Robert Stark, co-host Pilleater, and John Curley discuss the new Depeche Mode album, Spirit.
Topics:
Depeche Mode’s Spirit album
Pilleater’s article The Meaning Behind “Spirit
Where’s The Revolution?
The Meaning behind “Spirit”
Fail
Pilleater’s opinion that Exciter, Sounds of the Universe, and Delta Machine are their worse albums
When Alan Wilder left the band
Pilleater’s opinion that Violator, Songs of Faith, and Devotion are their best Pilleater’s review of Get The Balance Right! Erik Erikson’s Psychosocial Stages
Depeche Mode compared to KMFDM
Depeche Mode being normie music
Richard Spencer’s claim that Depeche Mode is “the band of the Alt-Right,” and Depeche Mode’s denunciation
Depeche Mode’s Enjoy the Silence 9/11 Performance
Robert Stark’s outing to see Fire Tiger at the Viper Room
Robert Stark and co-host Pilleater talk to vocalist Tiffany, and keyboardist James from the Band Fire Tiger. Check them out on Facebook, YouTube and Twitter.
Topics:
The start of Fire Tiger in 2011, how they met, and the origins of the name
James’s prior cover band Danger Zone LA
80’s nostalgia, 60’s and 70’s influences, and personal musical influences Fire Tiger’s music video Energy, LA footage, the unintentional 80’s vibe, and the cinematography by their friend Todd Rosenberg Fire Tiger’s Green Light music video inspired by Phil Collins’ Take Me Home
Inspiration from TV soundtracks such as The Greatest American Hero Theme Song The Jetsons The Movie song “You and Me”(Tiffany) and Tiffany ‘s I Think We’re Alone Now
Fire Tiger’s upcoming performance on Thursday, March 16th at the Viper Room in LA(more info on Twitter, email WEB@FireTigerMusic.com for discounts)
Past performances at the House of Blues and Whiskey on the Sunset Strip, and how most of their show are in LA
The New Retro Wave Genre, and how Fire Tiger’s style differs
The Keytar; the practical vs aesthetic appeal
The 80’s Roland Juno-106 and software synths
The 80’s aesthetic and design
Local 80’s stations; 93.1 Jack FM
Modern music and trends in vocals
Music Promotion and Social Media
Robert Stark and co-host Pilleater talk to Robert Brenner. Robert Brenner is a writer, critic, satirist, futurist, urbanist, and porkatarian. His work has appeared in the Huffington Post, New York Magazine, Salon, the Barnes & Noble Review, Medium, Different Truths, Antiserious, and Theory In Action. He is a graduate of the Writers’ Institute at CUNY.
Intro Song: Aileron – Stratosphere
The release of Robert Parker’s Lazerdiscs album Awakening
Darren’s background in the music industry, and how he got involved with Drive Radio
The New Retro Wave Genre, it’s unique sounds, and audience
The Film Drive, featuring College, Electric Youth, and Kavinsky, and how the film exposed the genre to the masses
The Artists produced by Lazerdiscs Records and Drive Radio
Darren’s nostalgia growing up in the 80’s, and the original New Wave Genre
90’s Euro House Music
80’s Aesthetics, Video Game Arcades, The London Trocadero
80’s visions of the future, and New Retro Wave illustrations Brutalist Architecture in the Sun Darren’s book New Heights, the Surreal Aspect of the book, and the illustration by artist William Holder
Themes including the meaning of life, love, despair, and death
Video Synthesis
Darren’s next book which is a science fiction novel murder mystery that deals with themes of social inequality
Vaporwave
Intro Song: Snog – Cheerful Hypocrisy Snog’s song Corporate slave
Industrial and Electronic Music Depeche Mode‘s song Where’s the Revolution from their new album Spirit
Themes of Consumerism and Corporate Control in David’s music
Why David’s Music is Copyright Free
Richard and David’s take on Trump
David’s observations about American Politics from his last Cross Country Tour
Richard’s connection to the Alt-Right and David’s association with the far left
An Alliance Between the New Right and Old Left against the Globalist 1% Environmentalists’ potential allies on the populist right
The importance of seeking the truth over political labels
Immigration, War, and Globalization
The Deep State
Julian Assange and Wikileaks
Milo and Censorship Ted Kaczynski, Feral House’s publishing the Unabomber’s manifesto, and technological enslavement
David’s point that music plays an anthropological role in documenting history
David’s interest in Hillbilly Country Music Freedom Is A Hammer: Conservative Folk Music
David’s Black Lung label
David’s new act Crisis Actor
How Richard met David as a DJ at Richard’s Hellfire Club, and collaborated on each other films and music videos
David’s music for the film The Hard Word starring Guy Pearce
Opening Song: Adam Parfrey – Rubber Room (Porter Wagoner Cover)
The history behind Feral House books.
Apocalypse Culture
Taboo ideas, shock value, avant-garde art
Jim Goad’s Answer Me!
Joseph P Farrell
Anton LaVey and The Church of Satan
You Will Die and You Can’t Win
American Hardcore
Hipster Hitler It’s A Man’s World
Killer Fiction, The Gates of Janus, Charles Manson
Ed Wood: Nightmare of Ecstasy
David Cole’s Republican Party Animal
Sin-A-Rama,
Technological Slavery
The Weird World of Eerie Publications Pacific Ocean Park, Mid-Century Googie architecture
Ye-Ye Girls
Peter Sotos’ Pure Filth Pure Filth about pornographer Jamie Gillis
Experiences with Censorship
Occultism; The book Secret Agent 666 about Aleister Crowley
Adam Parfrey’s play “The Wickedest Man in the World” about Gilles de Rais Tales of Times Square by Josh Alan Friedman Citizen Keane by Adam Parfrey
Adam Parfrey’s father actor Woodrow Parfrey; Dirty Harry
Art, and the aesthetics of Feral House’s books
Why Feral House publishes exclusively Non-Fiction
The Concept of the Left Wing of the Alt Right; The Alt Left
Greg Johnson’s essay on SWPL Identity and Rabbit’s Alt Left Manifesto Millennial Woes’ talk with Rabbit and Greg Johnson about the Alt Left
The 60’s Left Counter-Culture as a fusion of Tolkien and Marcuse, and the need to reclaim the positive attributes of the left, such as ecology, historic preservation, and anti-consumerism
The Alt Left dilemma identifying with SWPL Culture, and urban aesthetics, while supporting forms of identitarianism that often lack strong aesthetic visions
The lack of cultural sophistication among conservatives, and the left’s monopoly on cultural institutions
Suburbia as a by product of the middle class being cleansed out of cities, and the need to sustain a strong urban middle class
Affordable family formation
The Basic income, how it should be implemented, and who it should favor
Putting caps on high incomes with the exception of artist and inventors
The Nietzschean concept of the artist as the ruler
The conservative outlook that judges people on their material wealth over their aesthetic taste, and creative potential
Overpopulation, and how the ideal is to have immigration reduction with a stable or slowly rising birthrate
Greg’s experience living in San Francisco and Berkeley, San Francisco as a SWPL Utopia, and the aesthetic and ecological attributes of the region
The Transamerica Pyramid and Embarcadero Center in San Francisco
Rabbit’s interest in Mid-Century Space Age aesthetics, and his observations going to Mid-Century Modern home tours Frank Lloyd Wright Art Deco, which was a heroic vision of the future with respect for tradition; Art Deco in New York and San Francisco Film noir, and the Blade Runner
David Lynch’s Archeo-Futurist aesthetic in Dune, and ruin porn
The tradition of right wing modernism; Italian Futurism which captured the vitality, optimism, and new possibilities created by technology
The concept of degenerate art, distinguishing between modernism and postmodernism
Defining what is degenerate; Robert and Pilleater’s show on Avant Garde Film
