Category Archives: Adam Parfrey

Robert Stark interviews Shaun Partridge

1960's, 1970's, 1990's, Adam Parfrey, aesthetics, Aleister Crowley, Alice in Wonderland, Anne Frank, Art, Boyd Rice, Carl Jung, comedy, Comic Books, counterculture, Culture, dreams, Enter The Void, humor, Japanese Culture, Jim Goad, John Lenon, Literature, Madmen, Music, Occultism, Peter Sotos, Philosophy, Pilleater, Political Correctness, rape, Religion, Science Fiction, Serial Killers, Shaun Partridge, Surrealism, The Partridge Family, The Partridge Family Temple, The Wizard of Oz, Trip, Trolling

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Shaun Partridge. He is a musician and co-founder of The Partridge Family Temple. He blogs at shaunpartridge.com and runs Shaun TV on Youtube.

Topics:

Intro Song: B Magic
The background story of The Partridge Family Temple
The Partridge Family Show and it’s inspiration for the Temple
Troll culture; Boyd Rice wearing a rape shirt in front of a giant troll poster for Answer Me! in the 90’s
Shaun’s article “Rape is Love” for Answer Me!’s “Rape Edition,” Boyd Rice’s piece “Revolt against Penis Envy,” and Peter Sotos’s article and books
Shaun’s music for BOYD RICE’S HATESVILLE
Adam Parfrey’s Apocalypse Culture and the Temple’s work for Adam’s art show “Occult Rapture”
Vice’s review of Shaun’s work; The unpop sound
Monty Python’s The Rutles
The power of dreams and Carl Jung as an artist
Shaun’s comedic dreams, including a Seinfeld episode, and Pilleater’s dream sequence in his Novella “Trip”
Surreal humour; Tim and Eric and Sam Hyde’s Million Dollar Extreme
Occult Mysticism in the Wizard of Oz, Alice and Wonderland, Better Call Saul, and Mad Men
Josh Simmons introduces The White Rhinoceros
The power of Psychedelic drugs; out of body and other worldly experiences
Pop Art inspired by Corporate logos by Whale Song Partridge
The Temple Doctrine; “Fun is the Law”
David Cassidy’s reaction to the Partridge Family Temple


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Robert Stark talks to Jim Goad about the New Church Ladies and Re Release of Answer Me!

Adam Parfrey, Alternative Right, Black Culture, Cartrell Payne, censorship, Class, Country Music, Culture, Economics, Gender, Globalization, humor, Immigration, Jim Goad, journalism, Literature, Midnight Cowboy, Morality, Music, New York, Peter Sotos, Philadelphia, Pilleater, Police, Political Correctness, Portland, Prison, Punk Rock, Race Relations, rape, Sexuality, Slavery, Social Justice Warriors, Taxi Driver, The Adventure Kid, The American South

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Cartrell Payne(The Adventure Kid) talk to JIM GOAD about his new book The New Church Ladies and re release of ANSWER Me! by Nine-Banded Books.

Topics:

Jim’s new book The New Church Ladies: The Extremely Uptight World of “Social Justice”
Social Justice as a new secular religion and their moral absolutist nature
Social Justice Warriors totalitarian tactics and dehumanization of those they disagree with
Jim’s early experience with political correctness in the Punk Scene in the early 80’s; Rock Against Racism
Jim’s experiences with anti-racist skinheads in Portland
Experiences with censorship in 1994 for the publication of Answer Me!’s “Rape Issue”
The Redneck Manifesto and the white privilege fallacy
Michael Hoffman’s They Were White and They Were Slaves
The liberal establishment abandoning economic issues and political correctness as a tool to disarm working class opposition to globalization
Individualism vs Identitarianism; “If you can’t beat them join them”
“Why Are White Death Rates Rising?”
The re release of ANSWER Me! All Four Issues
Peter Sotos’s “Quality Time” article for the “Rape Issue” which lead to threats of prosecution for obscenity
Jim & Debbie Goad on Hot Seat with Wally George
Music interest; 80’s rap music,  70’s British Glam including Garry Glitter, Rockabilly, and ‘Psycho’: The darkly insane country music classic
Philadelphia, Temple University where both Pilleater and Jim attended, and the city’s reputation

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Robert Stark interviews Josh Alan Friedman

1960's, 1970's, 1980's, Adam Parfrey, Al Goldstein, Black Cracker, Black Culture, Blues, censorship, Cities, Class, counterculture, Crime, Culture, Dallas, Erotica, Feral House Books, Film, gentrification, History, Josh Alan Friedman, journalism, Literature, Long Island, Los Angeles, Luke Ford, Media, Music, New York, Pilleater, Political Correctness, Pornography, Race Relations, Robert Brenner, Sexuality, Texas, The American South, Time Square

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to writer and musician Josh Alan Friedman. He blogs at Black Cracker Online

Topics:

Intro Song: “Thanksgiving at McDonald’s in Times Square” by Josh Alan Friedman
Josh’s book Black Cracker about his experience going to the last segregated Black school in New York
Recovering lost memories from 1962 when Josh was in 1st Grade
The account of Josh being lynched in the book
The location of Glen Cove, Long Island, Black Shanty Towns, and the Gold Coast Era
Reactions to the book
Race relations in New York City in the 70’s, school busing, and the Bernie Goetz incident
Josh’s move to Dallas, Texas where his music career took off
Josh’s interest in Blues music, White adaptation of the Blues in the 60’s, the 80’s Blues Revival in Texas, and decline in interest among Blacks
Josh’s solo guitar act
Openings for bands including Huey Lewis and the News, War, Johnny Winter, and Bad Company
Josh’s book Tales of Times Square about Time Square in the 70’s; Robert Stark’s interview with Robert Brenner about his Gritty Old Time Square Tours
Josh’s observation that Broadway in Downtown LA reminds him of old Time Square
Josh’s interview with Luke Ford
Josh’s experience working for Al Goldstein’s Screw Magazine
Josh’s book I, Goldstein, which is a co-written autobiography about Al Goldstein
Josh’s book When Sex Was Dirty
Rules for Journalist; “never pay for an interview”
Book Publishing; the era of “the gate keeper,” independent publishing houses such as Feral House, and self-publishing today
The effects of the internet on musicians


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Robert Stark interviews Adam Parfrey

Adam Parfrey, Aleister Crowley, Architecture, Art, Boyd Rice, censorship, Charles Manson, Cinema, Crime, Culture, David Cole, Feral House Books, Film, History, horror, J.G. Michael, Jamie Gillis, Jim Goad, Josh Alan Friedman, Literature, Mid-Century Modern, New York, Occultism, Peter Sotos, Pilleater, Political Correctness, Pornography, Serial Killers, Trevor Brown, Woodrow Parfrey

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and J.G. Michael talks to Adam Parfrey. He is the publisher of Feral House books.

Topics

Opening Song: Adam Parfrey – Rubber Room (Porter Wagoner Cover)
The history behind Feral House books.
Apocalypse Culture
Taboo ideas, shock value, avant-garde art
Jim Goad’s Answer Me!
Joseph P Farrell
Anton LaVey and The Church of Satan
You Will Die and You Can’t Win
American Hardcore
Hipster Hitler
It’s A Man’s World
Killer Fiction, The Gates of Janus, Charles Manson
Ed Wood: Nightmare of Ecstasy
David Cole’s Republican Party Animal
Sin-A-Rama,
Technological Slavery
The Weird World of Eerie Publications
Pacific Ocean Park, Mid-Century Googie architecture
Ye-Ye Girls
Peter Sotos’ Pure Filth Pure Filth about pornographer Jamie Gillis
Experiences with Censorship
Occultism; The book Secret Agent 666 about Aleister Crowley
Adam Parfrey’s play “The Wickedest Man in the World” about Gilles de Rais
Tales of Times Square by Josh Alan Friedman
Citizen Keane by Adam Parfrey
Adam Parfrey’s father actor Woodrow Parfrey; Dirty Harry
Art, and the aesthetics of Feral House’s books
Why Feral House publishes exclusively Non-Fiction


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