Category Archives: Homosexuality

Robert Stark interviews Anatoly Karlin about his American Decade, Futurism, & Political Trends

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Robert Stark and co-host Pilleater talk to Anatoly Karlin. He blogs at The Unz Review

Topics include:

Anatoly’s article at the Unz Review about his American Decade
Why Anatoly is leaving the United States and going back to Russia
How the United States is becoming more like Europe
T.R. Reid’s book The United States of Europe, where he argued that the EU was emerging as a superpower rivaling the US, but has latter been disproved
How during the Bush era Americans perceived Europeans as “Cheese Eating Surrender Moneys,” but latter Sarkozy became the architect of the war in Libya, and arming Syrian rebels
Another element of America’s Europeanization is the decline in social conservatism, the surge in support for gay marriage, and drug legalization
Anatoly’s political views, which are fairly socially liberal(except for rejecting political correctness, and radical feminism),  economically centrist, and closest to Rabbit’s AltLeft
U.S. Millennials More Likely to Support Censoring Offensive Speech, especially among university students who are the future elites
The decline in American fertility rates toward European levels
How American politics now resembles Europe in the sense that there are five distinct blocs: Clinton democrats, Sanders socialists, Rubio/Bush etablishment conservatives, Cruz Bible-bashers, and Trump nationalists.
Anatoly’s pre election prediction article US Elections 2016: Let’s MAGA, Not War, and Trump’s support in the rust belt
Trump’s economic policies as a hybrid of supply side economics, and economic nationalism, and the similarities to Putin’s economic policies in Russia
The GINI index of income inequality
The pros and cons of economic automation, and the basic income
Transhumanism, Zoltan Istvan, and his book The Transhumanist Wager
The Bay Area where Anatoly spent most of his time in the US, and how it’s pretty much ideal, but also the most expensive macro-region of the US
California is also home to Ron Unz, Steve Sailer, as well as the “Alt Left” movement(the tiny group of thinkers combining leftist economics with HBD, sane views on gender relations, and a penchant for futurism )
The futurist scene in the Bay Area including Scott Jackisch’s Bay Area Futurists meetup, Health Extensions Salons, Mike Johnson’s Qualia Research Institute, Effective Altruism, and the “techno” faction of NRx
Mass Transit, Bay Area Rapid Transit, how older cities tend to have more integrated transit systems, and why conservatives oppose mass transit
Global Warming, Swedish scientist Svante Arrhenius who discovered climate change, debunking climate change deniers, and whether it will benefit arctic regions such as Russia
Observations on other American cities including Las Vegas, Los Angeles, Chicago, New York, Washington DC, and Pittsburgh
Anatoly’s experience ridding across the nation on Amtrak
Architecture: Skyscrapers, Brutalism, architect John Portman’s 70’s Neofuturism, and Rabbit’s ideal city based on the film Logan’s run
America’s great wilderness and National Park System


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Robert Stark interviews Alt-Left Youtuber Prince of Queens about SJW’s & the Regressive Left

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Robert Stark, co-host Pilleater, and Bay Area Guy talk to alt-left YouTuber Prince of Queens.

Topics includes:

Quiplash and Google hangouts
Joshua David McKenney was a college roommate of Prince of Queens in college
Professor Jordan Peterson and “Authoritative” psychological traits
The Queer community and fourth-way intersectional feminism.
The Regressive Left
SJW’s hate cisgenger white male homosexuals
“Homosexual men trying to rape women”
How the left fell after the 2nd Obama term
Intersectional feminism as a form of trickery
Black Lives Matter
The arrogance of Feminism about the Hillary campaign
Bernie Sanders and Bay Area Guy’s endorsement
The “progressive stack” and how SJW’s destroyed Occupy Wall Street
The cult of Race Theory
San Francisco & Stuff White People Like
Asians and SJWs
Whites and Asians on the same side for “privilege?”

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Robert Stark interviews Jamie Stewart from the band Xiu Xiu

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Robert Stark and Pilleater talk to musician Jamie Stewart from the band Xiu Xiu

Topics include:

Intro song: Xiu Xiu – “Into The Night”
Jamie’s background growing up in the San Fernando Valley, and how he was exposed to music early on from his dad in the music industry
Jamie’s early musical influences including Bauhaus
Jamie’s interest in Asian Culture
How Xiu Xiu combines traditional Asian influences with electronica, and Pilleater’s point that he views Xiu Xiu as Asian Neofolk
The visual aesthetics to Xiu Xiu’s work, and Jamie’s artistic influences including, Kara WalkerAgnes Martin, and Antoine D’Agata
Xiu Xiu – Dear God, I Hate Myself, which depicts real vomiting, and deals with themes of being in distress with ones body
Xiu Xiu Plays the Music of Twin Peaks
The director David Lynch, his Twin Peaks series, and the film Dune
Yukio Mishima
Peter Sotos
After Jamie leaves Robert and Pilleater continue the conversation discussing the musician Mitski, the manga Patalliro!, the Alt Left, the aesthetics of the film Mishima: A Life in Four Chapters, the Pavilion for Japanese Art, architect John C. Portman Jr.Le Cassette’s music video Tokyo Blues, the Japanese artist Takehiko Inoue, and the Kinokuniya Bookstore in New York


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Robert Stark and Pilleater talk about the Film Salò

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Robert Stark and Pilleater talk about the film Salò, or the 120 Days of Sodom, directed by Pier Paolo Pasolini

Topics include:

The film was based on the book 120 Days of Sodom, written in 1785 by the Marquis de Sade, and was even more extreme than the film
De Sade’s nihilistic anarchic philosophy towards sex, in contrast with today’s society, which has replaced traditional morality with new moral codes rather than De Sade’s libertinism
How each generation tries to shock their elders, and how de Sade,’s work is shocking even by today’s standards
The book Sade by Jonathan Bowden
Kerry Bolton’s book The Psychotic Left
Ian Brady’s The Gates of Janus: Serial Killing and Its Analysis
Censorship, Sade’s imprisonment for his writings, and the banning of the film in Australia
Author Peter Sotos, who has been compared to de Sade, and also prosecuted for obscenities
Photographer Will McBride, who Sotos has written about, the censorship of his Sex Ed book Show Me!, his art book Coming of Age, and Lasse Nielsen’s films
The theme of adolescent sexuality, innocence, and the desecration innocence
Avant Garde filmmakers Harmony KorineLarry ClarkKenneth Anger, and Nagisa Oshima
Larry Clark’s film Kids
Brooke Shields in the film Pretty Baby
The portrayal and theme of Fascism in the film, and the line “the fascist are the true anarchist.”
Pasolini’s political and cultural views, and his Catholic Paganism
Pasolini’s homosexuality, his love affair with teenage Ninetto Davoli, who was in Salò, and depictions of homo eroticism in the film
Race play in sex, the Nazi S&M Film The Night Porter, and sado-masochist themes in films dealing with political and racial taboos
The film Hard Candy, which is Salò in reverse, but fits within the politically correct narrative
The dominant submissive paradigm in human sexuality
Eli Roth’s torture porn Hostel series
How we have become detached from violence and death in real life, and seek it out in film
The theme of sex as power
The other worldly transcendental aspect to sex

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Robert Stark interviews Pilleater about Music & Manga

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Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudios, pso119, and kingtrode.

Topics include:

The intro song, pissedoffindianman by Pilleater , which features clips of Jared Taylor
Jared Taylor’s Shadows of the Rising Sun: A Critical View of the Japanese Miracle(1983)
How Pilleater was exposed to electronic music at a young age, and became a Chiptune musician at age 16 as DJ Qudo
Latter on Pilleater got into Noise music, such as Whitehouse, and Digital hardcore bands, such as Atari Teenage Riot, and KMFDM, who are controversial due to the Columbine Shooters
Oneohtrix Point Never, who was the forerunner to Vaporwave
Japanese Pornography similar to what you might see at websites such as teeni, and Pilleater’s point that it has a nationalist communal nature
The Ganguro culture in Japan, where girls tan their skin and bleach their hair, and is common in porn
Pilleater’s favorite music genre Eurobeat from the 90’s, it’s popularity in Japan, his favorite artist Bratt Sinclaire, Sinclaire’s song Running in the 90’s, and it’s origins from Italo disco from the 80’s
Generic Euro Dance(ex. Aqua and Dj Sammy)
The Italo disco song Shadilay, which came out in the 80’s by a band P.E.P.E with a frog on it’s album cover, and it’s esoteric Lyrics
Examples of Italo Disco include the global sensation Baltimora’s Tarzan Boy, and Pilleaters favorites, BRIAN ICE – Talking to the night, Eddy Huntington – Up And Down, and Lama – Love on the rocks
The New Retro Wave Genre of music that emerged in the mid 2000’s, inspired by 80’s New Wave and Italo Disco(ex. FM Attack, Lifelike – So Electric, Electric Youth, College, Kavinsky)
The French House band Daft Punk and their use of anime
Chicago house music
Vaporwave, and it’s nostalgia for William Gibson’s Neuromancer’s Japan
William Gibson’s Idoru
The anime film Akira(1988), set in a post apocalyptic Japan, and how it’s influenced Vaporwave, Cyberpunk, and New Retro Wave
The manga Patalliro!, about a ten year old cross dressing king, it’s colorful Art Nouveau aesthetic, it’s influence from
H. P. Lovecraft, and it’s taboo themes
Asian Aryianism and whites living vicariously through Japanese culture
Themes of Asian Aryanism in The Legend of Zelda, which combines Japanese and Medieval European Aesthetics
Asian Aryan themes in Vaporwave with Roman busts and Japanese aesthetics
The minimalist Japanese vs. Chinese aesthetics
How each music genre has it’s own unique aesthetic
The Seapunk electronic genre, which uses Sega Genesis imagery(ex.UNICORN KID)
Dark wave, which is apocalyptic electronic music from Germany(ex. Project Pitchfork, and Dunkerwerk)
Betsy & Chris, the white Hawaiian folk music duo, who sang in fluent Japanese
Stereolab, which reminds Pilleater of Rabbit’s AltLeft
Why Alex thinks Michael Jackson is an Alt Left Icon
Sam Hyde and Tim & Eric on Adult Swim
Pilleater’s upcoming book, “Almond Eyes, Baby Face,” a collection of short stories on Asian Aryanism

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Robert Stark talks about Mishima, Taxi Driver, & Aristocratic Individualism

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Robert Stark discusses the films Mishima: A Life in Four Chapters and Taxi Driver

Topics include:

Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. TolkienAleister CrowleyOscar Wilde, H. L. MenckenDavid LynchRichard WolstencroftSalvador DalíJonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting  against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City
New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave)
Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art
Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and  Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters

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Robert Stark interviews Haarlem Venison

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Robert Stark and co-host Alex von Goldstein interview Dramatist, Vagabond, HBD Doomsayer, Globalist, Universalist, Evolutionary Humanist, Panpsychist, Black Aryan, and Poet-Warrior, Haarlem Venison. Haarlem blogs at AcidRight.INFO

Topics include:

Haarlem’s book of poetry LO! a racist exhile
Robert’s observation that the book uses racial slurs, but the overall theme of the poems are not about race, but rather alienation and being an exile from society
Moral Risk Associated with Dismantling Antiracism
Co-opt Kindness and Empathy
Why Haarlem calls himself THE FINAL NEGRO
The Origin of Haarlem’s Addiction to Sex with Refugee Men
Haarlems’s shtick is to elude categorization
Gangster Bolshevism
The role of the meek in society, and why Haarlem believes the meek will inherit the earth
Haarlem’s travels across Europe and Asia, and his observations of the cultures and countries he visited
Haarlem’s experience in Tibet, the Free Tibet movement, and ethnic self determination
The philosophy of the Acid Right, and the intellectual and spiritual value of psychedelic hallucinogenic drugs
How subversive political movements are more likely to come from counter-culture figures including hippies, rather than middle class conservatives
Haarlem’s new book DEATHTOTHEWORLD: an interracial racist love story
How the book is fiction, but the character is based on Haarlem, and inspired by his experiences traveling across America by Freight Rail
How the Alt Right serves a purpose as a wrecking ball to political correctness, but has it’s intellectual limitations
How Haarlem trolled Red Ice Radio by proposing the Nazi Virtual Reality Theory
Haarlem’s plan to attend the National Policy Conference, and organize a workshop(not officially affiliated with NPI) on non-violent direct action at West Potomac Park
His upcoming series of plays, “Four Speeches at the Gallows”
Harlem’s review of Beatnik Fascist by Brandon Adamson


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Robert Stark interviews Paul Bingham about Aleister Crowley

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Robert Stark and co-host Alex von Goldstein talk to Paul Bingham about Aleister Crowley

Topics include:

Today Aleister Crowley exists either as an icon of occultism, used by subcultures, derided by others, but few are familiar with his political and philosophical ideas
Kerry Bolton’s series on Aleister Crowley as a Political Theorist, Part 1 and Part 2
Political Platform based on Crowley’s ideas
Julius Evola on Crowley
James J. O’Meara’s reivew of Richard B. Spence’s book Secret Agent 666
Crowley’s religion Thelema
Crowley’s fascination with power structures
Crowley transcended politics and did not fit into either traditionalism or the left
Crowley did not fit into the left for rejecting egalitarianism and mass democracy, and the right for rejecting free markets and traditional morality
Crowley’s Aristocratic individualism, and his belief in an Aristocracy of the creative class
Wyndham Lewis‘s book The Art of Being Ruled, which like Crowley advocated the rule of the creative class
Crowley viewed the masses as spiritualy inferior
Crowley saw capitalism as degrading genuine cultural elitism
Crowley rejecting Marxism, but supported a social safety net to free up the creative class
Crowley’s value of leisure
Crowley came to the same conclusions about economics as the Distributist and Social creditors, who were Traditional Catholics
Distributism and Social Credit are the economic systems most compatable with Aristocratic Individualism
Homo economicus
Crowley’s critique of democracy
Crowley’s environmentalism
Crowley’s interest in Mountaineering
Crowley tested the limits of human nature and practiced what he wrote about
The futurist philosophy is about testing what works
Crowley’s view of the future was that things will collapse and a new brighter future will emerge
Crowley’s erotic poetry series White Stains, and how he practiced the sexual acts he wrote about
Crowley used sexual experimentation to further his intellectual state, but did not advocate it for the masses
Why the individual must have freedom to exist within their own personal boundaries
Crowley’s advocacy of youth colonies, how the elites practice youth camps, and the importance of controlling youth
How male bonding and inter generational relationships are stigmatized for the masses
How Crowley often took the passive role in sexual acts with both men and women
Paul’s point that most people are either sexually dominant or submissive, but that being a switch is a uniquely Anglo trait
Crowley as the original Troll
Paul’s point that if Crowley were alive today he would be disinterested in western politics
Our upcoming show with Paul on Italian Futurism, and how Crowley, Wyndham Lewis, and the futurist had similar ideas, but were fiercely independent from one another

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Robert Stark interviews Richard Wolstencroft

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Robert stark and co-host Alex von Goldstein interview Richard Wolstencroft. Richard is a filmmaker, writer, events promoter, and founder and festival Director of the Melbourne Underground Film Festival. Check out his articles at Alternative Right

Topics include:

Richard’s film Pearls Before Swine(Watch here)
The actor and musician Boyd Rice who stars in Pearls Before Swine
The theme of fascism, power, and sadomasochism in the film
Influences on the film include A Clockwork OrangeAmerican Psycho, and Salò, which also deals with the themes of fascism and sadomasochism, and was temporarily banned in Australia
Richard’s horror film Bloodlust
Censorship and Film in Australia
The BDSM Hellfire Club which Richard owned
The psychology and philosophy of sadomasochism, and how it relates to politics(Master–slave dialectic)
Social Darwinism
How culture is a more effective way to be subversive than through politics
Richards Theory of Transcendental Fascism
Richard’s political views, and his interest in the Alternative Right and Nationalism
Richard’s point that the left and right should unite against the globalist 1%(ex. the left should agree to be more anti-immigration, and the right more socialist)
The theory that psychopaths evolve through evolution to deal with overpopulation
The film HIGH-RISE based on the book by British writer J.G. Ballard
The film “HAIL, CAESAR!” BY THE COEN BROTHERS
Aesthetics in Film
Richard’s new film The Second Coming
Richard’s porn documentary THE LAST DAYS OF JOE BLOW

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Robert Stark, Rabbit, & Alex von Goldstein talk about Radical Centrism, Cultural Elitism, & Gore Vidal

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Topics include:

Rabbit’s Alt Left and how it’s similar to Radical Centrism
How Radical Centrism relates to the Alt Right, which is a big tent movement for people who oppose political correctness and mass immigration, but includes people with more left and Center views
How Radical Centrism can adopt the issues abandoned by the left in favor of globalism and open borders(ex. civil liberties, the environment, workers rights, and anti-war)
How the left opposed the Brexit which strips the world’s 400 richest people of $127 billion
The Horseshoe theory, and how the radical center is the part of the horseshoe drifting in nothingness
Implementing Radical Centrism politically, and which demographic groups it could appeal to
Where Radical Centrism overlaps with the left, right, and libertarianism
What is the role of Government vs. Individual Liberty
Capitalism and how it can produce innovation, but is disruptive when unfettered without zoning laws, environmental protection, protectionism, and financial regulation
White liberal utopia’s such as Portland, Oregon and Boulder, Colorado, how they relate to the Alt Left, and how they contrast with “conservative” run regions such as Texas
Pan Secessionism and how it can offer every ideology and group self determination
Gore Vidal as a Radical Center/Alt Left Icon
Gore Vidal’s controversial statements on issues including immigration, race, WWII, Roman Polanski, Ruby Ridge, and how he corresponded with Timothy McVeigh
Gore Vidal’s Cultural Elitism
Gore Vidal’s novels
Homosexuality in Ancient Greece and Rome
The importance of cultural elitism
How our society has a hierarchy based on wealth and celebrity status  rather than cultural elitism


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