Category Archives: Cinema

Robert Stark interviews Professor Darrell Hamamoto

Darrell Hamamoto

 

 

 

 

 

 

 

Robert Stark and Co-host Alex von Goldstein talk to Darrell Hamamoto, Professor of Asian American Studies at the University of California, Davis.

Topics include:

How Professor Hamamoto started out in Ethnic Studies and later became disillusioned with it
How Asian Studies, other Ethnic Studies, as well as Women’s Studies are backed by corporate and financial interest
His experiences with censorship at UC Davis
The elite’s support for mass immigration, starting with the Immigration and Nationality Act of 1965  to the H-1B visa program
His book Servitors of Empire: Studies in the Dark Side of Asian America
His pornographic film Skin on Skin, which starred all Asian American actors, which addressed the exclusion of Asian American males from Porn
Hollywood’s portrayal of Asians and his book Countervisions: Asian American Film Criticism
The importance of creating independent media
Yukio Mishima, his life, and legacy, and his opposition to the Americanization of Japan
Whether Asian Americans will become an elite in America or serve as a buffer between the White Elite and White Middle Class
The relationship between Japanese Americans and post 1965 Asian immigration
The 1960’s Counter-Culture
His upcoming panel at UC Berkeley on Asians and Film

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Part I: Interview with James O’Meara about Green Nazis in Space

Green Nazis in Space

 

 

 

 

 

 

 

 

 

 

Robert Stark, Rabbit, & Alex von Goldstein talk to James  O’Meara about his new book Green Nazis in Space  published by Counter-Currents Publishing. James O’Meara is also the author of The Homo and the NegroThe Eldritch Evola and Others, and End of an Era: Mad Men and the Ordeal of Civility

Topics include:
The Rise & Fall of the Männerbund in Pre-War American Pop Culture
Jeffrey P. Dennis’s We Boys Together: Teenagers in Love Before Girl-Craziness
Changing depictions of masculinity in film and how male bonding has become equated with homosexuality
“That’s so 80’s”
Depictions of road trips in film such as National Lampoon’s Vacation, and it’s decline
Depictions of the future in film
Reflections on Sartorial Fascism and the decline of male fashion
Michel Houellebecq’s anti-sexual utopia
Thoughts on Islam, and how the Arab and Islamic world once produced great culture but has been corrupted by Oil Rich Gulf State Wahhabis
“The Gilmore Girls Occupy Wall Street” and James Howard Kunstler
Steve Sailer’s article on Boulder, Colorado about liberal white utopias
The Old Gay House: James’s review of A Passion to Preserve: Gay Men as Keepers of Culture


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Robert Stark interviews Thomas Rinaldi about New York Neon

NY NEON Cover_r2_Final.indd

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Rabbit talk to Thomas Rinaldi. He is the author of New York Neon and blogs at  nyneon.blogspot.com

Topics include:

How Thomas got interested in Neon growing up, and how he noticed it’s decline
His project charting and photographing existing  Neon Signs before they disappear
The History of Neon, how it was invented in Victorian England in 1898, and latter made into signs by French Scientist Georges Claude
How the peak of Neon was in the late 1920’s and  30’s(Art Deco Era), but already started to see a decline in the 40’s
How Neon was originally used by Corporate chains but latter delegated to small businesses
Churches & Neon
How Neon  was originally seen as glamorous but latter became associated with seediness
Neon in Cinema, contrasting Dick Powell’s  glamorous Gold Diggers Of 1933 – The Shadow Waltz and his 1944 detective film Murder, My Sweet, which depicts Neon as seedy
The 1946 film It’s a Wonderful Life which also uses Neon to depict seediness
Hotel Neon Signs and and Hotel Neon in the Film Noire Genre
Neon in future films including the utopian 1927 film Metropolis and the dystopian 1982 film BLADE RUNNER
Incandescent Bulb Signs
The history, decline and revitalization of Time Square, and how there are very few Neon Signs left
How Neon has become replaced by LED Signs
The myth that Neon signs are not eco friendly
Historic preservation issues regarding Neon Signs
New Neon Signs designed in the Vintage style
Neon in San Francisco and the book San Francisco Neon
Las Vegas, how newer casino’s have rejected Neon, and how older signs are preserved at the Neon Museum
The popularity of Neon in Asian cities
How there is a renewed interest in Neon
Artist who depict Neon in their work including Robert Stark
Neon in 1960s Pop Art
The importance of patronizing businesses that have Neon Signs

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Robert Stark talks to Charles Lincoln & Robert Lindsay about LA, the 1980’s, & Blade Runner

FTRH
BR

 

 

 

 

 

 

 

 

 

 

This is a continuation of the discussion on True Stories

Topics include:

The demographic transformation of Southern California
Robert Lindsay’s experience as a substitute teacher
Beverly Hills
The Film Fast Times at Ridgemont High set in the San Fernando Valley in the early 80’s
The depiction of adolescent sexuality in the film
How in the 70’s and early 80’s hedonism existed with less materialism and higher social trust than today
How the rise in hyper materialism coincided with the popularity of Reagan
How Robert Lindsay was involved with the Punk scene in the 80’s
The Film Earth Girls Must be Easy
The Porn Industry in the San Fernando Valley
Southern California Mall Culture
How the decline of traditional Mall Culture symbolizes how all of society is becoming one giant mall
How strip malls in LA are being replaced by higher density development
The debate about density and Urbanism
Mexican Culture vs. Mexican American Culture in California
The Film Blade Runner which is set in LA in 2019
Whether Blade Runner is an accurate depiction of the future
The genre of Dystopian Future Films(ex.Hunger Games, V for Vendetta, Mad Max)
NEON SIGNS OF BLADE RUNNER
The Film “Her” which depicts the future of LA as an eco friendly SWPL utopia
The decline in the quality of products

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Robert Stark interviews Charles Lincoln about True Stories

CEL-TS

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark interviews Charles Lincoln about True Stories which is a 1986 American film that spans the genres of musical, art, and comedy, directed by and starring David Byrne of the band Talking Heads. It co-stars John Goodman, Swoosie Kurtz, and Spalding Gray. Byrne has described the film as, “A project with songs based on true stories from tabloid newspapers. It’s like 60 Minutes on acid.” Robert Lindsay also joins in on the conversation

Topics include:

The setting of the film, a small fictional town on the outskirts of Dallas, Texas that is undergoing change
How the town in the film is celebrating the 150th anniversary of Texan independence
Charles Lincoln’s personal connection to Dallas
How the film shows both the old America and the New and how that is symbolic of America in the 1980’s
The depiction of diversity in the film
The Conspiracy Theorist Preacher in the film
The depiction of crass materialism and how the culture of the 80’s was more upfront than today’s  hybrid of materialism and social justice
The marginalization of highbrow culture(ex. scene in the film depicting a janitor singing opera
Emile Durkheim’s theory on anomie,  which is the breakdown of social bonds between an individual and the community
The music in the film by the Talking Heads
Ronald Reagan and how Charles Lincoln opposes Reagan from a traditionalist standpoint and Robert Lindsay from an Alternative Left standpoint
How Reagan’s credit policy encouraged suburban sprawl, which is depicted in the film

 


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Robert Stark interviews Charles Lincoln about A Girl Walks Home Alone at Night

CELAGWHAN

 

 

 

 

 

 

 

 

 

A Girl Walks Home Alone at Night  is an Iranian American film directed by Ana Lily Amirpour. It has been described as “The first Iranian vampire Western.”

Topics Include:

The theme and role of the Vampire in Culture and Mythology
The Vampire as a predatory Aristocrat such as Bram Stoker’s DraculaThe Vampire as an Alien or Foreigner
The Buffy the Vampire Series which depicts Vampires as a subhuman criminal underclass
The setting of the film, which is a fictional Iranian ghost-town called Bad City, a place that reeks of death and loneliness, and was filmed in Taft, California
How Power exist outside known Government structures in the film
The Vampire Protagonist as an enforcer of morality
The Iranian Cultural influence in the Film


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