Category Archives: aesthetics

Robert Stark interviews Pilleater about Music & Manga

1980's, 80's music, 90's music, aesthetics, Akira, Alex von Goldstein, Alternative Left, Anime, Architecture, Art, Asia, Asian Aryanism, Asian Culture, Cinema, Cities, counterculture, Culture, Erotica, Film, Futurism, Gender, Homosexuality, Italo Disco, Japan, Japanese Culture, Multiculturalism, Music, Neon, Patalliro!, Pepe the Frog, Peter Sotos, Pilleater, Pornography, Race Relations, Retro Futurism, Science Fiction, Synthwave, Vaporwave, William Gibson

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Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudios, pso119, and kingtrode.

Topics include:

The intro song, pissedoffindianman by Pilleater , which features clips of Jared Taylor
Jared Taylor’s Shadows of the Rising Sun: A Critical View of the Japanese Miracle(1983)
How Pilleater was exposed to electronic music at a young age, and became a Chiptune musician at age 16 as DJ Qudo
Latter on Pilleater got into Noise music, such as Whitehouse, and Digital hardcore bands, such as Atari Teenage Riot, and KMFDM, who are controversial due to the Columbine Shooters
Oneohtrix Point Never, who was the forerunner to Vaporwave
Japanese Pornography similar to what you might see at websites such as teeni, and Pilleater’s point that it has a nationalist communal nature
The Ganguro culture in Japan, where girls tan their skin and bleach their hair, and is common in porn
Pilleater’s favorite music genre Eurobeat from the 90’s, it’s popularity in Japan, his favorite artist Bratt Sinclaire, Sinclaire’s song Running in the 90’s, and it’s origins from Italo disco from the 80’s
Generic Euro Dance(ex. Aqua and Dj Sammy)
The Italo disco song Shadilay, which came out in the 80’s by a band P.E.P.E with a frog on it’s album cover, and it’s esoteric Lyrics
Examples of Italo Disco include the global sensation Baltimora’s Tarzan Boy, and Pilleaters favorites, BRIAN ICE – Talking to the night, Eddy Huntington – Up And Down, and Lama – Love on the rocks
The New Retro Wave Genre of music that emerged in the mid 2000’s, inspired by 80’s New Wave and Italo Disco(ex. FM Attack, Lifelike – So Electric, Electric Youth, College, Kavinsky)
The French House band Daft Punk and their use of anime
Chicago house music
Vaporwave, and it’s nostalgia for William Gibson’s Neuromancer’s Japan
William Gibson’s Idoru
The anime film Akira(1988), set in a post apocalyptic Japan, and how it’s influenced Vaporwave, Cyberpunk, and New Retro Wave
The manga Patalliro!, about a ten year old cross dressing king, it’s colorful Art Nouveau aesthetic, it’s influence from
H. P. Lovecraft, and it’s taboo themes
Asian Aryianism and whites living vicariously through Japanese culture
Themes of Asian Aryanism in The Legend of Zelda, which combines Japanese and Medieval European Aesthetics
Asian Aryan themes in Vaporwave with Roman busts and Japanese aesthetics
The minimalist Japanese vs. Chinese aesthetics
How each music genre has it’s own unique aesthetic
The Seapunk electronic genre, which uses Sega Genesis imagery(ex.UNICORN KID)
Dark wave, which is apocalyptic electronic music from Germany(ex. Project Pitchfork, and Dunkerwerk)
Betsy & Chris, the white Hawaiian folk music duo, who sang in fluent Japanese
Stereolab, which reminds Pilleater of Rabbit’s AltLeft
Why Alex thinks Michael Jackson is an Alt Left Icon
Sam Hyde and Tim & Eric on Adult Swim
Pilleater’s upcoming book, “Almond Eyes, Baby Face,” a collection of short stories on Asian Aryanism

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Robert Stark interviews Paul Bingham about Wyndham Lewis, Ernst Jünger, & Italian Futurism

aesthetics, Aleister Crowley, Alex von Goldstein, Architecture, Aristocratic Individualism, Art, Art Deco, Carl Jung, Cities, Cuisine, Culture, Drugs, Ernst Jünger, Fascism, Filippo Marinetti, Futurism, Italian Futurism, Italy, Paul Bingham, Science, Science Fiction, technology, Transhumanism, War, Wyndham Lewis

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Robert Stark and co-host Alex von Goldstein talk to Paul Bingham. This show is a continuation of our discussion about Aleister Crowley and Aristocratic Individualism

Topics include:

How Wyndham Lewis, Ernst Jünger, Aleister Crowley, and the Italian Futurist, were individuals who existed outside the liberal reactionary/traditionalist paradigm, and viewed the world in a realist way unbiased by ideology
The cult of Positivism
Italian Futurism, how it was marginalized due to it’s ties to Mussolini, but made a major impact on the arts
How Ayn Rand was influenced by Italian Futurism
Robert Stark’s talk with Rabbit about Italian Futurism
Wynham Lewis’s Vorticist movement, his magazine Blast, and his Rebel Art Centre
The philosophy of the Vortex, which views everything as energy constantly in motion
The rivalry between Italian Futurist Filippo Marinetti and Wyndham Lewis, and how Lewis critiqued Italian Futurism for putting to much emphasis on technology
Wynham Lewis’s The Art of Being Ruled, which made the case that the artist was the best to rule, and that capitalism and liberal democracy suppressed genuine cultural elites
How the book addresses Transsexualism, and anthropological findings on the Third Sex
Kerry Bolton’s essay on Wyndham Lewis
Lewis’s relationship with fascism, how he published the book Hitler (1931), which presented Adolf Hitler as a “man of peace,” but latter wrote an attack on anti-semitism: The Jews, are they human?( 1939)
The influence of war and violence on Italian Futurism
The Manifesto of Futurism
The Futurist Cookbook
Futurism is about testing what works, and rejecting traditions that don’t work
The futurist believed that every generation should create their own city, and futurist Antonio Sant’Elia’s Plan for Città Nuova (“New City”)
Paul worked on a book that was never published, “The Motor City and the Zombie Apocalypse,” about how the motor city is incompatible with human nature
The effects of global technological materialism on culture, and how technology needs the right people and culture to work
Jean Baudrillard point that the Italians have the best symbiosis between culture and technological progress
The Transhumanist concept of Cybernetics, which is rewiring the brain, and how the futurist used poetry as a precursor to cybernetics
Paul’s point that futurist movements such as cyberpunk, and Neoreaction are more focused on Live action role-playing, but are not serious about pushing the limits
The intellectual and transcendental value of LSD and DMT, Ernst Jünger’s experimentation with acid, but they are only effective if the right people use them
Paul’s point that the only real futurist are underground, and experimenting in third world countries
Aristocratic individualism, and Paul’s opinion that Ernst Jünger is the best example, and Jünger’s concept of the Anarch
Ernst Jünger’s science fiction novel The Glass Bees
Ernst Jünger’s “The Worker”


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Robert Stark interviews Director Matthew David Wilder

aesthetics, Alex von Goldstein, Cinema, Clive Barker, Culture, Film, Film Noire, Hipsters, Hollywood, horror, horror films, Las Vegas, Los Angeles, Matthew David Wilder, Millennials, Oliver Stone, Paul Schrader, Philip K. Dick, Political Correctness, Science Fiction, Theatre

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Robert Stark and Alex von Goldstein talk to Director and Screenwriter Matthew David Wilder

Topics include:

Matthew’s background, growing up in a trailer park in Des Plaines, Illinois,  studying theatre at Yale, and his mentor Peter Sellars
Matthew’s first major project was writing for Clive Barker’s The History of the Devil
Matthew’s work with Oliver Stone on a film about the war on terror right after 9/11 which was never released
The film Dog Eat Dog, staring Nicolas Cage and Willem Dafoe, written by Matthew, directed by Paul Schrader, which will be released to theatres next month
Matthew directed, and wrote Your Name Here, staring Bill Pullman, which is a surreal dramatic fantasy biopic loosely based on the life of Philip K. Dick
Director Paul Schrader, how he inspired Matthew as a screenwriter, and his concept of the monocular film, which is one protagonist alone against the world
The notion of God’s lonely man, and how Matthew wrote a one act play in college by that name
Film noir, the aesthetic, the story of fate hanging over the characters, and the Neo-noir genre
Matthew’s interest in combining genres, rather than sticking with one particular one
Brett Easton Ellis praises Matthew in his interview with Paul Schrader
Matthew’s upcoming film Morning Has Broken, about a young runaway girl who moves in with a seemingly harmless, elderly, Academy Award-winning songwriter, staring Lydia Hearst and Peter Bogdanovich
Matthew’s point as a filmmaker, that what influences you is not the most obvious
The importance of breaking taboos, and taking the audience out of their comfort zone
The upcoming film, the Looking Glass, written by Matthew, staring Nicolas Cage, about a couple who buy a desert motel where they find out that strange, mysterious events occur
The film is inspired by a story of a motel owner who watched guest have sex through peep holes, and David Lynch’s film Lost Highway
Mid-century Roadside Architecture and Vintage Vegas
Matthew’s political views, how he identifies with the left on the hard issues, but is critical of the micro-issues and political correctness
Alex’s point that troll culture is a form of critiquing society, and how that’s lacking in Hollywood today
True Detective
LA culture, vapid conversations in coffee shops, obnoxious roidheads, and capturing LA in film
Matthew’s experiences directed a play at CalArts, and his observations of young actors wanting the celebrity status more than valuing the content of the work
The shortened attention span and how it effects our culture
Alex’s point that there is no longer a mainstream culture, and people have the freedom to find their own creative niches


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Robert Stark interviews Bay Area Guy about the SF Bay Area and the FIRE Economy

aesthetics, Alex von Goldstein, American Culture, Banking, Bay Area Guy, Bay Area Renters Federation, Bernie Sanders, capitalism, Cities, Corporations, Culture, Distributism, Economics, Environment, FIRE Economy, Hillary Clinton, Killing the Host, Lafayette CA, Michael Hudson, Neoliberalism, Oligarchy, Radical Center, San Francisco, Scott Smith, Sonja Trauss, Suburbia, Taxation, Third Way Economics, Tobin Tax, Urbanism, Usury, Wall Street, Wealth

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Robert Stark, Rabbit & Alex von Goldstein talk to Bay Area-based blogger Bay Area Guy of  Occident Invicta

Topics include:

Bay Area Guy’s article The Bay Area and the FIRE Economy, which reviews Robert Stark’s interview with Laura Foote Clark of Grow SF
How as a renter in the Bay Area this issue personally effects Bay Area Guy
The role that Banks and the FIRE sector play in driving up the cost of real estate
Bay Area Guy’s point that he does not want the Bay Area to become like SoCal: an environmental eyesore characterized by track housing and strip malls
However Bay Area Guy does endorse Laura’s proposal of having Silicon Valley become more urbanized
The role that mass immigration plays in the housing crisis on top of the FIRE economy
Bay Area Renters Federation’s Sonja Trauss: Advocating for Housing Development in San Francisco
San Francisco Bay Area Renters’ Federation‘s lawsuit against the city of Lafayette over a development
The argument that white NIMBY’s oppose development because of diversity, and Bay Area Guy’s article, “Diversity” is Simply Code for “Non-white”
Bay Area Guy’s review of Killing the Host by Michael Hudson
The FIRE economy, which is an economy based on Finance, Insurance, and Real Estate sectors
Michael Hudson’s proposal to tax unearned income(ex. Tobin tax)
The goal of a fair tax policy should not just be to redistribute wealth, but also to punish predatory behavior, and incentivize productive behavior
How Michael Hudson invokes the arguments of Classical Liberals such as Adam Smith, and John Stewart Mills, who distinguished between earned and unearned income
Unearned income is any wealth not generated by production or labor
Debt and living paycheck to paycheck is the road to serfdom
How the majority of people’s income goes towards unearned income(ex. rent, insurance, mortgages)
How lower wages are bad for the economy, because consumers have less money to spend
Wikileaks: Hillary Clinton Calls Bernie Sanders Supporters Basement Dwellers, and that she viewed Wall Street as best to manage the economy
The Calvinist mentality in American culture, that your worth is based on your wealth
What makes Hudson’s book so brilliant is he points out that the ultra rich make their money through unproductive or predatory ways
Examples of countries that have moved away from the FIRE economy include Germany and Japan, who have a high end manufacturing base
In contrast the FIRE economies of the United States and the United Kingdom became dominant using protectionist and mercantilist measures, but liberalized their economies later on
Why Universal Healthcare and Public investment in infrastructure benefit the economy
Michael Hudson debunks supply side economics by pointing out the rich spend most of their extra income on products they already own, or lend their money out at interest
How the concept of a free market has been twisted from freedom from the rentier economy, into letting the financial sector do what ever they want
Michael Hudson’s point that the primary function of banking is not to fund business or stimulate the economy, but to bid up assets already in place, and attach debt to rents


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Robert Stark talks about Mishima, Taxi Driver, & Aristocratic Individualism

1980's, aesthetics, alienation, Aristocratic Individualism, Art, Asia, Asian Culture, Cinema, conformity, Ellliot Rodger, Erotica, Fashion, Film, Futurism, Gender, Globalization, History, Hollywood, Homosexuality, Japan, Japanese Culture, Literature, Loserdom, Mishima A Life in Four Chapters, Music, Neon, New York, Nietzsche, Oscar Wilde, Paul Schrader, Philosophy, Pornography, Psychology, Retro Futurism, Sexuality, Social Isolation, Social Rejection, social status, Taxi Driver, Vaporwave, Yukio Mishima

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Robert Stark discusses the films Mishima: A Life in Four Chapters and Taxi Driver

Topics include:

Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. Tolkien, Aleister Crowley, Oscar Wilde, H. L. Mencken, David Lynch, Richard Wolstencroft, Salvador Dalí, Jonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting  against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City
New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave)
Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art
Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and  Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters

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Robert Stark, Rabbit, and Alex von Goldstein talk about the 2nd Presidential Debate, Milo & the Alt Left

1980's, aesthetics, Alternative Left, Alternative Right, Culture, Donald Trump, Economics, Immigration, Malls, Milo, Political Correctness, Robert Lindsay

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Trump’s debate performance far exceeded the first debate, and was consistent yet combative from the beginning
How despite that Trump did more to solidify his base, rather than appeal to undecided voters
How Trump responded to the leaked lewd comments of his
Trump vows to get rid of carried interest loophole, despite his support for tax cuts for the top 1%
WikiLeaks Dump: Hillary Dreams of ‘Open Trade and Open Borders
Excerpts from $Hilary Clinton$’s $Wall Street Speeches$
How Hillary Clinton represent the worst of both the left and right(ex. corporate plutocracy, anti-worker, anti-white and male discrimination, and a Neoconservative foreign Policy)
In contrast, Bernie Sanders proposed policies that would of benefited the working and middle classes, and like Trump posed a threat to the establishment
How the political ideal would be to combine the best aspects of Trump and Sanders(ex. Radical Centrism)
How Trump’s economic policies are not ideal, but he is going as far as he can within the limits of the GOP’s overton window
Healthcare in the debate, how Trump focused on criticizing Obamacare, but only briefly touched on his proposal to allow insurance companies to compete over state lines
Robert’s point that in the American Healthcare model your screwed if you can’t afford healthcare, but in the public model in England where he lived everyone gets healthcare, but the quality is not the same as private hospitals in the United States
Rabbit’s point that socialized medicine works best in small homogeneous societies, but not on a large scale in the United States
Robert’s point that the Swiss Model for Health Care is the best out of existing models, but ideally insurance should be a usury free public utility
Trump correctly admitted Russia, Iran and Assad are a counter balance to ISIS and Wahhabism, to the dismay of GOP foreign policy hawks
Why there needs to be restrictions on democracy
Rabbit’s article A Proposal To Go Away, about the Alt Left, and how many of the new members are saying that Rabbit isn’t Alt Left, despite being involved much longer
How Alt Left founder Robert Lindsay has been involved in left race realism  for a long time
The article Sub Types on the Alternative Left, and how Rabbit, as well as Robert and Alex fit into the Left Wing of the Alt Right
How the Trump’s campaign, Milo, and Breitbart are bringing mainline conservatives into the Alt-Right, and the Alt-Left is attracting disaffected Bernie Sanders supporters, who still hold onto a degree of political correctness
Rabbit’s article Milo Inc. – Not One of Ours Either, about how Milo is a mainstream capitalist conservative not Alt -Right, and supports importing foreign tech workers, and a neoconservative foreign policy
How despite that Milo has been useful in trolling political correctness
How Rabbit’s socially liberal views, and interest in futurism and modern art often make him feel out of place in the Alt-Right
Robert’s point that the Alt-Right is adopting Retro Futurism, New Retro Wave/Synthwave, and Vaporwave(ex. Alt-Right Synthwave Artist Xurious)
Rabbit’s response that they are attracted to the aesthetics and popular memes, but still hold onto reactionary traditionalist views
Rabbit’s article Blood, Soil and Food Courts, about the demise of the 70’s and 80’s malls

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Robert Stark talks about his trip to the San Francisco Bay Area

1980's, aesthetics, Alex von Goldstein, Alternative Right, American Culture, Anatoly Karlin, Architecture, Asian Culture, Berkeley, California, Consumerism, Crime, Culture, decentralization, demographics, Diversity, Environment, Futurism, Gender, gentrification, Grow SF, Historic Preservation, Immigration, John C. Portman Jr, Lafayette CA, Laura Foote Clark, localism, Los Angeles, Mass Transit, Mount Diablo, Neon, New Urbanism, overdevelopment, Photography, Police, Political Correctness, Rabbit, Race Relations, Radical Center, San Francisco, Santa Barbara, Silicon Valley, Skyscrapers, Suburbia, Travel, Urbanism, Vaporwave, Walnut Creek CA

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Robert Stark, joined with Rabbit, and Alex von Goldstein talk about his recent trip to the SF Bay Area

Topics include:

Robert’s departing point Santa Barbara, which is a nice laid back coastal town, but under the cultural influence of LA
Robert Stark’s podcast with Bay Area Guy about his last trip to SF
Robert met up with Bay Area Guy and Anatoly Karlin in Berkeley
How like Robert, Alex, and Rabbit, Bay Area Guy and Anatoly Karlin exist on the periphery of the Alt-Right(ex.The Radical Center, Alt Left)
The Cultural Leftist legacy of Berkeley, and how Anatoly Karlin spoke at Richard Spencer’s event at UC Berkeley
How places that are politically correct often produce interesting dissident thinkers
How Berkeley is on a scale similar to European cities(ex. small, compact, dense and walkable)
How transplants often adopt the stereotypes of cities
Demographic trends in the Bay Area, how the traditional white middle class is being pushed out, but also working class Blacks and Hispanics are being priced out through gentrification
Asian culture and immigration in the Bay Area, and Asian Majority Cities, including Daly City, where Robert stayed
The seedy Tenderloin District, urban grittiness, and how it reminded Robert of the film Taxi Driver
The film Dirty Harry
The BART(Bay Area Rapid Transit) System, which has a 70’s futurist aesthetic, and has had issue with crime
The film Fruitvale Station about a Police incident on BART in Oakland
The 70’s futurist Embarcadero Center, designed by architect John Portman, and the importance of having urban oasis’s
How the Silicon Valley is a bland suburban region, which demonstrates that technology has limitation without culture and aesthetics
The Shortage Of Women In Silicon Valley
How the area where the tech elite lives has wilderness preserves, in contrast with their support for mass immigration
How the Bay Area has done a better job at Wilderness Conservation than Southern California
Robert’s observation’s about where to build in the Bay Area in response to his interview with Laura Foote Clark of Grow SF
How San Francisco has it’s own unique Aesthetic, and is the most scenic American City
How San Francisco is on a high level aesthetically, but the dominant culture is consumerism mixed in with some cultural leftist views
Robert stayed in Walnut Creek, which is a mid-century car oriented suburb in the process of being retrofited into a walkablle New Urbanist community
Walnut Creek aslo has BART access, and owns more open space per capita than any other community in California
80’s Vaporwave Architecture in Walnut Creek, how historic preservation has neglected 80’s Kitsch, and the occultist origins of Kek in California 80’s culture
Nearby Lafayette, which is an idyllic semi rural town, with quick BART access to the city(the best of both worlds for those who can afford it)
The San Francisco Bay Area Renters’ Federation lawsuit against Lafayette, and the debate regarding development and diversity
Whether the Bay Area should be it’s own separate country, state, or broken up into a bunch of small independent city states

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Robert Stark interviews Paul Bingham about Aleister Crowley

aesthetics, Aleister Crowley, Aristocratic Individualism, Art, capitalism, conformity, Consumerism, Culture, Distributism, Economics, England, Environment, Erotica, Futurism, hedonism, Homosexuality, Liberalism, Literature, Morality, Occultism, Paul Bingham, Religion, Sexuality, Wyndham Lewis

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Robert Stark and co-host Alex von Goldstein talk to Paul Bingham about Aleister Crowley

Topics include:

Today Aleister Crowley exists either as an icon of occultism, used by subcultures, derided by others, but few are familiar with his political and philosophical ideas
Kerry Bolton’s series on Aleister Crowley as a Political Theorist, Part 1 and Part 2
Political Platform based on Crowley’s ideas
Julius Evola on Crowley
James J. O’Meara’s reivew of Richard B. Spence’s book Secret Agent 666
Crowley’s religion Thelema
Crowley’s fascination with power structures
Crowley transcended politics and did not fit into either traditionalism or the left
Crowley did not fit into the left for rejecting egalitarianism and mass democracy, and the right for rejecting free markets and traditional morality
Crowley’s Aristocratic individualism, and his belief in an Aristocracy of the creative class
Wyndham Lewis‘s book The Art of Being Ruled, which like Crowley advocated the rule of the creative class
Crowley viewed the masses as spiritualy inferior
Crowley saw capitalism as degrading genuine cultural elitism
Crowley rejecting Marxism, but supported a social safety net to free up the creative class
Crowley’s value of leisure
Crowley came to the same conclusions about economics as the Distributist and Social creditors, who were Traditional Catholics
Distributism and Social Credit are the economic systems most compatable with Aristocratic Individualism
Homo economicus
Crowley’s critique of democracy
Crowley’s environmentalism
Crowley’s interest in Mountaineering
Crowley tested the limits of human nature and practiced what he wrote about
The futurist philosophy is about testing what works
Crowley’s view of the future was that things will collapse and a new brighter future will emerge
Crowley’s erotic poetry series White Stains, and how he practiced the sexual acts he wrote about
Crowley used sexual experimentation to further his intellectual state, but did not advocate it for the masses
Why the individual must have freedom to exist within their own personal boundaries
Crowley’s advocacy of youth colonies, how the elites practice youth camps, and the importance of controlling youth
How male bonding and inter generational relationships are stigmatized for the masses
How Crowley often took the passive role in sexual acts with both men and women
Paul’s point that most people are either sexually dominant or submissive, but that being a switch is a uniquely Anglo trait
Crowley as the original Troll
Paul’s point that if Crowley were alive today he would be disinterested in western politics
Our upcoming show with Paul on Italian Futurism, and how Crowley, Wyndham Lewis, and the futurist had similar ideas, but were fiercely independent from one another

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Robert Stark interviews James Howard Kunstler

aesthetics, Alex von Goldstein, American Culture, Architecture, Banking, Consumerism, Corporations, Culture, decentralization, Donald Trump, Dystopia, Economics, Environment, Futurism, Globalization, Historic Preservation, History, Immigration, James Howard Kunstler, Literature, localism, Mass Transit, Mid-Century Modern, New Urbanism, New York, overdevelopment, Overpopulation, Peak Oil, Rabbit, Skyscrapers, Suburbia, Urbanism, Wall Street, Water, Zoning

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Robert Stark, Rabbit, and Alex von Goldstein talk to writer and social critic, James Howard Kunstler

Topics include:

The history of suburbia
James’ theory of history that things happen because they seem like a good idea at the time
How our auto oriented petroleum based society is unsustainable
How bad urban planing has negative psychological and cultural implications
The role of zoning laws, and how zoning can both encourage and prevent suburban sprawl
The future of suburbia, how some will be retrofitted into walkalble communities, while others will be abandoned
The New Urbanist Movement
Mass immigration and overpopulation
Why James does not view skyscrapers and hyper density as viable alternatives to suburbia
Robert’s point that tall structures can have aesthetic value, and how James acknowledges that the early wave of skyscrapers(ex. Singer Building, Woolworth Building, Manhattan Municipal Building) were beautiful structures but historical flukes
How European cities provide the ideal model for urbanism
Examples of sustainable American cities include Portland, Oregon, Charleston, South Carolina, and Savannah, Georgia
Mass Transit, and why James favors investing in existing rail infrastrusture over new high speed rail
The Streetcar suburb, and how they provide a model for New Urbanism
James’ point that even with alternative energy and technological innovation, we still have to downsize and localize our society and economy
How peak oil will lead to economic and political decentralization
How Peak Oil will make Globalization unsustainable
The future of China and the Arab Gulf States
Pre-War Japan as the best example of an advanced civilization without industrialization
The scarcity of water in the future, and how the inland water system will regain it’s value
Historic Preservation, how the movement was started in the 1960’s in response to the demolition of Pennsylvania Station in NYC, and the debate about what should be preserved
Rabbit makes the case for mid century modern
Capital scarcities in the future, and how mass development is dependent upon the financial system
James’ four book series set in a post economic collapse America, the World Made by Hand


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Robert Stark interviews Scott Jackisch

aesthetics, Architecture, Basic Income, California, capitalism, Cities, Consumerism, Dystopia, Economics, Environment, Futurism, Human Bio Diversity, income inequality, Philosophy, Political Correctness, Politics, Psychology, Rabbit, Realpolitik, Retro Futurism, Robert Heinlein, San Francisco, Science, Science Fiction, Scott Jackisch, Skyscrapers, Social Isolation, Social Justice Warriors, Socialism, Sociopaths, Transhumanism, Urbanism, Utopia, War, Wealth, Zoning

Oakland Futurist

 

 

 

 

Scott Jackisch

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Rabbit interview Scott Jackisch. Scott is an IT consultant located in Oakland, CA. He blogs at The Oakland Futurist and runs the East Bay Futurists meetup.

Topics include:

Scott’s interest in futurism and science fiction writers including Robert Heinlein, Isaac Asimov, and William Gibson
Scott’s futurist meetup and how there is a strong interest in futurism in the San Francisco Bay Area
How in the modern era people are isolated, and how meetups can fill in that void, and create new communities
How the meetup itself is not political, but rather an open discussion on futurism
The different political factions within futurism including liberals, libertarians, and Neoreactionaries
Scott’s critique of Neoreaction, how his main disagreement is over their rejections of progress, but can sympathize with their reaction to extreme political correctness
Rabbit’s point that he got interested in Neoreaction because the idea of people being able to form their own societies appealed to him, but was turned off by the extreme traditional views
Scott’s political views, and how he is basically a Centrist and Pragmatist
Why Scott accepts Realpolitik, which is a system of politics or principles based on practical rather than moral or ideological considerations
Transhumanism
Scott’s series The Robot Lord Scenario, which he plans on turning into a novel
Trends in warfare,  how the invention of the gun leveled the playing field, but that automative weapons will enforce inequality
Daniel Suarez’s novel Kill Decision
Economic automation and it’s implications
Economics, whether capitalism is necessary for innovation, and how a functional economic needs both capitalism and socialism
The Bay Area’s housing crisis, NIMBYism, and where to build new housing
Vertical Living and urban agriculture
Retro Futurism, dystopian and utopian visions of the future
How science fiction writers can provide narratives for engineers to build their visions(ex. Elon Musk and the Culture series)
The role of sociopaths in society, and how power generally gets concentrated by sociopaths
From a realpolitiks perspective how do you take power away from people in power that are causing harm?
Scott’s message for people to listen to each other instead of demonizing the other side


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