Category Archives: Marquis de Sade

Robert Stark interviews Matthew Pegas about The Alt Center & Neon Nationalism

July 17, 20181980's, 80's music, aesthetics, Alicia Silverstone, Alt Center, Alternative Left, Alternative Right, American Culture, Archeofuturism, Architecture, Aristocratic Individualism, Art, Asian Aryanism, Asian Culture, Blast From The Past, Brandon Adamson, California, capitalism, Cinema, Cities, Class, Clueless, Conservatives, counterculture, Culture, demographics, Economics, Erotica, Europe, Fast Times at Ridgemont High, Film, Francis Nally, Futurism, Globalization, History, Homosexuality, Identitarianism, Immigration, income inequality, James O'Meara, Jamie Stewart, Journey to Vapor Island, Lasse Nielsen, Leftism, Liberalism, Los Angeles, Marquis de Sade, Matthew Pegas, Mid-Century Modern, Middle Class, Mishima A Life in Four Chapters, Morality, Music, Nationalism, Neon, Nietzsche, Nudism, Oligarchy, Philosophy, Photography, Pilleater, Politics, Postmodernism, Radical Center, Retro Futurism, Sexuality, Social Isolation, Suburbia, SWPL, Synthwave, Urbanism, Utopia, Will McBride, Xiu Xiu, Yukio Mishimarobertstark

Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty

Topics:

How Matthew discovered the Stark Truth via the interview with Jamie Stewart from Xiu Xiu
Matthew’s political transformation from a Leftist to a “Starkian” Alt-Centrist
The connection between politics, sexuality, and aesthetics
Beyond Liberalism: A Political New Wave
Neonationalism; nationalism and politics based on aesthetics
Creating an Archeo-Futuristic sub-culture that is so aesthetically pleasing that it can out-compete Liberal-Universalism and Global Capitalism
Architecture as a form of erotica
The Alt-Of-Center Guide To Aesthetic Warfare
The phenomenon of progressive cultural interests gaining an identitarian consciousness
The scene as the inevitable result of urban, middle to upper class “SWPL’s” becoming “Red Pilled”
The Idea of Homonationalism
San Fernando Valley Photo Essay and Neon Signage on Ventura Blvd
Income inequality and the demographic transformation of The Valley and LA

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island

Left of The Alt-Right Round Table Discussion Part I

July 12, 20181970's, 1980's, 80's music, aesthetics, Alicia Silverstone, Alt Center, Alternative Left, Alternative Right, American Culture, Archeofuturism, Architecture, Art, Ashley Messinger, Beatniks, Bernie Sanders, Brandon Adamson, capitalism, Catholicism, Christianity, Classical Liberalism, Conspiracy Theories, Constantin von Hoffmeister, counterculture, Culture, David Hamilton, democracy, demographics, Depravity, Donald Trump, Economics, England, Environment, Erotica, Europe, Feminism, Futurism, Gender, Germany, hedonism, Homosexuality, Immigration, income inequality, Leftism, Liberal Race Realism, Liberalism, Marquis de Sade, Mass Democracy, Morality, Music, Nationalism, New Retro Wave, Nudism, Oligarchy, Philosophy, Political Correctness, Politics, Pornography, Prince of Queens, Religion, Retro Futurism, Robert Lindsay, Ryan Englund, Salò, Sexuality, Social Justice Warriors, Steampunk, SWPL, Synthwave, The Crush, The Enlightenment, Traditionalism, Transhumanismrobertstark

Robert Stark, Brandon Adamson, Ashley Messinger, and Constantin von Hoffmeister discuss the political scene known as the Alt Left, Left Wing of the Alt Right, or Alt-Center.

Topics:

Robert Lindsay as the founder of the Alt-Left, his past project Liberal Race Realism, and his decision to focus on Left Wing Economics rather than demographics
How the Alt-Left that emerged from Robert Lindsay became an economically Leftist parallel to the Alt-Lite
Brandon’s Left Wing of the Alt-Right and his manifesto A Clockwork Greenshirt
The collapse of the Alt-Right and how the election of Trump caused friction between those two factions
The Left Wing of the Alt Right as Social Nationalism without the Radical Traditionalism and Social Conservatism
The implicit Whiteness of Progressive causes such Environmentalism, New Urbanism, and Transhumanism
The Elites promotion of mass immigration
The failure of Mass Democracy
The close minded cultural mentality of the Right Wing
Retro Futurism; Steampunk, Deco Punk, and 70’s and 80’s Retro Futurism
Creating a movement of artist
Positive vs. Negative Degeneracy
Constantin’s Degenerate Poetry inspired by the Beatniks
America and the Anglo-sphere’s puritanical hangups(ex. opposition to nudity, SJW’s, and sexual harassment hysteria)

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island

Jamie Stewart from Xiu Xiu returns to talk about his album Forget & Twin Peaks

September 16, 2017 Angelo Badalamenti, 1980's, 80's music, Alt Center, Alternative Right, Animal Cruelty, animals, Art, Australia, capitalism, censorship, counterculture, Culture, David Lynch, David Thrussell, Depeche Mode, Donald Trump, Drugs, Environment, Erasure, Haarlem Venison, Homosexuality, Jamie Stewart, Los Angeles, Marquis de Sade, Martin Heidegger, Marxism, Music, Nihilism, Occultism, Pearls Before Swine, Peter Sotos, Philosophy, Pilleater, Radical Center, Richard Wolstencroft, Sexuality, Snog, Socialism, Twin Peaks, Xiu Xiurobertstark

Robert Stark, Pilleater, Haarlem Venison, and filmmaker Richard Wolstencroft talk to musician Jamie Stewart from Xiu Xiu.

Topics include:

Intro: Xiu Xiu – Queen of the Losers
Xiu Xiu’s album- FORGET
The new Twin Peaks and the show’s finale
Xiu Xiu – Plays The Music of Twin Peaks
Performing at a David Lynch exhibit in Australia
The soundtrack of the new Twin Peaks
Richard’s Xiu Xiu story
Influence from 80’s synth; Depeche Mode, Erasure and Jamie’s cover of Erasure
How music in the 21st Century has become stagnant
Music revenue in the internet era and the importance of live performances
Apocalypse Culture; Peter Sotos
The Gay Marriage vote in Australia
Jamie denounces the Alt-Right
Jamie’s hometown LA and how the city has changed
Animal Rights
Jamie as a pessimistic nihilistic hippie
After Jamie leaves Richard discusses his political and cultural views and his films including Pearls before Swine and his upcoming film The Second Coming Volume II
Richard’s Melbourne Underground Film Festival

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This show is brought to you by Robert Stark’s Paintings!

Robert Stark talks to Pilleater about Kaze to Ki no Uta, Avant Garde Art, & Philosophy

January 22, 20171970's, 1980's, aesthetics, alienation, Alternative Left, Alternative Right, Anime, Aristocratic Individualism, Art, Art Nouveau, Asia, Asian Aryanism, Asian Culture, Aspergers Syndrome, censorship, Cinema, conformity, counterculture, Culture, David Hamilton, Erotica, Europe, Fascism, Film, France, Gender, Homosexuality, Japan, Japanese Culture, Jock Sturges, Kaze to Ki no Uta, Lasse Nielsen, Love, Marquis de Sade, Mineo Maya, Morality, Normies, Patalliro!, Peter Sotos, Philosophy, Photography, Pilleater, Pornography, Psychology, Sexuality, Surrealism, Utopia, Will McBride, Yukio Mishimarobertstark

Robert Stark and Pilleater talk about the manga and anime, Kaze to Ki no Uta (The Poem of the Wind and the Trees) and themes of sexuality compared to other works of experimental art.

Topics:

Pilleater’s The Poem of The Wind and Trees Documentary
The setting of Kaze to Ki no Uta at a boarding school in Provence, France in the late 19th century
The aesthetic of the film, the Art Nouveau influence, and the Japanese interpretation of the 19th Century European Aesthetic
The art of Mineo Maya, and Patalliro’s “queer” Asian Aryan Aesthetic in contrast with Kaze to Ki nu Uta’s artistocratic one
Sexuality in Anime, the Yaoi and Shōnen-ai genres of manga, it’s controversial themes of crossdressing, homosexuality, and youth, and the large female fan base of the genre
Youth and Sexuality, capturing innocence in art, and adults longing for eternal youth
Japanese vs. Western attitudes toward sexuality and art
Other controversial yaoi’s, Okane Ga Nai (No Money) and Henshin Dekinai
Fascist themes in Manga
Japanese erotic art, Hajime Sorayama‘s robot erotica, Namio Harukawa‘s dominatrix, and controversial photographer Garo Aida
The Debate about what is Art and what is Erotica, degenerate art vs. ethically pleasing innocent art, photographer David Hamilton
Yukio Mishima’s Madame de Sade and Confessions of a Mask
The Amazing Panda Adventure, an Asian Aryan Love Story
Lasse Nielsen’s films You Are Not Alone, and Could We Maybe, as a European version of the Yaoi genre
Peter Sotos’ Selfish, Little, and photographer Will McBride
Why the 70’s and 80’s were a unique era in producing Avant Garde Art
The Left Wing of the Alt-Right
The Männerbund
Art and Aesthetics as a way to create a vision for a utopian society
Aristocratic Individualism, and how being a product of post modernism can allow one the freedom to start over from scratch, and come up with ones own utopian vision
How institutions such schools, corporations, and the media manipulate psychosocial values, and the pressure to conform to “normie” values

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Check out Robert Stark’s Paintings!

Robert Stark and Pilleater talk about the Film Salò

November 23, 2016"Sade", aesthetics, Alternative Left, Anarchism, Art, Catholicism, censorship, Cinema, Culture, David Hamilton, Erotica, Fascism, Film, Freedom of Speech, Gender, Harmony Korine, History, Homosexuality, horror, horror films, Italy, James O'Meara, Jock Sturges, Jonathan Bowden, Larry Clark, Lasse Nielsen, Literature, Marquis de Sade, Morality, Music, Nihilism, Paolo Pasolini, pedophilia, Peter Sotos, Philosophy, Photography, Pilleater, Pornography, Psychology, rape, relationships, Religion, Sadism, sadomasochism, Salò, Serial Killers, sex offender laws, Sexuality, Will McBriderobertstark

Robert Stark and Pilleater talk about the film Salò, or the 120 Days of Sodom, directed by Pier Paolo Pasolini

Topics include:

The film was based on the book 120 Days of Sodom, written in 1785 by the Marquis de Sade, and was even more extreme than the film
De Sade’s nihilistic anarchic philosophy towards sex, in contrast with today’s society, which has replaced traditional morality with new moral codes rather than De Sade’s libertinism
How each generation tries to shock their elders, and how de Sade,’s work is shocking even by today’s standards
The book Sade by Jonathan Bowden
Kerry Bolton’s book The Psychotic Left
Ian Brady’s The Gates of Janus: Serial Killing and Its Analysis
Censorship, Sade’s imprisonment for his writings, and the banning of the film in Australia
Author Peter Sotos, who has been compared to de Sade, and also prosecuted for obscenities
Photographer Will McBride, who Sotos has written about, the censorship of his Sex Ed book Show Me!, his art book Coming of Age, and Lasse Nielsen’s films
The theme of adolescent sexuality, innocence, and the desecration innocence
Avant Garde filmmakers Harmony Korine, Larry Clark, Kenneth Anger, and Nagisa Oshima
Larry Clark’s film Kids
Brooke Shields in the film Pretty Baby
The portrayal and theme of Fascism in the film, and the line “the fascist are the true anarchist.”
Pasolini’s political and cultural views, and his Catholic Paganism
Pasolini’s homosexuality, his love affair with teenage Ninetto Davoli, who was in Salò, and depictions of homo eroticism in the film
Race play in sex, the Nazi S&M Film The Night Porter, and sado-masochist themes in films dealing with political and racial taboos
The film Hard Candy, which is Salò in reverse, but fits within the politically correct narrative
The dominant submissive paradigm in human sexuality
Eli Roth’s torture porn Hostel series
How we have become detached from violence and death in real life, and seek it out in film
The theme of sex as power
The other worldly transcendental aspect to sex

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Check out Robert Stark’s Paintings!

Robert Stark interviews Richard Wolstencroft

August 21, 2016aesthetics, Alex von Goldstein, Alternative Right, Australia, Boyd Rice, capitalism, censorship, Cinema, Coen Brothers, Cultural Marxism, Culture, Donald Trump, Economics, Environment, Erotica, Fascism, Film, Futurism, Globalization, Homosexuality, horror, horror films, Immigration, Islam, Leftism, Marquis de Sade, Nationalism, Oligarchy, Overpopulation, Pearls Before Swine, Philosophy, Political Parties, Politics, Pornography, Psychology, Radical Center, Richard Wolstencroft, Sadism, sadomasochism, Salò, Science Fiction, Sexuality, Social Darwinism, Socialism, Sociopaths, Transgender, Wealthrobertstark

Robert stark and co-host Alex von Goldstein interview Richard Wolstencroft. Richard is a filmmaker, writer, events promoter, and founder and festival Director of the Melbourne Underground Film Festival. Check out his articles at Alternative Right

Topics include:

Richard’s film Pearls Before Swine(Watch here)
The actor and musician Boyd Rice who stars in Pearls Before Swine
The theme of fascism, power, and sadomasochism in the film
Influences on the film include A Clockwork Orange, American Psycho, and Salò, which also deals with the themes of fascism and sadomasochism, and was temporarily banned in Australia
Richard’s horror film Bloodlust
Censorship and Film in Australia
The BDSM Hellfire Club which Richard owned
The psychology and philosophy of sadomasochism, and how it relates to politics(Master–slave dialectic)
Social Darwinism
How culture is a more effective way to be subversive than through politics
Richards Theory of Transcendental Fascism
Richard’s political views, and his interest in the Alternative Right and Nationalism
Richard’s point that the left and right should unite against the globalist 1%(ex. the left should agree to be more anti-immigration, and the right more socialist)
The theory that psychopaths evolve through evolution to deal with overpopulation
The film HIGH-RISE based on the book by British writer J.G. Ballard
The film “HAIL, CAESAR!” BY THE COEN BROTHERS
Aesthetics in Film
Richard’s new film The Second Coming
Richard’s porn documentary THE LAST DAYS OF JOE BLOW