Robert Stark, co-host Pilleater, J.G. Michael, and Count Isidor Fosco are joined with filmmaker Richard Wolstencroft live from the Black Lodge to talk about the new Twin Peaks series and how it compares to the original.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
The Black Lodge and it’s theological and occult symbolism
The 80’s quality of the original Twin Peaks, the 50’s nostalgia theme, and David Lynch’s interest in fusing genres
Lynch’s emphasis on visual aesthetics in his films
How Twin Peaks was inspired by the Film Noire Laura (1944)
How the new series makes references to other Lynch films such as Blue Velvet
Contrasting the portrayal of the town Twin Peaks in the new series to the original; Richard’s visit to the town of North Bend, Washington where the show is filmed
Lynch’s portrayal of small towns; the idealism of small towns vs. the critique that there is a dark underbelly to small town America
Demonic possession vs. symbolism of the monster within
Cooper’s Doppelgänger, Agent Cooper becoming Dougie Jones who has lost his memory, and whether he will come back
The theme of powerful entities trying too tap into the Black Lodge and how that will become the main narrative
The theme of “Sex Magic”
The film Mulholland Drive and how it was originally intended to be a sequel to Twin Peaks about Audrey Horne
Lynch’s political views and his interest in Transcendental Meditation
How Twin Peaks touches on a variety of themes including culture, politics, the subconscious, sex, psychology, philosophy, mythology, and religion
Kyle MacLachlan and David Lynch as FBI Agents
The prediction that Cooper will return to Twin Peaks and end up in the White Lodge at the end
The role of the side characters in the new series such as Dr. Jacoby, Ben Horne, and Shelly

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