Category Archives: Culture

Robert Stark interviews Josh Alan Friedman

1960's, 1970's, 1980's, Adam Parfrey, Al Goldstein, Black Cracker, Black Culture, Blues, censorship, Cities, Class, counterculture, Crime, Culture, Dallas, Erotica, Feral House Books, Film, gentrification, History, Josh Alan Friedman, journalism, Literature, Long Island, Los Angeles, Luke Ford, Media, Music, New York, Pilleater, Political Correctness, Pornography, Race Relations, Robert Brenner, Sexuality, Texas, The American South, Time Square

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to writer and musician Josh Alan Friedman. He blogs at Black Cracker Online

Topics:

Intro Song: “Thanksgiving at McDonald’s in Times Square” by Josh Alan Friedman
Josh’s book Black Cracker about his experience going to the last segregated Black school in New York
Recovering lost memories from 1962 when Josh was in 1st Grade
The account of Josh being lynched in the book
The location of Glen Cove, Long Island, Black Shanty Towns, and the Gold Coast Era
Reactions to the book
Race relations in New York City in the 70’s, school busing, and the Bernie Goetz incident
Josh’s move to Dallas, Texas where his music career took off
Josh’s interest in Blues music, White adaptation of the Blues in the 60’s, the 80’s Blues Revival in Texas, and decline in interest among Blacks
Josh’s solo guitar act
Openings for bands including Huey Lewis and the News, War, Johnny Winter, and Bad Company
Josh’s book Tales of Times Square about Time Square in the 70’s; Robert Stark’s interview with Robert Brenner about his Gritty Old Time Square Tours
Josh’s observation that Broadway in Downtown LA reminds him of old Time Square
Josh’s interview with Luke Ford
Josh’s experience working for Al Goldstein’s Screw Magazine
Josh’s book I, Goldstein, which is a co-written autobiography about Al Goldstein
Josh’s book When Sex Was Dirty
Rules for Journalist; “never pay for an interview”
Book Publishing; the era of “the gate keeper,” independent publishing houses such as Feral House, and self-publishing today
The effects of the internet on musicians


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Robert Stark interviews Jay Dyer about Esoteric Hollywood

1980's, aesthetics, Aleister Crowley, Alicia Silverstone, Blade Runner, Carl Jung, Cinema, Conspiracy Theories, Culture, Dark City, David Bowie, David Lynch, Drugs, Dune, Enter The Void, Esoteric Hollywood, Eyes Wide Shut, Film, Film Noire, Hellraiser, Hollywood, horror, horror films, Jay Dyer, John Carpenter, Labyrinth, Literature, Media, Metropolis, Mythology, Natalie Portman, Occultism, Pilleater, Psychology, Religion, Surrealism, The Dark Crystal, They Live, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer. He reviews films at his blog Jay’s Analysis and is the author of Esoteric Hollywood.

Topics:

The entertainment complex and deciphering propaganda
The power of cinematography and aesthetics in film
How computer generated special effects have impacted the quality of cinema
The concept of the Hollywood establishment and speculations about which filmmakers and films are anti-establishment
Why Jay focuses on the symbolism of the films rather then trying to analyse the director’s motive
Stanley Kubrick’s Eyes Wide Shut
David Lynch’s Dune, Eraserhead, Inland Empire, and Lost Highway
Surrealism, Neo-noir, and the David Lynch aesthetic
Jay’s review of David Lynch’s Twin Peaks and Mark Frost’s book The Secret History of Twin Peaks
The Ancient Greek concept of time  being a never ending repeat
The Folk Horror Genre; The Devil Rides Out
Blade Runner
Dark City
Enter the Void
The Dark Crystal
The film Labyrinth, the Jungian achetype of the Labyrinth as the subconscious, and the Labyrinth in Ancient Mythology
The Labyrinth theme in The Shining and Hellbound: Hellraiser II
The symbolism of basements as the subconscious in the films House II and The Hole
The Esoteric Meaning of Time Bandits and the significance of the abyss
Robert Stark’s show about Alicia Silverstone and The Film The Babysitter
Natalie Portman in Léon: The Professional
John Carpenter’s They Live! and Big Trouble in Little China
Jay’s upcoming TV Show with Jay Weidner, which will be aired online at www.Gaia.com


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Robert Stark interviews Musician Dean Clarke of Brutalist Architecture in the Sun

1980's, 80's music, 90's music, aesthetics, Architecture, Brutalism, Brutalist Architecture in the Sun, Culture, Cyberpunk, Dean Clarke, Depeche Mode, Donald Trump, Economics, England, FM-84, Free Trade, income inequality, Industrial Music, John C. Portman Jr, London, Music, New Retro Wave, Pilleater, Retro Futurism, Synthwave, Vaporwave, Video Games

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to musician Dean Clarke. He does vocals and electronics for the band Brutalist Architecture in the Sun based in the UK. Check them out on Facebook and YouTube

Topics:

Intro Song: Love & Science (feat. Paul Humphries from the Concrete Pop Album
Dean’s background in music and his original band 3D the band
Influences from electronic music from the early 80’s including Gary Numan and Tangerine Dream
90’s influences including Front 242, Nine Inch Nails, and Skinny Puppy
The New Retro Wave genre; FM-84
Darkwave
Minimal Wave Records
The hybrid sound of 80’s Synthwave and 90’s Industrial Music, and the trend of fusionism
Performance at Zigfrid von Underbelly in London
Band of the month for Artefaktor Radio
Dean’s vocals, and Cye Thomas who also does vocals for the band
The use of the Korg MS-20 Synth
The aesthetics of the album covers Dean designs, fusing Brutalist and Industrial imagery with bright fluorescent colors
Brutalist architecture, Trellick Tower, The Underground, and Centre Point in London, John C. Portman Jr., and the revived interest in Brutalism
Cyberpunk, the London Trocadero, and 80’s arcades
Victorian era Railway Stations in London
Urban exploration and dead mall enthusiast
Economics and political themes in music
The de-industrialization of the UK
Depeche Mode’s Where’s the Revolution
The marketing and consumption of music on the internet
The band’s new album Post Democracy from live performances


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Robert Stark, Pilleater, & Richard Wolstencroft discuss Ghost in a Shell

1980's, aesthetics, Akira, Alternative Right, animation, Anime, Architecture, Asia, Asian Aryanism, Asian Culture, Blade Runner, China, Cinema, Cities, Culture, Cyberpunk, Dystopia, Film, Futurism, Ghost in a Shell, Globalization, Hong Kong, Liberalism, Martin Heidegger, Mishima A Life in Four Chapters, Music, Nationalism, Paul Schrader, Philosophy, Pilleater, Political Correctness, Psychology, Retro Futurism, Richard Wolstencroft, Scarlet Johansson, Science, Science Fiction, Sexuality, Synthwave, technology, Transhumanism, Travel, Vaporwave, William Gibson, Yukio Mishima

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and director Richard Wolstencroft discuss the new film Ghost in a Shell based on the 1995 anime.

Topics:

How it compares to the original film
The plot and characters
The film’s aesthetics, 1980’s retro-futurism, holograms, and cyberpunk
The synth soundtrack
The Robot Geisha scene
The fictional  futuristic Asian city filmed in Hong Kong
Richard Wolstencroft’s experience in Hong Kong and observations on Asian culture
Comparisons to the films Akira and Blade Runner, and William Gibson’s Neuromancer
The Anime Right
The “white washing” controversy about a White actress playing an Asian role
Scarlet Johansson
Takeshi Kitano
Themes of Trans-humanism and Cybernetics
Ray Kurzweil’s Wildest Prediction: Nanobots Will Plug Our Brains Into the Web
The Philosophy of Mind, ‎Gilbert Ryle’s Ghost in the machine, and Arthur Koestler’s Ghost in the machine
Hubert Dreyfus’s views on artificial intelligence influenced by Martin Heidegger
Political messages in the film
“Ghost in a Shell” as a metaphor for the rootless atomized society where people lack any real identity
Richard’s upcoming film The Second Coming Volume II


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician Alex Romane

1990's, 80's music, 90's music, Alex Romane, Culture, democracy, Digital Hardcore, energy, England, Environment, Global Warming, Music, NATO, Philosophy, Pilleater, Politics, Religion, Synthwave, Syria, Vaporwave, War

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to musician Alex Romane. He is a electronic musician and operates Urban Sunrise records. He is known for coming out with the first drum and bass record ever, under the name Apache.

Topics:

Intro Song: Alex Romane – Warrior Princess
Alex’s early background in music, influences from his mother, and basics in classical music and folk music
Alex’s father who was a music producer and brought back tapes of Iraqi Artist during the embargo
Alex’s music career in the early 90’s
How Alex invented the drum bass
Delirious – the world’s first ever Drum and Bass album
80’s synthwave music; Gary Numan and Tubeway Army
Cross over in synth and classical; Techbeat
Writing stories with music
Digital Hardcore and Jungle Music
The Dubstep genre, and other trends in music
The animated visuals on Alex’s website
Alex’s Philosophy; Direct Democracy and the Nature of God
The UK Direct Democracy Party
Alex’s experience lawfully infiltrating the UK Government
Alex’s new album Demokratia, which uses music as a political vehicle, and is a hybrid of hip hop, trance, and techno
NATO and war
Global Warming and Alternative energy sources going back to Henry Ford’s use of Hemp and Tesla’s energy devices


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Robert Stark talks to Director Matthew David Wilder about Dog Eat Dog & Upcoming Projects

Cinema, Clive Barker, Culture, Film, Hollywood, Matthew David Wilder, Oliver Stone, Paul Schrader, Philip K. Dick, Theatre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to returning guest Matthew David Wilder for a written interview.

Matthew David Wilder has worked as a screenwriter, writing for some of America’s most well known directors including Oliver Stone and Paul Schrader. He’s also directed a number of independent films.

Topics:

Matthew’s background, growing up in a trailer park in Des Plaines, Illinois, studying theatre at Yale, and his mentor Peter Sellars
Matthew’s first major project writing for Clive Barker’s The History of the Devil
Matthew’s work with Oliver Stone on a film about the war on terror right after 9/11 which was never released
The film Dog Eat Dog, staring Nicolas Cage, written by Matthew, directed by Paul Schrader, which was released last fall, and was Matthew’s first major Hollywood project
The process of transforming the crime novel by Edward Bunker into a film
Reviews of the Dog Eat Dog, by The Guardian and Anne Thompson
Matthew’s film Your Name Here, which is a surreal dramatic fantasy biopic loosely based on the life of Philip K. Dick
How to effectively take the audience out of their comfort zone as a director
Matthew’s upcoming film REGARDING THE CASE OF JOAN OF ARC, with Taryn Manning playing Joan of Arc as an alt-right, Christian fundamentalist terrorist put on trial in a Guatanamo Bay-like setting
Matthew’s upcoming film Morning Has Broken

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Robert Stark talks to Pilleater about his Novella “Trip”

aesthetics, Almond Eyes Baby Face, Alternative Left, Alternative Right, American Culture, Art, Asia, Asian Aryanism, Asian Culture, Brandon Adamson, California, Cause & Effect, China, Class, comedy, Cosmic Encounter, counterculture, Culture, Despair, Drugs, Ellliot Rodger, Erotica, Feminism, Film, Gender, Homosexuality, humor, Information Society, Jack Kerouac, Japan, Japanese Culture, Las Vegas, Literature, Music, Philadelphia, Philip K. Dick, Philosophy, Photography, Pilleater, Political Correctness, Pornography, Psychology, Race Relations, relationships, Santa Barbara, Science Fiction, Sexuality, Social Justice Warriors, Surrealism, SWPL, Travel, Trip, Xiu Xiu

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Pilleater about his new novella Trip. Pilleater blogs at Asian Aryanism | Making Animate Real!

Topics:

The creation of Trip and Pilleater’s other new book Almond Eyes, Baby Face
Cause & Effect’s Trip album
The main characters Tom Delunge and Daisy Liang
Information Society –Pure Energy
Tom Delunge as an alter ego of Pilleater, Robert Stark as Howard Festler, and Rabbit as Turtle
Sex and Race-Play in the book
Tom’s stand-up comedy as a way to deal with his past trauma
Asian-Aryanism as a new sub-culture
Porn Actress Harriet Sugarcookie, Franny Choi, and avant-garde Asian culture(Amped Asia Magazine, Alt-Porn)
Asian-Aryanism as the new street or “queer theory” culture, synergizing the Alt-Right/Left, Adam Parfrey’s Apocalypse Culture, and Asian studies
The setting of Santa Barbara, West Coast America
Chinese vs Japanese culture
Tom’s dreams; the subconscious dream becomeing a reality; Phillip K. Dick’s VALIS, and the film Monkeybone
SJW culture and the “Yellow Feminist”
Jack Kerouac’s On the Road and the cliche of road trip stories in film
Socioeconomics, snob culture, and the fetish of youth culture


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Robert Stark interviews Jasun Horsley

4 Chan, Aleister Crowley, alienation, Architecture, Art, Aspergers Syndrome, Blue Velvet, Cinema, conformity, Culture, David Lynch, Film, Human Bio Diversity, Internet, James Howard Kunstler, Jasun Horsley, Literature, Memes, Mental illness, Occultism, Paul Schrader, Philosophy, Pilleater, Pornography, Psychology, relationships, Sexuality, Social Isolation, Taxi Driver, Travel

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jasun Horsley. He blogs at AUTICULTURE and runs the site Confessions of a Movie Autist

Topics:

Personal experiences with Autism and Aspergers
How society treats people with Aspergers; human alien hybrids
Non-conformity and rejection of social programs
Evolution and Epigenetics
Jasun’s book Homo Serpiens: A Secret History of DNA from Eden to Armageddon, written under the alias Aeolus Kephas
Online subcultures; 4chan culture and Aspergers
The autistic anime reality vision
The occult and meme magic
Jasun’s interest in the Occult as a way to break free from the socially enforced distortion of reality, but latter found it to be an illusion of freedom
How architecture and geography effects psychology
Jasun’s artwork
Jasun’s latest book Seen and Not Seen: Confessions of a Movie Autist
The film Taxi Driver, Travis Bickle as autistic, and the theme of alienation, and violence as a quest for identity
David Lynch’s film Blue Velvet , identifying with Frank Booth, and confronting ones own darkness
Dating advice
Traveling abroad and personal experiences with foreign cultures


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Devotional Dave from STRANGELOVE-The Depeche Mode Experience

1980's, 80's music, 90's music, aesthetics, Culture, Depeche Mode, Devotional Dave, Duran Duran, Fashion, Music, Pilleater, Strangelove The Ultimate Depeche Mode Experience, Synthwave, Tattoos

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Devotional Dave(Freddie Morales) from the Depeche Mode Tribute Band STRANGELOVE-The Depeche Mode Experience. Check them out on SoundCloud, Facebook, YouTube, and Twitter

Topics:

Intro: Strangelove The Ultimate Depeche Mode Experience USA Promo
Tribute bands, how Strangelove-The Depeche Mode Experience got started in 2011, and Dave’s earlier tribute bands Blasphemous Rumours and Sounds a La Mode
Dave’s background in music and his Spanish Synthwave band DESVIO
Influences Growing up in the 80’s besides Depeche Mode including Duran Duran
Their current tour schedule listed at STRANGELOVE’s Website
Capturing the image of Depeche Mode and Dave’s Dave Gahan inspired Tattoos
The release of Depeche Mode’s new Spirit Album
Dave’s favorite Depeche Mode Albums are Songs of Faith and Devotion and Music for the Masses
Early Depeche Mode including Speak & Spell and Get the Balance Right!
Newer Albums including Sounds of the Universe
The Albums Violator and Ultra
Choosing which albums and songs to perform, and playing the songs Depeche Mode doesn’t play anymore such as rush
Meeting Alan Wilder and his departure
Martin Gore
The show April 1st at the Lobero Theatre in Santa Barbara

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Robert Stark talks about Clueless, The Babysitter, & The Meme Magic of Alicia Silverstone

1990's, Alicia Silverstone, American Beauty, Beverly Hills, Charles Lincoln, Cinema, Class, Clueless, Count Isidor Fosco, Craig Langley Jr, Culture, Film, Gender, Hollywood, Leisure Suit Larry, Los Angeles, Love, materialism, Memes, Pilleater, relationships, Sexuality, social status, The Babysitter, The Crush, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the Alicia Silverstone films Clueless and the The Babysitter.

Topics:

How the original film The Crush was edited
The Babysitter as the most realistic of the three Alicia Silverstone films
The Babysitter compared to American Beauty
Th peeping through the window scene, and the imagination of the guys who see Alicia Silverstone through the window
In reality it is all just in the male imagination in this movie
The awkward bathtub fantasy followed by her signature cheeky smile
Traits of men who prefer breasts, booty, or legs
The Alicia Silverstone film Vamps
The Clueless (TV series)
The setting of Clueless in Beverly Hills
San Mateo Teenager Goes Hollywood
Cher’s Character development and self realization
Whether she is anti-snob?
Social Cliques in High School
The makeover of her friend
Comparisons to Mean Girls
The fact that the girls are excited by the fact that the guy has a picture of the new girl in her locker, and how today that would be called “creepy”
She comes across as more conservative with her condemnation of dating druggies, and saving her virginity
The whole theme of matchmaking
The “Baldwin” reference and other cultural references, a kind of Hollywood being self-complimented
The Spartacus scene, pearls and oysters, subtle signaling in old movies
Her realization that she loves Josh despite the fact he is a “slug”
The normal guy get’s the girl in the end, not the “hot guy” who turns out to be Gay
The fact that all the girls are obsessed with marriage while in school which is dated
The Clueless scene where her father is happy that she knows how to negotiate over grades
Cher’s speech about refugees
Alicia Silverstone Would Rather Go Naked Than Wear Wool! | PETA
The pink blue color code in the ending sequence is kind of Vaporwave
The robbery scene in the Valley
LA Landmarks including the Sinister Neon Clown at Circus Liquor
Meme Magic and Alicia Silverstone as a meme
Leisure Suit Larry and the Alicia Silverstone look a like


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This show is brought to you by Robert Stark’s Paintings!