Robert Stark and Pilleater talk to returning guest Count Fosco. Count Fosco has a background in the film industry in Canada.
Topics:
Count Fosco’s background in the Canadian Film Industry
The economic mechanisms for funding the arts
Conservative opposition to funding the arts Robert Stark’s debate with Joseph Dobrian on funding the arts
The cultural left’s influence on grants favoring politically correct demographic groups
Where the free market falls short and the importance of having an economic safety net for artist
Being an artist as a luxury for the rich and the importance of having the right connections and patrons
The fallacy that the best artist are rewarded economically(ex. Van Gogh)
Preferred relative guidelines for artistic funding and support for relative artistic freedom
How grants work for the film industry in Canada Malcolm Gladwell’s 10,000 Hour Rule’ and how it applies to the arts
Should art serve a purpose for society?
Censorship in the Art World
The debate about what is art and what is pornography and the concept of “degenerate art”
Creating new artistic sub-cultures
Low Brow Pop Surrealism
Surrealism from Dali to David Lynch Robert Stark and Brandon Adamson’s Art
The animated series Braceface staring Alicia Silverstone
Robert Stark, Sam Kevorkian, and J.G Michael talk Pilleater. Pilleater blogs at Asian Aryanism and has a Youtube Channel .
Topics:
Pilleater’s article Introducing The Alt-Left
The core basic principles of the Alt Left; Friends, Family, and Freedom
The Alt-Left as starting over again at year zero and replacing everything know as “Left-Wing” such as the Frankfurt School and Postmodernism
If an “Alt-Left” scene is to grow then it can’t fall under the same corrupted and immoral nature of the current “Left-Wing” we have today
Is there room for Identitarianism in the Alt-Left in a future after the postmodern world?
Pilleater denounces the Alt-Right after the failure of the Unite The Right rally in Charlottesville
The Alt-Right as a clusterfuck of misguided LARPy teenagers and intersectional “Identitarians”
Why the Alt-Left will not be hostile against the right wing but will be critical of the trad-fetishization and the close-minded conservative issues they radically uphold
The Alt-Left is about ending the spiritual war between “Left vs. Right” and plans to create a movement that is against dictionary definitions Brandon Adamson’s AltLeft which started as the Left Wing faction of the Alt-Right
Avant Garde Culture such as Jim Goad’s Answer Me!, Adam Parfrey, Boyd Rice, Death in June, Xiu Xiu, Trevor Brown, and Peter Sotos
Brandon’s Adamson’s 60’s Mod Aesthetic and Pilleater’s “Asian Aryan” Anime Aesthetic STEM Supremacy and Kitty Bobo
Comedian Sam Hyde
Robert Stark and co-host Sam Kevorkian talk to Brandon Adamson. Brandon blogs at AltLeft.com, is the author of Beatnik Fascism, and has a Youtube channel Self Checkout.
Topics:
Brandon’s Official Response to Trump’s Remarks on the AltLeft
The context of Trump using the term “Alt-Left” to describe the antfa as opposed to the original Alt Left
The media’s references to Brandon’s Alt Left site and how the only semi accurate one was The Week’s Article
Confusing political hacks with esoteric outlandish cultural references
The “Orange Pill”
How the less aggro elements of the Left and the Alt-Right should combine forces for single payer health care, student debt relief, and the dismantling the College Football Industrial Complex
How massive online censorship forces people to build alternative tech universes
Corporations enforcing a uniform culture of consensus among workers
Companies policing employees behavior outside of work
Why a 6 hour work day would be more efficient People Don’t Think Universal Basic Income Be Like It Is but It Do New Suburbanism
Robert Stark, new Co-host Sam Kevorkian, and retiring co-host Pilleater talk to Brandon Adamson about the Film Cherry 2000(1987). Brandon blogs at AltLeft.com, is the author of Beatnik Fascism, and has a new youtube channel Self Checkout
Topics:
Brandon’s review Cherry 2015 – If Loving A Fembot Is Artificial, I Don’t Want To Be Genuine
The main character Sam Treadwell who is a romantic guy who still longs for a traditional loving relationship and finds courtship with a female android
The depiction of sexual encounters and relationships with real women as complicated legal transactions requiring lawyers, reduced to merely emotionless business arrangements
Contrasting the film with the “Stepford Wives” where the men kill their loving yet sassy wives in exchange for robot sex slaves
How the issue of sex robots has becomerelevant again and it’s implications for the future
The ending of the film where Sam falls for the tracker, “Edith”(Melanie Griffith) whom he hires to help locate the robot
The theme of a journey and the popularity of road trip films in the 80’s and 90’s(ex. Chevy Chase in “Vegas Vacation”)
Pamela Gidley as Cherry 2000 and her role in the Twin Peaks prequel “Fire Walk With Me”
The 80’s aesthetic of the film
The dystopian theme where cities are deserted and overrun with criminals; comparisons to “Mad Max”
Locales depicted in the film including Las Vegas, the Hoover Dam, and the Citadel Outlet Mall Self Checkout – Becoming a New Suburbanist
Intro: Compare and Contrast
How Brandon got into making music in the mid 90s (weird early releases like Birthday Boy)
The meaning of songs on the EP, “Compare and Contrast”
How some lyrics were taken from poems in Beatnik Fascism
The song For a Sunny Day inspired by The Sunrays – I Live For The Sun
90’s Indy music and how the artsy indie music scene seems dead
Influences of 60’s mod bands and 90’s mod revival bands like Majestic
How Brandon never liked or could relate to the Beatles or Rolling Stones but mostly only obscure and forgotten bands from the 60’s
Minimalism in music
Brandon’s interest in the 60’s mod style in music and design
Brandon’s album cover designs and inspiration from 70’s advertisements
Majestic’s Live It Up! album cover design
Songs inspired by 80’s cartoons and commercials
80’s Mall culture, DeadMalls, The demolition of the Metro Center Mall in Phoenix, and Brandon’s interest in the Logan’s Run aesthetic Beatnik Fascism by Brandon Adamson (review by Pilleater)
Outro: Something Fun a Trampoline
Robert Stark, co-host Pilleater, and Brandon Adamson talk to Leisure Suit Larry Creator Al Lowe
Topics:
The music from the game
1981’s Soft Porn Adventure
How Al wanted to make a comedy game
The main character Larry Laffer
Larry as a loser and sleazy, but guys can relate to him probably more than they would want to admit
How young people today are able to identify with the character of Larry through their online dating adventures
The fan song feel like leisure suit larry
Al’s point that the game is not about the “sleaze” but a satire
The portrayal of women in the game who get the upper hand on Larry
How the early games had only text and no voice for Larry
The Adult Video Game genre and nudity in the game
How the old Larry games were difficult, and you could actually get stuck if you forgot to do something or ran out of money, and there were totally unpredictable ways of dying. In some cases clues were very minimal
The groundbreaking software innovations of Sierra Entertainment in the 80’s
The aesthetics of the game, Vaporwave and 80’s nostalgia, and Al’s point that he was just going with the style and limited color pallet of the time
Video Games as Art
Brandon’s point that the essence of the game is exploration rather than winning
Nontoonyt Island, the tropical setting in Leisure Suite Larry 2 which has been transformed into a resort
The Casino Aesthetic, City of Lost Wages, and “Ceasars Phallis”
How in Leisure Suit Larry 5 (1991) there’s a “Tramp International Casino” which is clearly a reference to Trump and now Trump is president The Alicia Silverstone look a like in Leisure Suite Larry 6
The process of creating a character
“Save Early, Save Often”
Rumors that Glen Quagmire from Family Guy was based on Larry Laffer
The Planned Leisure Suite Lary TV show in the 80’s with Sony
The Leisure Suite Larry Calendar
The Leisure Suite Larry look a like contest
The Reloaded Edition
Sierra’s Game “Kings’s Quest”
The Game “The Manhole”
Al’s game Torin’s Passage
The effects of political correctness on video games
Al’s free daily jokes at his Humor Site
The creation of Trip and Pilleater’s other new book Almond Eyes, Baby Face
Cause & Effect’s Trip album
The main characters Tom Delunge and Daisy Liang
Information Society –Pure Energy
Tom Delunge as an alter ego of Pilleater, Robert Stark as Howard Festler, and Rabbit as Turtle
Sex and Race-Play in the book
Tom’s stand-up comedy as a way to deal with his past trauma
Asian-Aryanism as a new sub-culture
Porn Actress Harriet Sugarcookie, Franny Choi, and avant-garde Asian culture(Amped Asia Magazine, Alt-Porn)
Asian-Aryanism as the new street or “queer theory” culture, synergizing the Alt-Right/Left, Adam Parfrey’s Apocalypse Culture, and Asian studies
The setting of Santa Barbara, West Coast America
Chinese vs Japanese culture
Tom’s dreams; the subconscious dream becomeing a reality; Phillip K. Dick’s VALIS, and the film Monkeybone
SJW culture and the “Yellow Feminist” Jack Kerouac’sOn the Road and the cliche of road trip stories in film
Socioeconomics, snob culture, and the fetish of youth culture
Named after the main character in a sleazy 1970’s romance novel, “(The Flame and the Flower,)” Brandon Adamson is a writer/poet/musician/artist, who currently resides in Phoenix Arizona. He has been writing since 1995, and his work has appeared in many magazines, blogs and literary journals over the years.
Brandon began recording experimental indie music in the mid 90’s. He has put out dozens of singles and a few limited release albums, and continues to write and release new songs. As a futurist who has always been fascinated with the mid century modern aesthetic, culture and associated philosophies, the space age influence is apparent in much of Brandon’s writing and art.
Topics include:
How the book’s title is a reference to a Twilight Zone Episode about Beatnik Fascist Aliens who land on earth
How Brandon relates to the non-conformity, curiosity, and the courage to do something different of the Beats
How the Beats were a much more authentic and culturally elitist group than the Hippies
How many of the Beats including Jack Kerouac expressed politically incorrect views
Beatnik Romantic racism and how it’s a precursor to Hipster racism
How dissidents such as nationalist and anti-consumerist are the non-conformists of today, and resist the pressure to fit in
How even within alternative political movements, people are still non conforming and alienated(ex. Futurist, and those with left and center views within the Alt-right)
How the message of the book is both ambitious about the future but also black pill in a realization that most of us are on our own.
The poem “Antiquated Formula”about visiting an antique store that explores Brandon’s interest in Greco-Roman Artifacts and Retro-Futurism
How Retrofuturism not only shows us what could of been but offers blueprint for the future
The poem “Barrelsville 2292” about Las Vegas, and how the city both symbolizes crass commercialism, and a retro-futurist fantasy world where anything is possible
The poem “The Distracted Actors,” about how what we are distracted by defines the future of civilization
Brandon’s point that real freedom is not being able to do what ever you want, but to live in the kind of society you want to live in
How Brandon envsions the United State’s carved up into small city states with their own unique cultural aesthetics Brandon’s article from 2011 advocating for Donald Trump as a dissident candidate for president which he never got credit for
Why Donald Trump is losing because he is pandering to conservatives, and how he can win by being himself
