Robert Stark and Matthew Pegas talk about the film Joker (2019 ) and it’s sociological significance to our current zeitgeist of despair.
Topics:
The social crisis of despair in America
The alienated loner in our society
Theme of humiliation
Oppositions to the film from the Woke Neoliberal Establishment, while Michael Moore Calls ‘Joker’ a Masterpiece Woke media’s allegations that ‘Joker’ validates White Male rage Marc Maron on ‘Joker’: Don’t Blame Movies for Criminal Actions of the Mentally Ill
Dark comedic nihilism with no moralistic narrative of good vs. evil
Cult following online among memers and dissident rightests
Director Todd Phillips, his background in lighthearted sex comedies, and how he stopped making comedies due to “Woke Culture”
How the film is as controversial as it can afford to be within Hollywood
Plutocratic mayoral candidate Thomas Wayne who could symbolize a caricature of Trump, but also echoes Hillary Clinton’s Basket of deplorables phrase
Class warfare theme
The Anarchist theme of creating chaos and tearing down society
Symbolism of the clown
Mental health
Comparison’s to Taxi Driver
Aesthetics of the film set in Gotham City, based on gritty New York City in the early 80s
HBO’s “The Deuce” Resurrects Gritty Times Square NYC Film Locations for The Deuce about Gritty 1970’s Time Square on HBO
Robert Brenner’s upcoming tour on October 22nd which will incorporate locations from HBO’s “The Deuce”
How the locations for the show have been re-created from scratch in Washington Heights
42nd Street which was once known as “The Deuce” and was a hub for adult venues
Remaining adult venues on 8th Avenue including Show World and The Playpen
Theatres retrofitted into Broadway venues including the The Victory, The Empire, The Lyric, and The New Amsterdam
The Condor and Big Al’s being retrofitted from adult venues in San Francisco
Defunct theatres including The Pussycat Cinema, The World Theatre, The Rialto, and The Apollo
Adult Films Beyond the Green Door and Deep Throat
The history of Broadway
Jim’s new book The New Church Ladies: The Extremely Uptight World of “Social Justice”
Social Justice as a new secular religion and their moral absolutist nature
Social Justice Warriors totalitarian tactics and dehumanization of those they disagree with
Jim’s early experience with political correctness in the Punk Scene in the early 80’s; Rock Against Racism
Jim’s experiences with anti-racist skinheads in Portland
Experiences with censorship in 1994 for the publication of Answer Me!’s “Rape Issue” The Redneck Manifesto and the white privilege fallacy
Michael Hoffman’s They Were White and They Were Slaves
The liberal establishment abandoning economic issues and political correctness as a tool to disarm working class opposition to globalization
Individualism vs Identitarianism; “If you can’t beat them join them” “Why Are White Death Rates Rising?”
The re release of ANSWER Me! All Four Issues
Peter Sotos’s “Quality Time” article for the “Rape Issue” which lead to threats of prosecution for obscenity Jim & Debbie Goad on Hot Seat with Wally George
Music interest; 80’s rap music, 70’s British Glam including Garry Glitter, Rockabilly, and ‘Psycho’: The darkly insane country music classic
Philadelphia, Temple University where both Pilleater and Jim attended, and the city’s reputation
Robert Stark and co-host Pilleater talk to author and filmmaker Pablo D’Stair. He is the author of sixty books of fiction, twenty-four plays/screenplays, five collections of poetry, and numerous essays and dialogues. A former contributor of cinema critique/commentary for the UK film site BRWC: Battle Royale With Cheese and of fiction, interview, and essay for the Montage: Cultural Paradigm (Sri Lanka), he is also the writer/director of six (very underground) films and the co-founder of the art-house press KUBOA . More information can be found at pdstair.wordpress.com and pdstairfilms.wordpress.com. Check out his films on Vimeo.
Topics:
Pablo’s work as an associate producer on the film The Canyons directed by Paul Schrader and written by Bret Easton Ellis
Early influences including Robert Bresson who was also an influence on Schrader
Pablo’s first film A Public Ransom about an author who stumbles across a crayon-scribbled missing child poster with a scrawled telephone number
Pablo’s film Mississippy Missippi Tu-Polo which is about a young indie author who is no longer young and “indie”
The band Left By Snakes who have done music for Pablo’s films, and he has also worked on their music videos
Pablo’s film Science Fiction about Five unknown, unread, and well-past-their-prime science fiction authors grappling with obscurity, infinity, and obsolescence
Pablo’s recent film Mr Pickpocket about two young boys drawing a comic about their dad being a Pickpocket
Pablo’s cinematography style; long shots and techniques to make films look grittier and older
Pablo’s films are about implications and invoking feelings rather then plot driven
Comparing being a writer to being a filmmaker
The Alt-Lit Genre
The Art for the book covers which are designed by both Pablo and his friend artist Goodloe Byron KUBOA Press and Pablo’s criteria for selecting writers
Pablo’s writing process and style, linear writing and writing from the perspective of one person’s perspective
Pablo’s latest novel LUCY JINX which is an intimate epic, spanning eight years in the life (and innermost mind) of the titular poet as she navigates cities, jobs, ambitions, and friendships
Pablo’s book Dustjacket Flowers about a man loitering in the public library and the theme of perceiving reality
Pablo’s book Regard; the theme of life rendered in minute by minute physical description with only as much as psychological insight
Pablo’s set of novellas The Unburied Man and The People Who Use Room Five; Life Cycle Horror
Pablo’s Noire novel man standing behind which is being adapted into a film
Personal experiences with Autism and Aspergers
How society treats people with Aspergers; human alien hybrids
Non-conformity and rejection of social programs
Evolution and Epigenetics
Jasun’s book Homo Serpiens: A Secret History of DNA from Eden to Armageddon, written under the alias Aeolus Kephas
Online subcultures; 4chan culture and Aspergers
The autistic anime reality vision
The occult and meme magic
Jasun’s interest in the Occult as a way to break free from the socially enforced distortion of reality, but latter found it to be an illusion of freedom
How architecture and geography effects psychology
Jasun’s artwork
Jasun’s latest book Seen and Not Seen: Confessions of a Movie Autist
The film Taxi Driver, Travis Bickle as autistic, and the theme of alienation, and violence as a quest for identity
David Lynch’s film Blue Velvet , identifying with Frank Booth, and confronting ones own darkness
Dating advice
Traveling abroad and personal experiences with foreign cultures
Robert Stark and co-host Pilleater talk to Robert Brenner. Robert Brenner is a writer, critic, satirist, futurist, urbanist, and porkatarian. His work has appeared in the Huffington Post, New York Magazine, Salon, the Barnes & Noble Review, Medium, Different Truths, Antiserious, and Theory In Action. He is a graduate of the Writers’ Institute at CUNY.
Robert Stark and co-host Pilleater interview Robert Brenner. Robert is a writer, critic, satirist, futurist, urbanist, and porkatarian. His work has appeared in the Huffington Post, New York Magazine, Salon, the Barnes & Noble Review, Medium, Different Truths, Antiserious, and Theory In Action. He is a graduate of the Writers’ Institute at CUNY.
Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. Tolkien, Aleister Crowley, Oscar Wilde,H. L. Mencken, David Lynch, Richard Wolstencroft, Salvador Dalí, Jonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave) Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters
How Robert and Ray both have personal connections to Santa Barbara and how the city is almost too idyllic
Crime Fiction Novelist Ross Macdonald who’s work captures Santa Barbara
Santa Barbara as a place with strict zoning laws that was modeled after Andalusia in Spain
The contrast between life in Santa Barbara and New York City
How New York City has changed in Ray’s time there in the 70’s, 80’s and 90’s
How Cuisine is the one area that has seen increased innovation in New York
Ray’s cameo in the film Exposed set in New York in 1983 staring Nastassja Kinski
How films such as Exposed and Taxi Driver are documentaries for New York in that era
The new peculiarly shaped skyscrapers going up in New York today “See through buildings” where wealthy Foreigners are buying up real estate in New York and leaving them empty
How Ray is drawn to architecture because it is art you can experience and changes the world in a way that regular art doesn’t
How most of the general public has little input and interest in architecture
How places without zoning laws tend to lack any aesthetic value
How the main rule in urbanism is not to do anything that harms the city Art Deco and how it succeeds in bringing tradition and modernity into one Architectual Revivalism which seeks to recreate older forms of architecture Robert Stark’s Artwork
Ray’s work at Newsweek as a reporters covering art, culture, literature, film, and theatre
How Ray’s most significant interviews were with Writers Philip, Roth, and John Updike, filmmakers Francis Coppola, and Robert Altman and Architect Christopher Alexander
How conservatives tend to avoid culture and leave that domain to the left
English Philosopher Roger Scruton as a model for a cultured conservative
Front Porch Anarchist Bill Kauffman New Urbanism
The The Retro Cocktail and Locavore movements James Howard Kunstler
Ray’s involvement with Environmentalism and Bioregional Anarchism
How the environmental movement abandoned the overpopulation issue due to political correctness and mass immigration
The Alternative Right
How the real political divide is between globalism and decentralization
Cultural trends and how Ray views himself as a cultural radar
The trend towards a focus on muscles for young men and men are more self concious about their bodies
The value of pleasure and leisure
Erotica and the debate about what’s art and what’s pornography, can porn shown on websites like videoshd.xxx even be considered as art?
Controversial nude photographer Jock Sturges, who Ray interviewed
How society is a taking contradictory paths towards lewdness and prudishness Students Still Sweat, They Just Don’t Shower
How having taste and style has become equated with homosexuality
Young women moving to New York City because of Sex and the City “Sex Scenes” which is a raunchy, satirical audio entertainment that Ray created with his wife playwright Polly Frost. Check it out.
