against the Ground Zero Mosque, friction with the Manhattan Tea Party, and the conflict between economic interest and culturism
The debate between the Alt-Right Ethno-Nationalist and color blind Civil Nationalist, and how culturism can address those issues
The multi-culturalist concept that all cultures are equal
Mechanism and institution of culturism
The importance of having high levels of social cohesion for a society to function
Whether to much culturism can be oppressive, and the need for a balance between individualism and cohesion
John’s experience living in Korea as a College professor, and his observations on Korea which is a culturist society
Why John views himself as an academic refugee
The book The Cleanest Race: How North Koreans See Themselves
John’s book Capsule: A Search for Identity in Modern Japan
Culturism, architecture, urbanism, and aesthetics, and why modism and futurism needs culturism
Regional identities
The socio sexual status of the dominant culture
The Brittish Poet Matthew Arnold who was the founder of culturalism
John’s book Culturism: A Word, A Value, Our Future, a fictional biography about Matthew Arnold
The importance of being involved in culture rather than such politics
Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. Tolkien, Aleister Crowley, Oscar Wilde,H. L. Mencken, David Lynch, Richard Wolstencroft, Salvador Dalí, Jonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave) Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters
The origins of Hipster Culture
How in the late 90’s and early 2000’s there were Hipster, Douchebag, and Hip Hop Subcultures
How the original Hipsters were Arty and pretentious, but latter became part of mainstream pop culture, incorporating trashy elements of the latter two groups
Alex’s observation that Hipsters adopted other subcultures out of irony, but latter appropriated them(irony vs. post irony)
The Truth Will Live’s comment that Hipster Culture emerged as a reaction to 90’s Hip Hop Culture
How the original Hipsters were implicitly white, and into things such as environmentalism and anti-consumerism, similar to Rabbit’s Alternative Left
How SJW’s hijacked Hipster Culture
The Truth Will Live tells a story about when she was a feminist, and how she lost interest when she heard feminist apologizing for Third World cultures treatment of women Intersectionality
90’s Zine Culture
Experimental Noise and Drone Techno Music
The Truth Will Live’s observation that the Punk Scene was often explicitly white
The Truth Will Live’s observation that the more women enter a subculture the more politically correct it becomes
90’s Brit Pop
How Right Wing figure such as Gavin McInnes came out of the Hipster scene, and many Hipsters are now joining the Alt Right Taki Theodoracopulos, and how being wealthy enables one to express controversial opinions
How political correctness is an ideology of upper middle class strivers, who are trying to prove their status
How even within dissident subcultures there is still pressure to conform to the norms of those groups
Social Sexual Mores
Making the case for traditional mores from s secular scientific standpoint
The Truth Will Live’s Donald Trump story from work
