The concept of beauty throughout history has been a force for creation, inspiring mankind to reach the pinnacle of civilization. From men accomplishing great things to win over a lover, the beautiful female as a muse for the artist, religions building great temples and cathedrals to attract worshipers, kings and emperors building monuments to demonstrate their greatness, and businesses using aesthetics in architecture and advertisements to attract more consumers.
In today’s society aesthetics serves primarily as a force to manipulate people to keep them striving and conforming to the liberal capitalist system. Advertisements use aesthetics to create a vision of a product to consume; not just the product itself but an overall aesthetically pleasing scene involving beautiful women, luxurious furnishings, great architecture, natural scenery, and music to create the mood.
Robert Stark and Matthew Pegas discuss their new documentary (((Supply))). When Podcaster Robert Stark’s dreams of greatness don’t seem to be coming true in Santa Barbara, he heads down to LA to meet the one moral leader who has all the answers: Luke Ford. Produced by Stark Truth TV.
Topics:
The mocumentary theme and side story of Robert Stark’s quest for supply
The interviews with Luke Ford which focus primarily on psychological themes
Using creative output, politics, and online personas to achieve narcissistic supply
Narcissistic supply filling a void that is missing from healthy social bonds
Social status as a core human need
The feeling that you have unjustly been denied status and whether it is based in reality or a coping mechanism
Architecture in Beverly Hills and the contrast between aristocratic aesthetics and the faux liberal capitalist elites
How social status relates to politics
Maladaptive daydreaming and how it can be both destructive and a source for creative inspiration An Afternoon With Robert Stark in Santa Barbara
Erotic energy as a force for creative pursuits and the importance of sex to both status and forming bonds
Luke’s play Eroticized Rage
The cinematographic and production process Stark Truth TV as an offshoot of Apocalypse Culture exploring areas of “forbidden knowledge”
Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island
Prior to the 1950’s, the urban core of LA, centered around Downtown, was relatively small. It was also much more compact and vibrant, however, than it became in the second half of the 20th Century. In recent years, there has been renewed interest in urbanism and walkable communities, and LA’s downtown, historic core is now revitalized and booming with new highrise construction.
While LA is just in the early stages of creating an integrated metro system, the region once had a vibrant street car system connecting the urban core with extensions to street car suburbs such as Santa Monica and Pasadena.
According to Curbed LA : “in 1945, a sinister corporation called National City Lines took over the thriving Los Angeles Railway, which served most of the sprawling region. Then, over the course of the next two decades, LA’s extensive streetcar network was eliminated and the iconic Red Cars that Judge Doom mentions were replaced with shiny new buses.
How Matthew discovered the Stark Truth via the interview with Jamie Stewart from Xiu Xiu
Matthew’s political transformation from a Leftist to a “Starkian” Alt-Centrist
The connection between politics, sexuality, and aesthetics Beyond Liberalism: A Political New Wave Neonationalism; nationalism and politics based on aesthetics
Creating an Archeo-Futuristic sub-culture that is so aesthetically pleasing that it can out-compete Liberal-Universalism and Global Capitalism
Architecture as a form of erotica The Alt-Of-Center Guide To Aesthetic Warfare
The phenomenon of progressive cultural interests gaining an identitarian consciousness
The scene as the inevitable result of urban, middle to upper class “SWPL’s” becoming “Red Pilled” The Idea of Homonationalism San Fernando Valley Photo Essay and Neon Signage on Ventura Blvd
Income inequality and the demographic transformation of The Valley and LA
Richard Register is a theorist in ecology and urban design, the author of several books on the topic of ecologically sustainable cities, and founder and President of Ecocity World.
Topics:
Richard’s concept of an Ecocity Paolo Soleri’s concept of an Arcology and his project Arcosanti in Arizona
The Ecosa Institute which is doing what Soleri intended on a smaller scale
Ancient examples of the Arcology go back to Ur in Mesopotamia and Çatalhöyük in Turkey
The city as a complex living organism
Horizontal vs. three dimensional cities
Implementing an ecocity on a large scale as an Ecotropolis
Why density is more ecologically sustainable
Ecocity Zoning
The goal of creating a car free city
The use of bridges between structures
John C. Portman’s Embarcadero Center in San Francisco which has aspects of an Arcology
Exterior glass elevators
Richard’s book Ecocity Berkeley and NIMBY imposed barriers to change in Berkeley
Opening up the creek systems in urban areas
Creating Ecocity village cores in the suburbs and how to retrofit aesthetically pleasing suburbs(ex. Santa Barbara, Marin County, and wealthy East Bay suburbs)
Reducing the foot print of cities and suburbs and opening up new land to agriculture and wilderness
Richard’s illustrations and the importance of aesthetics in urbanism
New Urbanism as a step in the right direction but too rigid in height and density
Richard’s trip to the Galapagos Islands and observations of how architecture coexists with nature
Ecocities in China
Robert’s observation that Las Vegas despite being an ecological catastrophe has many aspects of the Arcology
Francis Nally and Brandon Adamson join Robert Stark to discuss his podcasting history, political and cultural evolution, and where he is at now.
Topics:
The new book The Stark Truth With Robert Stark: A Legacy 2009-2018
How for a long time Robert was known as the guy who randomly interviews people
How The Stark Truth doesn’t get the credit it deserves
The lack of substance of firebrand alt-podcasters and Youtube political celebrities
How Robert has now established his own unique “Starkian” ideology and cultural vision
New “Starkian” blog Alt of Center | Life. Liberty. And the Pursuit of Beauty
How Robert’s novel Journey to Vapor Island helped brand the Starkian Identity
Robert’s adolescent traumas which provided inspiration for Journey to Vapor Island
How Robert’s experience growing up in LA and observations on society as a teen shaped his basic cultural and political outlook
How Robert always had many of the same core principles but felt the need to belong and conform to a political tribe
Robert’s political phases including Libertarianism, Paleoconservatism, and Third Positionism
How ironically both Robert and Brandon started out on the right economically and moved closer to the left
How Robert is now at a point where he is entirely independent both politically and culturally
Robert’s podcasting history starting at Voice of Reason Radio, Counter-Currents Radio, and establishing his own podcast
Robert’s past interviews with political dissidents
Robert’s decision to focus the show on culture rather than politics
Brandon’s reference in the book to his trip to Las Vegas with Robert and the inspiration for Vapor Island
Is the future of the dissident sphere a Starkian, Alt-Center, Retro-Futurism?
Robert Stark joined with Cartrell Payne(aka The Adventure Kid) to discuss the YIMBY movement, the Alt-Center, and how those issues relate.
Topics:
California Senator Scott Wiener’s housing-transit measure Derailed
Factions of the YIMBY movement including left leaning housing advocates, real estate developers, and the Market Urbanist
Left Wing anti-gentrification activists and their alliance with NIMBY’s
Cartrell’s observations on gentrification in Memphis, Tennessee
The hypocrisy of pro-immigration Limousine Liberal NIMBY’s, and how that combination exacerbates the housing crisis
How the YIMBY movement is also very pro immigration
Income Inequality in California and the mass exodus of the middle class
The film Falling Down which is set in LA in the early 90’s and a warning of a dystopian future
What makes California great and can it be saved?
The New Great Migration of Black Americans back to The South
White Middle Class Conservative NIMBY’s, their motivations, and how they are sabotaging their own self interest
Why YIMBYism and immigration restriction are compatible, and why the Alt-Center should take up those causes
Why YIMBYs need to address aesthetic concerns
Why YIMBYism is compatible with environmental and historic preservation
Citylab and City Journal; their writings on urbanism and political agendas
Why mass transit is inefficient in LA and other Sun Belt cities
The political and cultural flaws of both Blue and Red States
A vision of an Alt Center which include alternative economics, pro middle class policies, New Urbanism, environmentalism, SWPL culture, and socially centrist
Cartrell’s political orientation as an Old School Southern Democrat minus the racism
Cartrell’s critique of both the Black Liberal Establishment and Black Conservatives
Conservative views on the poor and police issues and Conservative Class Cucks
The early 20th Century Populist movement
Norman Mailer’s plan for breaking up New York City which addressed both the concerns of the Left and the Right
Al Barna is a San Francisco photographer and artist whose work has been shown in exhibitions at the de Young Museum, the Legion of Honor Museum, the Rayko Gallery, the San Francisco Public Library, and the San Francisco Arts Commission Gallery. His photography has been published in CA Modern magazine, Society of Commercial Archeology Journal, The Sun magazine, and Shots magazine. www.albarna.com
Randall Ann Homan began her interest in the art of signage as an apprentice sign painter in Flagstaff, Arizona. She lives in San Francisco and is an art director, photographer, and an award-winning graphic designer. Someday she would like to design a neon sign. www.giantorange.net
Topics:
The history of Neon in San Francisco
Neon Walking TOURS
Historic Preservation and how San Francisco has lost the least of it’s signage of any major city
Market Street, it’s history as a Neon hub, and the failed Mid-Market Sign District Proposal The Starlight Room at The Sir Francis Drake Hotel in Union Square
Other signs near Union Square including Tad’s Steak House, Marquard’s Cigar Store, The Stratford Hotel, and the Herbert Hotel
Parking Garage Neon near Union Square
The Tenderloin
Chinatown which has the highest concentration of signs in the city though many are unlit The Lady from Shanghai directed by Orson Welles
Broadway in North Beach
Columbus Street in North Beach
Fisherman’s Wharf; Alioto’s, Fisherman’s Grotto, The View Alcatraz Sign, The Cannery and Ghiradelli Square
Bar signs including the 500 Club Martini sign in the Mission District The Coca-Cola Company Replaced the Landmark Outdoor Neon Sign with LED
Animated Signs
The Embarcadero Center’s LED bulb signs
The Port of San Francisco Sign at The Ferry Building
Oakland’s signs including the Paramount Theatre
The Orinda Theatre Rheem Theatre closes it’s doors in Moraga
Santa Cruz, The Boardwalk, and The Del Mar Theatre
Jim Rizzo of Neon Works in Oakland who rescues and restores signs Stookey’s Club Moderne which has a brand new Art Deco style sign NEON SPEAKS: Symposium & Spotlight Forum The Museum of Neon Art in Glendale, California
Will Durham’s Neon Museum in Reno
Robert Stark and co-host Cartrell Payne(The Adventure Kid) talk to Peter Moruzzi. Peter was born in Concord, Massachusetts and raised in Hawaii, he graduated from the University of California at Berkeley and later attended the American Film Institute in Los Angeles. In 1999, he founded the Palm Springs Modern Committee (PS ModCom) an architectural preservation group. He is the author of “Havana Before Castro: When Cuba Was a Tropical Playground,” “Palm Springs Holiday: A Vintage Tour From Palm Springs to the Salton Sea,” “Classic Dining:Discovering America’s Finest Mid-Century Restaurants,” “Palm Springs Paradise: Vintage Photographs from America’s Desert Playground,” and “Greetings from Los Angeles.”
