Moonlight’s interest in the horror and sci-fi film genres
The Quantum Terror, crazy monsters, H.P Lovecraft
Puppets in movies, unique story plots, avant-garde films
The film Labyrinth
Movie settings, horror in film, movie monsters
Character’s in Moonlight’s movies
Horror films set in Labyrinth’s including, I Have No Mouth But I Must Scream, Kingdom Come, and The Cutting Room
Moonlight’s theory of the Science-fiction genre
Found footage, Clive Barker, Hellraiser, Alejandro Jodorowsky
H.R Giger, The foundation of Art Girl in the Window
Emily Bloom
Grindhouse films
Chris’s inspiration from Ray Bradbury, and his work on the documentary Live Forever: The Ray Bradbury Odyssey
Moonlight Art Magazine, Goth culture, comics
Technology, art theory, film innovation, creativity
Hollywood’s demands for films
Moonlight’s cultural influences ranging from Salvador Dali to Tangerine Dream
VHS Tapes, film aesthetics, Folk-Horror
Jim’s background on film, Evil Dead
Jim’s advocacy for Donald Trump
The film setting in Ohio
Comedy in Deadbeat at Dawn
The Cine Masochist review
Philosophy in Deadbeat at Dawn, “the first punk action film.”
Donald F. Glut
The Manson Family
Is the film pornographic? Skinny Puppy and “Spasmolytic.”
Is it fine art?
Gator Green
Veterans
Jim: “America is entering a new phase of nationalism.”
Wes Anderson films
Gregg Araki
Art-house culture, ideology, the marketplace
Jim’s influences
American Guinea Pig: Bouquet of Guts and Gore
Diary of a Deadbeat, Jim’s fans
The film was based on the book 120 Days of Sodom, written in 1785 by the Marquis de Sade, and was even more extreme than the film
De Sade’s nihilistic anarchic philosophy towards sex, in contrast with today’s society, which has replaced traditional morality with new moral codes rather than De Sade’s libertinism
How each generation tries to shock their elders, and how de Sade,’s work is shocking even by today’s standards
The book Sade by Jonathan Bowden
Kerry Bolton’s book The Psychotic Left
Ian Brady’s The Gates of Janus: Serial Killing and Its Analysis
Censorship, Sade’s imprisonment for his writings, and the banning of the film in Australia
Author Peter Sotos, who has been compared to de Sade, and also prosecuted for obscenities
Photographer Will McBride, who Sotos has written about, the censorship of his Sex Ed book Show Me!, his art book Coming of Age, and Lasse Nielsen’s films
The theme of adolescent sexuality, innocence, and the desecration innocence
Avant Garde filmmakers Harmony Korine, Larry Clark, Kenneth Anger, and Nagisa Oshima
Larry Clark’s film Kids Brooke Shields in the film Pretty Baby
The portrayal and theme of Fascism in the film, and the line “the fascist are the true anarchist.”
Pasolini’s political and cultural views, and his Catholic Paganism
Pasolini’s homosexuality, his love affair with teenage Ninetto Davoli, who was in Salò, and depictions of homo eroticism in the film
Race play in sex, the Nazi S&M Film The Night Porter, and sado-masochist themes in films dealing with political and racial taboos
The film Hard Candy, which is Salò in reverse, but fits within the politically correct narrative
The dominant submissive paradigm in human sexuality
Eli Roth’s torture porn Hostel series
How we have become detached from violence and death in real life, and seek it out in film
The theme of sex as power
The other worldly transcendental aspect to sex
Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudios, pso119, and kingtrode.
Topics include:
The intro song, pissedoffindianman by Pilleater , which features clips of Jared Taylor
Jared Taylor’s Shadows of the Rising Sun: A Critical View of the Japanese Miracle(1983)
How Pilleater was exposed to electronic music at a young age, and became a Chiptune musician at age 16 as DJ Qudo
Latter on Pilleater got into Noise music, such as Whitehouse, and Digital hardcore bands, such as Atari Teenage Riot, and KMFDM, who are controversial due to the Columbine Shooters Oneohtrix Point Never, who was the forerunner to Vaporwave
Japanese Pornography similar to what you might see at websites such as teeni, and Pilleater’s point that it has a nationalist communal nature
The Ganguro culture in Japan, where girls tan their skin and bleach their hair, and is common in porn
Pilleater’s favorite music genre Eurobeat from the 90’s, it’s popularity in Japan, his favorite artist Bratt Sinclaire, Sinclaire’s song Running in the 90’s, and it’s origins from Italo disco from the 80’s
Generic Euro Dance(ex. Aqua and Dj Sammy)
The Italo disco song Shadilay, which came out in the 80’s by a band P.E.P.E with a frog on it’s album cover, and it’s esoteric Lyrics
Examples of Italo Disco include the global sensation Baltimora’s Tarzan Boy, and Pilleaters favorites, BRIAN ICE – Talking to the night, Eddy Huntington – Up And Down, and Lama – Love on the rocks
The New Retro Wave Genre of music that emerged in the mid 2000’s, inspired by 80’s New Wave and Italo Disco(ex. FM Attack, Lifelike – So Electric, Electric Youth, College, Kavinsky)
The French House band Daft Punk and their use of anime Chicago house music Vaporwave, and it’s nostalgia for William Gibson’s Neuromancer’s Japan
William Gibson’s Idoru
The anime film Akira(1988), set in a post apocalyptic Japan, and how it’s influenced Vaporwave, Cyberpunk, and New Retro Wave
The manga Patalliro!, about a ten year old cross dressing king, it’s colorful Art Nouveau aesthetic, it’s influence from H. P. Lovecraft, and it’s taboo themes
Asian Aryianism and whites living vicariously through Japanese culture
Themes of Asian Aryanism in The Legend of Zelda, which combines Japanese and Medieval European Aesthetics
Asian Aryan themes in Vaporwave with Roman busts and Japanese aesthetics
The minimalist Japanese vs. Chinese aesthetics
How each music genre has it’s own unique aesthetic
The Seapunk electronic genre, which uses Sega Genesis imagery(ex.UNICORN KID) Dark wave, which is apocalyptic electronic music from Germany(ex. Project Pitchfork, and Dunkerwerk) Betsy & Chris, the white Hawaiian folk music duo, who sang in fluent Japanese Stereolab, which reminds Pilleater of Rabbit’s AltLeft
Why Alex thinks Michael Jackson is an Alt Left Icon Sam Hyde and Tim & Eric on Adult Swim
Pilleater’s upcoming book, “Almond Eyes, Baby Face,” a collection of short stories on Asian Aryanism
Aristocratic Radicalism is the notion that Society and Civilization exists to enable and empower great individuals and minds
The Nietzschean origins of Aristocratic Radicalism
Hugo Duchon’s book Nietzsche’s Great Politics
Besides Nietzsche, Richard’s philosophical influences include Ernst Junger, Carl Schmitt, Martin Heidigger, Ezra Pound, TS Elliot, and the Italian Futurist
Nietzsche’s justification of Slavery and other forms of oppression of the masses
In contrast to hereditary aristocracies, great minds and spirits can emerge from the slave class, and must still be enabled
Why a social safety net is necessary to enable great thinkers and creative types to arise Aleister Crowley, his belief in an Aristocracy of the creative class, and how he saw capitalism as degrading genuine cultural elitism
Richard’s exposure to occultism through filmmaker Kenneth Anger, who was a student of Crowley
Richard’s concept of Transcendental Fascism, which is a new and more peaceful form of fascism, that is based on implementing Aristocratic Radicalism
Transcendental Fascism is an attempt to create a fascism that reinvents itself along dialectical lines toward the absolute, but also hopes to transcend some of the negative sides and effects of past fascism Richard’s debate with Jim Goad about capping wealth
How it’s necessary to cap income on billionaires, because their excess wealth is used to corrupt the political system, and put into savings rather than invested in the economy
How despite Richard’s support for some degree of socialism, there must still be economic incentives for innovation and success
The Genealogy and Genesis of the Alt-Right, and Richard’s point that Boyd Rice, Jim Goad, Adam Parfrey of Feral House Books, Michael Moyniham, and Douglas P were the godfathers of the Alt-Right Boyd Rice’s song People, which deals with themes of misanthophy, nihilism, and fascism
Richard’s article Why The Globalist Elite Should Drop Hillary And Support Trump
Richard is sympathetic to the Alt Left Richard Spencer 2011 NPI Conference speech, where he showed stock footage from the UK in the 1970’s, of hippies protesting against mass immigration
Richard’s friend musician David Thrussell, who is a leftist but agrees with Richard most of the time
Richard’s documentary Heart of Lightness about the war in Uganda
David Lynch, his interested in transcendental meditation, dark themes in his films, and his politics
Paul Schrader
Richard’s upcoming film the Debt Collector, which is a revenge genre film with political themes
Robert Stark and Alex von Goldstein talk to Director and Screenwriter Matthew David Wilder
Topics include:
Matthew’s background, growing up in a trailer park in Des Plaines, Illinois, studying theatre at Yale, and his mentor Peter Sellars
Matthew’s first major project was writing for Clive Barker’sThe History of the Devil
Matthew’s work with Oliver Stone on a film about the war on terror right after 9/11 which was never released
The film Dog Eat Dog, staring Nicolas Cage and Willem Dafoe, written by Matthew, directed by Paul Schrader, which will be released to theatres next month
Matthew directed, and wrote Your Name Here, staring Bill Pullman, which is a surreal dramatic fantasy biopic loosely based on the life of Philip K. Dick
Director Paul Schrader, how he inspired Matthew as a screenwriter, and his concept of the monocular film, which is one protagonist alone against the world
The notion of God’s lonely man, and how Matthew wrote a one act play in college by that name Film noir, the aesthetic, the story of fate hanging over the characters, and the Neo-noir genre
Matthew’s interest in combining genres, rather than sticking with one particular one Brett Easton Ellis praises Matthew in his interview with Paul Schrader
Matthew’s upcoming film Morning Has Broken, about a young runaway girl who moves in with a seemingly harmless, elderly, Academy Award-winning songwriter, staring Lydia Hearst and Peter Bogdanovich
Matthew’s point as a filmmaker, that what influences you is not the most obvious
The importance of breaking taboos, and taking the audience out of their comfort zone
The upcoming film, the Looking Glass, written by Matthew, staring Nicolas Cage, about a couple who buy a desert motel where they find out that strange, mysterious events occur
The film is inspired by a story of a motel owner who watched guest have sex through peep holes, and David Lynch’s film Lost Highway
Mid-century Roadside Architecture and Vintage Vegas
Matthew’s political views, how he identifies with the left on the hard issues, but is critical of the micro-issues and political correctness
Alex’s point that troll culture is a form of critiquing society, and how that’s lacking in Hollywood today True Detective
LA culture, vapid conversations in coffee shops, obnoxious roidheads, and capturing LA in film
Matthew’s experiences directed a play at CalArts, and his observations of young actors wanting the celebrity status more than valuing the content of the work
The shortened attention span and how it effects our culture
Alex’s point that there is no longer a mainstream culture, and people have the freedom to find their own creative niches
Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. Tolkien, Aleister Crowley, Oscar Wilde,H. L. Mencken, David Lynch, Richard Wolstencroft, Salvador Dalí, Jonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave) Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters
Robert Stark and co-host Alex von Goldestein talk to Ray Sawhill. Ray is a retired journalist who lives in Santa Barbara, CA. He blogs at Uncouth Reflections as Paleo Retiree
Topics include:
Ray’s career as an Arts, Culture, and Film journalist at Newsweek
How Ray stumbled into journalism, and how that was not his original passion in life
How artist and writers often get into journalism to make a living
The era of the journalist as the gatekeeper
Censorship in journalism
How the internet is changing journalism
The effects of the internet on cultural innovation
How the internet both enables creative types and non conformist to get their views across, while enforcing conformity for the rest
The impacts of the internet and social media on millennials
The internet and the concept of infinite knowledge
Ray started online blogging at 2Blowhards, because he wanted a platform for people with interesting cultural views who did not embrace the political correctness of the culture scene Arts & Letters Daily
Ray writings for Salon.com, how he interviewed Roger Scruton, and Thomas Sowell, and how Salon was much more open minded back than
The concept of good taste, and Ray’s observation that the wealthy and cultural elite form their taste in consensus
Ray’s point about people who travel is that they don’t come home and say why doesn’t their home town resemble the places they visit
Ray’s involvement the Punk Rock scene in New York in the 70’s and 80’s
How the Avant Garde was a product of technological limitations
The yippie movement in the 60’s as a precursor to the Alt Right troll culture
How the left counter-culture got absorbed into the establishment and the Alt Right is the new counter-culture
How the culture has stagnated and people are looking to the past for inspiration
Ray and his wife Polly Frost co-produced a webseries THE FOLD
Vaporwave & MACINTOSH PLUS
Sam Hyde’s new World Peace show on Adult Swim
How the 1970’s are considered to be the peak of American Cinema
Films including, Taxi Driver, Dirty Harry, and Falling Down
How art should transcend politics
Richard’s film Pearls Before Swine(Watch here)
The actor and musician Boyd Rice who stars in Pearls Before Swine
The theme of fascism, power, and sadomasochism in the film
Influences on the film include A Clockwork Orange, American Psycho, and Salò, which also deals with the themes of fascism and sadomasochism, and was temporarily banned in Australia
Richard’s horror film Bloodlust
Censorship and Film in Australia
The BDSMHellfire Club which Richard owned
The psychology and philosophy of sadomasochism, and how it relates to politics(Master–slave dialectic)
Social Darwinism
How culture is a more effective way to be subversive than through politics
Richards Theory of Transcendental Fascism
Richard’s political views, and his interest in the Alternative Right and Nationalism
Richard’s point that the left and right should unite against the globalist 1%(ex. the left should agree to be more anti-immigration, and the right more socialist)
The theory that psychopaths evolve through evolution to deal with overpopulation
The film HIGH-RISE based on the book by British writer J.G. Ballard
The film “HAIL, CAESAR!” BY THE COEN BROTHERS
Aesthetics in Film
Richard’s new film The Second Coming
Richard’s porn documentary THE LAST DAYS OF JOE BLOW
The importance of being skeptical towards both the establishment narrative and conspiracy theories
Conspiracy theories vs. the general populist narrative that the elites are acting against the interest of the people
How contrary to conspiracy theories, many of the elites have a short time frame
How conspiracy theories have become irrelevent because the world is so crazy that reading the news is enough
September 11th, and the rise of the modern conspiracy movement
Alex Jones How the US Government covered up Saudi Arabia’s role in 9/11
The concept of controlled opposition
How conspiracy theories are used to avoid addressing politically incorrect issues
How conspiracy theories about 9/11 and Terror attacks distract from the Invade the World, Invite the World agenda
How conspiracy theories about mass shootings(ex. Sandy Hook and the Batman shooting being MK Ultra) distracts from society’s role in creating these individuals
Ingroup vs outgroup indentities as a basis for conspiracy theories
Jewish conpiracy theories vs SJW theories of White Privelege and the Patriarachy Bohemian Grove(archeo-futurist bent of Carthage vs Rome) David Icke‘s Reptilian “bloodlines” theory
The Green Pill, which is the belief in the supernatural vs. the Red Pill, which see’s the world in terms of people Graham Hancock vs Richard Dawkins on materialism, the idea of “The Truth”, Spirituality vs Rationality- LSD/DMT hippies vs Fedora Atheists Terence McKenna and Henry Harpending’s research(the great leap in human IQ caused by magic mushrooms) vs human biodiversity
The documentary Hollywood Casting Couch Satan’s Playground, and the theory that sexual rituals are used to blackmail public figures
Stanley Kubrick’s Eyes Wide Shut
The Film They Live Andy Nowicki’s book: Conspiracy, Compliance, Control, & Defiance
