Category Archives: aesthetics

Robert Stark interviews Gustavo Semeria about Argentina

aesthetics, Amren, Architecture, Argentina, Art, Art Deco, Buenos Aires, capitalism, Cities, Class, colonialism, Communism, Crime, Culture, democracy, Economics, education, Gustavo Semeria, Healthcare, History, Human Bio Diversity, Immigration, income inequality, Juan Peron, Latin America, Mass Transit, Middle Class, Multiculturalism, Music, Nationalism, Neon, Oligarchy, Socialism, Urbanism

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Argentine author, businessman, former military officer, lawyer, and Professor of Social Science Gustavo Semeria

Topics:

Gustavo’s Spanish Language book Adiós a la Democracia about the role of Demographics in Democracy
Gustavo’s article for American Renaissance Argentina: A Mirror of Your Future
The early history of Argentina, the Nation’s Golden Age from the late 19th to early 20th Century, and the massive wave of European immigration
Buenos Aires as the Paris of South America and the extravagant architecture of the early 20th Century
The Art Deco Kavanagh building, Galerías Pacífico, and the Neon lit Lavalle Street
The Anglo-Argentine Tramways Company which built the Nation’s vast railway system and Buenos Aires’s Subway
Argentina’s demographic transformation, starting with internal migration from the North and later mass immigration from neighboring countries
The effects of mass immigration on infrastructure, healthcare, education, and crime
The decline of the Argentine Middle Class and growth in gated communities in the suburbs
Cultural changes; the decline in the Tango and Argentine Rock and popularity of foreign culture such as Cumbia
The parallels between Argentina’s situation and that of the United States
The Kirchners’ open immigration policy and concept of Patria Grande
The new president of Argentina Mauricio Macri
Latin America’s fluctuation between socialism and oligarchy
Juan Perón’s Third Way between Capitalism and Communism


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Robert Stark talks to Count Isidor Fosco about creating New Retro Futurist Sub Cultures

1980's, 80's music, aesthetics, Alicia Silverstone, Alphaville, animation, Anime, Architecture, arcology, Art, Art Deco, Asian Aryanism, Asian Culture, Batman, Blade Runner, Cinema, Cities, Comic Books, Count Isidor Fosco, counterculture, Culture, Cyberpunk, Depeche Mode, Duran Duran, Europe, Film, Film Noire, Futurism, Helen Slater, Homosexuality, Identitarianism, Israel, Italo Disco, Japanese Culture, Kaze to Ki no Uta, Memes, Mid-Century Modern, Milo, Mishima A Life in Four Chapters, Music, New Retro Wave, Peter Sotos, Pilleater, Postmodernism, Retro Futurism, Sarah Michelle Geller, Sexuality, Steampunk, SWPL, The Crush, The Legend of Zelda, Toronto, Trolling, Urbanism, Vaporwave, Video Games, Will McBride, Winona Ryder, Yukio Mishima

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to returning guest Count Isidor Fosco.

Topics:

Retro-Futurism and it’s sub-genres
Whether Retro-Futurism and fusing past genres can evolve organically or end up being a “cut and paste”
Merging an Aristocratic or Traditional Genre into a Futuristic one
How fusing genres is most effective when there is a distance in eras(ex. Art Deco and Cyberpunk, Baroque and 80’s Retro-Futurism)
How futurism overlaps with the archaic in architecture(ex.Arcology)
Steampunk; Victorian era Train Stations in London, the Galleria Vittorio Emanuele in Milan, and shopping centers inspired by European shopping arcades
The Toronto Eaton Centre in contrast with the Underground City in Montreal, which is more Retro-Futuristic
Why “Decopunk” Deserves to Be Bigger than Steampunk
The Art Deco revival during the New Wave Age
Batman: The Animated Series, Batman & Architecture, and Anton Furst’s visions for the Aesthetic Of Gotham City(1989)
Alicia Silverstone in Batman & Robin and playing piano in the film The Crush
The aesthetics of Mishima: a Life in Four Chapters and the manga Kaze to Ki no Uta
New Retro Wave, Italo Disco, Falco, and Alphaville’s Forever Young and Big In Japan
The “Vaporwave” Babylon Club from Scarface which was featured in Miami Nights 1984’s Early Summer
How we are in post-post modernism and must rebuild cultures from scratch
Subcultures based on ethnic and cultural identity; cultural and ethnic fusionism(ex.Asian Aryanism)
How the future will either be mass global homogenization or forming new cultures from scratch but there is no returning to the past
Asian and Israeli Aryanism as memes
Count Fosco’s hierarchy of fetishes

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Pilleater about Almond Eyes Baby Face

aesthetics, Almond Eyes Baby Face, Alternative Left, Alternative Right, Anime, Art, Asia, Asian Aryanism, China, counterculture, Culture, Cyberpunk, demographics, Despair, Diversity, Erotica, Ethno Nationalism, Gender, Identitarianism, Japan, Japanese Culture, Millennials, Multiculturalism, Music, Natalie Portman, Nationalism, Peter Sotos, Philadelphia, Philosophy, Pilleater, Poetry, Political Correctness, Pornography, Psychology, psychosocialism, Race Relations, Science Fiction, Sexuality, Trevor Brown, Trip, Utopia, Vaporwave, Yukio Mishima

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Pilleater about his new book Almond Eyes, Baby Face(available on Lulu) which is series of short stories. Pilleater blogs at Asian Aryanism and the Mineo Maya Fanclub

Topics:

The autobiographical nature of the first story
The theme of dealing with trauma from High school and College and struggling to fulfill the Psychosocial narrative
Nana’s Song inspired by Natalie Portman in Leon the Professional
The transcript of Pilleater’s Omegle chat where he pretended to be an Asian Girl
How Pilleater sees the book as his version of Yukio Mishima’s Confessions of a Mask
Pilleater’s essay he submitted to Radix “Why I’m an Identitarian”
Pilleater’s advocacy of Asian Aryanism
Pilleater’s Asian Aryanism in contrast with Asian colonization of the west and the growing rootless identity among Eurasians
The criticisms of Pilleater’s work from both the Alt-Right and SJW Left
The books cut up of the Right Stuff’s article 4 Reasons You Shouldn’t Date Asian Girls
The WMAFL phenomenon
Pilleater poem Easy Tiger dedicated to Porn Star Harriet Sugar Cookie
A hypothetical Asian Aryan ethnostate; it’s culture, politics, and aesthetics
Creating new Avant Garde sub-cultures
The Vaporwave science fiction story in the book
The cover art by Thai artist Piemboons inspired by Trevor Brown
The erotic science fiction story the “Rape of M’Khal” which was added to the new edition of Trip by Pilleater


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Shaun Partridge

1960's, 1970's, 1990's, Adam Parfrey, aesthetics, Aleister Crowley, Alice in Wonderland, Anne Frank, Art, Boyd Rice, Carl Jung, comedy, Comic Books, counterculture, Culture, dreams, Enter The Void, humor, Japanese Culture, Jim Goad, John Lenon, Literature, Madmen, Music, Occultism, Peter Sotos, Philosophy, Pilleater, Political Correctness, rape, Religion, Science Fiction, Serial Killers, Shaun Partridge, Surrealism, The Partridge Family, The Partridge Family Temple, The Wizard of Oz, Trip, Trolling

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Shaun Partridge. He is a musician and co-founder of The Partridge Family Temple. He blogs at shaunpartridge.com and runs Shaun TV on Youtube.

Topics:

Intro Song: B Magic
The background story of The Partridge Family Temple
The Partridge Family Show and it’s inspiration for the Temple
Troll culture; Boyd Rice wearing a rape shirt in front of a giant troll poster for Answer Me! in the 90’s
Shaun’s article “Rape is Love” for Answer Me!’s “Rape Edition,” Boyd Rice’s piece “Revolt against Penis Envy,” and Peter Sotos’s article and books
Shaun’s music for BOYD RICE’S HATESVILLE
Adam Parfrey’s Apocalypse Culture and the Temple’s work for Adam’s art show “Occult Rapture”
Vice’s review of Shaun’s work; The unpop sound
Monty Python’s The Rutles
The power of dreams and Carl Jung as an artist
Shaun’s comedic dreams, including a Seinfeld episode, and Pilleater’s dream sequence in his Novella “Trip”
Surreal humour; Tim and Eric and Sam Hyde’s Million Dollar Extreme
Occult Mysticism in the Wizard of Oz, Alice and Wonderland, Better Call Saul, and Mad Men
Josh Simmons introduces The White Rhinoceros
The power of Psychedelic drugs; out of body and other worldly experiences
Pop Art inspired by Corporate logos by Whale Song Partridge
The Temple Doctrine; “Fun is the Law”
David Cassidy’s reaction to the Partridge Family Temple


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Filmmaker and Author Pablo D’Stair

aesthetics, Bret Easton Ellis, Cinema, Comic Books, Culture, Enter The Void, Film, Film Noire, horror, Literature, Pablo D'Stair, Paul Schrader, Pilleater, Poetry, Psychology, Robert Bresson, Science Fiction, Scott Laudati, Surrealism, Taxi Driver, The Canyons

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to author and filmmaker Pablo D’Stair. He is the author of sixty books of fiction, twenty-four plays/screenplays, five collections of poetry, and numerous essays and dialogues. A former contributor of cinema critique/commentary for the UK film site BRWC: Battle Royale With Cheese and of fiction, interview, and essay for the Montage: Cultural Paradigm (Sri Lanka), he is also the writer/director of six (very underground) films and the co-founder of the art-house press KUBOA . More information can be found at pdstair.wordpress.com and pdstairfilms.wordpress.com. Check out his films on Vimeo.

Topics:

Pablo’s work as an associate producer on the film The Canyons directed by Paul Schrader and written by Bret Easton Ellis
Early influences including Robert Bresson who was also an influence on Schrader
Pablo’s first film A Public Ransom about an author who stumbles across a crayon-scribbled missing child poster with a scrawled telephone number
Pablo’s film Mississippy Missippi Tu-Polo which is about a young indie author who is no longer young and “indie”
The band Left By Snakes who have done music for Pablo’s films, and he has also worked on their music videos
Pablo’s film Science Fiction about Five unknown, unread, and well-past-their-prime science fiction authors grappling with obscurity, infinity, and obsolescence
Pablo’s recent film Mr Pickpocket about two young boys drawing a comic about their dad being a Pickpocket
Pablo’s cinematography style; long shots and techniques to make films look grittier and older
Pablo’s films are about implications and invoking feelings rather then plot driven
Comparing being a writer to being a filmmaker
The Alt-Lit Genre
The Art for the book covers which are designed by both Pablo and his friend artist Goodloe Byron
KUBOA Press and Pablo’s criteria for selecting writers
Pablo’s writing process and style, linear writing and writing from the perspective of one person’s perspective
Pablo’s latest novel LUCY JINX  which is an intimate epic, spanning eight years in the life (and innermost mind) of the titular poet as she navigates cities, jobs, ambitions, and friendships
Pablo’s book Dustjacket Flowers about a man loitering in the public library and the theme of perceiving reality
Pablo’s book Regard; the theme of life rendered in minute by minute physical description with only as much as psychological insight
Pablo’s set of novellas The Unburied Man and The People Who Use Room Five; Life Cycle Horror
Pablo’s Noire novel man standing behind which is being adapted into a film


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jack Ravenwood

1980's, 1990's, aesthetics, Anime, Architecture, Art, Asia, Asian Aryanism, Beatniks, capitalism, China, Cinema, Cities, Class, College, conformity, Conservatives, Consumerism, Culture, Cyberpunk, Deconstruction, Donald Trump, Economics, education, Film, Free Trade, Ghost in a Shell, Globalization, History, Hong Kong, Immigration, Jack Kerouac, Jack Ravenwood, Japan, Japanese Culture, Jean Baudrillard, Las Vegas, Literature, Martin Heidegger, Mid-Century Modern, Neoliberalism, Neon, New York, Paradise Theater, Philosophy, Pilleater, Robert Brenner, Ross Perot, Shenzhen, Skyscrapers, SWPL, Thomas Rinaldi, Time Square, Trans-Pacific Partnership, Urbanism, Wisconsin

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jack Ravenwood. He is the author of Paradise Theater, a collection of short stories centered around the theme of the post-industrial American small city. He is also the main writer at Mean Street Cinema, a website dedicated to films from New York City in the 70’s and 80’s, as well as the co-founder of little ape press. He blogs at Foreigner Thoughts

Topics:

The setting of the book Paradise Theater in Jack’s home town West Allis, Wisconsin in the 1980’s and early 90’s
The Paradise Theatre movie house which the book was named for and featured on the cover
The Fairview Motors Sign which is featured on the back of the book; Mid-Century Road Signage
The cultural, political, and economic themes in the book
Allis-Chalmers closing in West Allis and the de-industrialization of the Midwest
Ross Perot’s campaign in 1992 against NAFTA, and Trump campaigning on trade issues
Jack’s Unz Review article Trump, JFK, and the Deep State
National Review Writer: Working-Class Communities ‘Deserve To Die
How the best case scenario for the US would be to carve out a niche in high end manufacturing that caters to China’s growing middle class
Jack’s new home Shenzhen, China which is a manufacturing power house, and new mega city built from scratch
Jack’s Mean Street Cinema site, his interest in Vintage New York City, and Robert Stark’s interviews with Thomas Rinaldi about New York Neon and Robert Brenner about his Time Square Tours
Jack’s observations about Hong Kong Neon and how Hong Kong Is Slowly Dimming Its Neon Glow
Jack’s future plan to document Neon in Hong Kong in either a book or blog
The culture of Hong Kong as a bridge between the east and west and it’s “relative autonomy”
Vertical living and how it is the norm for urban China for all classes
High density living isn’t inherently bad but it is necessary to have a high quality of culture to sustain it
Jack Kerouac’s The Town and the City
Conformity in Asian culture; authentic Asian culture vs. SWPL larping
Chinese Philosophy; the Tao Te Ching
The evolution of Western Philosophy; Deconstruction and selective deconstruction
Jean Baudrillard and the simulation


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews J. David Spurlock about Margaret Brundage

aesthetics, Anarchism, Art, Black Culture, censorship, Chicago, Comic Books, Conan the Barbarian, counterculture, Culture, Economics, Erotica, Frank Frazetta, H.P. Lovecraft, History, J. David Spurlock, Labor Movement, Leftism, Literature, Margaret Brundage, Media, Paul Robeson, Pilleater, Pulps, Science Fiction, Sexuality, Socialism, Walt Disney

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to J. David Spurlock about his book The Alluring Art of Margaret Brundage. He is an award-winning author, historian, educator, advocate for artists’ rights, documentary filmmaker, and editor of Vanguard Productions.

Topics:

Background as a comic artist and his shift from comics to books on the careers of artist including AL WILLIAMSON SKETCHBOOK
Teaching art at The University of Texas at Arlington, the Joe Kubert School for Comic Art, and the School of Visual Arts in New York
The Alluring Art of Margaret Brundage: Queen of Pulp Pin-Up Art
First Fandom, the early science fiction community
The Pulp Genre which predates comics
The Pulp Magazine Weird Tales, which published Brundage’s work as well as other artist including H.P. Lovecraft
PAINTINGS OF J ALLEN ST JOHN PB: Grand Master of Fantasy
How Brundage was a very mysterious figure and there was very little known about her
J. David Spurlock’s journey investigating Brundage’s life and interviewing the few people left who knew her
Her husband Slim Brundage who was a leftist radical
Their protest against WWI which was illegal at the time
The Bughouse Square Debates and the Dil Pickle Club in Chicago
Hobo culture and involvement with the Wobblies (Industrial Workers of the World)
Censorship, controversies about the sexual nature of Brundage’s art, and rumors spread about her
How there were hardly any women illustrating pulps at the time
The Chicago Black Renaissance
The Federal Government’s work program for opening art centers and the South Side Community Art Center which is the only surviving one
The effects of McCarthyism on Brundage and her friendship with Paul Robeson
J David Spurlock’s point that things Brundage was considered a radical for are things we take for granted today
Brundage’s connection to Walk Disney
MTV’s review of the book stating “her story could be the basis for a great Hollywood film” and The Village Voice naming it one of the best graphic novels of 2013
Science Fiction artist Frank Frazetta and Conan the Barbarian
J David Spurlock’s pilot for a reality show called “Franzetta Girls”


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews New Retro Wave Artist Absolute Valentine

1980's, 1990's, 80's music, 90's music, Absolute Valentine, aesthetics, Akira, Andy Fox, Anime, Art, Cinema, Culture, Cyberpunk, Daft Punk, David Lynch, Depeche Mode, Film, France, Ghost in a Shell, horror, horror films, Italo Disco, John Carpenter, Kavinsky, Music, Neon, New Retro Wave, Pilleater, Synthwave, The Summoner, Vaporwave

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to French New Retro Wave Artist Absolute Valentine(Bandcamp Site). He is also a manager for Lazerdiscs Records. Check out his SoundCloud, YouTube, and Facebook Page.

Topics:

Intro Song: Bad News from the Police Heartbreaker album
Music background, learning piano as a kid, playing guitar in a metal band, and early electronic work
Influences ranging from Bach, Kavinsky, and Vangelis; similarities between Synthwave and Classical Music
The New Retro Wave genre
Producing music for Lazerdiscs Records and Drive Radio
The Darkwave genre
The Police Heartbreaker album
The Sunset Love album
The American Nightmare album inspired by Horror Films
The album cover designs, Cyperbunk influence, and the color pallet
Anime, Akira, and Ghost in a Shell
The Film Drive
John Carpenter’s Film Soundtracks
Daft Punk and 90’s French House Music
French 80’s music; Space Disco
The upcoming New Retro Wave horror film The Summoner which Absolute Valentine will do a track for
The Roland TR-7, other Synths, and the process of layering Synths
The importance of the intro and outro in Synth Music
The moniker Absolute Valentine
Upcoming Albums, Tracks, and live performances
Outro: She’s a Dancer from the Sunset Love Album


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This show is brought to you by Robert Stark’s Paintings!




Thomas Rinaldi returns to talk about Neon

1960's, 1980's, aesthetics, Architecture, Argentina, Art, Art Deco, Asia, Blade Runner, Buenos Aires, Cities, Consumerism, Corporations, Culture, Economics, Futurism, gentrification, Historic Preservation, History, Hong Kong, Las Vegas, London, Los Angeles, Mid-Century Modern, Neon, New York, Philadelphia, Pilleater, Retro Futurism, Robert Brenner, San Francisco, Thomas Rinaldi, Time Square, Travel, Urbanism, Wildwood New Jersey

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to returning guest Thomas Rinaldi. He is the author of New York Neon and blogs at nyneon.blogspot.com

Topics:

Thomas’s Tours of West Village’s Vintage Neon Signs, his Greenwich Village Neon Walking Tour, and how those areas have the highest concentration of surviving Neon in New York City
Thomas’s observation that Neon has declined in both corporate chain dominated, as well as lower income communities
How ironically in the 60’s Neon was synonymous with commercialization(ex. Simon & Garfunkel’s The Sound of Silence)
The association of Neon with 80’s Retro-Futurism(ex. Retrowave, Club NEON) and the irony that Neon hit rock bottom in the 80’s
The decline of Neon in Time Square, Robert Brenner’s Gritty Old Time Square Tours, and the few remnents including the West 43rd Garage and the McDonalds from the 80’s
Lights Out 2016: Signs We Lost That Year
The Colgate Clock in Jersey City, which has been LED’ed
Clock Towers Signs in New York including the Paramount Theatre, the Consolidated Edison Building, the Met Life Tower, and the Williamsburgh Savings Bank Tower
Soviet Neon Stars at the Kremlin and Neon in Communist Cuba
Williamsburg’s Domino Sugar Refinery redevelopment; the outlawing of waterfront signs in New York City
The C & H factory Sign in Crockett, California
Ghirardelli Square in San Francisco as one of the best examples of a renovated former industrial site
Georges Claude, the father of the commercialization of Neon
The popularity of Signs Inside
Fake Neon
Animated Neon Signs, the peak in the 50’s, and San Francisco’s “Coca~Cola” Sign
Bulb Signs which were proliferate in the 1920’s, and Robert’s observation that they were also popular with 90’s era Las Vegas Casinos
Wildwood, New Jersey Neon
Mid Century Road Signage; Route 66
Downtown LA; The LA Museum Of Neon Art
Neon in Buenos Aires, Argentina; The Art Deco Kavanagh building and Estadio Luna Park
Thomas’s observations from Stockholm and Amsterdam
How Neon is declining in both Mega Cities such as New York and London as well as the poorest cities in the developing world
Hong Kong Is Slowly Dimming Its Neon Glow


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jay Dyer about Esoteric Hollywood

1980's, aesthetics, Aleister Crowley, Alicia Silverstone, Blade Runner, Carl Jung, Cinema, Conspiracy Theories, Culture, Dark City, David Bowie, David Lynch, Drugs, Dune, Enter The Void, Esoteric Hollywood, Eyes Wide Shut, Film, Film Noire, Hellraiser, Hollywood, horror, horror films, Jay Dyer, John Carpenter, Labyrinth, Literature, Media, Metropolis, Mythology, Natalie Portman, Occultism, Pilleater, Psychology, Religion, Surrealism, The Dark Crystal, They Live, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer. He reviews films at his blog Jay’s Analysis and is the author of Esoteric Hollywood.

Topics:

The entertainment complex and deciphering propaganda
The power of cinematography and aesthetics in film
How computer generated special effects have impacted the quality of cinema
The concept of the Hollywood establishment and speculations about which filmmakers and films are anti-establishment
Why Jay focuses on the symbolism of the films rather then trying to analyse the director’s motive
Stanley Kubrick’s Eyes Wide Shut
David Lynch’s Dune, Eraserhead, Inland Empire, and Lost Highway
Surrealism, Neo-noir, and the David Lynch aesthetic
Jay’s review of David Lynch’s Twin Peaks and Mark Frost’s book The Secret History of Twin Peaks
The Ancient Greek concept of time  being a never ending repeat
The Folk Horror Genre; The Devil Rides Out
Blade Runner
Dark City
Enter the Void
The Dark Crystal
The film Labyrinth, the Jungian achetype of the Labyrinth as the subconscious, and the Labyrinth in Ancient Mythology
The Labyrinth theme in The Shining and Hellbound: Hellraiser II
The symbolism of basements as the subconscious in the films House II and The Hole
The Esoteric Meaning of Time Bandits and the significance of the abyss
Robert Stark’s show about Alicia Silverstone and The Film The Babysitter
Natalie Portman in Léon: The Professional
John Carpenter’s They Live! and Big Trouble in Little China
Jay’s upcoming TV Show with Jay Weidner, which will be aired online at www.Gaia.com


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This show is brought to you by Robert Stark’s Paintings!