Nationalism as an aesthetic brand, selling perfume and soap opera visions to the right
Re-appropriating “queer culture”
Camille Paglia
Trump as a performance art aesthetic brand despite his standard neoliberal policies
Beauty equality vs. an upward value of aesthetic excellence
The aspirational quality of 80s aesthetics
How 2010s neoliberal minimalism conceals wealth and power while erasing history
The elite charade of fake bohemianism
How to time travel with perfume
Las Vegas as the last frontier of scented opulent public spaces
Jack’s affinity for 80s pop icon Madonna
Jack’s defense of the artistic integrity of Lena Dunham
David Lynch’s success at synthesizing surrealist art, perfume adds, and nighttime soap
Jack’s Perfume recommendations TFW NO GF
Robert Stark talks with investigative journalist, actress, musician, and director Naama Kates about her journey deep inside the incel community. Naama Kates is the host of the podcast Incel. You can follow The Incel Project on Twitter and contact Naama at [email protected].
Topics:
Naama’s background as an actress including roles on the show NCIS and the movie Stepmom
Directing the horror film Sorceress, the documentary Dutchman Revisited, and producing Chloe
Naama’s Music Videos directed by Princeton Holt from the early 2010s’ Indy Craze
Naama’s personal and political evolution
How Naam’s fascination with incel culture started with a correspondence on Twitter
Why the media narrative about incels is wrong, harmful, and casts dispersion on a group that is already marginalized
How Naama’s journey started out as an open ended question
Misconception that incels are a political movement and have a racial orientation
Incel Lexicology and narratives
Naama’s personal interactions with incels
Disarmed by the humor of the incel forums
Guests on the podcast Incel, including a Christian pastor, a forensic psychologist, a neuro-scientist, and a psychiatrist
Incels as part of a greater trend of social atomization and inequality #pinkystream – naama kates on hikkikimori Erik Erikson’s Psychosocial Stages
The limitations of self improvement
Are femcels a thing?
Incel as a brand
Naama’s upcoming podcast, ESC-Hate, featuring dialogue between opposing political sides
A political ideology based on aesthetic principles
The role that aesthetics plays in shaping social and economic hierarchies
The role that capitalism plays in aesthetic innovation
The problem of markets catering to the lowest common denominator
How poor urban planning models lead to a lack of social cohesion
How architectural innovation in theme parks and resorts create a sense of escapism
How Smart Socialism can address these issues
The need to subsidize artistic endeavors that are not profitable in the short term but pay off long term
The impact that making aesthetics more accessible would have on economics and class
Creating a new aesthetic elite
How these issues relate to demographic trends Roger Blackstone: The Politics of Aesthetics Neonationalism
Bobos as Bourgeois Bohemians or Capitalist Hippies
Concepts that emerged after the French Revolution
How all three of us overlap with this group(interconnected yet outside)
Those who know the inner workings of the privileged class yet not quite in it
David Brooks, his political ideology, and Mid Atlantic old wealth culture
The Boomers’ transition in values
How the elites reinvented their cultural image
The blurring of cultural class as a mask for growing economic inequality
How Bobo culture coincided with the Neoliberal restructuring of our economy
Silicon Valley’s “socially conscious” cutthroat capitalism
Fake social climbing, virtual signaling, and self appointed moral leadership
Historic parallels to using Christianity to justify slavery and imperialism
Paying high prices for cheap looking merchandise
Hipsters as the Millennial offshoot of the Bobos
Political dissidents and cultural outsiders’ fascination with the culture of past elites Alt-Subcultures and Alt-Urbanism as positive alternatives to Bobo culture
The concept of beauty throughout history has been a force for creation, inspiring mankind to reach the pinnacle of civilization. From men accomplishing great things to win over a lover, the beautiful female as a muse for the artist, religions building great temples and cathedrals to attract worshipers, kings and emperors building monuments to demonstrate their greatness, and businesses using aesthetics in architecture and advertisements to attract more consumers.
In today’s society aesthetics serves primarily as a force to manipulate people to keep them striving and conforming to the liberal capitalist system. Advertisements use aesthetics to create a vision of a product to consume; not just the product itself but an overall aesthetically pleasing scene involving beautiful women, luxurious furnishings, great architecture, natural scenery, and music to create the mood.
Francis’ article Fast Food Fascism & It’s Esoteric Meaning
Francis’ Lexicon
The “innate fascism” lurking behind crass popular culture
The origins behind the unpop art movement and Neofolk
The Unpop theme of using pop culture imagery to depict transgressive material
How controversial icons can look “cute” next to family friendly imagery of popular culture Shaun Partridge and Partridge Family Temple
Pop culture from the 1960’s through 1980’s
Francis’ critique of Spencer J. Quinn’s review on Counter-Currents about the new Incredibles 2 film
The Alt-Right’s use of making far-right symbols cool, while Fast-food Nationalism uncovers the “hipness” of corporate logos
Making collage art out of outdated pop culture memes and esoteric religion to make something new
The low brow art scene and the art of Ron English, Frank Kozik, Trevor Brown, and Mark Ryden
Musician David Thrussell’s ironic use of Fast Food imagery
Ralph Nader’s wisdom of how you can’t avoid advertisements in daily life
Going beyond memes and irony to create a positive vision
How a new Apocalypse Culture is replacing the Alt-Right
The intersectionality of Homonationalism, Neonationalism, The Alt-Left/Center, and Post Neo-Folk
The artist creating the vision vs. meta-politics
Embracing late capitalist materialism to find eternal peace and “Nirvana”
Meming pop cultural products towards an identitarian end
The CalArts movement
Robert Stark and co-host Brandon Adamson talk to Constantin von Hoffmeister. Constantin is originally from Germany, lives in Moscow, blogs at Oge Noct, and published the National Futurist Manifesto.
Topics:
Constantin’s article Archeofuturism: I Have a Dream!
Archeofuturism as the combination of archaic traditions with futuristic visions
A Utopian science fiction vision of the future based on Faustian ideals
Constantin’s materialist viewpoint and belief that spirituality stems from matter and biology
Constantin’s belief in technological progress
Transhumanism and human cloning
Guillaume Faye’s novel Archeofuturism
The European Migrant Crisis
The failure of Trump
Space Colonization
The Soviet film Aelita: Queen of Mars about a proletarian revolution on Mars
Robert Heinlein’s Starship Troopers and Heinlein’s views on limiting democracy
Norman Lowell’s Imperium Europa
The need for strength on an Imperium level and freedom on a Dominium level
Constantin’s support for a hybrid of capitalism and socialism that promotes both innovation and a social safety net
Automation, the basic income, and the creation of new jobs in scientific fields
The lack of investment in infrastructure and transit in America
Architectural style’s that best capture Archeofuturism; both new and Stalinist skyscrapers in Moscow
Soviet Retro Futurism
Constantin’s upcoming speech and debate in Germany
Robert Stark, co-host Pilleater, Charles Lincoln, Actor Count Isidor Fosco, and aspiring Director Craig Langley Jr. discuss the Alicia Silverstone films Clueless and the The Babysitter.
Topics:
How the original film The Crush was edited
The Babysitter as the most realistic of the three Alicia Silverstone films
The Babysitter compared to American Beauty
Th peeping through the window scene, and the imagination of the guys who see Alicia Silverstone through the window
In reality it is all just in the male imagination in this movie
The awkward bathtub fantasy followed by her signature cheeky smile Traits of men who prefer breasts, booty, or legs
The Alicia Silverstone film Vamps
The Clueless (TV series)
The setting of Clueless in Beverly Hills San Mateo Teenager Goes Hollywood
Cher’s Character development and self realization
Whether she is anti-snob?
Social Cliques in High School
The makeover of her friend
Comparisons to Mean Girls
The fact that the girls are excited by the fact that the guy has a picture of the new girl in her locker, and how today that would be called “creepy”
She comes across as more conservative with her condemnation of dating druggies, and saving her virginity
The whole theme of matchmaking
The “Baldwin” reference and other cultural references, a kind of Hollywood being self-complimented
The Spartacus scene, pearls and oysters, subtle signaling in old movies
Her realization that she loves Josh despite the fact he is a “slug”
The normal guy get’s the girl in the end, not the “hot guy” who turns out to be Gay
The fact that all the girls are obsessed with marriage while in school which is dated
The Clueless scene where her father is happy that she knows how to negotiate over grades Cher’s speech about refugees Alicia Silverstone Would Rather Go Naked Than Wear Wool! | PETA
The pink blue color code in the ending sequence is kind of Vaporwave
The robbery scene in the Valley
LA Landmarks including the Sinister Neon Clown at Circus Liquor
Meme Magic and Alicia Silverstone as a meme Leisure Suit Larry and the Alicia Silverstone look a like
The Concept of the Left Wing of the Alt Right; The Alt Left
Greg Johnson’s essay on SWPL Identity and Rabbit’s Alt Left Manifesto Millennial Woes’ talk with Rabbit and Greg Johnson about the Alt Left
The 60’s Left Counter-Culture as a fusion of Tolkien and Marcuse, and the need to reclaim the positive attributes of the left, such as ecology, historic preservation, and anti-consumerism
The Alt Left dilemma identifying with SWPL Culture, and urban aesthetics, while supporting forms of identitarianism that often lack strong aesthetic visions
The lack of cultural sophistication among conservatives, and the left’s monopoly on cultural institutions
Suburbia as a by product of the middle class being cleansed out of cities, and the need to sustain a strong urban middle class
Affordable family formation
The Basic income, how it should be implemented, and who it should favor
Putting caps on high incomes with the exception of artist and inventors
The Nietzschean concept of the artist as the ruler
The conservative outlook that judges people on their material wealth over their aesthetic taste, and creative potential
Overpopulation, and how the ideal is to have immigration reduction with a stable or slowly rising birthrate
Greg’s experience living in San Francisco and Berkeley, San Francisco as a SWPL Utopia, and the aesthetic and ecological attributes of the region
The Transamerica Pyramid and Embarcadero Center in San Francisco
Rabbit’s interest in Mid-Century Space Age aesthetics, and his observations going to Mid-Century Modern home tours Frank Lloyd Wright Art Deco, which was a heroic vision of the future with respect for tradition; Art Deco in New York and San Francisco Film noir, and the Blade Runner
David Lynch’s Archeo-Futurist aesthetic in Dune, and ruin porn
The tradition of right wing modernism; Italian Futurism which captured the vitality, optimism, and new possibilities created by technology
The concept of degenerate art, distinguishing between modernism and postmodernism
Defining what is degenerate; Robert and Pilleater’s show on Avant Garde Film
The Hollywood imagery and outsider stereotypes of LA
The history of LA
How LA’s urban core is spread out over a large geographic area from Santa Monica on the Coast to Downtown LA
Robert’s disclaimer that the photos capture the best of LA, but that most of the spaces in between are unappealing due to the cities sprawl
LA’s transit system
South Central LA
West Hollywood, and Rabbit’s experience living there
Downtown LA, the gentrification of the historic core, the grittiness and vintage signage of Broadway, and the Serial Killers Who Haunted The Cecil Hotel
Downtown LA’s architecture including John Portman’s Bonaventure Hotel, and the the 80’s Art Deco revivalHome Savings Building where Charles Lincoln worked
Beverly Hills, the 80’s futurist Rodeo Collection, the “Vaporwave” Roman Fountain , and the the 70 futurist/late modernistRoxbury Plaza Century City, which originally had a 60’s futurist aesthetic, was the the film location of Conquest of the Planet of the Apes, and the Century City Mall
1980’s Malls including the Beverly Center(Original image), Westside Pavilion, which reminds Pilleater of the game Myst, and the renovation of those malls which ruined their aesthetic
Historic preservation trends starting with demolition of the Art Deco Richfield Tower in Downtown LA, to the lack of preservation for 80’s architecture today
New architecture inspired by past styles including the new Streamline ModerneUnder construction Beverly Hilton tower, 70’s futurist inspired renderings for skyscrapers, and Rabbit’s observation that many apartments are being retrofited in mid-century modern styles
Santa Monica, the waterfront, architecture including the Art Deco Clock Tower, and Santa Monica NIMBY Restriction on heights
The Interactive Cafe, which is one of the last surviving independent businesses in downtown Santa Monica, and Pilleater’s point that it has a Cyberpunk aesthetic
The high cost of housing in LA, even in unappealing areas
The San Fernando Valley, which was traditionally home to LA’s middle class
Demographic trends, the destruction of the white middle class, gentrification of the urban core, and new suburban ghettos in the desert
Rabbit’s point about SWPLs he met in LA who look down on the suburban middle class
The Alt Left dilemma between identifying with SWPL Culture, and urbanist aesthetics, and supporting white middle class identitarianism, which often lacks strong aesthetic visions
