Category Archives: Futurism

Robert Stark interviews Robert Brenner about his Gritty Old Time Square Tours

1970's, aesthetics, Architecture, Art Deco, Blade Runner, Cities, Crime, Film, Film Noire, Futurism, gentrification, Historic Preservation, History, Jamie Gillis, John C. Portman Jr, Midnight Cowboy, Neon, New York, Peter Sotos, Pilleater, Pornography, Prostitution, Robert Brenner, San Francisco, Skyscrapers, Taxi Driver, The Porn Industry, Thomas Rinaldi, Time Square, Travel, Urbanism, Zoning

Robert Stark and co-host Pilleater interview Robert Brenner. Robert is a writer, critic, satirist, futurist, urbanist, and porkatarian. His work has appeared in the Huffington Post, New York Magazine, Salon, the Barnes & Noble Review, Medium, Different Truths, Antiserious, and Theory In Action. He is a graduate of the Writers’ Institute at CUNY.

Topics:

Robert Brenner’s Gritty Old Times Square tours, which are offered on Saturday’s once a Month, hosted by Untapped Cities
Adult Entertainment is the focus of the tours, but they also cover the general history of Time Square
The remnants of seedy Time Square, including The Playpen, and the Show World Center on Eighth Avenue
Robert Brenner’s experience in Time Square as a youth in the 70’s
That era of Time Square portrayed in the Films Taxi Driver and Midnight Cowboy
The gentrification of Time Square in the 90’s, and how the area went from an interesting but dangerous area to a safe and boring one
The Deuce on 42nd Street, which was the center of adult entertainment in the 70’s
The Porn Industry in Time Square, and premier of 70’s porn films such as Behind the Green Door and Deep Throat that paved the way for the future of the pornographic industry, spawning many different adult sites, live cam sites, and even the Babestation blog.
Robert Brenner’s point that every city needs a Red Light District
Peter Sotos’s Pure Filth about the pornographer Jamie Gillis
San Francisco’s Tenderloin, where Robert Brenner lived in the early 80’s, and Robert Stark’s observations from his trip to the San Francisco Bay Area
The decline of neon signage in favor of LED, Robert Stark’s interview with Thomas Rinaldi of New York Neon, and the company LET THERE BE NEON! which restores old signs
The history of the Broadway Theater District, the New Amsterdam Theatre, and the defunct Paramount Theatre
The closing of Carnegie Deli and Maxie’s Delicatessen
The Bond Clothing Store Signs in Times Square
The John Portman designed Marriott Marquis in Time Square
The Tour of the Remnants of Penn Station, and plans for Moynihan Station inspired by the old Penn Station
New York Skyscrapers


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Robert Stark interviews Game Designer Andy Looney

1960's, 1980's, aesthetics, Andy Looney, Art, Board Games, Drugs, Futurism, Literature, Retro Futurism, Science Fiction, Video Games

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater interview Andy Looney. Looney is a game designer, computer programmer, and writer. He operates Looney Labs and has designed Fluxx The Card Game. His latest game is Pyramid Arcade.

Topics:

Looney’s interest in games, the card game Nuclear War
Looney’s games Fluxx The Card Game and Icehouse
Icebreaker for 3DO
Looney’s work for NASA
The origins behind Icehouse, Looney’s short story “Icehouse.”
The history behind Cosmic Wimpout, The Grateful Dead
Cosmic Encounter, Killer Bunnies and The Quest for The Magic Carrot
Looney’s advocation for marijuana legalization.
Pyramid Arcade: 22 games with pyramids! Homeworlds. Stonehenge
Looney’s novel, The Empty City
The art of Aquarius, Peter Max, Looney’s cartoons
The influence of drugs upon game design
Tabletop board game culture vs. Hippy culture
Looney’s card game Chrononauts, Back to the Future, The Butterfly Effect
Games designing as fine art. Players becoming apart of the art piece, Art games
Retro Futurism, Andy’s favorite genre which is the 1930’s Deco Machine Age, Metropolis, James Turrell
Meta-games, Virtual Reality, Conventions
The debut of LooneyCon
Richard Garfield’s Characteristics of Games


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Robert Stark talks about his trip to LA

1980's, aesthetics, Alternative Left, American Culture, Architecture, Art Deco, Beverly Hills, California, Charles Lincoln, Cities, Class, Culture, demographics, Diversity, Futurism, gentrification, Hipsters, Historic Preservation, History, Hollywood, Homosexuality, Immigration, income inequality, John C. Portman Jr, Los Angeles, Malls, Mass Transit, materialism, Mid-Century Modern, Middle Class, Neon, Photography, Pilleater, Rabbit, Retro Futurism, Skyscrapers, Suburbia, SWPL, Travel, Urbanism, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark joined with co-host Pilleater, Rabbit, and Charles Edward Lincoln, talk about his recent trip to his hometown LA

Topics include:

The Hollywood imagery and outsider stereotypes of LA
The history of LA
How LA’s urban core is spread out over a large geographic area from Santa Monica on the Coast to Downtown LA
Robert’s disclaimer that the photos capture the best of LA, but that most of the spaces in between are unappealing due to the cities sprawl
LA’s transit system
South Central LA
West Hollywood, and Rabbit’s experience living there
Downtown LA, the gentrification of the historic core, the grittiness and vintage signage of Broadway, and the Serial Killers Who Haunted The Cecil Hotel
Downtown LA’s architecture including John Portman’s Bonaventure Hotel, and the the 80’s Art Deco revival Home Savings Building where Charles Lincoln worked
Beverly Hills, the 80’s futurist Rodeo Collection, the “Vaporwave” Roman Fountain , and the the 70 futurist/late modernist Roxbury Plaza
Century City, which originally had a 60’s futurist aesthetic, was the the film location of Conquest of the Planet of the Apes, and the Century City Mall
1980’s Malls including the Beverly Center(Original image), Westside Pavilion, which reminds Pilleater of the game Myst, and the renovation of those malls which ruined their aesthetic
Historic preservation trends starting with demolition of the Art Deco Richfield Tower in Downtown LA, to the lack of preservation for 80’s architecture today
New architecture inspired by past styles including the new Streamline Moderne Under construction Beverly Hilton tower, 70’s futurist inspired renderings for skyscrapers, and Rabbit’s observation that many apartments are being retrofited in mid-century modern styles
Santa Monica, the waterfront, architecture including the Art Deco Clock Tower, and Santa Monica NIMBY Restriction on heights
The Interactive Cafe, which is one of the last surviving independent businesses in downtown Santa Monica, and Pilleater’s point that it has a Cyberpunk aesthetic
The high cost of housing in LA, even in unappealing areas
The San Fernando Valley, which was traditionally home to LA’s middle class
Demographic trends, the destruction of the white middle class, gentrification of the urban core, and new suburban ghettos in the desert
Rabbit’s point about SWPLs he met in LA who look down on the suburban middle class
The Alt Left dilemma between identifying with SWPL Culture, and urbanist aesthetics, and supporting white middle class identitarianism, which often lacks strong aesthetic visions

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Robert Stark interviews Anatoly Karlin about his American Decade, Futurism, & Political Trends

aesthetics, Akira, Alternative Left, Alternative Right, American Culture, Anatoly Karlin, Architecture, Basic Income, Berkeley, Bernie Sanders, Brutalism, California, capitalism, censorship, Chicago, Cities, Colin Liddell, Conservatives, Culture, demographics, Diversity, Donald Trump, Drugs, Economics, Elections, Environment, Eugenics, Europe, Feminism, Free Trade, Freedom of Speech, Futurism, Gambling, Gender, Global Warming, Globalization, Homosexuality, Human Bio Diversity, Immigration, income inequality, Las Vegas, Leftism, Liberalism, Los Angeles, Mass Transit, Millennials, Nationalism, New York, Oligarchy, Pilleater, Political Correctness, Politics, Rabbit, Rachel Haywire, Radical Center, Richard Spencer, Robert Lindsay, Ron Unz, Russia, San Francisco, Science, Scott Jackisch, Skyscrapers, Transhumanism, Travel, Urbanism, Vladimir Putin, Wealth, Zoltan Istvan

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Robert Stark and co-host Pilleater talk to Anatoly Karlin. He blogs at The Unz Review

Topics include:

Anatoly’s article at the Unz Review about his American Decade
Why Anatoly is leaving the United States and going back to Russia
How the United States is becoming more like Europe
T.R. Reid’s book The United States of Europe, where he argued that the EU was emerging as a superpower rivaling the US, but has latter been disproved
How during the Bush era Americans perceived Europeans as “Cheese Eating Surrender Moneys,” but latter Sarkozy became the architect of the war in Libya, and arming Syrian rebels
Another element of America’s Europeanization is the decline in social conservatism, the surge in support for gay marriage, and drug legalization
Anatoly’s political views, which are fairly socially liberal(except for rejecting political correctness, and radical feminism),  economically centrist, and closest to Rabbit’s AltLeft
U.S. Millennials More Likely to Support Censoring Offensive Speech, especially among university students who are the future elites
The decline in American fertility rates toward European levels
How American politics now resembles Europe in the sense that there are five distinct blocs: Clinton democrats, Sanders socialists, Rubio/Bush etablishment conservatives, Cruz Bible-bashers, and Trump nationalists.
Anatoly’s pre election prediction article US Elections 2016: Let’s MAGA, Not War, and Trump’s support in the rust belt
Trump’s economic policies as a hybrid of supply side economics, and economic nationalism, and the similarities to Putin’s economic policies in Russia
The GINI index of income inequality
The pros and cons of economic automation, and the basic income
Transhumanism, Zoltan Istvan, and his book The Transhumanist Wager
The Bay Area where Anatoly spent most of his time in the US, and how it’s pretty much ideal, but also the most expensive macro-region of the US
California is also home to Ron Unz, Steve Sailer, as well as the “Alt Left” movement(the tiny group of thinkers combining leftist economics with HBD, sane views on gender relations, and a penchant for futurism )
The futurist scene in the Bay Area including Scott Jackisch’s Bay Area Futurists meetup, Health Extensions Salons, Mike Johnson’s Qualia Research Institute, Effective Altruism, and the “techno” faction of NRx
Mass Transit, Bay Area Rapid Transit, how older cities tend to have more integrated transit systems, and why conservatives oppose mass transit
Global Warming, Swedish scientist Svante Arrhenius who discovered climate change, debunking climate change deniers, and whether it will benefit arctic regions such as Russia
Observations on other American cities including Las Vegas, Los Angeles, Chicago, New York, Washington DC, and Pittsburgh
Anatoly’s experience ridding across the nation on Amtrak
Architecture: Skyscrapers, Brutalism, architect John Portman’s 70’s Neofuturism, and Rabbit’s ideal city based on the film Logan’s run
America’s great wilderness and National Park System


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Robert Stark interviews Pilleater about Music & Manga

1980's, 80's music, 90's music, aesthetics, Akira, Alex von Goldstein, Alternative Left, Anime, Architecture, Art, Asia, Asian Aryanism, Asian Culture, Cinema, Cities, counterculture, Culture, Erotica, Film, Futurism, Gender, Homosexuality, Italo Disco, Japan, Japanese Culture, Multiculturalism, Music, Neon, Patalliro!, Pepe the Frog, Peter Sotos, Pilleater, Pornography, Race Relations, Retro Futurism, Science Fiction, Synthwave, Vaporwave, William Gibson

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Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudios, pso119, and kingtrode.

Topics include:

The intro song, pissedoffindianman by Pilleater , which features clips of Jared Taylor
Jared Taylor’s Shadows of the Rising Sun: A Critical View of the Japanese Miracle(1983)
How Pilleater was exposed to electronic music at a young age, and became a Chiptune musician at age 16 as DJ Qudo
Latter on Pilleater got into Noise music, such as Whitehouse, and Digital hardcore bands, such as Atari Teenage Riot, and KMFDM, who are controversial due to the Columbine Shooters
Oneohtrix Point Never, who was the forerunner to Vaporwave
Japanese Pornography similar to what you might see at websites such as teeni, and Pilleater’s point that it has a nationalist communal nature
The Ganguro culture in Japan, where girls tan their skin and bleach their hair, and is common in porn
Pilleater’s favorite music genre Eurobeat from the 90’s, it’s popularity in Japan, his favorite artist Bratt Sinclaire, Sinclaire’s song Running in the 90’s, and it’s origins from Italo disco from the 80’s
Generic Euro Dance(ex. Aqua and Dj Sammy)
The Italo disco song Shadilay, which came out in the 80’s by a band P.E.P.E with a frog on it’s album cover, and it’s esoteric Lyrics
Examples of Italo Disco include the global sensation Baltimora’s Tarzan Boy, and Pilleaters favorites, BRIAN ICE – Talking to the night, Eddy Huntington – Up And Down, and Lama – Love on the rocks
The New Retro Wave Genre of music that emerged in the mid 2000’s, inspired by 80’s New Wave and Italo Disco(ex. FM Attack, Lifelike – So Electric, Electric Youth, College, Kavinsky)
The French House band Daft Punk and their use of anime
Chicago house music
Vaporwave, and it’s nostalgia for William Gibson’s Neuromancer’s Japan
William Gibson’s Idoru
The anime film Akira(1988), set in a post apocalyptic Japan, and how it’s influenced Vaporwave, Cyberpunk, and New Retro Wave
The manga Patalliro!, about a ten year old cross dressing king, it’s colorful Art Nouveau aesthetic, it’s influence from
H. P. Lovecraft, and it’s taboo themes
Asian Aryianism and whites living vicariously through Japanese culture
Themes of Asian Aryanism in The Legend of Zelda, which combines Japanese and Medieval European Aesthetics
Asian Aryan themes in Vaporwave with Roman busts and Japanese aesthetics
The minimalist Japanese vs. Chinese aesthetics
How each music genre has it’s own unique aesthetic
The Seapunk electronic genre, which uses Sega Genesis imagery(ex.UNICORN KID)
Dark wave, which is apocalyptic electronic music from Germany(ex. Project Pitchfork, and Dunkerwerk)
Betsy & Chris, the white Hawaiian folk music duo, who sang in fluent Japanese
Stereolab, which reminds Pilleater of Rabbit’s AltLeft
Why Alex thinks Michael Jackson is an Alt Left Icon
Sam Hyde and Tim & Eric on Adult Swim
Pilleater’s upcoming book, “Almond Eyes, Baby Face,” a collection of short stories on Asian Aryanism

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Robert Stark interviews Paul Bingham about Wyndham Lewis, Ernst Jünger, & Italian Futurism

aesthetics, Aleister Crowley, Alex von Goldstein, Architecture, Aristocratic Individualism, Art, Art Deco, Carl Jung, Cities, Cuisine, Culture, Drugs, Ernst Jünger, Fascism, Filippo Marinetti, Futurism, Italian Futurism, Italy, Paul Bingham, Science, Science Fiction, technology, Transhumanism, War, Wyndham Lewis

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Robert Stark and co-host Alex von Goldstein talk to Paul Bingham. This show is a continuation of our discussion about Aleister Crowley and Aristocratic Individualism

Topics include:

How Wyndham Lewis, Ernst Jünger, Aleister Crowley, and the Italian Futurist, were individuals who existed outside the liberal reactionary/traditionalist paradigm, and viewed the world in a realist way unbiased by ideology
The cult of Positivism
Italian Futurism, how it was marginalized due to it’s ties to Mussolini, but made a major impact on the arts
How Ayn Rand was influenced by Italian Futurism
Robert Stark’s talk with Rabbit about Italian Futurism
Wynham Lewis’s Vorticist movement, his magazine Blast, and his Rebel Art Centre
The philosophy of the Vortex, which views everything as energy constantly in motion
The rivalry between Italian Futurist Filippo Marinetti and Wyndham Lewis, and how Lewis critiqued Italian Futurism for putting to much emphasis on technology
Wynham Lewis’s The Art of Being Ruled, which made the case that the artist was the best to rule, and that capitalism and liberal democracy suppressed genuine cultural elites
How the book addresses Transsexualism, and anthropological findings on the Third Sex
Kerry Bolton’s essay on Wyndham Lewis
Lewis’s relationship with fascism, how he published the book Hitler (1931), which presented Adolf Hitler as a “man of peace,” but latter wrote an attack on anti-semitism: The Jews, are they human?( 1939)
The influence of war and violence on Italian Futurism
The Manifesto of Futurism
The Futurist Cookbook
Futurism is about testing what works, and rejecting traditions that don’t work
The futurist believed that every generation should create their own city, and futurist Antonio Sant’Elia’s Plan for Città Nuova (“New City”)
Paul worked on a book that was never published, “The Motor City and the Zombie Apocalypse,” about how the motor city is incompatible with human nature
The effects of global technological materialism on culture, and how technology needs the right people and culture to work
Jean Baudrillard point that the Italians have the best symbiosis between culture and technological progress
The Transhumanist concept of Cybernetics, which is rewiring the brain, and how the futurist used poetry as a precursor to cybernetics
Paul’s point that futurist movements such as cyberpunk, and Neoreaction are more focused on Live action role-playing, but are not serious about pushing the limits
The intellectual and transcendental value of LSD and DMT, Ernst Jünger’s experimentation with acid, but they are only effective if the right people use them
Paul’s point that the only real futurist are underground, and experimenting in third world countries
Aristocratic individualism, and Paul’s opinion that Ernst Jünger is the best example, and Jünger’s concept of the Anarch
Ernst Jünger’s science fiction novel The Glass Bees
Ernst Jünger’s “The Worker”


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Robert Stark talks about Mishima, Taxi Driver, & Aristocratic Individualism

1980's, aesthetics, alienation, Aristocratic Individualism, Art, Asia, Asian Culture, Cinema, conformity, Ellliot Rodger, Erotica, Fashion, Film, Futurism, Gender, Globalization, History, Hollywood, Homosexuality, Japan, Japanese Culture, Literature, Loserdom, Mishima A Life in Four Chapters, Music, Neon, New York, Nietzsche, Oscar Wilde, Paul Schrader, Philosophy, Pornography, Psychology, Retro Futurism, Sexuality, Social Isolation, Social Rejection, social status, Taxi Driver, Vaporwave, Yukio Mishima

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Robert Stark discusses the films Mishima: A Life in Four Chapters and Taxi Driver

Topics include:

Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. Tolkien, Aleister Crowley, Oscar Wilde, H. L. Mencken, David Lynch, Richard Wolstencroft, Salvador Dalí, Jonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting  against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City
New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave)
Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art
Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and  Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters

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Robert Stark talks about his trip to the San Francisco Bay Area

1980's, aesthetics, Alex von Goldstein, Alternative Right, American Culture, Anatoly Karlin, Architecture, Asian Culture, Berkeley, California, Consumerism, Crime, Culture, decentralization, demographics, Diversity, Environment, Futurism, Gender, gentrification, Grow SF, Historic Preservation, Immigration, John C. Portman Jr, Lafayette CA, Laura Foote Clark, localism, Los Angeles, Mass Transit, Mount Diablo, Neon, New Urbanism, overdevelopment, Photography, Police, Political Correctness, Rabbit, Race Relations, Radical Center, San Francisco, Santa Barbara, Silicon Valley, Skyscrapers, Suburbia, Travel, Urbanism, Vaporwave, Walnut Creek CA

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Robert Stark, joined with Rabbit, and Alex von Goldstein talk about his recent trip to the SF Bay Area

Topics include:

Robert’s departing point Santa Barbara, which is a nice laid back coastal town, but under the cultural influence of LA
Robert Stark’s podcast with Bay Area Guy about his last trip to SF
Robert met up with Bay Area Guy and Anatoly Karlin in Berkeley
How like Robert, Alex, and Rabbit, Bay Area Guy and Anatoly Karlin exist on the periphery of the Alt-Right(ex.The Radical Center, Alt Left)
The Cultural Leftist legacy of Berkeley, and how Anatoly Karlin spoke at Richard Spencer’s event at UC Berkeley
How places that are politically correct often produce interesting dissident thinkers
How Berkeley is on a scale similar to European cities(ex. small, compact, dense and walkable)
How transplants often adopt the stereotypes of cities
Demographic trends in the Bay Area, how the traditional white middle class is being pushed out, but also working class Blacks and Hispanics are being priced out through gentrification
Asian culture and immigration in the Bay Area, and Asian Majority Cities, including Daly City, where Robert stayed
The seedy Tenderloin District, urban grittiness, and how it reminded Robert of the film Taxi Driver
The film Dirty Harry
The BART(Bay Area Rapid Transit) System, which has a 70’s futurist aesthetic, and has had issue with crime
The film Fruitvale Station about a Police incident on BART in Oakland
The 70’s futurist Embarcadero Center, designed by architect John Portman, and the importance of having urban oasis’s
How the Silicon Valley is a bland suburban region, which demonstrates that technology has limitation without culture and aesthetics
The Shortage Of Women In Silicon Valley
How the area where the tech elite lives has wilderness preserves, in contrast with their support for mass immigration
How the Bay Area has done a better job at Wilderness Conservation than Southern California
Robert’s observation’s about where to build in the Bay Area in response to his interview with Laura Foote Clark of Grow SF
How San Francisco has it’s own unique Aesthetic, and is the most scenic American City
How San Francisco is on a high level aesthetically, but the dominant culture is consumerism mixed in with some cultural leftist views
Robert stayed in Walnut Creek, which is a mid-century car oriented suburb in the process of being retrofited into a walkablle New Urbanist community
Walnut Creek aslo has BART access, and owns more open space per capita than any other community in California
80’s Vaporwave Architecture in Walnut Creek, how historic preservation has neglected 80’s Kitsch, and the occultist origins of Kek in California 80’s culture
Nearby Lafayette, which is an idyllic semi rural town, with quick BART access to the city(the best of both worlds for those who can afford it)
The San Francisco Bay Area Renters’ Federation lawsuit against Lafayette, and the debate regarding development and diversity
Whether the Bay Area should be it’s own separate country, state, or broken up into a bunch of small independent city states

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Robert Stark interviews Paul Bingham about Aleister Crowley

aesthetics, Aleister Crowley, Aristocratic Individualism, Art, capitalism, conformity, Consumerism, Culture, Distributism, Economics, England, Environment, Erotica, Futurism, hedonism, Homosexuality, Liberalism, Literature, Morality, Occultism, Paul Bingham, Religion, Sexuality, Wyndham Lewis

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Robert Stark and co-host Alex von Goldstein talk to Paul Bingham about Aleister Crowley

Topics include:

Today Aleister Crowley exists either as an icon of occultism, used by subcultures, derided by others, but few are familiar with his political and philosophical ideas
Kerry Bolton’s series on Aleister Crowley as a Political Theorist, Part 1 and Part 2
Political Platform based on Crowley’s ideas
Julius Evola on Crowley
James J. O’Meara’s reivew of Richard B. Spence’s book Secret Agent 666
Crowley’s religion Thelema
Crowley’s fascination with power structures
Crowley transcended politics and did not fit into either traditionalism or the left
Crowley did not fit into the left for rejecting egalitarianism and mass democracy, and the right for rejecting free markets and traditional morality
Crowley’s Aristocratic individualism, and his belief in an Aristocracy of the creative class
Wyndham Lewis‘s book The Art of Being Ruled, which like Crowley advocated the rule of the creative class
Crowley viewed the masses as spiritualy inferior
Crowley saw capitalism as degrading genuine cultural elitism
Crowley rejecting Marxism, but supported a social safety net to free up the creative class
Crowley’s value of leisure
Crowley came to the same conclusions about economics as the Distributist and Social creditors, who were Traditional Catholics
Distributism and Social Credit are the economic systems most compatable with Aristocratic Individualism
Homo economicus
Crowley’s critique of democracy
Crowley’s environmentalism
Crowley’s interest in Mountaineering
Crowley tested the limits of human nature and practiced what he wrote about
The futurist philosophy is about testing what works
Crowley’s view of the future was that things will collapse and a new brighter future will emerge
Crowley’s erotic poetry series White Stains, and how he practiced the sexual acts he wrote about
Crowley used sexual experimentation to further his intellectual state, but did not advocate it for the masses
Why the individual must have freedom to exist within their own personal boundaries
Crowley’s advocacy of youth colonies, how the elites practice youth camps, and the importance of controlling youth
How male bonding and inter generational relationships are stigmatized for the masses
How Crowley often took the passive role in sexual acts with both men and women
Paul’s point that most people are either sexually dominant or submissive, but that being a switch is a uniquely Anglo trait
Crowley as the original Troll
Paul’s point that if Crowley were alive today he would be disinterested in western politics
Our upcoming show with Paul on Italian Futurism, and how Crowley, Wyndham Lewis, and the futurist had similar ideas, but were fiercely independent from one another

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Robert Stark interviews James Howard Kunstler

aesthetics, Alex von Goldstein, American Culture, Architecture, Banking, Consumerism, Corporations, Culture, decentralization, Donald Trump, Dystopia, Economics, Environment, Futurism, Globalization, Historic Preservation, History, Immigration, James Howard Kunstler, Literature, localism, Mass Transit, Mid-Century Modern, New Urbanism, New York, overdevelopment, Overpopulation, Peak Oil, Rabbit, Skyscrapers, Suburbia, Urbanism, Wall Street, Water, Zoning

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Robert Stark, Rabbit, and Alex von Goldstein talk to writer and social critic, James Howard Kunstler

Topics include:

The history of suburbia
James’ theory of history that things happen because they seem like a good idea at the time
How our auto oriented petroleum based society is unsustainable
How bad urban planing has negative psychological and cultural implications
The role of zoning laws, and how zoning can both encourage and prevent suburban sprawl
The future of suburbia, how some will be retrofitted into walkalble communities, while others will be abandoned
The New Urbanist Movement
Mass immigration and overpopulation
Why James does not view skyscrapers and hyper density as viable alternatives to suburbia
Robert’s point that tall structures can have aesthetic value, and how James acknowledges that the early wave of skyscrapers(ex. Singer Building, Woolworth Building, Manhattan Municipal Building) were beautiful structures but historical flukes
How European cities provide the ideal model for urbanism
Examples of sustainable American cities include Portland, Oregon, Charleston, South Carolina, and Savannah, Georgia
Mass Transit, and why James favors investing in existing rail infrastrusture over new high speed rail
The Streetcar suburb, and how they provide a model for New Urbanism
James’ point that even with alternative energy and technological innovation, we still have to downsize and localize our society and economy
How peak oil will lead to economic and political decentralization
How Peak Oil will make Globalization unsustainable
The future of China and the Arab Gulf States
Pre-War Japan as the best example of an advanced civilization without industrialization
The scarcity of water in the future, and how the inland water system will regain it’s value
Historic Preservation, how the movement was started in the 1960’s in response to the demolition of Pennsylvania Station in NYC, and the debate about what should be preserved
Rabbit makes the case for mid century modern
Capital scarcities in the future, and how mass development is dependent upon the financial system
James’ four book series set in a post economic collapse America, the World Made by Hand


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