How Matthew discovered the Stark Truth via the interview with Jamie Stewart from Xiu Xiu
Matthew’s political transformation from a Leftist to a “Starkian” Alt-Centrist
The connection between politics, sexuality, and aesthetics Beyond Liberalism: A Political New Wave Neonationalism; nationalism and politics based on aesthetics
Creating an Archeo-Futuristic sub-culture that is so aesthetically pleasing that it can out-compete Liberal-Universalism and Global Capitalism
Architecture as a form of erotica The Alt-Of-Center Guide To Aesthetic Warfare
The phenomenon of progressive cultural interests gaining an identitarian consciousness
The scene as the inevitable result of urban, middle to upper class “SWPL’s” becoming “Red Pilled” The Idea of Homonationalism San Fernando Valley Photo Essay and Neon Signage on Ventura Blvd
Income inequality and the demographic transformation of The Valley and LA
Robert Stark talks to Brandon Adamson about his new photo essay and collection of poetry Skytrain to Nowhere. Purchase Skytrain to Nowhere in Paperback on Lulu, in eBook PDF, and on Amazon.
Brandon Adamson is a writer who currently resides in Phoenix, Arizona. He has been writing since 1995, and his work has appeared in many magazines, blogs and literary journals over the years. Brandon blogs at AltLeft.com.
Topics:
The book is made up of poems resulting from the author’s experiences riding the skytrain at Phoenix Sky Harbor Airport
How the book was loosely inspired by Keith Gunderson’s A Continual Interest in the Sun and Sea
Brandon’s style and method of writing poetry
How there is very little offensive material in the book compared to previous works
The photographs in the book
How the skytrain doesn’t really go anywhere but an imaginative person will envision potential destinations and explore the possible ways in which this kind of technology could be used
The skytrain as a vehicle for escapism
The airport as the blueprint for self contained cities
Disneyland as also a model for self contained cities
How the author’s fascination with skytrains and monorails originated with trips to Disneyland and Disney World in the 1980’s
The importance of always staying on the move in life and never getting too comfortable
The Retro-Futuristic themes in the book
The Retro-Futurist’s dilemma of wanting to embrace the future while being inspired by nostalgia and having to determine what’s worth holding on to
The poem Treadmill to Neonopolis named after the place in Las Vegas
Mythological references in the book (Atlantis, Icarus, etc)
Al Barna is a San Francisco photographer and artist whose work has been shown in exhibitions at the de Young Museum, the Legion of Honor Museum, the Rayko Gallery, the San Francisco Public Library, and the San Francisco Arts Commission Gallery. His photography has been published in CA Modern magazine, Society of Commercial Archeology Journal, The Sun magazine, and Shots magazine. www.albarna.com
Randall Ann Homan began her interest in the art of signage as an apprentice sign painter in Flagstaff, Arizona. She lives in San Francisco and is an art director, photographer, and an award-winning graphic designer. Someday she would like to design a neon sign. www.giantorange.net
Topics:
The history of Neon in San Francisco
Neon Walking TOURS
Historic Preservation and how San Francisco has lost the least of it’s signage of any major city
Market Street, it’s history as a Neon hub, and the failed Mid-Market Sign District Proposal The Starlight Room at The Sir Francis Drake Hotel in Union Square
Other signs near Union Square including Tad’s Steak House, Marquard’s Cigar Store, The Stratford Hotel, and the Herbert Hotel
Parking Garage Neon near Union Square
The Tenderloin
Chinatown which has the highest concentration of signs in the city though many are unlit The Lady from Shanghai directed by Orson Welles
Broadway in North Beach
Columbus Street in North Beach
Fisherman’s Wharf; Alioto’s, Fisherman’s Grotto, The View Alcatraz Sign, The Cannery and Ghiradelli Square
Bar signs including the 500 Club Martini sign in the Mission District The Coca-Cola Company Replaced the Landmark Outdoor Neon Sign with LED
Animated Signs
The Embarcadero Center’s LED bulb signs
The Port of San Francisco Sign at The Ferry Building
Oakland’s signs including the Paramount Theatre
The Orinda Theatre Rheem Theatre closes it’s doors in Moraga
Santa Cruz, The Boardwalk, and The Del Mar Theatre
Jim Rizzo of Neon Works in Oakland who rescues and restores signs Stookey’s Club Moderne which has a brand new Art Deco style sign NEON SPEAKS: Symposium & Spotlight Forum The Museum of Neon Art in Glendale, California
Will Durham’s Neon Museum in Reno
Robert Stark and co-host Cartrell Payne(The Adventure Kid) talk to Peter Moruzzi. Peter was born in Concord, Massachusetts and raised in Hawaii, he graduated from the University of California at Berkeley and later attended the American Film Institute in Los Angeles. In 1999, he founded the Palm Springs Modern Committee (PS ModCom) an architectural preservation group. He is the author of “Havana Before Castro: When Cuba Was a Tropical Playground,” “Palm Springs Holiday: A Vintage Tour From Palm Springs to the Salton Sea,” “Classic Dining:Discovering America’s Finest Mid-Century Restaurants,” “Palm Springs Paradise: Vintage Photographs from America’s Desert Playground,” and “Greetings from Los Angeles.”
Growing up in Los Gatos which is a small town on the edge of the Silicon Valley
Studying architecture at USC and observations on LA
Art Deco and Mid Century Modern Architecture in LA
New Urbanism and Retrofitting suburbia
The Bay Area Housing Crisis and the importance of developing smartly while protecting greenbelts
How ugly architecture leads to NIMBY sentiment and why the YIMBY movement needs to address aesthetics California Senate bill would force more dense housing near transit hubs
Working on a redevelopment project at the Walnut Creek BART Station
San Francisco’s SOMA district’s new skyline
San Francisco’s new Transbay Terminal
Architect John C. Portman; The Embarcadero Center and Hyatt in San Francisco and the extension of the urban realm to the inside
Architect Jon Jerde; his projects including Westside Pavilion and the Universal City Walk in LA, Horton Plaza in San Diego, and the Wynn and Bellagio in Las Vegas
Architect William Pereira who designed the Trans-America Pyramid in San Francisco
Brutalism
1980’s architecture and whether it will make a comeback
Frank Gehry
Modernism vs. Postmodernism and where to draw the boundary
How current architecture lacks one cohesive aesthetic
Adam’s work as an architect in China, master planned projects, and observations on architecture in China Winner Take All? Richard Florida’s ‘New Urban Crisis’
How to accommodate families in cities
Robert Stark talks to Lynn Zook about her new book Gambling on a Dream Volume 2:. This second volume of a two-part multimedia book tells the fascinating story of the Las Vegas Strip hotels built during the turbulent years of cultural and societal change, 1956-1973. Nowadays, alongside traditional casinos, people can go online to sites such as togel singapore for easier access to their gambling/lottery needs. In the digital age in which we live today, online gambling has really taken over the world. This is indicated by the number of people using parhaat nettikasinot (the best online casinos) for entertainment or as preparation for a real casino setting. Competition is still fierce though. Online casinos have to offer bonuses and other initiatives to tempt gamers in. Want to learn How to receive the first deposit bonus? If so, doing some research on casino review websites is strongly recommended. Back to the book though, Lynn Zook also runs the website Classic Las Vegas, and has produced an hour-long, first person narrative documentary on the history of Las Vegas entitled “The Story of Classic Las Vegas. Check out Robert Stark’s first interview with Lynn Zook on Gambling on a Dream Volume 1.
Topics:
Lynn’s first book Gambling on a Dream: The Classic Las Vegas Strip 1930-1955
Lynn’s interest and personal connection to Vintage Las Vegas
Caesars Palace
The Hacienda
The Stardust
The Aladdin
The original MGM Grand which is now Bally’s
The International which is now the Westin The English Tudor themed Tally Ho which was built by the creator of Yahtzee
How the Tropicana and Circus Circus are the last two remaining from this era
The Sin City Era
The Rat Pack and Frank Sinatra
The showrooms and variety show performers
The role of the Mob
Historic Preservation and the Neon Museum
Lynn’s upcoming book on Fremont Street and Downtown
Robert Stark and co-host Pilleater talk to Count Isidor Fosco about the Film Blast From The Past(1999) starring Brendan Fraser and Alicia Silverstone.
Topics:
The plot summery; Adam Webber(Brendan Fraser) comes out from a nuclear fallout shelter after 35 years
The culture shock when Adam emerges in the 90’s and thinks he is in a zombie overrun dystopia
Adam’s father scientist Dr. Calvin Webber(Christopher Walken) who builds the fallout shelter
The stereotype of a 1950’s father vs. Calvin as a Utopian and idealist
The beginning of the film during the Cuban Missile Crisis, the Cold War Theme, and the cultural “nuclear war”
The “education” of Adam; his homeschooling makes him appear “aristocratic” to women
The bunker as an analogy for isolating one self from society and the pros and cons of doing so
How Adam manages to win the Psychosocial narrative by playing by his own rules
The concept of “Eternal Return” as it is shown at the end of the film
The trend of having nostalgia for past eras and the mid century aesthetic
Political agendas in film and conservatives uncreative critiques of Hollywood
The formulaic narrative of romantic comedies and how it works for the film
The comic element in the miscommunications and what makes good comedy
Brendan Fraser as a 90’s icon, his comic style, and his other films
The allure of Alicia Silverstone and how her character compares to her roles in films such as The Crush, Clueless, and The Babysitter
The Transformation of Alicia Silverstone’s character Eve
LA depicted in the film, the San Fernando Valley, and Pasadena
Pilleater on Tess Haubrich as Rosenthal in the new film Alien Covenant
Australian director Alex Proyas, his background in Punk, and his style
Proyas’s films The Crow, Gods of Egypt, and Knowing
Proyas rebelling against the conformity of Hollywood Cinema
Comparisons to the Matrix which came out a year later and the theme of a meta reality
The setting of the City in a Space Ship disconnected from earth, the theme of parallel universes, and comparisons to the Truman Show
The role of “the Others” in the film; the metaphor for powerful people who manipulate reality from behind the scenes
How the others switch peoples memories and give them false memories; comparisons to Ghost in a Shell
The Gothic and Neo Noire Genres
The aesthetics of the film; Decopunk, Metropolis, Edward Hopper, and other influences
The irony of dystopian films is that they often succeed in creating utopian aesthetics
The films success in building upon the sense of mystery
The theme of man becoming a “God Like” figure restructuring society as a utopia
Plato’s allegory of the Cave and the Ship of Theseus
The symbolism of Shell Beach
The directors cut vs. the theatrical cut
Intro: Compare and Contrast
How Brandon got into making music in the mid 90s (weird early releases like Birthday Boy)
The meaning of songs on the EP, “Compare and Contrast”
How some lyrics were taken from poems in Beatnik Fascism
The song For a Sunny Day inspired by The Sunrays – I Live For The Sun
90’s Indy music and how the artsy indie music scene seems dead
Influences of 60’s mod bands and 90’s mod revival bands like Majestic
How Brandon never liked or could relate to the Beatles or Rolling Stones but mostly only obscure and forgotten bands from the 60’s
Minimalism in music
Brandon’s interest in the 60’s mod style in music and design
Brandon’s album cover designs and inspiration from 70’s advertisements
Majestic’s Live It Up! album cover design
Songs inspired by 80’s cartoons and commercials
80’s Mall culture, DeadMalls, The demolition of the Metro Center Mall in Phoenix, and Brandon’s interest in the Logan’s Run aesthetic Beatnik Fascism by Brandon Adamson (review by Pilleater)
Outro: Something Fun a Trampoline
