Robert Stark and Matthew Pegas talk about the film Joker (2019 ) and it’s sociological significance to our current zeitgeist of despair.
Topics:
The social crisis of despair in America
The alienated loner in our society
Theme of humiliation
Oppositions to the film from the Woke Neoliberal Establishment, while Michael Moore Calls ‘Joker’ a Masterpiece Woke media’s allegations that ‘Joker’ validates White Male rage Marc Maron on ‘Joker’: Don’t Blame Movies for Criminal Actions of the Mentally Ill
Dark comedic nihilism with no moralistic narrative of good vs. evil
Cult following online among memers and dissident rightests
Director Todd Phillips, his background in lighthearted sex comedies, and how he stopped making comedies due to “Woke Culture”
How the film is as controversial as it can afford to be within Hollywood
Plutocratic mayoral candidate Thomas Wayne who could symbolize a caricature of Trump, but also echoes Hillary Clinton’s Basket of deplorables phrase
Class warfare theme
The Anarchist theme of creating chaos and tearing down society
Symbolism of the clown
Mental health
Comparison’s to Taxi Driver
Aesthetics of the film set in Gotham City, based on gritty New York City in the early 80s
The historical setting of the film in 1936, just prior to Hungary turning fascist
The sense of what was about to happen and people not seeing what was going to happen to them
Éva’s experience as an editor
The costume and set design
The city as a character
The novel Budapest Noir and where it differs from the film
Location scouting
The set design for the Bauhaus mansion and significance of that architectural genre
The Film Noir genre and murder mystery angle
Selecting actors, and theater background of Hungarian actors
Éva’s film An American Rhapsody starring Nastassja Kinski and Scarlett Johansson
The American release for Budapest Noir planned for January of 2020
Robert Stark and Matthew Pegas talk about their recent trip to San Diego and their observations on cultural and urbanist trends.
Topics:
San Diego’s reputation as a smaller, cleaner, nicer version of LA and its unique attributes
The layout of the city with a centralized downtown near the waterfront surrounded by suburban sprawl
San Diego and Orange County among the largest areas of upper middle class sprawl in the nation Politics of San Diego as a historically Republican stronghold that has trended Democratic in recent years Demographics of San Diego and how they relate to overall CA trends
The most stereotypical American City located in CA while the State is culturally drifting apart from the rest of the Country After decades of suburban sprawl, San Diego eyes big shift to dense development
The historic Gaslamp Quarter which is the one section that feels truly urban
Horton Plaza: Will this PoMo wonderland in San Diego be saved?
Architect Jon Jerde’s inspiration for Horton Plaza from Ray Bradbury’s “The Aesthetic of Lostness” extolling the virtues of getting “safely lost”
Wealthy beach community La Jolla and it’s village layout
The importance of investing in communal places that the public can enjoy, particularly in wealthy areas TorreyPinesState Natural Reserve
The Victorian Hotel del Coronado FriendshipPark at the US/Mexico Border and political symbolism of the border wall
The InlandEmpire Heavenly Action by Erasure, the soundtrack of the trip with a message that friendship, love, and positivity can conquer anything
Will Durham has been collecting and preserving neon signs for over 25 years, and has one of the largest collections in the world. Check out the Nevada Neon Project on Instagram and Facebook.
Topics:
Collecting signs from closing businesses
The main focus of preserving signs
The process of rescuing a sign
Displaying signs to the public at events Neon named Nevada’s official element
Walking tours of Downtown Reno
The decline of Reno as a gambling destination, revitalization, and what it means for neon
Newer signage, incorporating new neon, and businesses adopting older signs
The lack of historic preservation regulation
Collecting signage from larger casinos including the Peppermill, Harold’s Club, and Fitzgerald in Reno, and The Riviera in Las Vegas
Saving The Virginian’s Casino letters
The Eldorado Casino’s external neon silhouette
The Carson Nugget and Cactus Jacks in Carson City
The dwindling of neon at Lake Tahoe, and The Stardust Lodge
Logo’s novel Selfie, Suicide, a coming of age satire of a failed artist
Instagram inspired parody art museums
New York’s Staircase to Nowhere
How technology impacts politics Wyndham Lewis
Andrew Yang
How the UBI could create a cultural renaissance
The Obama to Trump voters in the Rustbelt
Aesthetics as politics
Retro-futurist genres Steampunk, Dieselpunk, and Cyberpunk
Underground comics
Aesthetic Socialism is the concept of viewing politics with aesthetics as one of the basic principles. I discussed the concept at length in my essay Aristocratic Aesthetic Socialism and show with Matthew Pegas and Giovanni Dannato. Aesthetics signifies one’s class and social status and influences and manipulates peoples decisions and economic output. Extreme inequality in aesthetics shapes the core foundations and social mechanisms of a society.
In politics the debate about the distribution wealth is primarily about the distribution of monetary assets and how to make basic needs widely available. Due to mass production and future trends in automation we are now entering a Post Scarcity Economy where many goods and services can be provided to a larger segment of the population.
We have the wealth, resources, and technology to provide basic services such as food and electronics that can be mass produced. In the future healthcare could be provided cheaply due to automation but the goods that are positional will remain increasingly scarce.
Positional Goods according to Lion of the Blogosphere “are goods and services that people value because of their limited supply and they convey a high relative standing within society.” These resources are positional because they are ranked in value to other resources.
Yang’s objective is not to dismantle neo-liberalism but rather create a more humane version of it
Potential for cross pollination between right and left Yang supporters towards a dissident center
Trump’s failed last chance for American nationalism
Future political paradigm of neo-tribalism vs. enforced loyalty to mass society
How a UBI will lead to the formation of neo-tribes
Political campaigns as neuro-tribes
Pursuing one’s group interest as a minority in a Post-American future
How a UBI treats everyone equally, bypasses the middleman, and a step towards smart socialism
Unlike both capitalism and socialism, UBI is the only solution that is viable in an atomized society
How a social safety net combined with freedom of association is the only thing that can hold this nation together
Whether a UBI will solve issues such as declining birthrates and the sex recession Yang Claims Universal Income Can Curb the Racism of His White Nationalist Fans
The personality of the technocratic engineer vs the lawyer in politics
Yang’s view of politics based on an understanding of psychology and human nature
Yang’s comment predicting anti-Asian violence which was taken out of context by conservatives Materialist vs. idealist views on the roots of group-group violence
The UBI’s impact on class dynamics and danger of a neo-feudalist technocracy
Rethinking the American dream in terms of alternatives to the suburban home such as an arcology or self contained city
Whether smart socialism and urban renewal need a strong centralized state
There’s something to be said for those in whom the sign of the times less offers an omen and more flashes across their periphery like a neon sign at an amusement park.
In 2019, the assumed excesses of prefixing an ‘Alt’ to any political fringe is virtually guaranteed to incite misunderstanding, scrutiny and suspicion. In that sense, the Alt-Center is a shameless affair. However, it isn’t shameless merely because of its ideas – which are eclectic – but rather, because of its ultimately strategic knowledge of where it sits within the dissident sphere.
The impending antiquation of older ways of thinking about politics is not for them an indication that some inevitable new path will soon announce itself, for which they will conveniently be the vanguard. Rather, this antiquation is for them an occasion to consider the possibility of creating something wholly new whose expression may unfold in ways as varied as one could imagine.
Journalist, artist, novelist and host of Stark Truth Radio, Robert Stark, has built something of a salon for Alt-Center ideas on his show, where, as of late, one may hear talk of Starkianism – existing in its own corner of Alt-Centrism. Roughly put, Alt-Centrism is where ideas of the dissident right and dissident left meet, and is itself comprised of concepts such as Aesthetic Socialism, Aristocratic Radicalism and Alt-Urbanism.