Category Archives: Occultism

Robert Stark talks to Richard Wolstencroft about the Twin Peaks Finale

aesthetics, Cinema, Culture, David Lynch, dreams, Film, Kyle MacLachlan, meditation, Mulholland Drive, Occultism, Philosophy, Pilleater, Psychology, Richard Wolstencroft, Surrealism, Time Travel, Twin Peaks

 

 

 

 

 

 

 

 

Robert Stark and Pilleater talk to filmmaker Richard Wolstencroft about the finale of Twin Peaks. Check out our previous shows on The New Twin Peaks Part I and Part II.

Topics:

The disappointment with the ending of Twin Peaks
Whether the ending is a final statement from David Lynch
David Lynch “The Emperor”
Whether it is an open ended ending for a future season
David Lynch’s signature style of ending with a sense of mystery; when it is successful and when it is not
The multiple coordinates and how many are meaningless
Philip Jeffries role
Sarah Palmer’s role
The mysterious nude eyeless Asian girl and the scene in the Jail
“Judy”
Cooper being able to travel in and out of the Black Lodge
The Black Lodge’s aesthetic and multiple levels similar to Dante’s Inferno
The showdown at the Twin Peaks Sheriffs Department
Similarities to Inland Empire and references to Lost Highway
The theme of time travel; Cooper going back in time to save Laura Palmer
Cooper coming out of his coma at the very end of the series
Dougie Jones as a metaphor for living ones life like one is sleep walking
“We all live in a dream but who is the dreamer?”
David Lynch’s interest in Transcendental Meditation and how it influences his work
Richard Wolstencroft’s new film The Second Coming: Volume 2 and The Second Coming: Volume 1

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Jamie Curcio about Narrative Machines

1980's, aesthetics, Aleister Crowley, Alexander Dugin, Alternative Right, Anarchism, Aristocratic Individualism, Art, Beatniks, counterculture, Culture, Cyberpunk, David Bowie, David Lynch, dreams, Fascism, Film, horror, Industrial Music, J.G. Michael, Jamie Curcio, Jean Baudrillard, Laibach, Literature, Media, Memes, Milo, Mishima A Life in Four Chapters, Morality, Mulholland Drive, Music, Narrative Machines, Nietzsche, Occultism, Philosophy, Politics, Postmodernism, Psychology, Retro Futurism, Sam Kevorkian, Social Isolation, Social Media, Stranger Things, Surrealism, They Live, Thomas Ligotti, Vaporwave, Yukio Mishima

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Sam Kevorkian, and J.G. Michael talk to Jamie Curcio about his new book Narrative Machines: Modern Myth, Revolution, & Propaganda. Jamie is an Artist, Writer, and Musician, and blogs at Modern Mythology.

Topics:

Intro: Nefarious from the Album EgoWhore by HoodooEngine which Jamie co-produces and does bass and rhythm guitar for
The main thrust of Narrative Machines is the way in which myths function in our lives
How the conflict with our longing to connect with the sacred leads to seeking re-connection in the form of reified ideology in the current “Meme Wars”
Jean Baudrillard’s book Simulacra and Simulation
The concept of hyper reality and how social interactions are mediated by social media
Post Modernism and Deconstructionism; skepticism towards all ultimate truths
Hobbes vs. Rousseau: the debate over human nature
Jamie’s illustrations in Narrative Machines
The Artist David Mack
Aesthetic theory and how artist can affect the world politically
Interrogation Machine – Laibach and NSK
Aleksander Dugin, Nick Land, and Neo-Reaction
The relation between myth, retro-aesthetic creative movements like vaporwave, and the current cultural climate
The 80’s Retro themed show Stranger Things
The aesthetics of Horror and horror writer Thomas Ligotti
Surrealism and connecting to the sacred or primal force
Jamie’s book Join My Cult!, occultism, and Aleister Crowley
David Bowie Inspires Jamie’s Upcoming Book, “Masks”
Yukio Mishima’s Confessions of a Mask
Jamie’s involvement in the goth industrial music scene of the 90’s and 00’s
The ways in which virtual reality, myth, and “the real world” have collided
Alternate Reality Games, the film The Game, and playing with peoples perception of reality through media

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Richard Wolstencroft about The New Twin Peaks

 Angelo Badalamenti, 1950's, 1980's, aesthetics, Aleister Crowley, Blue Velvet, Canada, Cinema, Conspiracy Theories, Count Isidor Fosco, Crime, Culture, David Lynch, Film, Film Noire, Hollywood, horror, humor, J.G. Michael, Kyle MacLachlan, meditation, Mulholland Drive, Occultism, Philosophy, Pilleater, Psychology, Religion, Richard Wolstencroft, Sexuality, Surrealism, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, J.G. Michael, and Count Isidor Fosco are joined with filmmaker Richard Wolstencroft live from the Black Lodge to talk about the new Twin Peaks series and how it compares to the original.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
The Black Lodge and it’s theological and occult symbolism
The 80’s quality of the original Twin Peaks, the 50’s nostalgia theme, and David Lynch’s interest in fusing genres
Lynch’s emphasis on visual aesthetics in his films
How Twin Peaks was inspired by the Film Noire Laura (1944)
How the new series makes references to other Lynch films such as Blue Velvet
Contrasting the portrayal of the town Twin Peaks in the new series to the original; Richard’s visit to the town of North Bend, Washington where the show is filmed
Lynch’s portrayal of small towns; the idealism of small towns vs. the critique that there is a dark underbelly to small town America
Demonic possession vs. symbolism of the monster within
Cooper’s Doppelgänger, Agent Cooper becoming Dougie Jones who has lost his memory, and whether he will come back
The theme of powerful entities trying too tap into the Black Lodge and how that will become the main narrative
The theme of “Sex Magic”
The film Mulholland Drive and how it was originally intended to be a sequel to Twin Peaks about Audrey Horne
Lynch’s political views and his interest in Transcendental Meditation
How Twin Peaks touches on a variety of themes including culture, politics, the subconscious, sex, psychology, philosophy, mythology, and religion
Kyle MacLachlan and David Lynch as FBI Agents
The prediction that Cooper will return to Twin Peaks and end up in the White Lodge at the end
The role of the side characters in the new series such as Dr. Jacoby, Ben Horne, and Shelly

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Robert Stark talks to Jay Dyer about Esoteric Twin Peaks

1950's, aesthetics, Aleister Crowley, Blue Velvet, Conspiracy Theories, Crime, Culture, David Bowie, David Lynch, dreams, Film, Film Noire, Gender, Hollywood, horror, horror films, humor, Jay Dyer, Kyle MacLachlan, Music, Mythology, Occultism, Pilleater, Psychology, Religion, Salvador Dali, Serial Killers, Sexuality, Surrealism, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer about the Esoteric Symbolism behind David Lynch’s Twin Peaks and the new series on Showtime. Jay writes film reviews at Jay’s Analysis and is the author of Jay Dyer’s Esoteric Hollywood

Topics:

Intro Song: The Northern Lights – Falling (feat. Lucy Black)
‎Jay’s article An Esoteric Guide to Twin Peaks
The New Twin Peaks series and how it compares to the original
The prequel film Fire Walk With Me (1992) which reveals the murder mystery aspect of the plot
Twin Peaks’ transition from a Soap Opera parody to a Dark Comedy and then a Surreal Horror
David Lynch’s success in giving clues and keeping the audience in mystery and suspense
Film Noire, the 1950’s theme, and David Lynch’s interest in fusing eras and genres
Themes of dreams and the subconscious
Surrealist influences and David Lynch’s documentary Surrealist Cinema
The role of organized crime in the series
Themes of Conspiracy Theories and the Deep State
Co-creator Mark Frost’s book The Secret History of Twin Peaks
Themes of Occultism
References to Tibetan Buddhism and Native America Mythology
Super Natural Themes; The evil and benign spirits and Killer Bob’s possession of people’s bodies to commit murder
The Black Lodge, the White Lodge, and Glastonbury Grove which is the portal
The aesthetics and symbolism of the “Red Room” and whether it is the Black Lodge or a portal between the worlds
Cooper’s evil version(doppelgänger); Cooper’s escape from the Black Lodge in the new series
How the series is more about Agent Dale Cooper’s journey to the Black Loge then the murder mystery of Laura Palmer
Jay’s expectations for the new series


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Shaun Partridge

1960's, 1970's, 1990's, Adam Parfrey, aesthetics, Aleister Crowley, Alice in Wonderland, Anne Frank, Art, Boyd Rice, Carl Jung, comedy, Comic Books, counterculture, Culture, dreams, Enter The Void, humor, Japanese Culture, Jim Goad, John Lenon, Literature, Madmen, Music, Occultism, Peter Sotos, Philosophy, Pilleater, Political Correctness, rape, Religion, Science Fiction, Serial Killers, Shaun Partridge, Surrealism, The Partridge Family, The Partridge Family Temple, The Wizard of Oz, Trip, Trolling

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Shaun Partridge. He is a musician and co-founder of The Partridge Family Temple. He blogs at shaunpartridge.com and runs Shaun TV on Youtube.

Topics:

Intro Song: B Magic
The background story of The Partridge Family Temple
The Partridge Family Show and it’s inspiration for the Temple
Troll culture; Boyd Rice wearing a rape shirt in front of a giant troll poster for Answer Me! in the 90’s
Shaun’s article “Rape is Love” for Answer Me!’s “Rape Edition,” Boyd Rice’s piece “Revolt against Penis Envy,” and Peter Sotos’s article and books
Shaun’s music for BOYD RICE’S HATESVILLE
Adam Parfrey’s Apocalypse Culture and the Temple’s work for Adam’s art show “Occult Rapture”
Vice’s review of Shaun’s work; The unpop sound
Monty Python’s The Rutles
The power of dreams and Carl Jung as an artist
Shaun’s comedic dreams, including a Seinfeld episode, and Pilleater’s dream sequence in his Novella “Trip”
Surreal humour; Tim and Eric and Sam Hyde’s Million Dollar Extreme
Occult Mysticism in the Wizard of Oz, Alice and Wonderland, Better Call Saul, and Mad Men
Josh Simmons introduces The White Rhinoceros
The power of Psychedelic drugs; out of body and other worldly experiences
Pop Art inspired by Corporate logos by Whale Song Partridge
The Temple Doctrine; “Fun is the Law”
David Cassidy’s reaction to the Partridge Family Temple


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jay Dyer about Esoteric Hollywood

1980's, aesthetics, Aleister Crowley, Alicia Silverstone, Blade Runner, Carl Jung, Cinema, Conspiracy Theories, Culture, Dark City, David Bowie, David Lynch, Drugs, Dune, Enter The Void, Esoteric Hollywood, Eyes Wide Shut, Film, Film Noire, Hellraiser, Hollywood, horror, horror films, Jay Dyer, John Carpenter, Labyrinth, Literature, Media, Metropolis, Mythology, Natalie Portman, Occultism, Pilleater, Psychology, Religion, Surrealism, The Dark Crystal, They Live, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer. He reviews films at his blog Jay’s Analysis and is the author of Esoteric Hollywood.

Topics:

The entertainment complex and deciphering propaganda
The power of cinematography and aesthetics in film
How computer generated special effects have impacted the quality of cinema
The concept of the Hollywood establishment and speculations about which filmmakers and films are anti-establishment
Why Jay focuses on the symbolism of the films rather then trying to analyse the director’s motive
Stanley Kubrick’s Eyes Wide Shut
David Lynch’s Dune, Eraserhead, Inland Empire, and Lost Highway
Surrealism, Neo-noir, and the David Lynch aesthetic
Jay’s review of David Lynch’s Twin Peaks and Mark Frost’s book The Secret History of Twin Peaks
The Ancient Greek concept of time  being a never ending repeat
The Folk Horror Genre; The Devil Rides Out
Blade Runner
Dark City
Enter the Void
The Dark Crystal
The film Labyrinth, the Jungian achetype of the Labyrinth as the subconscious, and the Labyrinth in Ancient Mythology
The Labyrinth theme in The Shining and Hellbound: Hellraiser II
The symbolism of basements as the subconscious in the films House II and The Hole
The Esoteric Meaning of Time Bandits and the significance of the abyss
Robert Stark’s show about Alicia Silverstone and The Film The Babysitter
Natalie Portman in Léon: The Professional
John Carpenter’s They Live! and Big Trouble in Little China
Jay’s upcoming TV Show with Jay Weidner, which will be aired online at www.Gaia.com


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jasun Horsley

4 Chan, Aleister Crowley, alienation, Architecture, Art, Aspergers Syndrome, Blue Velvet, Cinema, conformity, Culture, David Lynch, Film, Human Bio Diversity, Internet, James Howard Kunstler, Jasun Horsley, Literature, Memes, Mental illness, Occultism, Paul Schrader, Philosophy, Pilleater, Pornography, Psychology, relationships, Sexuality, Social Isolation, Taxi Driver, Travel

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jasun Horsley. He blogs at AUTICULTURE and runs the site Confessions of a Movie Autist

Topics:

Personal experiences with Autism and Aspergers
How society treats people with Aspergers; human alien hybrids
Non-conformity and rejection of social programs
Evolution and Epigenetics
Jasun’s book Homo Serpiens: A Secret History of DNA from Eden to Armageddon, written under the alias Aeolus Kephas
Online subcultures; 4chan culture and Aspergers
The autistic anime reality vision
The occult and meme magic
Jasun’s interest in the Occult as a way to break free from the socially enforced distortion of reality, but latter found it to be an illusion of freedom
How architecture and geography effects psychology
Jasun’s artwork
Jasun’s latest book Seen and Not Seen: Confessions of a Movie Autist
The film Taxi Driver, Travis Bickle as autistic, and the theme of alienation, and violence as a quest for identity
David Lynch’s film Blue Velvet , identifying with Frank Booth, and confronting ones own darkness
Dating advice
Traveling abroad and personal experiences with foreign cultures


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Adam Parfrey

Adam Parfrey, Aleister Crowley, Architecture, Art, Boyd Rice, censorship, Charles Manson, Cinema, Crime, Culture, David Cole, Feral House Books, Film, History, horror, J.G. Michael, Jamie Gillis, Jim Goad, Josh Alan Friedman, Literature, Mid-Century Modern, New York, Occultism, Peter Sotos, Pilleater, Political Correctness, Pornography, Serial Killers, Trevor Brown, Woodrow Parfrey

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and J.G. Michael talks to Adam Parfrey. He is the publisher of Feral House books.

Topics

Opening Song: Adam Parfrey – Rubber Room (Porter Wagoner Cover)
The history behind Feral House books.
Apocalypse Culture
Taboo ideas, shock value, avant-garde art
Jim Goad’s Answer Me!
Joseph P Farrell
Anton LaVey and The Church of Satan
You Will Die and You Can’t Win
American Hardcore
Hipster Hitler
It’s A Man’s World
Killer Fiction, The Gates of Janus, Charles Manson
Ed Wood: Nightmare of Ecstasy
David Cole’s Republican Party Animal
Sin-A-Rama,
Technological Slavery
The Weird World of Eerie Publications
Pacific Ocean Park, Mid-Century Googie architecture
Ye-Ye Girls
Peter Sotos’ Pure Filth Pure Filth about pornographer Jamie Gillis
Experiences with Censorship
Occultism; The book Secret Agent 666 about Aleister Crowley
Adam Parfrey’s play “The Wickedest Man in the World” about Gilles de Rais
Tales of Times Square by Josh Alan Friedman
Citizen Keane by Adam Parfrey
Adam Parfrey’s father actor Woodrow Parfrey; Dirty Harry
Art, and the aesthetics of Feral House’s books
Why Feral House publishes exclusively Non-Fiction


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Check out Robert Stark’s Paintings!




Robert Stark interviews filmmaker Christopher Moonlight

aesthetics, Art, Christopher Moonlight, Cinema, Clive Barker, Comic Books, Culture, David Lynch, Erotica, Film, H.P. Lovecraft, Hollywood, horror, horror films, Music, Occultism, Ray Bradbury, Salvador Dali, Science Fiction

christopher-moonlight

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater interview Christopher Moonlight. Moonlight is a film director and artist. He latest film is The Quantum Terror. Check out his Website, Art Magazine, and YouTube

Topics:

Moonlight’s interest in the horror and sci-fi film genres
The Quantum Terror, crazy monsters, H.P Lovecraft
Puppets in movies, unique story plots, avant-garde films
The film Labyrinth
Movie settings, horror in film, movie monsters
Character’s in Moonlight’s movies
Horror films set in Labyrinth’s including, I Have No Mouth But I Must Scream, Kingdom Come, and The Cutting Room
Moonlight’s theory of the Science-fiction genre
Found footage, Clive Barker, Hellraiser, Alejandro Jodorowsky
H.R Giger, The foundation of Art
Girl in the Window
Emily Bloom
Grindhouse films
Chris’s inspiration from Ray Bradbury, and his work on the documentary Live Forever: The Ray Bradbury Odyssey
Moonlight Art Magazine, Goth culture, comics
Technology, art theory, film innovation, creativity
Hollywood’s demands for films
Moonlight’s cultural influences ranging from Salvador Dali to Tangerine Dream
VHS Tapes, film aesthetics, Folk-Horror


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Check out Robert Stark’s Paintings!




A talk with Luke Ford and Richard Wolstencroft about Occultism, Nationalism, and the Election of Trump

Aleister Crowley, Alex von Goldstein, Alternative Right, American Culture, Australia, Carl Jung, Christianity, Conspiracy Theories, demographics, Depravity, Donald Trump, Environment, Globalization, Immigration, Judaism, Luke Ford, Memes, Morality, Nationalism, Occultism, Orthodox Judaism, Overpopulation, Pepe the Frog, Philosophy, Psychology, Race Relations, relationships, Religion, Richard Wolstencroft, Sexuality, White Nationalism

kek2

 

 

 

 

 

 

 

Robert Stark and co-host Alex von Goldstein talk to fellow Aussies, blogger Luke Ford and filmmaker Richard Wolstencroft

Topics include:

Meme magic and the and theological significance of KEK
Pepe, Kek, and the Rise of an Elder God
Hillary Clinton as the whore of Babylon
Richard’s film The Second Coming, based on the apocalyptic poetry of W. B. Yeats
Richard’s exposure to occultism, and how he came to the conclusion that it is something real, powerful, and potentially dangerous
Jack Parsons’ the Babalon Working, inspired by Aleister Crowley
Wikileaks revealing John Podesta’s involvement in Occultist “Spirit Cooking”
Luke’s point that elite cosmopolitan Jews who are not involved in traditional Judaism, turn to things such as occultism, and how many of the individuals he met in the porn industry dabbled in Satanism
Richard’s story about getting a liver sepsis at age 27, when he was exposed to black magic
Carl Jung’s concept of Shadow Work
Richard’s relationship with Christianity, rebelling against it as a youth, and how his exposure to occultism brought him back to Christianity
How Luke came to Judaism
Luke’s background in porn journalism
Luke’s point that most people crave spirituality in their lives, and if they are not exposed to a traditional religion they will look for that transcendence in other places
Richard porn documentary The Last Days of Joe Blow
Luke and Richard debate sexual morality and promiscuity
Andy Nowicki’s book Confessions of a Would-Be Wanker, about the corrupting nature of sex
The sexual Theories of Wilhelm Reich, which viewed sex as a positive force
Andy Nowicki” Trump, THE PROVIDENTIAL LOUT: GOD’S DEMAGOGUE?
When Did Luke Ford Board The Trump Express?
How Richard became a Trump supporter, and his article TRUMP AND THE METAPOLITICS OF WINNING
Trump’s win may be the beginning of a global nationalist populist wave, and the blowback against the globalist elites
The Way Forward for Trump
Jewish attitudes toward Trump, and how 71% of Jews Voted for Clinton, while 24% Backed Trump, with the exception of Orthodox Jews who supported Trump
Prediction of a white baby boom during the Trump presidency, and how birthrates rise when people have economic stability and a sense of optimism in the future
Richard’s point that overpopulation is the key environmental problem, that we need an economy that is not based on growth, and that humanity should ideally be reduced by 80%
Why Luke see’s Nationalism as the key issue, and all other issues as secondary
Charles Murray’s book Human Accomplishment
Why Luke rejects objective morality of good vs. evil, and see’s different groups in competition for scarce resources

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Check out Robert Stark’s Paintings!