Category Archives: Film

Robert Stark interviews Italian Musician and Artist Dino Olivieri

1980's, 1990's, 80's music, 90's music, aesthetics, Akira, Anime, Art, Art Nouveau, Asia, Asian Culture, Blade Runner, Comic Books, Culture, Cyberpunk, Daft Punk, Dino Olivieri, Europe, Film, Florian Renner, Futurism, Ghost in a Shell, Italo Disco, Italy, Japan, Japanese Culture, Leisure Suit Larry, Literature, Music, Neon, New Retro Wave, Photography, Pilleater, Retro Futurism, Science Fiction, Stanley Kubrick, Synthwave, Transhumanism, Vaporwave, Video Games, Wilderness

Robert Stark and co-host Pilleater spoke to Musician, Artist, and Web Designer Dino Olivieri from Turin, Italy.

Dino Olivieri has been known for producing some of the most technologically advanced websites. Her creativity is always on display when she’s at work, proving to her clients that she is the very best. These days, she tends to outsource this work and sends it over to an SEO Company Chester. But her music is at the very heart of what she does.

His website is Onyrix and you can check out his work on Facebook, Twitter, Flickr, SoundCloud, Bandcamp, Vimeo, and Youtube.

Uploading content to these social media platforms is a great way for Olivieri to get his music heard from people all over the world and with just a click of a button. His next step should be to consider uploading his songs to music streaming sites like Spotify, and he may want to have a look at getfans.io/buy-spotify-plays to see how he can get more people to listen to his music. The more people that are aware of his music, the more likely he will be at getting discovered, resulting in his career taking off.

Topics:

Intro: Beyond Human
Early artistic inspirations, figure drawing, and aesthetic interest ranging from Italian Renaissance Art to Anime, Vaporwave, and Cyberpunk
Interest in anime, especially the giant robots created by Go-Nagai and Matsumoto’s work such as Captain Harlock
Italian Design
Dino’s Photography of the Italian Alps on Flickr
Early musical influences; early 80’s New Wave and Italo Disco
Influences from and use of classical music in his work
Japanese Composers Joe Hisaishi, Kenji Kawai, Kento Masuda, and Sakamoto
The new Singularity Album which is for a theatrical show created by Director Raffaele Lamorte
Movie Soundtracks; Vangelis’s Soundtrack for Blade Runner
The Singularity album cover; posters for the films Neon Demon and Stanley Kubrick’s Clockwork Orange
Dino’s upcoming album which has influences from Synthwave, Retrowave, and 90’s Dance Music
Dino’s illustrated novel “Di Undici Foglie” and his upcoming novel “Legend of the Starlight”
Dino’s video game Over The Net from 1991; comparisons to Leisure Suit Larry
Outro: Sex Surrogates and Jealousy


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Jay Dyer about Esoteric Twin Peaks

1950's, aesthetics, Aleister Crowley, Blue Velvet, Conspiracy Theories, Crime, Culture, David Bowie, David Lynch, dreams, Film, Film Noire, Gender, Hollywood, horror, horror films, humor, Jay Dyer, Kyle MacLachlan, Music, Mythology, Occultism, Pilleater, Psychology, Religion, Salvador Dali, Serial Killers, Sexuality, Surrealism, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer about the Esoteric Symbolism behind David Lynch’s Twin Peaks and the new series on Showtime. Jay writes film reviews at Jay’s Analysis and is the author of Jay Dyer’s Esoteric Hollywood

Topics:

Intro Song: The Northern Lights – Falling (feat. Lucy Black)
‎Jay’s article An Esoteric Guide to Twin Peaks
The New Twin Peaks series and how it compares to the original
The prequel film Fire Walk With Me (1992) which reveals the murder mystery aspect of the plot
Twin Peaks’ transition from a Soap Opera parody to a Dark Comedy and then a Surreal Horror
David Lynch’s success in giving clues and keeping the audience in mystery and suspense
Film Noire, the 1950’s theme, and David Lynch’s interest in fusing eras and genres
Themes of dreams and the subconscious
Surrealist influences and David Lynch’s documentary Surrealist Cinema
The role of organized crime in the series
Themes of Conspiracy Theories and the Deep State
Co-creator Mark Frost’s book The Secret History of Twin Peaks
Themes of Occultism
References to Tibetan Buddhism and Native America Mythology
Super Natural Themes; The evil and benign spirits and Killer Bob’s possession of people’s bodies to commit murder
The Black Lodge, the White Lodge, and Glastonbury Grove which is the portal
The aesthetics and symbolism of the “Red Room” and whether it is the Black Lodge or a portal between the worlds
Cooper’s evil version(doppelgänger); Cooper’s escape from the Black Lodge in the new series
How the series is more about Agent Dale Cooper’s journey to the Black Loge then the murder mystery of Laura Palmer
Jay’s expectations for the new series


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Count Fosco about the Film Blast From The Past

1950's, 1960's, 1990's, aesthetics, Alicia Silverstone, Alien Covenant, Blast From The Past, Brendan Fraser, Christopher Walken, Cinema, Clueless, comedy, Culture, Dystopia, Environment, Fashion, Film, Gender, humor, Los Angeles, Mid-Century Modern, Pilleater, Psychology, psychosocialism, relationships, Sexuality, Tess Haubrich, The Babysitter, The Crush

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Count Isidor Fosco about the Film Blast From The Past(1999) starring Brendan Fraser and Alicia Silverstone.

Topics:

The plot summery; Adam Webber(Brendan Fraser) comes out from a nuclear fallout shelter after 35 years
The culture shock when Adam emerges in the 90’s and thinks he is in a zombie overrun dystopia
Adam’s father scientist Dr. Calvin Webber(Christopher Walken) who builds the fallout shelter
The stereotype of a 1950’s father vs. Calvin as a Utopian and idealist
The beginning of the film during the Cuban Missile Crisis, the Cold War Theme, and the cultural “nuclear war”
The “education” of Adam; his homeschooling makes him appear “aristocratic” to women
The bunker as an analogy for isolating one self from society and the pros and cons of doing so
How Adam manages to win the Psychosocial narrative by playing by his own rules
The concept of “Eternal Return” as it is shown at the end of the film
The trend of having nostalgia for past eras and the mid century aesthetic
Political agendas in film and conservatives uncreative critiques of Hollywood
The formulaic narrative of romantic comedies and how it works for the film
The comic element in the miscommunications and what makes good comedy
Brendan Fraser as a 90’s icon, his comic style, and his other films
The allure of Alicia Silverstone and how her character compares to her roles in films such as The Crush, Clueless, and The Babysitter
The Transformation of Alicia Silverstone’s character Eve
LA depicted in the film, the San Fernando Valley, and Pasadena
Pilleater on Tess Haubrich as Rosenthal in the new film Alien Covenant


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark and Richard Wolstencroft discuss The Film Dark City

1990's, aesthetics, Akira, Alex Proyas, alienation, Architecture, Art, Art Deco, Australia, Cinema, Cities, Count Isidor Fosco, Culture, Dark City, David Lynch, Dystopia, Edward Hopper, Film, Film Noire, Ghost in a Shell, Hollywood, horror, horror films, Jennifer Connelly, Metropolis, Mid-Century Modern, Mythology, Nihilism, Philosophy, Pilleater, Plato, Psychology, Retro Futurism, Richard Wolstencroft, Science Fiction, Steampunk, Surrealism, The Matrix, Utopia

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Count Isidor Fosco, talk to filmmaker Richard Wolstencroft about the film Dark City(1998) directed by Alex Proyas.

Topics:

Australian director Alex Proyas, his background in Punk, and his style
Proyas’s films The Crow, Gods of Egypt, and Knowing
Proyas rebelling against the conformity of Hollywood Cinema
Comparisons to the Matrix which came out a year later and the theme of a meta reality
The setting of the City in a Space Ship disconnected from earth, the theme of parallel universes, and comparisons to the Truman Show
The role of “the Others” in the film; the metaphor for powerful people who manipulate reality from behind the scenes
How the others switch peoples memories and give them false memories; comparisons to Ghost in a Shell
The Gothic and Neo Noire Genres
The aesthetics of the film; Decopunk, Metropolis, Edward Hopper, and other influences
The irony of dystopian films is that they often succeed in creating utopian aesthetics
The films success in building upon the sense of mystery
The theme of man becoming a “God Like” figure restructuring society as a utopia
Plato’s allegory of the Cave and the Ship of Theseus
The symbolism of Shell Beach
The directors cut vs. the theatrical cut

Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Count Isidor Fosco about creating New Retro Futurist Sub Cultures

1980's, 80's music, aesthetics, Alicia Silverstone, Alphaville, animation, Anime, Architecture, arcology, Art, Art Deco, Asian Aryanism, Asian Culture, Batman, Blade Runner, Cinema, Cities, Comic Books, Count Isidor Fosco, counterculture, Culture, Cyberpunk, Depeche Mode, Duran Duran, Europe, Film, Film Noire, Futurism, Helen Slater, Homosexuality, Identitarianism, Israel, Italo Disco, Japanese Culture, Kaze to Ki no Uta, Memes, Mid-Century Modern, Milo, Mishima A Life in Four Chapters, Music, New Retro Wave, Peter Sotos, Pilleater, Postmodernism, Retro Futurism, Sarah Michelle Geller, Sexuality, Steampunk, SWPL, The Crush, The Legend of Zelda, Toronto, Trolling, Urbanism, Vaporwave, Video Games, Will McBride, Winona Ryder, Yukio Mishima

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to returning guest Count Isidor Fosco.

Topics:

Retro-Futurism and it’s sub-genres
Whether Retro-Futurism and fusing past genres can evolve organically or end up being a “cut and paste”
Merging an Aristocratic or Traditional Genre into a Futuristic one
How fusing genres is most effective when there is a distance in eras(ex. Art Deco and Cyberpunk, Baroque and 80’s Retro-Futurism)
How futurism overlaps with the archaic in architecture(ex.Arcology)
Steampunk; Victorian era Train Stations in London, the Galleria Vittorio Emanuele in Milan, and shopping centers inspired by European shopping arcades
The Toronto Eaton Centre in contrast with the Underground City in Montreal, which is more Retro-Futuristic
Why “Decopunk” Deserves to Be Bigger than Steampunk
The Art Deco revival during the New Wave Age
Batman: The Animated Series, Batman & Architecture, and Anton Furst’s visions for the Aesthetic Of Gotham City(1989)
Alicia Silverstone in Batman & Robin and playing piano in the film The Crush
The aesthetics of Mishima: a Life in Four Chapters and the manga Kaze to Ki no Uta
New Retro Wave, Italo Disco, Falco, and Alphaville’s Forever Young and Big In Japan
The “Vaporwave” Babylon Club from Scarface which was featured in Miami Nights 1984’s Early Summer
How we are in post-post modernism and must rebuild cultures from scratch
Subcultures based on ethnic and cultural identity; cultural and ethnic fusionism(ex.Asian Aryanism)
How the future will either be mass global homogenization or forming new cultures from scratch but there is no returning to the past
Asian and Israeli Aryanism as memes
Count Fosco’s hierarchy of fetishes

Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Filmmaker and Author Pablo D’Stair

aesthetics, Bret Easton Ellis, Cinema, Comic Books, Culture, Enter The Void, Film, Film Noire, horror, Literature, Pablo D'Stair, Paul Schrader, Pilleater, Poetry, Psychology, Robert Bresson, Science Fiction, Scott Laudati, Surrealism, Taxi Driver, The Canyons

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to author and filmmaker Pablo D’Stair. He is the author of sixty books of fiction, twenty-four plays/screenplays, five collections of poetry, and numerous essays and dialogues. A former contributor of cinema critique/commentary for the UK film site BRWC: Battle Royale With Cheese and of fiction, interview, and essay for the Montage: Cultural Paradigm (Sri Lanka), he is also the writer/director of six (very underground) films and the co-founder of the art-house press KUBOA . More information can be found at pdstair.wordpress.com and pdstairfilms.wordpress.com. Check out his films on Vimeo.

Topics:

Pablo’s work as an associate producer on the film The Canyons directed by Paul Schrader and written by Bret Easton Ellis
Early influences including Robert Bresson who was also an influence on Schrader
Pablo’s first film A Public Ransom about an author who stumbles across a crayon-scribbled missing child poster with a scrawled telephone number
Pablo’s film Mississippy Missippi Tu-Polo which is about a young indie author who is no longer young and “indie”
The band Left By Snakes who have done music for Pablo’s films, and he has also worked on their music videos
Pablo’s film Science Fiction about Five unknown, unread, and well-past-their-prime science fiction authors grappling with obscurity, infinity, and obsolescence
Pablo’s recent film Mr Pickpocket about two young boys drawing a comic about their dad being a Pickpocket
Pablo’s cinematography style; long shots and techniques to make films look grittier and older
Pablo’s films are about implications and invoking feelings rather then plot driven
Comparing being a writer to being a filmmaker
The Alt-Lit Genre
The Art for the book covers which are designed by both Pablo and his friend artist Goodloe Byron
KUBOA Press and Pablo’s criteria for selecting writers
Pablo’s writing process and style, linear writing and writing from the perspective of one person’s perspective
Pablo’s latest novel LUCY JINX  which is an intimate epic, spanning eight years in the life (and innermost mind) of the titular poet as she navigates cities, jobs, ambitions, and friendships
Pablo’s book Dustjacket Flowers about a man loitering in the public library and the theme of perceiving reality
Pablo’s book Regard; the theme of life rendered in minute by minute physical description with only as much as psychological insight
Pablo’s set of novellas The Unburied Man and The People Who Use Room Five; Life Cycle Horror
Pablo’s Noire novel man standing behind which is being adapted into a film


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jack Ravenwood

1980's, 1990's, aesthetics, Anime, Architecture, Art, Asia, Asian Aryanism, Beatniks, capitalism, China, Cinema, Cities, Class, College, conformity, Conservatives, Consumerism, Culture, Cyberpunk, Deconstruction, Donald Trump, Economics, education, Film, Free Trade, Ghost in a Shell, Globalization, History, Hong Kong, Immigration, Jack Kerouac, Jack Ravenwood, Japan, Japanese Culture, Jean Baudrillard, Las Vegas, Literature, Martin Heidegger, Mid-Century Modern, Neoliberalism, Neon, New York, Paradise Theater, Philosophy, Pilleater, Robert Brenner, Ross Perot, Shenzhen, Skyscrapers, SWPL, Thomas Rinaldi, Time Square, Trans-Pacific Partnership, Urbanism, Wisconsin

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jack Ravenwood. He is the author of Paradise Theater, a collection of short stories centered around the theme of the post-industrial American small city. He is also the main writer at Mean Street Cinema, a website dedicated to films from New York City in the 70’s and 80’s, as well as the co-founder of little ape press. He blogs at Foreigner Thoughts

Topics:

The setting of the book Paradise Theater in Jack’s home town West Allis, Wisconsin in the 1980’s and early 90’s
The Paradise Theatre movie house which the book was named for and featured on the cover
The Fairview Motors Sign which is featured on the back of the book; Mid-Century Road Signage
The cultural, political, and economic themes in the book
Allis-Chalmers closing in West Allis and the de-industrialization of the Midwest
Ross Perot’s campaign in 1992 against NAFTA, and Trump campaigning on trade issues
Jack’s Unz Review article Trump, JFK, and the Deep State
National Review Writer: Working-Class Communities ‘Deserve To Die
How the best case scenario for the US would be to carve out a niche in high end manufacturing that caters to China’s growing middle class
Jack’s new home Shenzhen, China which is a manufacturing power house, and new mega city built from scratch
Jack’s Mean Street Cinema site, his interest in Vintage New York City, and Robert Stark’s interviews with Thomas Rinaldi about New York Neon and Robert Brenner about his Time Square Tours
Jack’s observations about Hong Kong Neon and how Hong Kong Is Slowly Dimming Its Neon Glow
Jack’s future plan to document Neon in Hong Kong in either a book or blog
The culture of Hong Kong as a bridge between the east and west and it’s “relative autonomy”
Vertical living and how it is the norm for urban China for all classes
High density living isn’t inherently bad but it is necessary to have a high quality of culture to sustain it
Jack Kerouac’s The Town and the City
Conformity in Asian culture; authentic Asian culture vs. SWPL larping
Chinese Philosophy; the Tao Te Ching
The evolution of Western Philosophy; Deconstruction and selective deconstruction
Jean Baudrillard and the simulation


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews New Retro Wave Artist Absolute Valentine

1980's, 1990's, 80's music, 90's music, Absolute Valentine, aesthetics, Akira, Andy Fox, Anime, Art, Cinema, Culture, Cyberpunk, Daft Punk, David Lynch, Depeche Mode, Film, France, Ghost in a Shell, horror, horror films, Italo Disco, John Carpenter, Kavinsky, Music, Neon, New Retro Wave, Pilleater, Synthwave, The Summoner, Vaporwave

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to French New Retro Wave Artist Absolute Valentine(Bandcamp Site). He is also a manager for Lazerdiscs Records. Check out his SoundCloud, YouTube, and Facebook Page.

Topics:

Intro Song: Bad News from the Police Heartbreaker album
Music background, learning piano as a kid, playing guitar in a metal band, and early electronic work
Influences ranging from Bach, Kavinsky, and Vangelis; similarities between Synthwave and Classical Music
The New Retro Wave genre
Producing music for Lazerdiscs Records and Drive Radio
The Darkwave genre
The Police Heartbreaker album
The Sunset Love album
The American Nightmare album inspired by Horror Films
The album cover designs, Cyperbunk influence, and the color pallet
Anime, Akira, and Ghost in a Shell
The Film Drive
John Carpenter’s Film Soundtracks
Daft Punk and 90’s French House Music
French 80’s music; Space Disco
The upcoming New Retro Wave horror film The Summoner which Absolute Valentine will do a track for
The Roland TR-7, other Synths, and the process of layering Synths
The importance of the intro and outro in Synth Music
The moniker Absolute Valentine
Upcoming Albums, Tracks, and live performances
Outro: She’s a Dancer from the Sunset Love Album


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Josh Alan Friedman

1960's, 1970's, 1980's, Adam Parfrey, Al Goldstein, Black Cracker, Black Culture, Blues, censorship, Cities, Class, counterculture, Crime, Culture, Dallas, Erotica, Feral House Books, Film, gentrification, History, Josh Alan Friedman, journalism, Literature, Long Island, Los Angeles, Luke Ford, Media, Music, New York, Pilleater, Political Correctness, Pornography, Race Relations, Robert Brenner, Sexuality, Texas, The American South, Time Square

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to writer and musician Josh Alan Friedman. He blogs at Black Cracker Online

Topics:

Intro Song: “Thanksgiving at McDonald’s in Times Square” by Josh Alan Friedman
Josh’s book Black Cracker about his experience going to the last segregated Black school in New York
Recovering lost memories from 1962 when Josh was in 1st Grade
The account of Josh being lynched in the book
The location of Glen Cove, Long Island, Black Shanty Towns, and the Gold Coast Era
Reactions to the book
Race relations in New York City in the 70’s, school busing, and the Bernie Goetz incident
Josh’s move to Dallas, Texas where his music career took off
Josh’s interest in Blues music, White adaptation of the Blues in the 60’s, the 80’s Blues Revival in Texas, and decline in interest among Blacks
Josh’s solo guitar act
Openings for bands including Huey Lewis and the News, War, Johnny Winter, and Bad Company
Josh’s book Tales of Times Square about Time Square in the 70’s; Robert Stark’s interview with Robert Brenner about his Gritty Old Time Square Tours
Josh’s observation that Broadway in Downtown LA reminds him of old Time Square
Josh’s interview with Luke Ford
Josh’s experience working for Al Goldstein’s Screw Magazine
Josh’s book I, Goldstein, which is a co-written autobiography about Al Goldstein
Josh’s book When Sex Was Dirty
Rules for Journalist; “never pay for an interview”
Book Publishing; the era of “the gate keeper,” independent publishing houses such as Feral House, and self-publishing today
The effects of the internet on musicians


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jay Dyer about Esoteric Hollywood

1980's, aesthetics, Aleister Crowley, Alicia Silverstone, Blade Runner, Carl Jung, Cinema, Conspiracy Theories, Culture, Dark City, David Bowie, David Lynch, Drugs, Dune, Enter The Void, Esoteric Hollywood, Eyes Wide Shut, Film, Film Noire, Hellraiser, Hollywood, horror, horror films, Jay Dyer, John Carpenter, Labyrinth, Literature, Media, Metropolis, Mythology, Natalie Portman, Occultism, Pilleater, Psychology, Religion, Surrealism, The Dark Crystal, They Live, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer. He reviews films at his blog Jay’s Analysis and is the author of Esoteric Hollywood.

Topics:

The entertainment complex and deciphering propaganda
The power of cinematography and aesthetics in film
How computer generated special effects have impacted the quality of cinema
The concept of the Hollywood establishment and speculations about which filmmakers and films are anti-establishment
Why Jay focuses on the symbolism of the films rather then trying to analyse the director’s motive
Stanley Kubrick’s Eyes Wide Shut
David Lynch’s Dune, Eraserhead, Inland Empire, and Lost Highway
Surrealism, Neo-noir, and the David Lynch aesthetic
Jay’s review of David Lynch’s Twin Peaks and Mark Frost’s book The Secret History of Twin Peaks
The Ancient Greek concept of time  being a never ending repeat
The Folk Horror Genre; The Devil Rides Out
Blade Runner
Dark City
Enter the Void
The Dark Crystal
The film Labyrinth, the Jungian achetype of the Labyrinth as the subconscious, and the Labyrinth in Ancient Mythology
The Labyrinth theme in The Shining and Hellbound: Hellraiser II
The symbolism of basements as the subconscious in the films House II and The Hole
The Esoteric Meaning of Time Bandits and the significance of the abyss
Robert Stark’s show about Alicia Silverstone and The Film The Babysitter
Natalie Portman in Léon: The Professional
John Carpenter’s They Live! and Big Trouble in Little China
Jay’s upcoming TV Show with Jay Weidner, which will be aired online at www.Gaia.com


Click Here to download!
This show is brought to you by Robert Stark’s Paintings!