Category Archives: David Lynch

Robert Stark interviews Jack from The Perfume Nationalist

 Angelo Badalamenti, 1980's, 1990's, 80's music, aesthetics, alienation, Alternative Left, American Culture, Architecture, Art, Bernie Sanders, Camille Paglia, capitalism, censorship, Cinema, Cities, Class, Consumerism, counterculture, Culture, David Lynch, Donald Trump, Fashion, Film, Freedom of Speech, History, Hollywood, Homosexuality, income inequality, Las Vegas, Madonna, Malls, Marquis de Sade, materialism, Matt Pegan, Matthew Pegas, Music, Nationalism, Neoliberalism, Neon, Philosophy, Political Correctness, Politics, Postmodernism, Sexuality, social status, Surrealism, Texas, TFW NO GF, The Perfume Nationalist, True Stories, Twin Peaks, Wealth

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matt Pegan talk to Jack from The Perfume Nationalist podcast. Check out Jack on Twitter.

Topics:

Nationalism as an aesthetic brand, selling perfume and soap opera visions to the right
Re-appropriating “queer culture”
Camille Paglia
Trump as a performance art aesthetic brand despite his standard neoliberal policies
Beauty equality vs. an upward value of aesthetic excellence
The aspirational quality of 80s aesthetics
How 2010s neoliberal minimalism conceals wealth and power while erasing history
The elite charade of fake bohemianism
How to time travel with perfume
Las Vegas as the last frontier of scented opulent public spaces
Jack’s affinity for 80s pop icon Madonna
Jack’s defense of the artistic integrity of Lena Dunham
David Lynch’s success at synthesizing surrealist art, perfume adds, and nighttime soap
Jack’s Perfume recommendations
TFW NO GF

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, and novel Journey to Vapor Island




Robert Stark interviews filmmaker James Di Martino about his film The Faceless Man

acting, Art, Australia, Cartrell Payne, Cinema, comedy, Crime, Culture, David Lynch, Film, horror, horror films, humor, James Di Martino, Quentin Tarantino, The Faceless Man

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Cartrell Payne talk to Australian Filmmaker James Di Martino about his film The Faceless Man, which is his first feature film.

Topics:

James’ background in film, making shorts ranging from comedies, thrillers, and a period western
James’ directing style and cinema-photographic influences
Throwbacks to Quentin Tarantino and Get Out in The Faceless Man
Challenges of working with low budgets
Playing on the contrast of horror clichés with the unpredictable
The theme of what’s real and what’s not
Elements of crime genres and light hearted humor
Inspiration from personal trauma as a cancer survivor
Australian Cinema; the horror film The Babadook
Actors including Australian icons Roger Ward and Andy McPhee
The Special effects
Design for the monster by illustrator Austen Mengler
James’ independent production company Chapter 5 Studios
James’ upcoming dark comedy coming of age drama
The film’s premier at Monster Fest in Melbourne

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Checkout Robert Stark’s Facebook page, Twitter, Instagram, Stark Truth TV, and novel Journey to Vapor Island




Robert Stark talks about Aesthetic Socialism

Aesthetic Socialism, aesthetics, Alt Center, American Culture, Architecture, Art, Art Deco, capitalism, Cities, conformity, Consumerism, Corporations, Culture, David Lynch, demographics, Disneyland, Economics, Eugenics, Europe, Film, Futurism, Giovanni Dannato, Globalization, History, Hollywood, Immigration, income inequality, John C. Portman Jr, Journey to Vapor Island, Las Vegas, Liberalism, Los Angeles, Marxism, materialism, Matthew Pegas, Philosophy, Politics, Psychology, Retro Futurism, Sexuality, social status, social trust, Socialism, Urbanism, Wealth

 

 

 

 

 

 

 

 

 

 

Robert Stark discusses his essay Aristocratic Aesthetic Socialism with Matthew Pegas and Giovanni Dannato.

Topics:

A political ideology based on aesthetic principles
The role that aesthetics plays in shaping social and economic hierarchies
The role that capitalism plays in aesthetic innovation
The problem of markets catering to the lowest common denominator
How poor urban planning models lead to a lack of social cohesion
How architectural innovation in theme parks and resorts create a sense of escapism
How Smart Socialism can address these issues
The need to subsidize artistic endeavors that are not profitable in the short term but pay off long term
The impact that making aesthetics more accessible would have on economics and class
Creating a new aesthetic elite
How these issues relate to demographic trends
Roger Blackstone: The Politics of Aesthetics
Neonationalism

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Robert Stark talks about Esoteric Aesthetic Power Structures

1980's, 80's music, aesthetics, Aldous Huxley, Aleister Crowley, alienation, Alternative Right, American Culture, Archeofuturism, Architecture, Aristocratic Individualism, Art Deco, Aspergers Syndrome, California, Cinema, Cities, Class, Conspiracy Theories, counterculture, Culture, David Lynch, demographics, Donald Trump, Economics, Enlightenment, Esoteric Hollywood, Film, Futurism, History, Hollywood, Internet, Jay Dyer, John C. Portman Jr, Journey to Vapor Island, Los Angeles, Matthew Pegas, Music, Occultism, Oligarchy, Philosophy, Psychology, Retro Futurism, Science Fiction, Social Isolation, Surrealism, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and  Matthew Pegas talk about the intersection of politics, culture, and aesthetics and power dynamics. Check out Jay’s Analysis and Jay Dyer’s Full Lecture at Mercado Sagrado Fair on Stark Truth TV.

Topics:

The Mercado Sagrado Fair at Paramount Ranch in Malibu
The Horseshoe theory and contrast between the Bobo culture and dissident right scene
Jay Dyer’s book Esoteric Hollywood and past shows on Esoteric Hollywood and David Lynch
Conspiracy theories as an attempt to understand the mechanisms of power
Deciphering the realities of power
The root of paranoia in feeling powerless and not being in control of one’s destiny
Edward Bernays’ use of psychology, advertisement, and media to subject the masses to the will of the elite
Aldous Huxley and the Fabian Socialist
The oligarchy, traits selected by global capitalism, and whether a meritocracy can address those problems
Aleister Crowley’s Aristocratic Radicalism, and how he is an icon to elites, counter-cultures, and dissidents who want to reinvent society
Robert Stark’s novel Journey to Vapor Island, esoteric occultist themes, and Roger Blackstone as a counter “illuminati”
Dyer’s view that social isolation is engineered vs. factors such as demographic change, suburban sprawl, and technology
Social isolation leading to a rise in radical non conformity, political dissidents, cultural innovation, and online communities and sub-cultures
Secretive central planning vs a lack of utopian vision
Smart cities and Agenda 21 hysteria about smart growth
Ancient occultist aesthetics in 80’s Films, New Wave, Retro Futurism, and the Alt-sphere
Occultist Art Deco Archeo-Futuristic and 80’s Post Modernist Architecture in LA
Sci Fi Architecture: John C. Portman’s Hyatt Regency in San Francisco inspired by the 1935 science fiction film Things to Come.
The necessity of social cohesion for creating grande aesthetic visions

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Aristocratic Aesthetic Socialism

Aesthetic Socialism, aesthetics, Aleister Crowley, Alt Center, American Culture, Archeofuturism, Architecture, Aristocratic Individualism, Art, Art Deco, California, capitalism, Cinema, Cities, Class, Communism, conformity, Consumerism, Corporations, Culture, David Lynch, demographics, Disneyland, Eugenics, Europe, Film, Germany, Giovanni Dannato, History, Immigration, income inequality, John C. Portman Jr, Journey to Vapor Island, Las Vegas, Los Angeles, Malls, Marxism, materialism, Matthew Pegas, Michel Houellebecq, Mid-Century Modern, Neoliberalism, Nudism, Philosophy, Psychology, Ray Sawhill, Religion, Retro Futurism, Roman Empire, San Francisco, Sexuality, Skyscrapers, social status, social trust, Socialism, Urbanism, Utopia, Wealth

By Robert Stark: Originally Published on Alt of Center

The concept of beauty throughout history has been a force for creation, inspiring mankind to reach the pinnacle of civilization. From men accomplishing great things to win over a lover, the beautiful female as a muse for the artist, religions building great temples and cathedrals to attract worshipers, kings and emperors building monuments to demonstrate their greatness, and businesses using aesthetics in architecture and advertisements to attract more consumers.

In today’s society aesthetics serves primarily as a force to manipulate people to keep them striving and conforming to the liberal capitalist system. Advertisements use aesthetics to create a vision of a product to consume; not just the product itself but an overall aesthetically pleasing scene involving beautiful women, luxurious furnishings, great architecture, natural scenery, and music to create the mood.

Continue reading Aristocratic Aesthetic Socialism →

The Starkian Lynch

 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Alt Center, American Culture, Archeofuturism, Architecture, arcology, Aristocratic Individualism, Art, Art Deco, Blue Velvet, Californication, capitalism, Cinema, Cities, Class, Country Music, Culture, David Lynch, Depravity, Disneyland, Donald Trump, Dune, Economics, Erotized Rage, Fashion, Film, Film Noire, Hollywood, Homosexuality, humor, Jasun Horsley, Journey to Vapor Island, Kyle MacLachlan, Las Vegas, Leisure Suit Larry, Los Angeles, Madeline Zima, Marquis de Sade, Matthew Pegas, meditation, Mental illness, Mid-Century Modern, Morality, Mulholland Drive, Music, Mythology, Neon, Occultism, Philosophy, Politics, Psychology, Religion, Retro Futurism, Science Fiction, Sexuality, Steampunk, Suburbia, Surrealism, Synthwave, Twin Peaks, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas discuss the work of David Lynch and the parallels between the “Lynchian” and “Starkian.” Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party
Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong  yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Count Fosco about the film Eyes Wide Shut

acting, aesthetics, Alice in Wonderland, Architecture, Cinema, Communism, Conspiracy Theories, Count Isidor Fosco, Culture, David Lynch, Depravity, dreams, Erotica, Eyes Wide Shut, Film, Hollywood, humor, Hungary, Journey to Vapor Island, Leelee Sobieski, Literature, Music, New York, Occultism, Prostitution, Psychology, relationships, Religion, Salò, Sexuality, Stanley Kubrick, Surrealism

 

 

 

 

 

Robert Stark talks to Count Fosco about the film Eyes Wide Shut directed by Stanley Kubrick. Count Fosco has a background in the Canadian Film Industry.

Topics:

Secret Societies; the conspiracy theory outlook vs. elite social clubs
The book  CULT AND OCCULT (THE UNEXPLAINED FILE) by FRANCIS KING
The book Dream Story by Arthur Schnitzler which the film was based upon
Kubrick’s Kaleidoscope
How there is a lot of subtle camera work in Eyes Wide Shut, that most people may not have caught
The importance of symbolism in the film
Types of Venetian masks worn at the party
The use of clues throughout the film
The theme of what is real and what is fantasy
What if David Lynch directed Eyes Wide Shut?
The Mentmore Towers Palace in England where the orgy scene was filmed
the conflict over sexual desire and libido between the married couple played by Tom and Nicole
There is a slight suggestion that perhaps Alice Harford is part of the Cult but her husband is not, when she says “You have no idea.”
Everyone have a price, notice how Bill Harford solves all his problems with money, both with the taxi man and the clerk, hence his name “bill” as in dollar bill
The man who gives him the password is a failed medical doctor which might be suggestive of something
Is it possible Ziegler has himself been lied too, despite his story not entirely adding up, despite lying?
Kubrick deliberately tries to fan the flames of Mandy’s death even after his own death, via the journalist who works on his newspaper props
Ritual in a sexual theme, the use of incense used typically only for sacred things
Leon Vitali, Kubricks personal assistant played the red cloak
The Custom store scene doesn’t make a whole lot of sense; it doesn’t fit in with the whole orgie conspiracy
Leelee Sobieski as another sacrificing anti-career heroine Hollywood mother, who put her children above a career
Leelee’s small but interesting roles in “Never Been Kissed,” “Branded,” and “Deep Impact”
Robert’s novel Journey to Vapor Island and parallels with Eyes Wide Shut

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark interviews Anthony Hamilton

Anthony Hamilton, David Lynch, dreams, Emotions, meditation, Philosophy, Pilleater, Psychology, Religion, Science, technology, Time Travel

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Anthony Hamilton. Anthony is a former professor of communication at Capilano University in North Vancouver, Canada. He is co-author, with Brian Tracy, of “Cracking The Success Code”, a best-selling business book on Amazon. He’s also the author of “Mind, Time and Power!” a book which describes the results of his thirty years of research into how our thoughts and feelings shape our lives. Join Anthony’s Inner Circle to receive weekly lessons.

Topics:

Background in linguistics; linguistics as a cognitive science
The unconscious thought process and how to better utilize it
The Functional MRI
Neuroplasticity; the science of changing the mind
The Law of Attraction
Mental Time Travel
Future Memory
Quantum Conciseness
Dealing with past traumas, fears, and negative thoughts
Goal setting and successfully utilizing future memory
Visualization
Meditation and mindfulness

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Jared Shumate about his film Last Night Out

1980's, 80's music, acting, aesthetics, Blue Velvet, Cinema, comedy, Culture, David Lynch, Film, Film Noire, horror, horror films, J.G. Michael, Jared Shumate, Last Night Out, Music, Neon, New Retro Wave, North Carolina, Stranger Things, Synthwave, Theatre, Twin Peaks, Wes Craven

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host J.G. Michael talk to filmmaker Jared C. Shumate about his upcoming horror comedy film Last Night Out which is set to be released on Halloween and will be  available to view online. Check out the Facebook page for Last Night Out, the Official Trailer, and the poster which is available on the Facebook page.

Topics:

Intro: Jerry Galeries’s In For A Long Night which is used for the film and trailer
The basic plot
The horror genre
Dark Comedy with some slapstick thrown in
Jared’s influences ranging from Wes Craven’s Scream to Scooby-doo to David Lynch
The 80’s theme, the New Retrowave genre, and how the music influenced the film
The filming location in North Wilkesboro, North Carolina, the abandoned lingerie factory, and the surreal atmosphere of forest and ghost towns in North Carolina
The special effects
The actors and characters including a group of teens and two drifters
The plan for a feature length version which might introduce a supernatural element
Jared’s short thriller, The Ramifications
Jared’s Film Noire set in 1946, The Picture Room
Jared’s screenplay, “Otto” which is based on the true story of the outlaw Otto Wood

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Jonathan Holbrook about his Film Tall Men

acting, Blue Velvet, Cinema, David Lynch, Film, horror, horror films, Jonathan Holbrook, Psychology, Science Fiction, Tall Men, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to filmmaker Jonathan Holbrook about his film Tall Men. Check out Jonathan Holbrook’s Facebook page and the pages for Tall Men and Beloved Beast.

Topics:

How Tall Men was a remake of Jonathan’s film Customer 152
The main character Terrence who accepts a new black credit card causing mysterious “Tall Men” to appear
The narrative of the credit card companies exploiting customers and those who abuse credit
Influences from David Lynch, especially Blue Velvet; the New Twin Peaks
The theme of mystery and loose ends
Playing with ones perception of reality; what is real and what isn’t
What the Tall Men represent
The Babylonian Brotherhood and David Icke’s reptilian theory
Casting the actors
Filming locations in Everett, Washington including the house and the jail
Jonathan’s upcoming horror film Beloved Beast; TRAILER 
Jonathan’s short film Whiskers
The Amazon TV horror sci-fi series Still which Jonathan wrote

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This show is brought to you by Robert Stark’s Paintings!