Category Archives: Film

Robert Stark talks to Count Fosco about the show Californication

California, Californication, comedy, Count Isidor Fosco, Culture, David Duchovny, Erotica, Feminism, Film, Gender, Harvey Weinstein, hedonism, Hollywood, humor, Los Angeles, Madeline Zima, Nihilism, Pornography, relationships, Sexuality, Twin Peaks

 

 

 

 

 

 

 

 

 

Topics:

Hank(David Duchovny) is an established author, kind of like every independent man’s dream, though he could easily get taken advantage of by every woman he sleeps with, starting with Mia(Madeline Zima)
How Hank never seems to learn anything, if anything in later seasons he becomes less intelligent…he even admits it…he is a “writer, non-practicing”
Hank is very well connected, demonstrating implicitly that his lifestyle can’t be forever or for everyone
There is something surreal about this show in that no man, not even the powerful get hit on this much by women
Hank ironically suffers from writers block but interestingly, always “writes about what he knows”
Hank’s nihilistic novel being turned into a cheesy romantic comedy
Mia stealing Hank’s novel based on his encounter with her which is latter turned into a film
Madeline Zima in the new Twin Peaks
Similarities between Hank and major sex positive male feminist who have been accused of sexual harassment
The ridiculous sex scenarios Hank gets into
How by the end of the first season it’s interesting how his unmarried “wife” still prefers him which logically doesn’t make much sense but does make sense when you think of his “I don’t give a damn” characteristics
Hank’s agent “Charlie Runkel” who is probably closer to what Hank would be like if he were a real life character
How on some level Hank is genuinely self-loathing
The relationship between Hank and his daughter
Charlie’s boss Sue Collini(Kathleen Turner) who is intimidating even for a cougar and has a very attractive histrionic personality
Sue Collini isn’t the romantic type, she only wants sex from her clients; “Sue Collini always get’s the weenie”
Mia having a preference for older men behind her father’s back while sending every possible signal that she was doing so anyway
How the show has almost every possible sexual fetish in it mentioned
How the show is based on repetition rather than an overall plot
How a lot of Far-Right people watch this show despite that they would all call it degenerate
How the show relates to the ongoing Hollywood sex scandals; the line “You’re no Brett Ratner”

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks about his new novel Journey to Vapor Island

 Mark Velard, 1980's, 80's music, aesthetics, Alicia Silverstone, alienation, Anime, Architecture, Art, Brandon Adamson, Class, Clueless, comedy, Consumerism, Culture, Depravity, Despair, Donald Trump, Ellliot Rodger, Erotica, Fast Times at Ridgemont High, Film, Francis Nally, Futurism, Gender, Harvey Weinstein, High School, Hollywood, Homosexuality, humor, Incels, Journey to Vapor Island, Leisure Suit Larry, Literature, Loserdom, Love, Memes, Patalliro!, Pepe the Frog, Psychology, relationships, Retro Futurism, Science Fiction, Serial Killers, Sexuality, Social Rejection, social status, Spree Shootings, Surrealism, The Crush, Utopia, Vaporwave, Video Games

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark is joined with Francis Nally and Brandon Adamson to discuss his new novel Journey to Vapor Island.

Topics:

Brandon’s review of Journey to Vapor Island(Contains Spoilers)
The cover art by Mark Velard
How listeners to the show will instantly recognize favorite topics when they make cameo appearances in the book or manifest themselves as part of the underlying themes
Internet memes in the book(ex. the men in the frog masks)
The fusion of genres including Fantasy, Young Adult Fiction, Science Fiction, and Dark Comedy
A disclaimer that this book is not for anyone that is squeamish about sex or easily shocked or offended
Brandon’s observation that the sexual scenes in the book are more akin to the “random battles” in old school Super Nintendo RPGs like Final Fantasy IV
The theme of how central sex is to people’s motivations, and the overall perception of status in society
The main character Noam Metzenbaum who is a socially inept yet intelligent student with illusions of grandeur
The Chads and the theme of the nerd getting revenge against bullies and the popular cliques
Noam’s crush Natalie Bloom and his lifelong obsession with her
The Retro-Futuristic surreal fantasy world in the book; an adult Never Ending Story
The Roger Blackstone character who could represent a Trump-like figure, but could just as easily be a Ross Perot or even Willy Wonka
The outrageous comic elements in the book
The theme of the commercialization of tragedies and the celebrity status of mass murderers
How the book is timely with the ongoing Hollywood sex scandals
The theme of living in ones fantasies and how that shapes the book’s narrative

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Richard Wolstencroft about his new film The Second Coming Volume II

Adam Parfrey, aesthetics, Aleister Crowley, Asia, Australia, Boyd Rice, Charles Manson, Christianity, Cinema, Country Music, Culture, David Thrussell, Film, horror, horror films, Jim Goad, Music, Occultism, Pearls Before Swine, Poetry, Religion, Richard Wolstencroft, Salò, The Second Coming, Travel, Twin Peaks, William Butler Yeats

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to director Richard Wolstencroft about his new film The Second Coming Volume II. Volume I is free to view on Vimeo.

Topics:

Intro: Johnny Tyler – God’s Gonna Turn Us To Dust
The film’s inspiration from the poem The Second Coming by William Butler Yeats and the film’s segments based on passages from the poem
“A low budget epic”
The film’s influences including Kenneth Anger, Andy Warhol, Lars Von Trier’s Dogma, Godard’s My Life To Live, and Terrence Malick
The film’s aesthetic
The film’s theme of man trying to usher in the Apocalypse
The conflict between the black magicians and the white magicians
Aleister Crowley and Occultism
“Charles Manson put a curse on Western Civilization”
Cameos by Jim Goad, Boyd Rice, and Adam Parfrey
Music by David Thrussell and old Country Western Music
Filming locales including Thailand, Australia, LA, Switzerland, Barcelona, and London

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Synthwave Artist Damokles

1970's, 1980's, 1990's, 80's music, 90's music, aesthetics, Cinema, Culture, Damokles, Film, Futurism, horror, horror films, Industrial Music, Internet, J.G. Michael, Kraftwerk, Music, New Retro Wave, Rammstein, Retro Futurism, Sam Kevorkian, Science Fiction, Space Travel, Sweden, Synthwave, technology, Time Travel, Transhumanism

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, Sam Kevorkian, and J.G Michael talk to Swedish Synthwave Artist Damokles. Check out his work on SoundCloud, Facebook, and Future 80’s Records which produces his music.

Topics:

Intro: Into the Future from the new Time Machine album
Damokles’ new 14 track album Time Machine
The Time Travel Theme; Back to the Future
Creating synth music since the 70’s
Influences including Kraftwerk
Favorite songs including Yazoo’s Don’t Go and Don’t You Want Me? by the Human League
Experimentation with synthesizers in the 80’s
Being a DJ in the 80’s and how DJ culture has evolved
Working as a piano bar entertainer
The New Retrowave genre and how it is different from original 80’s synth music
Industrial music
The future of electronic music, the mainstreaming of synthwave, and the need for an alternative to mainstream pop
The pros and cons of producing music online without large corporations
Cinematic influences; sci-fi and horror
The illustrations for the albums
80’s Retrofuturism
Visions of the future and how humans are becoming cyborgs

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Jared Shumate about his film Last Night Out

1980's, 80's music, acting, aesthetics, Blue Velvet, Cinema, comedy, Culture, David Lynch, Film, Film Noire, horror, horror films, J.G. Michael, Jared Shumate, Last Night Out, Music, Neon, New Retro Wave, North Carolina, Stranger Things, Synthwave, Theatre, Twin Peaks, Wes Craven

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host J.G. Michael talk to filmmaker Jared C. Shumate about his upcoming horror comedy film Last Night Out which is set to be released on Halloween and will be  available to view online. Check out the Facebook page for Last Night Out, the Official Trailer, and the poster which is available on the Facebook page.

Topics:

Intro: Jerry Galeries’s In For A Long Night which is used for the film and trailer
The basic plot
The horror genre
Dark Comedy with some slapstick thrown in
Jared’s influences ranging from Wes Craven’s Scream to Scooby-doo to David Lynch
The 80’s theme, the New Retrowave genre, and how the music influenced the film
The filming location in North Wilkesboro, North Carolina, the abandoned lingerie factory, and the surreal atmosphere of forest and ghost towns in North Carolina
The special effects
The actors and characters including a group of teens and two drifters
The plan for a feature length version which might introduce a supernatural element
Jared’s short thriller, The Ramifications
Jared’s Film Noire set in 1946, The Picture Room
Jared’s screenplay, “Otto” which is based on the true story of the outlaw Otto Wood

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Jonathan Holbrook about his Film Tall Men

acting, Blue Velvet, Cinema, David Lynch, Film, horror, horror films, Jonathan Holbrook, Psychology, Science Fiction, Tall Men, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to filmmaker Jonathan Holbrook about his film Tall Men. Check out Jonathan Holbrook’s Facebook page and the pages for Tall Men and Beloved Beast.

Topics:

How Tall Men was a remake of Jonathan’s film Customer 152
The main character Terrence who accepts a new black credit card causing mysterious “Tall Men” to appear
The narrative of the credit card companies exploiting customers and those who abuse credit
Influences from David Lynch, especially Blue Velvet; the New Twin Peaks
The theme of mystery and loose ends
Playing with ones perception of reality; what is real and what isn’t
What the Tall Men represent
The Babylonian Brotherhood and David Icke’s reptilian theory
Casting the actors
Filming locations in Everett, Washington including the house and the jail
Jonathan’s upcoming horror film Beloved Beast; TRAILER 
Jonathan’s short film Whiskers
The Amazon TV horror sci-fi series Still which Jonathan wrote

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Count Fosco about the Mechanisms of the Arts

Adam Parfrey, aesthetics, Alicia Silverstone, animation, Architecture, Art, Brandon Adamson, Canada, capitalism, censorship, Cinema, Class, Comic Books, Count Isidor Fosco, counterculture, Culture, David Lynch, Economics, Erotica, Film, Italian Futurism, Joseph Dobrian, Larry Clark, Malcolm Gladwell, Philosophy, Pilleater, Political Correctness, Pornography, Postmodernism, Salvador Dali, Socialism, Surrealism, Trevor Brown, Vaporwave

 

 

 

 

 

 

 

 

 

 

Robert Stark and Pilleater talk to returning guest Count Fosco. Count Fosco has a background in the film industry in Canada.

Topics:

Count Fosco’s background in the Canadian Film Industry
The economic mechanisms for funding the arts
Conservative opposition to funding the arts
Robert Stark’s debate with Joseph Dobrian on funding the arts
The cultural left’s influence on grants favoring politically correct demographic groups
Where the free market falls short and the importance of having an economic safety net for artist
Being an artist as a luxury for the rich and the importance of having the right connections and patrons
The fallacy that the best artist are rewarded economically(ex. Van Gogh)
Preferred relative guidelines for artistic funding and support for relative artistic freedom
How grants work for the film industry in Canada
Malcolm Gladwell’s 10,000 Hour Rule’ and how it applies to the arts
Should art serve a purpose for society?
Censorship in the Art World
The debate about what is art and what is pornography and the concept of “degenerate art”
Creating new artistic sub-cultures
Low Brow Pop Surrealism
Surrealism from Dali to David Lynch
Robert Stark and Brandon Adamson’s Art
The animated series Braceface staring Alicia Silverstone

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Richard Wolstencroft about the Twin Peaks Finale

aesthetics, Cinema, Culture, David Lynch, dreams, Film, Kyle MacLachlan, meditation, Mulholland Drive, Occultism, Philosophy, Pilleater, Psychology, Richard Wolstencroft, Surrealism, Time Travel, Twin Peaks

 

 

 

 

 

 

 

 

Robert Stark and Pilleater talk to filmmaker Richard Wolstencroft about the finale of Twin Peaks. Check out our previous shows on The New Twin Peaks Part I and Part II.

Topics:

The disappointment with the ending of Twin Peaks
Whether the ending is a final statement from David Lynch
David Lynch “The Emperor”
Whether it is an open ended ending for a future season
David Lynch’s signature style of ending with a sense of mystery; when it is successful and when it is not
The multiple coordinates and how many are meaningless
Philip Jeffries role
Sarah Palmer’s role
The mysterious nude eyeless Asian girl and the scene in the Jail
“Judy”
Cooper being able to travel in and out of the Black Lodge
The Black Lodge’s aesthetic and multiple levels similar to Dante’s Inferno
The showdown at the Twin Peaks Sheriffs Department
Similarities to Inland Empire and references to Lost Highway
The theme of time travel; Cooper going back in time to save Laura Palmer
Cooper coming out of his coma at the very end of the series
Dougie Jones as a metaphor for living ones life like one is sleep walking
“We all live in a dream but who is the dreamer?”
David Lynch’s interest in Transcendental Meditation and how it influences his work
Richard Wolstencroft’s new film The Second Coming: Volume 2 and The Second Coming: Volume 1

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Danish Filmmaker Julius Telmer

1970's, American Culture, censorship, Cinema, Culture, David Lynch, Denmark, documentary, Emotions, Enter The Void, Europe, Extroversion, Film, Gaspar Noe, Gender, Hollywood, Julius Telmer, Los Angeles, Personality Types, Philosophy, Photography, Political Correctness, Psychology, relationships, Sam Kevorkian, Sexuality, Stanley Kubrick, Suburbia

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Sam Kevorkian talk to Danish filmmaker Julius Telmer. He has a BA in Film and Media Sciences from University of Copenhagen and lived and worked as a director for two years in Australia. He is currently working in Los Angeles where he teaches at the LA Film School. Check out his work on Vimeo and Cargo Collective.

Topics:

Living in LA, the image of LA from cinema, and the sense of loneliness of life in LA
How it is difficult to film in LA; the filming location of Oscar in the LA suburb of Santa Clarita
Cinematic influences including Gaspar Noe, Roman Polanski, and Stanley Kubrick
Film as an experience as opposed to just a narrative motive
Ending a film with a sense of mystery
The Cinematic language without using words
Themes of masculinity, lack of communication, and suppressing animalistic desires
Tragedies
Censorship in film
Julius’s observation that the 70’s was the peak of cinema
European cinema and how the lack of massive budgets leads to a focus on the existential
Julius’s film Oscar
How Oscar is planned for a feature length film
Julius’s film Dead End
Julius’s documentary The Man Who Couldn’t Die

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Actor and Musician Karim Theilgaard

acting, aesthetics, Cinema, Culture, David Lynch, Denmark, Fashion, Film, Game of Thrones, horror, horror films, Karim Theilgaard, London, modeling, Music, Photography, Sam Kevorkian, Travel, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Sam Kevorkian talk to actor and musician Karim Theilgaar. Check out his work on YouTube, Facebook, Twitter, and Instagram.

Topics:

Intro: Strangers on The Floor – Karim Theilgaard
Growing up as a Third culture kid living in Brazil, England and Denmark
Early musical influences including Abba, Michael Jackson, and Nirvana
Music video The Way We Used To Be – Karim Theilgaard 
Music Photography for Fashion Beat TV
Fashion Modeling and Karim’s fashion style
Starting out as an actor; writing and producing short films
The film Brother which Karim wrote, produced, and acted in and planned on sending to Casting Director Nina Gold for a Game of Thrones audition
The film Timeless about the dilemma of immortality
The horror film Scar Tissue where Karim played an obnoxious finance bro; comparisons to the film Saw
Karim’s upcoming films including Natsværmer and Sebi  which is “Twin Peaks on acid”

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This show is brought to you by Robert Stark’s Paintings!