Category Archives: Asia

Robert Stark interviews Pilleater about Music & Manga

1980's, 80's music, 90's music, aesthetics, Akira, Alex von Goldstein, Alternative Left, Anime, Architecture, Art, Asia, Asian Aryanism, Asian Culture, Cinema, Cities, counterculture, Culture, Erotica, Film, Futurism, Gender, Homosexuality, Italo Disco, Japan, Japanese Culture, Multiculturalism, Music, Neon, Patalliro!, Pepe the Frog, Peter Sotos, Pilleater, Pornography, Race Relations, Retro Futurism, Science Fiction, Synthwave, Vaporwave, William Gibson

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Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudios, pso119, and kingtrode.

Topics include:

The intro song, pissedoffindianman by Pilleater , which features clips of Jared Taylor
Jared Taylor’s Shadows of the Rising Sun: A Critical View of the Japanese Miracle(1983)
How Pilleater was exposed to electronic music at a young age, and became a Chiptune musician at age 16 as DJ Qudo
Latter on Pilleater got into Noise music, such as Whitehouse, and Digital hardcore bands, such as Atari Teenage Riot, and KMFDM, who are controversial due to the Columbine Shooters
Oneohtrix Point Never, who was the forerunner to Vaporwave
Japanese Pornography similar to what you might see at websites such as teeni, and Pilleater’s point that it has a nationalist communal nature
The Ganguro culture in Japan, where girls tan their skin and bleach their hair, and is common in porn
Pilleater’s favorite music genre Eurobeat from the 90’s, it’s popularity in Japan, his favorite artist Bratt Sinclaire, Sinclaire’s song Running in the 90’s, and it’s origins from Italo disco from the 80’s
Generic Euro Dance(ex. Aqua and Dj Sammy)
The Italo disco song Shadilay, which came out in the 80’s by a band P.E.P.E with a frog on it’s album cover, and it’s esoteric Lyrics
Examples of Italo Disco include the global sensation Baltimora’s Tarzan Boy, and Pilleaters favorites, BRIAN ICE – Talking to the night, Eddy Huntington – Up And Down, and Lama – Love on the rocks
The New Retro Wave Genre of music that emerged in the mid 2000’s, inspired by 80’s New Wave and Italo Disco(ex. FM Attack, Lifelike – So Electric, Electric Youth, College, Kavinsky)
The French House band Daft Punk and their use of anime
Chicago house music
Vaporwave, and it’s nostalgia for William Gibson’s Neuromancer’s Japan
William Gibson’s Idoru
The anime film Akira(1988), set in a post apocalyptic Japan, and how it’s influenced Vaporwave, Cyberpunk, and New Retro Wave
The manga Patalliro!, about a ten year old cross dressing king, it’s colorful Art Nouveau aesthetic, it’s influence from
H. P. Lovecraft, and it’s taboo themes
Asian Aryianism and whites living vicariously through Japanese culture
Themes of Asian Aryanism in The Legend of Zelda, which combines Japanese and Medieval European Aesthetics
Asian Aryan themes in Vaporwave with Roman busts and Japanese aesthetics
The minimalist Japanese vs. Chinese aesthetics
How each music genre has it’s own unique aesthetic
The Seapunk electronic genre, which uses Sega Genesis imagery(ex.UNICORN KID)
Dark wave, which is apocalyptic electronic music from Germany(ex. Project Pitchfork, and Dunkerwerk)
Betsy & Chris, the white Hawaiian folk music duo, who sang in fluent Japanese
Stereolab, which reminds Pilleater of Rabbit’s AltLeft
Why Alex thinks Michael Jackson is an Alt Left Icon
Sam Hyde and Tim & Eric on Adult Swim
Pilleater’s upcoming book, “Almond Eyes, Baby Face,” a collection of short stories on Asian Aryanism

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Robert Stark interviews Pilleater

Akira, alienation, Alternative Left, Alternative Right, Asia, Asian Aryanism, Asian Culture, China, Culture, Diversity, Feminism, Gender, Japan, Japanese Culture, Multiculturalism, Music, pedophilia, Peter Sotos, Philosophy, Pilleater, Race Relations, relationships, Sexuality, Social Media, Trolling, Yukio Mishima

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Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudios, pso119, and kingtrode.

Topics include:

Pilleater’s moniker Pilleater which is a reference to Dr. Mario and the film Akira, but can also be used to describe the pill memes
Pilleater’s interest in the social media site YTMND, and how he created the meme OH YEAH I’M MR KRABS
The the golden age of trolling and his trolling antics
Pilleater was a longtime fan of the Stark Truth show since he was in High school, and his point that it has become the “Alt Left Show”
Why Pilleater identifies with the Alt-Left, his three main principles are friends, family, and freedom, but rejects egalitarianism, and the new left
Pilleater’s essay The need for a revolution against nepotism, where he proposes an Alt-Left
Stuff White People Like
The book Evasion by CrimethInc
Pilleater’s Radix essay submission, which is a strange alter-ego story, and how the character represents all taboos
Peter Sotos
Pilleater’s concept of Asian Aryanism, and his interest in Asian culture and Asian girls
Pilleater’s point that Asian-Ayranism is radical because the WN’s, White Feminist, and the hapa Reddit scene hate it, and would be considered an Alt-Left position
Yukio Mishima


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Robert Stark talks about Mishima, Taxi Driver, & Aristocratic Individualism

1980's, aesthetics, alienation, Aristocratic Individualism, Art, Asia, Asian Culture, Cinema, conformity, Ellliot Rodger, Erotica, Fashion, Film, Futurism, Gender, Globalization, History, Hollywood, Homosexuality, Japan, Japanese Culture, Literature, Loserdom, Mishima A Life in Four Chapters, Music, Neon, New York, Nietzsche, Oscar Wilde, Paul Schrader, Philosophy, Pornography, Psychology, Retro Futurism, Sexuality, Social Isolation, Social Rejection, social status, Taxi Driver, Vaporwave, Yukio Mishima

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Robert Stark discusses the films Mishima: A Life in Four Chapters and Taxi Driver

Topics include:

Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. Tolkien, Aleister Crowley, Oscar Wilde, H. L. Mencken, David Lynch, Richard Wolstencroft, Salvador Dalí, Jonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting  against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City
New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave)
Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art
Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and  Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters

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Robert Stark interviews Haarlem Venison

Alex von Goldstein, alienation, Alternative Right, American Culture, Aristocratic Individualism, Asia, Asian Culture, conformity, counterculture, Culture, Drugs, Gangster Bolshevism, Haarlem Venison, Homosexuality, humor, misanthropy, Philosophy, Poetry, Political Correctness, Politics, Psychology, Race Relations, Radical Center, Sexuality, Travel, Trolling

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Robert Stark and co-host Alex von Goldstein interview Dramatist, Vagabond, HBD Doomsayer, Globalist, Universalist, Evolutionary Humanist, Panpsychist, Black Aryan, and Poet-Warrior, Haarlem Venison. Haarlem blogs at AcidRight.INFO

Topics include:

Haarlem’s book of poetry LO! a racist exhile
Robert’s observation that the book uses racial slurs, but the overall theme of the poems are not about race, but rather alienation and being an exile from society
Moral Risk Associated with Dismantling Antiracism
Co-opt Kindness and Empathy
Why Haarlem calls himself THE FINAL NEGRO
The Origin of Haarlem’s Addiction to Sex with Refugee Men
Haarlems’s shtick is to elude categorization
Gangster Bolshevism
The role of the meek in society, and why Haarlem believes the meek will inherit the earth
Haarlem’s travels across Europe and Asia, and his observations of the cultures and countries he visited
Haarlem’s experience in Tibet, the Free Tibet movement, and ethnic self determination
The philosophy of the Acid Right, and the intellectual and spiritual value of psychedelic hallucinogenic drugs
How subversive political movements are more likely to come from counter-culture figures including hippies, rather than middle class conservatives
Haarlem’s new book DEATHTOTHEWORLD: an interracial racist love story
How the book is fiction, but the character is based on Haarlem, and inspired by his experiences traveling across America by Freight Rail
How the Alt Right serves a purpose as a wrecking ball to political correctness, but has it’s intellectual limitations
How Haarlem trolled Red Ice Radio by proposing the Nazi Virtual Reality Theory
Haarlem’s plan to attend the National Policy Conference, and organize a workshop(not officially affiliated with NPI) on non-violent direct action at West Potomac Park
His upcoming series of plays, “Four Speeches at the Gallows”
Harlem’s review of Beatnik Fascist by Brandon Adamson


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Robert Stark interviews Professor Darrell Hamamoto

1960's, Academia, American Culture, Asia, Asian Culture, California, censorship, Cinema, College, Conspiracy Theories, counterculture, Culture, Darrell Hamamoto, Diversity, education, Erotica, Ethnic Studies, Film, Gender, History, Immigration, Japan, Japanese Culture, Media, Multiculturalism, Music, Political Correctness, Pornography, Race Relations, Sexuality, UC Davis, Yukio Mishima

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Robert Stark and Co-host Alex von Goldstein talk to Darrell Hamamoto, Professor of Asian American Studies at the University of California, Davis.

Topics include:

How Professor Hamamoto started out in Ethnic Studies and later became disillusioned with it
How Asian Studies, other Ethnic Studies, as well as Women’s Studies are backed by corporate and financial interest
His experiences with censorship at UC Davis
The elite’s support for mass immigration, starting with the Immigration and Nationality Act of 1965  to the H-1B visa program
His book Servitors of Empire: Studies in the Dark Side of Asian America
His pornographic film Skin on Skin, which starred all Asian American actors, which addressed the exclusion of Asian American males from Porn
Hollywood’s portrayal of Asians and his book Countervisions: Asian American Film Criticism
The importance of creating independent media
Yukio Mishima, his life, and legacy, and his opposition to the Americanization of Japan
Whether Asian Americans will become an elite in America or serve as a buffer between the White Elite and White Middle Class
The relationship between Japanese Americans and post 1965 Asian immigration
The 1960’s Counter-Culture
His upcoming panel at UC Berkeley on Asians and Film

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