Robert Stark talks to Matt Forney about Life in Mexico

American Culture, Andy Nowicki, Architecture, automation, Black Lives Matter, California, capitalism, censorship, Charles Bukowski, Cities, Class, Conservatives, coronavirus, Corporations, Crime, Cuisine, Culture, Delicious Tacos, demographics, Despair, Donald Trump, Dragon Day, Economics, History, Immigration, Incels, income inequality, Internet, Joe Biden, Kamala Harris, Latin America, Literature, Los Angeles, Managerialism, Matt Forney, Matthew Pegas, Mexico, Michel Houellebecq, Neoliberalism, Police State, Political Correctness, Politics, Psychology, relationships, Republican Party, Sex Robots, Sexual Revolution, Sexuality, Skyscrapers, social capital, Social Isolation, Suburbia, Travel, Urbanism, Wealth

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Matt Forney about life in Mexico, social and political trends, and upcoming books from Terror House. Matt Forney is an author, journalist and founder of Terror House Press, whose mission is to publish outsider literary fiction, literary nonfiction, and cultural criticism/analysis. You can also follow Terror House publishing on Twitter and Instagram.

Topics:

Why Matt decided to relocate to Guadalajara, Mexico
The overall quality of life, cost of living, and misconceptions about Mexico
Mexico’s more laxed covid lockdown
Class structure, demographics, and urbanism of Mexico
Jalisco as the cultural center of Mexico
The absence of woke culture in Mexico and the Right softening their stance towards Mexico
How the pandemic has exacerbated the worst social trends of the 2010s
Political trends: breakdown in institutional trust, political and economic bifurcation, neoliberalism’s loss of soft power, and transformation of the Democratic Party into a Woke Tea Party
Matt’s reviews of The Pussy by Delicious Tacos and Letters from a Heartbroken Pervert by Richard Power
Upcoming books from Terror House Press: Dragon Day by Matthew Pegas, The Columbine Pilgrim (Audiobook) by Andy Nowicki, and Welcome to Hell by “Bad” Billy Pratt

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